Category: Interviews

Cinderella’s Revenge was watched early from a screener. It is being released on April 26th, 2024. You can see an interview I had with the lead actress Lauren Staerck, here.

What if Cinderella (Lauren Staerck) decided to go and like, kill? You know, get some revenge? Revenge against her step-sisters (Beatrice Fletcher, Megan Purvis) and step-mother (Stephanie Lodge). Ideally, she should have a good reason to go on a murder spree. Something bigger than chores and not getting to go to parties.

So in this story, Cinderlla’s father was murdered! And the step-mother was involved in the process. Now, pretend the rest of the story is the same for a bit. Except, when we get to the ball and fairy godmother (Natasha Henstridge) scene, Cinderella still gets a dress and a carriage. But instead of a regular dress, the fairy godmother brings in people like Tom Ford from the future, to design it. Not played by real Tom Ford, no. And what about her carriage? Well, its an electric vehicle, driven by Elon Musk of course. Because, and I quote, “Whenever you need a stylish mode of transportation that’s good for the environment, he’s your man.”

What?? Of course it should be noted that there are no cars in this time period, so, its certainly magic. But…also what?

Anyways, eventually, the prince ball scene happens, the step sisters foot cuttings happen, but it isn’t enough and they want to stop Cinderella. So eventually she gets like, a magical mask that lets her kill people to get revenge. Yep.

Also starring Darrell Griggs, Mike Kelson, and Ricardo Freitas.

The makeup women had at that time period was something else. Okay, title alone, this seemed like one of those movies I never really normally waste my time with. Very low budget horror films, that are easy to make and churn out. I do my best to ignore them, I do. But this one I felt like doing the interview, and still giving the movie a try. But honestly, I should also trust my gut more. I have so much of it.

The best part of the movie was the intro, but it inexplicably was just like a lyrics video to the song Cinderella Snapped by Jax. Like, literally, it was graphics and words on the screen, doing the first verse and chorus. And then when Cinderella Snapped happened at the end of the chorus, Cinderella’s Revenge popped onto the screen. Does that mean we have a big pop-rock soundtrack for the film? No, that was the only one. And that started the film, so it was all downhill from there.

First, it is so absurd of them to still do the entire Cinderella plot line, but then put a little bit before hand to make it different, and still have the last third of the film or more to be the “oh yeah, this is a horror film so we need killing” part of it. Why wasn’t it better incorporated into the whole film and normal story? I couldn’t say.

This film randomly has two sex scenes as well, I guess, for the small chance that would help get viewers.

But really what kills me, as you may have guessed already, is the weird fairy godmother, future people nonsense of it. It wasn’t funny to have these people in it. It was down right uncomfortable to even have anyone worshipping Elon Musk at this point. All of this made the film just feel like…well, a joke. And maybe they were going for comedic parts of this horror overall. Or some “hah we are so silly” moments. But turning Cinderella into a horror film shouldn’t actually be that difficult. You can tell the normal story, with a lot added into it to creepify it. But in this movie, it was like the normal story was just that, normal. They tagged on the silly fairy stuff. And then before and after the story some murder.

It reminds me of how uncomfortable I felt reading Pride and Prejudice and Zombies. Badly mashed together concepts that would both be better suited on their own.

I’d say I don’t recommend the movie, but, I can’t imagine anyone finds this on their own anyways.

0 out of 4.

Pure O was watched early from a screener. It is being released on April 12th, 2024. You can see an interview I had with Dillon Tucker, the director, here.

Cooper (Daniel Dorr) is straight up not having a good time right now. He thinks about death, too much. He thinks about killing, too much. He is in a huge depressive funk and can’t seem to snap out of it, even when recently engaged to his long term girlfriend, Emily (Hope Lauren). But when talking to his therapist (Candice Renee) about his issues, she lets him know he has OCD.

But how can this be? He doesn’t have nervous tics, he doesn’t repeat steps, he has heard of OCD before, and that isn’t him, it is just depression. A big part of it is experiencing distressing intrusive thoughts, without the compulsions. It can be categorized into specific categories of types of intrusive thoughts, but it all comes back to OCD, and is known as Pure O in the community.

Cooper, a musician, and a rehab counselor himself, really doesn’t think it is possible, but after his googling and research, he agrees to try to work on this aspect, to see if he can fix himself, to fix his relationships, and hopefully live a life free from the harms inside his brain. He knows addictions, he knows the right things to say to others, but following that advice can prove to be difficult.

Also starring Landry Bender, Jeffery A. Baker, Clint James, Hamish Patterson, and Isaac Nippert.

I bet when he stares this way at women, they also receive a Pure O.One of those things that really bugs me is when people say they are OCD about a task, completely belittling the experiences of those who have actual forms of OCD. Does that affect this movie? Absolutely not. But bringing up how fucked up that is in any circumstance is appropriate, so that maybe someone can learn to not do that. And if it is going to happen in a movie review, why not one that deals with OCD.

Now the director, Dillon Tucker, who is also the writer, made this movie purely because it was personal to him, and telling a story about his own life, and being diagnosed with OCD. It is his story, he just doesn’t also star in it (although he did cameo as a random person also in the therapy groups).  And you can tell it was made by someone who really knew the story, because of all of the unexpected things added to the story. In an “OCD” story where someone is writing about it from a lack of personal experiences, it is the only part of the story. The rest of it doesn’t matter. But in this movie, it is the main framing of the story, but the main character still has to live his life. He happens to also be a counselor, and is still working with individuals dealing with addiction. He still has to plan a wedding and learn how to better himself for his fiancé.

And honestly, Pure O, with ITS honesty, just hits all the right notes for a powerful drama. It tells a still unexpected story, that is meant to really help others through their own worries and providing some therapeutic moments on the screen for them to see. But also when it comes to ones disabilities, the more people are aware how it can affect their life, and be a constant grating pressure at all moments, might just help people stop being such assholes to each other.

This film has several intense moments. Notably a knife scene, and another character having a meltdown, but they are played so serious and so well done that it is emotionally touching for the viewer.

Off the top of my head, I know I have seen films about OCD before, but I can’t think of them right now. Because Pure O is the right one to see.

3 out of 4.

Hundreds of Beavers was watched early as a screener. Its is playing theatrically in Washington at Bainbridge on March 9, 2024. It should be released digitally in April. You can watch my interview with the director (Mike Cheslik) and star (Ryland Brickson Cole Tews) right here as well.

What would you do, if you were living your best life as an apple farmer, making beer, and then your whole farm blows up unexpectedly? Also, suddenly it becomes a deep deep winter and you are all alone, no resources, in the wild. How would you SURVIVE.

Well for Jean Kayak (Ryland Brickson Cole Tews), he found himself in that very specific scenario. Now, don’t worry, he won’t talk to you about his plans out loud. He won’t really talk at all. He will start to get harassed by animals, who tease and torment him, as he tries his darndest to kill them for sustenance.

Eventually, Jean finds a fur trader (Doug Mancheski) who sells gear, weapons, and more for some beaver pelts. So beavers are what must be hunted! Surprisingly, one of the items on the list is the ability to marry his daughter, (Olivia Graves), who seems to be attracted to Jean. Now Jean has a goal besides survival. He is going to kill so many beavers. So many. And then he will be happily married.

Also starring Wes Tank and Luis Rico.

The hundreds of beavers are coming after you, and can hurt you.  

There are not a lot of movies like Hundreds of Beavers. There are not…any movies like Hundreds of Beavers? From the animal outfits, to the extreme black and white setting, to the over the top flowing of zaniness, this film is a unique entity that stands on its own. Harking back to Charlie Chaplin movies, Hundreds of Beavers is not just slap stick, it is Snow Stick, its own unique drama where falling into holes, off of trees, and into snow, is half of the fun. The other half is people in beaver and bunny costumers kicking some guys ass.

I rarely condone a film that solves its problems with violence, but this is a special type of violence. This is Looney Tunes. This is art. This is cinema.

This is a film where there isn’t really dialogue, but grunts and sim sounds. This is a film with a plot that is easy to explain, but a wonder to experience.

I honestly don’t think I will ever see a movie like Hundreds of Beavers again in my lifetime. I find that harrowing and sad. I want to rent out a person in a beaver suit to beat me up. I want to have a cartoonishly large bunny chase me down the streets. Is this awakening something new in me? I sure hope not.

Honestly I have nothing but great things to say about Hundreds of Beavers. I want you to watch it alone or with your friends or while drunk. I think you will have a good time.

4 out of 4.

The Black Mass was watched early as a screener. It is currently available on DVD, Blu-Ray, and Digital services. You can see my interview with director Devanny Pinn here!

Florida in the 1970’s! Is there a better place to be alive? And as a college student, living your best dorm life? Well, it can be bad if you aren’t living your best dorm life, because you aren’t living at all, and you are MURDERED.

This film takes place on a single day/night, on a college campus in Florida. Where this nice gentlemen is nearby, looking fresh and fly, and just traveling through. And this guy (Andrew Sykes), seems really interested in this sorority. And the women involved. So much that he comes by, starts peeking through the window, starts following them to the clubs, and just overall isn’t actually a nice guy!

That’s right, we got a serial killer/stalker here. And the poor women involved in the sorority are about to have a very, very, bad night.

Starring many people, including Kathleen Kimmont, Lisa Wilcox, Jennifer Wenger, Chelsea Gilson, Devanny Pinn, Susan Lanier, and Eva Hamilton.

“Get out of my Dreams, and into my car” is not advice to follow when talking to a killer!The Black Mass is a film that goes out of its way to transport you back to the 1970’s. The film feels like it could have been made in the actual 70’s. Not just the clothing, the talking, and the style of the characters. That is easy. But it feels like an older camera made the movie. And the movie also starts with a very 70’s retro feeling credit sequence. A little bit groovy, and funky, despite the film dealing with a thriller subject matter. It really drew me in at the start.

The other main important thing you will realize is that most of the film is from the killers point of view. Over his shoulder, you will see him driving, walking, staring, and talking, but rare glimpses of his face. It does switch the point of view from his eyes, when he is peeking through the window shades, and staring at others. We don’t get to see different views until the very end of the movie, after all of the notable events have occurred. And it is certainly an interesting choice. On top of all of that, the guy in question’s name in the credits is “Me,” but don’t worry, it isn’t me, it is more likely you than anything else.

The women in the sorority, many who (not really a spoiler), would become victims. Since this is based on a true story, you must know that the bad things will happen. But will they be caught? Will they get away? Will it lead to more? Has this story been solved? All of this you’ll have to wait and see, because the movie also goes out of its way, including with the descriptions of the film on IMDB and other places, to keep what specific true events a bit of a secret.

Now is it worth the secrecy? That is a hard question. I really don’t think doing so added anything extra to it. There are enough hints and clues, especially early on. But since I did not know the mystery was part of the point, I didn’t bother to put anything together.

Overall, this is a very cohesive film, that is trying to tell a story, and to not glorify the bad guy, but to show him as he really is. A bad guy who should not be worshipped.

3 out of 4.

This film was watched as part of Fantastic Fest 2023!

Check out my interview with the director, Nick Tomnay, here! 

In every horror movie, if it involves wishes, you know you are going to need to have a lawyer to go over the wish with a fine comb to watch out for loopholes. Hell, even the comedies about wishes usually follow the same rule. The Monkey’s Paw is a fierce and fickle bitch, as it were.

But thankfully, this movie just has Wish in the title, and isn’t about a sarcastic asshole djinn spirit.

What You Wish For is more just part of a saying with the words be careful. I guess the grass isn’t always greener in this thriller mystery. Huh, what a wild concept.

No joke here, I just had to edit the poster to get a second photo for the review.Ryan (Nick Stahl) has hit a bit of a rock. And that rock is on the bottom. He is a chef, with some excellent cooking abilities, but no great place to work, and he is broke. He also is a gambler! So not only is he broke, but he owes some nasty people some money, and he is on the run for his life.

Lucky for him, one of his old pals in cooking school has a place for him. Jack (Brian Groh), arguably not as good of a cook, is living an extravagant life in Latin America. He has a beautiful house, and he is a chef for some rich rich people. He is living the life anyone could dream, and yet, he is alone. And Jack invites him to a visit, perfect timing for Ryan.

But there is something mysterious and secretive about this arrangement. How can a chef afford such luxuries? How great is Jack’s cooking? Well. Ryan is about to find out, because he is going to be given an opportunity to take over from Jack, without knowing the finer details. And maybe he won’t have the stomach for what happens.

Also starring Tamsin Topolski, Randy Vasquez, Juan Carlos Messier, Penelope Mitchell, Ariel Sierra, and Greg Winter.

Fancy food? Hooray a film on how to cook, finally.I am trying not to hint too much at this. Because a creepy movie involving food usually means one thing. But hey, if you remember The Menu from last year, then you should know it can mean a lot of different things. Just. Food will be involved. For an expensive meal. And even if you THINK you can guess what happens, you won’t be able to guess the events around these actions still.

Nick Tomnay, the director, has only done one other feature film, and it was 13 years ago. The Perfect Host, with David Hyde Pierce. It was a charming film where people weren’t as they all seemed and there was a dinner! Oh great, similarities in his body of work.

For this film, the mystery was only part of it. Because by the halfway point, the mystery has been give away. It’s what you DO with the mystery that really gives the film its flavor. I am going with a cooking metaphor here, please accept it. I was kept on the edge of my seat, wondering how various characters would cope with the situation, when the stakes seemed to just keep getting higher. And the end is a stark realization that even when it comes to the elite and rich, no one can get by life’s cruel twists of fate.

Now I just gotta hope a similar situation comes my way for my dumb skill set so I can be rich forever. Just kidding. Kind of. Maybe.

What You Wish For is an interesting look at not the most interesting story, but it does its own unique blend of herbs and spices to give it a kick that is quite enjoyable.

3 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). Egghead & Tinkie had its Seattle Premier at the festival and is currently on the virtual fest. See an interview with the director Egghead & Twinkie, here!

Are you an Egghead? Or are you a Twinkie? These are battlelines that have never been drawn before, but I am drawing them here today. Which side of the camp do you fall on?

Oh, I guess you might not know what side each of them really represent. Which is fair, you likely haven’t seen the movie. But the movie is called Egghead & Twinkie, so I at least know the point of it is that the pair is important. We don’t need to pick sides, we need to pick both of them. And ignore the strange doppelganger pairs like Eggkie and Twinhead.

Yep, this is the Eggkie and Twinhead pair for sure. Twinkie (Sabrina Jieafa) is living her life in her summer after high school, and finally realizing what she is about. She is gay, and doesn’t care who knows it. Well, she hasn’t told the people in her life. Her conservative parents (Kelley Mauro, J. Scott Browning) don’t know, and she assumes her best friend, Egghead (Louis Tomeo) knows, but for sure people on the internet know! Especially BD, which is short for BigDykeEnergy (Ayden Lee), the current love of her life.

But BD lives in Texas, and Twinkie lives in Florida. Life is unfair. They can talk all they want on the internet, but they can’t be close to each other, so its almost like Twinkie can’t even tell for real if she is a lesbian! But, an opportunities arrives. An invite, to a club, where BD is DJing, a complete lesbian night. But Twinkie doesn’t drive, and its a long ways away.

Sounds like a great time to convince Egghead to drive her, who recently found out about her sexuality, and still crushes on her hard. But maybe this bonding trip is important before he runs off to college. Even if their parents say no, what can they do to stop them? If they got wheels and they are on the road, and they got money, looks like they will just have to wait to punish them when they get back. And hopefully, along the way, they can find themselves before it’s too late.

Also starring Roger Greco and Asahi Hirano.

When movies have people watch movies, is there anything better?There are indie movies, and then there are indie movies. The first sort of indie movie has a very specific set of goals. It will be award winning, it will be a character study, it will have a lot of natural lighting. You will likely have a lot of shots of characters walking, often from behind. You won’t have lots of CGI, and you will likely cry over what seems like ordinary circumstances.

And then there is indie films that literally look like they were made by first time folks, with little experience. The lighting might be weird, the acting might not be great, the story will be unique and quirky. And it might be terrible, and maybe no one will watch it. It doesn’t have to be terrible, there is just a better chance of that occurring.

Egghead & Twinkie is the second sort of indie film, but thankfully, it isn’t terrible. Everything about it gives off an aura of fun and cuteness. The people making it were having fun, the story was fun. It felt like everyone involved maybe on their first film, and it is okay, because it invites the viewers on the experience.

There is nothing groundbreaking from the story here. Road trip film, best friends with one way crushes, shenanigans along the way and betrayals. But the movie does feel like a very Gen Z film. It was made by Gen Zers and acted by them and it shows. I am noting this as a positive. Just the way they spoke, the references, and all of that, was arguable refreshing because most films only do that in a mocking way and not in a genuine way. The animation between them adds to it as well, fitting the characters, and giving that same high energy aspect towards the whole film.

Egghead & Twinkie, a film made by Gen Z, with Gen Z people, for Gen Z people, and it is refreshing in those takes alone.

3 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). Abled had its World Premier at the festival and is currently on the virtual fest. See an interview with the director and star of Abled, here!

Without a doubt, one of the sports I do the worst at is running. Whether it is sprinting, or cross-country. I don’t have what people call endurance, and I am built like a train. [Editor’s Note: Actually, three years in a row I won the 6th grade teacher 40m sprint due to competitive nature and other lazy teachers.] So in reality, that does mean I am less interested in watching people run as well. When my oldest did cross country, I was stoked he wanted to run, but also knew how unexciting watching those meets could be.

This leads me to this documentary. Originally, I was going to skip it. How exciting could a documentary about running for the Olympics be? People go fast, less than a minute of competition. Sometimes they dance before they go? But that is the main Olympic stories I remember. However, I am glad I ended up checking out Abled, for quite a few reasons.

The first reason, is that Blake Leeper, the star of the documentary, is a delightful person, full of passion and perseverance. Now for those not sure on what this is about, Blake is a Paralympian runner, with 8 Medals to his name, over various games. He was born with no legs below his knees, and it wasn’t looking good. But he learned to walk and eventually, learned to run. And he became more passionate about his running when they developed blades so that the running is more natural. And damn, did he take to them.

This is how I look after I have to run any amount of time.

However, it turns out, that not everyone is stoked about Blake’s success.

You see, he was seen as being too fast. Blake wanted to run for the Olympics. Not the Paralympics. The “regular” Olympics. After all, Oscar Pistorius did it in 2012. (Oh fun fact, check out his Wikipedia. Things sure did go south for him after those games). And even though Oscar was allowed to compete, Blake was not. Because Blake got a really good run, under 45 seconds, in a trial run, for the first time in his life. And now, apparently, his lack of natural legs gave him an advantage, and the Olympic committee said they needed to science and research to prove that these legs did not give him an advantage overall. And they were going to make Blake prove it.

This documentary is about Blake’s fight to compete, to prove that the legs inherently did not make him faster. It goes through their trials and tests, and quite honestly, really obvious reasons to prove that they aren’t something that give him a (this is intentional) leg up on the competition. And yet, it seems no matter what they do, he gets denied. And public opinion is also divided, because as we know, people have opinions without facts and research to back it up.

But besides all of that. This is a story of a man, at a disadvantage in a sport, succeeding despite the metaphorical hurdles in his path. It is a story about an exceptional athlete, with a positive attitude, fighting for his rights to compete for his country and for his family. And it is a powerful story, and one that really questions how we label disabilities and how welcome we are to those with these struggles into society.

Abled is a great documentary of a true story, with a fight that is never finished. And it is worth time watching.

3 out of 4.

These films were watched as a part of the Seattle International Film Festival (SIFF). I Like Movies is the official CLOSING FILM and has its Seattle Premier on Sunday, May 22 2023. Check out my interview with Chandler Levack here! 

Do you like movies? I know I like movies. Hell, I might love them. I might be in love with them, if you ask my wife. But if you like movies, or like the idea of movies, then I got a movie for you.

Have you heard about I Like Movies? It is from Canada! And based on the film title alone, I knew it was the type of film I needed to see, as soon as possible. Describing what it is about is just a waste of time on me. I like movies and want to watch movies about liking movies. If that is wrong, then I don’t want to be right.

This is just a picture someone took of me in a movie theater, what the hell?

Lawrence Kweller (Isaiah Lehtinen) is a senior in high school, and he knows what he wants in his life. He wants to leave Canada, go to NYU, and join their film program. Then he wants to direct films and become super famous and have love in the world.

But there are a few problems. He is notably not rich, and NYU is expensive. He could just go to a Canadian school and be much better off, but he doesn’t want to be a Canadian director. He also doesn’t have a lot of experience outside of film classes in his school. He can’t even watch every movie he wants to watch. So, he is ready to finally help his future career and he gets a job. At a movie rental store!

Now, not only can he start earning fat stacks of cash to go to school. But he can talk about film with coworkers. With customers. And see more movies (for free!). Things are really looking up for Lawrence. Ain’t nothing bad gonna happen to him now.

Also starring Krista Bridges, Percy Hynes White, Alex Ateah, Tavaree Daniel-Simms, and Romina D’Ugo as his boss at work.

Look at these happy people. Clearly they all want to talk about movies 24/7. 

If I had a fear about I Like Movies going into it, is that it would be a movie made for people who were really into movies. And let’s be clear, I am fine when that happens! I am into movies, so I will get it, and usually get hyped around it. And while I Like Movies carries that sort of vibe, and it will make plenty of movie references, it is also just a standalone good movie. On its own. Even if you are a normie not already at 250 films for the year (whoops).

What we have in this picture is a main character who will infuriate you and make him love him the next scene. He has some issues, that he has certainly not worked through in any positive way. But yet I understand where he is coming from every time. I understand his best friend, and his boss, and his mother. A film where everyone still feels like a real person, even when some more egregious events happen along the way.

And in general, it also gives me back some of that nostalgia of not just working in a movie rental store, but also being a shopper in a movie rental store. When you had time to choose and there were a finite, yet good amount of options. This is a film that wants you to remember those good times, and maybe even, the bad times you had with these stores and their late fees.

I Like Movies is a simple film, telling a simple story, about a main character who does not like simplicity in the films he watches. He is not here for re-releases of Shrek, he is here for cinema. When it becomes available, it is a movie worth watching in a theater, with others. It isn’t just a coming of age story in the like of late 90s coming of age stories. It is about the industry and how it changes people, for better or for worse, the struggles within it, and how despite it all, we keep crawling back towards the movies we love.

4 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). The Mattachine Family has its world premier on Friday, May 12, 2023. You can see my interview with the director here!

Without a doubt, I think if I just saw the name of this film, I wouldn’t have given it a second thought. The Mattachine Family? That is a real fancy sounding word that I don’t understand, being the illiterate adult that I am. Turns out, Mattachine isn’t really an adjective to describe the type of family, but it can be a reference to many things.

Personally, I think that it mostly would refer to The Mattachine Society, which ended up being an early organization that came about for gay rights. Huh, look at that, I am learning already.

And before I get further, it is most important to point out that this film with many producers, also has Zach Braff attached as the executive producer. Which means he is putting that Scrubs money to good use. Diverse films!

If you look closely, those steps are The Mattachine Steps. Damn, I was wrong!

This is a story about family, which you probably got from the title.

Specifically, it is about Thomas (Nico Tortorella) and Oscar (Juan Pablo Di Pace). Thomas and Oscar are not only in a relationship, they were foster parents for a little kid! Wait, let’s back up a little bit.

Oscar used to be an actor! He was a child star, on sitcoms, got really famous and was himself a foster kid. So it makes sense for him to want to do the same. Things came crashing down when it came out that he was out.

Thomas and Oscar met at one point, and the rest is history! Just kidding, it has its ups and downs as well. In fact, Thomas is a photographer and is struggling to figure out what it means to have a family as an adult gay man. But fostering a kid is certainly one way.

But then, well, his mother is better, and takes him back, after a year in their life. And it turns out, Oscars career is finally starting to pick back up. So he is going to be away filming. And their kid is gone. So what is Thomas to do? He is alone, not sure where to go on in life. Should he try for adoption? Should he ignore kids completely and just focus on living his life with his friends? Being an adult is hard, and it turns out, so is making a family.

Also starring Garret Clayton, Khalilah Joi, Jake Choi, Heather Matarazzo, Emily Hampshire, Colleen Foy, and Annie Funke.

What is love if it is not holding someone from behind in your arms?Let’s go back to that “What is Mattachine” introduction I gave. Well, from the screenshot, you can see that there are Mattachine steps. These steps are known as outdoor workout stairs. Oh, so like, designed actually to be used for exercise? Maybe the real Mattachine family is the one that you need to put work into, and hopefully in the end, it will work out.

But if you dig deeper…you find out that they were outside of the home of Harry Hay…the founder of the Mattachine Society. Oh good, we are back to that, and it looks like I was right! But hey, the metaphor works nicely as well.

Anyways, this is a very unique film I would say. It isn’t really a standard family film, it isn’t a romcom for the leads. It is almost like dealing with a middle age crisis on what to do for the rest of your life, if you want a family but can’t seem to have one. Obviously the goal here is to define families in a more broad sense, for the friends and people you have in your life and choose to spend your time with. But it is certainly in the drama film, if not loosely, barely, in the romance genre side of things.

I think all of the leads did a fantastic job. They felt believable and were fully fleshed out characters. At the same time, this film had so many ideas floating in it, with the side characters and subplots. I wasn’t sure what the film was meant to be about, until we really got to the final scenes and conclusions began. In my mind, it felt like that this film was maybe first envisioned as a pilot for a television show, that can continue to tell the story of these friends and characters as they continue on for life, but somewhere it pivoted into what we have. I know it isn’t true, but it is the feeling I get from the film, with how disjointed some moments are from scene to scene.

Again, well acted, and honestly, a beautifully shot film. And if the “driveway fall” doesn’t suck you in early on, I am not sure if movies are meant for you.

2 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). Anu has its world premier on Sunday, May 14, 2023. You can see my interview with the director here!

If there is anything we vastly need more of, it is stories of non-white people in films. I fully believe that, and it is up to us as movie watchers to seek out these stories when they become available.

That was my driving factor for seeking out the film Anu. Anu is actually based on the book, Looking for Bapu, which came out in 2008. Written by an Indian-American woman, about a kid growing up in a mixed culture environment. And now, with Anu, telling the same story, is with Indian American director, Sudeshna Sen.

See? Exactly what I want, new perspectives, from people who aren’t like me, and non-male directors is only a plus at this point. Throughout these festival reviews, I will try my best to highlight and seek out films that aren’t the standard.

And if I don’t, Anu said she would glare at me all night and I don’t need that on my mind.

Anu (Diya Modi) is a preteen Indian American girl living in the Seattle region (hey, that is where I live. And where the festival is!) and has to deal with normal preteen girl issues. However, her life starts to change really early on when her grandfather, Bapu (Abhijeet Rane) passes away unexpectedly. With this, her life does begin to unravel a bit. She loved her Bapu, and she misses him, and how can she go on living without him?

From there though, she begins to see visions of him as a ghost! And it is definitely real. Anu wants to begin a quest to bring him back to life as a reincarnation of Siddhartha. But before that can happen, she has to go on a spiritual journey…in her own neighborhood and school. She has to become holy. Whether it is fasting, giving fortunes, or changing her style, she knows she needs to be able to bring him back, that is the only solution left in her life.

Also starring Lowell Deo, Pratik P. Shah, Tanvee Kale, Hudson Bruener, and Eden Campbell.

Clearly a walk to remember. Oh, no, different movie.

Anu is a classic coming of age story, or at least, a coming of age story, where culturally the way the character acts and interacts with her surroundings makes it more unique than the standard film of this variety. First I want to talk about the main actress, Diya Modi. This is her first feature length film where she has a major role and she knocks it out of the park. It is arguably my favorite aspect of the film. Her character has flaws and makes mistakes and acts like a girl that age, and is not some “perfect kid” learning to deal with death. She is a regular kid, learning to deal with death, through the good and bad reactions one might go through based on what they were taught.

Rane as Bapu was also delightful, and I wish he had more screentime. (This is arguably the plot of the film as well, getting him more screen time).

And although it is easy to remember the things that Anu did in the film in order to complete her spiritual journey, I will acknowledge I don’t remember much more of the film. It was great to see local sights and sounds, and just hear a character saying “Ballard” (a neighborhood of Seattle), but I don’t think the other supporting characters added enough for the full film. Her parents, her friends, it all becomes a little bit of a blur.

Anu is certainly not close to being a bad film; it was certainly a unique and interesting film! It is just also one where I was hoping for a bigger character catharsis and cast to help elevate it into bigger and better levels. It also gave me enough interest to seek out the book the film is based on, even if it is meant of elementary/middle school aged students.  I hope that the lead continues her acting career, not just for diversity sake, but because she handled the lead role so well.

2 out of 4.