Category: Festivals

Remaining Native was watched as part of the Seattle International Film Festival 2025! It had its showing on Saturday, May 17th as part of the festival, and it was the Seattle Premiere of this film! You can also see my interview with the director, Paige Bethmann, here!

What if you could run away from all of your problems, and never look back in fear? Well for me, personally, I can barely sprint, so running that far seems like the main issue. Cross country running is not my passion.

But it is the passion for Ku Stevens, who at the start of this documentary is a high school student in Nevada, who has made long range running his deal since he was much younger. And basically he was the only one in his school who liked to run at that. And of course, he is a Native American. He stood out in many ways. No one cared about his running, but he was very good at it, and won many a competition, without having many to compete against to really prove himself.

Now Ku has lived in this area for a long time, including many generations of his families. Including his Great Grandfather. Who, like many around that time, were taken from their families and brought to boarding schools just for native kids, where they would be indoctrinated into “American Society” and values. And by that, we also mean abused, beaten, killed, and more if complete assimilation was not met. A tragic place, where many lost their lives, but not Ku’s great grandfather. No, he escaped when he couldn’t take it anymore. And he did it, by running, and hiding, almost 50 miles to get back to his home.

And this documentary is about Ku honoring that legacy, and setting up something called the Remembrance Run. A journey of 50 miles over two days, in the desert summer heat months, to explore his great grandfathers sacrifice, and push himself to his own challenges for his life.

Running doesn’t me escape my problems, but, that’s more because I cannot really run. There are quite a few documentaries lately about these Indian Boarding schools, in the US and Canada, especially due to the discovery years ago of the pit of bodies found outside of one. A mass, unmarked grave, making people couple with this past. I mean, non-natives learned about them in a quick sentence in a class once probably and never again, not knowing the full great and powerful impact. But those families always did, and it is time for the rest of the world to catch up.

I watch every single one of these documentaries I can, and I can say that Remaining Native is the first to tackle the subject in a very specific way. It talks about the tragedies, of course, but also on how to overcome them, how to learn from them, and how to grow from them. It offers a chance of hope. Sure, no one now can really experience and realize how these things were, and know it in their bones, but there are things we can do to make sure these experiences are never repeated, and things we can do to make sure that these forced sacrifices are not completely in vain.

Ku is a kid who was a lot more brave than I was at any point in my life, and wise beyond his years, to set up an event like this. I think he is a great role model, a guy in college right now, still with his whole life in front of him. And Remaining Native is a hard hitting documentary, taking on a hard hitting subject, while keeping it personal at the same time.

3 out of 4.

Fucktoys was watched as part of the Seattle International Film Festival 2025! It had its showing on Friday, May 16th as part of the festival, and it was the Seattle Premiere of this film! You can see my interview with the director, Annapurna Sriram, here!

Trashtown is not the world you know, it is a sort of alternate universe, where the depraved and hidden aspects of society are allowed to flourish and everyone can live the life they want to live. Without getting judged and ridiculed in response. Sex, drugs, and a little rock and role. Prostitution, psychics, fetish life, showing off your body, all of this and more exist in Trashtown.

Which brings us to our hero on a new adventure, AP (Annapurna Sriram), who has felt down in her life. And according to her psychic, she has been CURSED. But it isn’t that big of a deal, a curse can be gotten rid of with a specific ritual, which would just cost her about $1,000. Hey, that’s a good deal to get rid of a curse. So AP, who already is a sex worker, decides to put her work into overtime to get the cash and get rid of the curse ASAP.

Along the way, she gets to meet Danni (Sadie Scott), an old friend, who is back in AP’s life, and they are going to help her get the money for the curse, and AP is going to help Danni get some work in the process.

Also featuring others like François Arnaud, Damian Young, Brandon Flynn, and Big Freedia.

When the drugs finally hit, your experiences may vary.

Fucktoys does a good amount right for what I would describe as a very experimental movie. First, it gives traditionally underused actors and actresses the ability to play roles they may have always wanted to play, but never an outlet to play them. It gives underrepresented groups more screen time, without making their underrepresented qualities their reason for the role. Everyone just plays a person! It is wonderful to see.

The film intentionally gives off a seedy 70’s indie exploitation film vibe, with the film used and the scenery. I honestly couldn’t tell you when it was set, as the technology use was not fore front. Did someone use a cell phone? Probably! I don’t remember. And it didn’t matter too much to the story, so the strange world created can also be independent of any time period. It can just be free love, man.

Despite the very unique vibes, and free spirited nature of the film, it does seem to still lack something else. No character fully stands out to me. Everyone just exists. The plot feels like a loose vehicle to show off the world, and that is it. For the main character it becomes a repeating loop of “let’s do this activity” and then something goes bad, so her attempts to get the $1000 keep faltering. So the story is light, and almost like a TV pilot just to introduce various concepts. I wish the story had some more intensity too it, but at the same time, the light hearted nature of Trashtown was also the point.

2 out of 4.

Drowned Land was watched as part of the Seattle International Film Festival 2025! It had its showing on Friday, May 16th as part of the festival, and it was the Seattle Premiere of this film! You an see my interview with the director, Colleen Thurston, here!

A Civil Action. Dark Waters. Films about lawyers going after corporations who have poisoned the water in communities and refuse to take action to fix it. Films where the little guy has to stand up to Mr. Moneybags, and well, it doesn’t go well. Sure, there is some success, but when compared to the extreme damage done to these communities, it gives a strong Pyrrhic victory vibes behind it.

So, what is the problem can be stopped at its source?

In Drowned Land, we head to Kiamichi River, where many natives in Oklahoma live, after being moved during the Trail of Tears. Not just Native Americans either, plenty of other folk use the valley and the river. But we have, like in those movies, a company who wants to come up and turn it into a hydroelectric dam, flooding parts, affecting the wildlife, and the residents both up and downstream in different amounts.

And this documentary is about the local residents coming together to put a stop to this. They don’t want it to be touched. They want to save it, and so they go to the hearing, with personal narratives, facts, science on their side, to see if they can prevent future tragedy from befalling upon their community.

And its not just about protecting beautiful sights, but hey, its a bonus. You know the beginning of The Hitchhikers Guide to the Galaxy, where Earth apparently didn’t make the hearing to save itself, so it went kabloom? Well, apparently those meetings are useful. Splice with scenes of community members talking about the river, and museum visits and more, we get to see snippets of the two day hearing, where community members brought their voices and expertise to say why the dam should not be built.

And of course, the most surprising part about this, is they were successful.

For now.

Because this was not the first time it was attempted, and won’t be the last time, unless they can get legislature protecting the area forever. Which is the next goal. But holy shit, they won? Even if just a small step towards staying free from this construction, that is such a massive uplifting feeling. I have seen a lot of protest documentaries about constructions on native lands, and trying to stop corporation take over. I feel like the corporation always wins, and we see why everything is corrupt.

If anything, this documentary should be shown just to see that it can be done, it just takes a village working together.

But besides that, I am sad to say, the parts between the hearing just failed to keep my interest as much. I am a political and legal junkie, I would have loved it if the whole thing was just that one aspect myself. The human interest stuff, I get it, but it felt a little bit more like padding than anything else.

2 out of 4.

Four Mothers was watched as part of the Seattle International Film Festival 2025! It was the opening night film of the festival, on Thursday, May 15, and it was the Seattle Premiere of this film!

How many mothers is the right number of mothers to have? An average number has to be somewhere around 1 I imagine, but people sometimes have fewer, sometime they have more. But rarely do they have four. And thankfully, our lead doesn’t actually have four here either.

Edvard (James McArdle) is a romance novelist for the YA crowd. He is a gay man, and his books feature gay romance, but he thinks his writing is a bit better and more important than simple romance. Right now his book is set to come out in America, and it is getting strong buzz before it comes out. So he wants to really capitulate on the buzz and maybe earn him the success he always felt he deserved.

Unfortunately for Edvard, he also lives with his mother, Alma (Fionnula Flanagan), who doesn’t speak anymore and uses a tablet to speak instead. She is old, she is closed to death, and he is her caretaker. It does mean he has no social life and he is thinking about of leaving her in a home, just to give him some time to find that life success. But he is also a coward and doesn’t think he can do it.

Regardless, he is about to set up a US tour for his book when his two best friends, also gay and also caretaking their moms, decide to ditch their mothers on his door step so they can go to a big pride festival for a few days. And his therapist, older, in the same scenario, drops his mom off too. Oh look. Four moms! So now he has to juggle four older women, with different schedules and temperaments, while he is trying to do something great in his life at the same time. Hooray!

The other mothers are played by Dearbhla Molloy, Stella McCusker, and Paddy Glynn.

They are probably not watching porn here. I think we need more Irish films for sure. Such a small country, with a small population, but they got stories to say too, even if things get a little bit US centric with the plot line. (Damn United States, always butting in other countries stories…).

Anyways, I will say I liked this concept for a story. A struggling author of a niche topic, looking to get big, dealing with underrepresented groups could lead to a lot of things. And this is a caretaker story at the same time, and caretakers, despite being a pretty large group, are often underrepresented in media as well. Or, if they are represented it is usually more of a tragedy drama, than a comedy or uplifting drama. This falls into the latter category. And, because of that, I don’t think it is able to reach the lofty goals it aspires to be.

The stronger emotional moments I feel go away too quickly. For example, the father who is clearly not in the picture, and his story, is brought up and leads to conflict, but only in smaller amounts despite holding a lot of weight. The idea of a temporary home while he invoked on a 2-3 week US tour made a lot of sense, and the drama behind it felt…extra. It was a shame. The film didn’t seen to hint enough to find out why certain decisions were derisive, and I just felt bad for the main character most of the film.

The ending itself is exactly where someone would probably assume this movie landed. You know, knowing it is a comedy/drama instead of a tragedy/drama. So I wasn’t surprised when we arrived at the ending. But unfortunately the journey wasn’t fully worth it either.

All of that to say, I liked most of the main characters, including our main guy. I think the side stories of his life had a lot of heart behind them, and the acting from everyone was still top notch. But pleasant films aren’t always going to be the most exciting films.

2 out of 4.

All God’s Children was watched as part of Cascadia International Women’s Film Festival 2025! It has its showing on Saturday, April 26th as part of the festival.

All God’s Children is an interesting phrase with a lot of weight behind it. From a single religion’s point of view, the religion that feels that they are the most correct religion, then they can say sure, everyone is really the children of their one god, the right god! And it becomes extremely dismissive of other religions in that sense, especially when they would disagree with that point.

Some people use the phrase to refer to the three Abrahamic religions of Judaism, Christianity, and Islam. Because hey sure, it is known that they worship the same godlike being, and they can then use the phrase to refer to anyone in these religions, whom just worship differently. Screw the people who are Hindu or any other other plenty of religions in that regard, but at least they have an umbrella.

Now, in the United States, when you hear that phrase, for the most part, it likely is used by a Christian, in regards to Christianity and everyone in the world needing to be Christian. But this documentary wants to examine a bigger scope in that regard. But not as big as I noted.

In this documentary, we are going to have two large religious groups come together, to work out how to coexist peacefully and prop each other up, against outside influences trying to tear them down. No, unfortunately, none of these groups are Muslim. Instead these New York groups are a mostly white based Jewish congregation, and a mostly black based Christian group.

Who gets to be the bigger person? Now, this documentary (probably) wasn’t set up to try a cure racism. But it does come up quite often given the subjects. When it first started, I thought back to that old viral Rhett and Link commercial about a furniture store for people of all races to enjoy. A silly video, but the ideas behind it have nobility. You see, because both Black churches and Jewish groups have been targeted by acts of violence over the last many several years, around the United States. Shootings, bomb threats, weird protests, you name it. [Note, so have Muslim mosques, but again, unfortunately they weren’t included in this. That isn’t a fault of the documentary filmmakers, because they didn’t make this coalition themselves, they are just filming what real groups were attempting].

And that is why these two groups wanted to come together. Not just because of the outside threats against them, but because these same outside threats seem to be wanting them to fight against each other instead. There are certainly elements to Christianity and Judaism that seem incompatible, but what if they can ignore those differences, and focus on the lessons of love and community and help prop each other up?

Would be great if it can happen!

And honestly, the best parts of this documentary show that it can be incredibly hard to get this going. It takes actual effort, but different sides, and consistent effort at that. And even then, nothing is perfect, and there are points where it seems like the whole project is a waste. But again, I reiterate, this is not a perfect process, and this is just a real situation of two large religious organizations trying to do SOMETHING to maybe make the world a better place. And for that, this documentary is a real good examination of real life and worth spreading the message.

3 out of 4.

Butterflies (Perhoset) was watched as part of Cascadia International Women’s Film Festival 2025! It has its showing on Sunday, April 27th as part of the festival.

Working women never have it easy. Just ask Siiri (Aska Korttila), a working woman, and she doesn’t have it easy!

Specifically she has a government job. No, not one she was voted in, like a politician. She works for one of them, Lena-Maj (Leea Klemola), as some high level of assistant. She has to help her get from place A to B, get her in contact with people, book their hotels, book their cars, handle her meeting notices and phone calls. It is a lot of work. There is even another assistant, who is much worse at the job, but he is cool so he gets away with it.

Regardless, Siiri is now in her home town where she doesn’t want to be, because that is the next stop in the tour. And thankfully, it is a quick one. But because her boss’s husband picks that time to let her know he wants a divorce, so Lena-Maj agrees to stay in the town for their little festival all weekend to try and have fun and avoid reality. And now, Siiri can’t escape her own!

Which means dealing with her father (Jani Volanen). She doesn’t like him. He is a screw up. And he knows it. But he just wants to help her, even if he cant help himself. And it turns out that the apple doesn’t fall that far from the tree.

Also starring Alex Anton.

The fields that grow her sorrows are bountiful.

The two leads in this film are uncomfortable people to watch. They rolled low on charisma and luck, and things don’t go their way. They are not the life of the party (despite the dad being a semi successful musician or something like that)? So if you are going to watch this movie, you are going to have to be willing to deal with that uncomfortableness.

I think the situations presented in this film were decent. I think they could have escalated a bit more, and often kept staying in rather…tame situations. It never made it to the next level. And worst of all, it didn’t feel like it was worth it at the end. It reminds me of a Blink-182 lyric, “Work sucks, I know”. But this is a movie where unfortunate things happen without a great level of payoff. “Life sucks, and then you die,” another song quote reference from The Fools.

A way to describe this could be a black comedy, but usually those movies go darker and potentially include death. So a black comedy without the extreme elements? With a bit of that “British” humor behind it.

It certainly achieves that result, but I wish it went to those greater levels.

2 out of 4.

Folktales was watched as part of Cascadia International Women’s Film Festival 2025! It has its showing on Saturday, April 26th as part of the festival.

Sometimes, people take a gap year after they finish high school and before college. (Sometimes it is forced because they didn’t get in anywhere, or forgot to apply). Some people never go to college at all and go straight into the workforce. Some people choose to study abroad, in some level. Some people switch from college to college. Some people even get to study abroad while in high school!

And some people choose to “study abroad” in a folk high school in Norway!

This is a school that exists within the Arctic circle, and is a full school year type program. On my own looking it up, people from all over can attend these schools. Most of the people must live in the country itself and the EU, but they accept a small amount of people (Around 10% it seems) from other countries as well.

And for this type of folk school, survival is the goal. You are meant to learn skills to live off the land. Building and maintaining fires. Dealing with cold weather and getting out of ice. And of course, dog sled travel! You will learn to bond with the animals, to take care of them, to direct them along the path and how to fix problems as they come up, like falling over.

Will the students at these schools decide to then go and live in the Arctic circle full time, living off on their own in the wilderness? Probably not. A lot of them likely won’t use the specific skills at all. But the learning experience, the confidence gained, I am sure is one of the bigger components for students after these things are over.

And you get to be surrounded by good boys. Far better than a normal school (with bad boys)!

As like many a documentary, this one focuses on the entire program, and specifically three students. We have two native Norway students, and one from the Netherlands, (a woman and two men) amongst their many classmates. We get to see them before they head to school, why they decided to go, and the many trials and tribulations throughout the year. Including when they don’t get to have sun for a long period of time. You think your school is bad? This one takes away the sun, so maybe you should just write your essay.

The students picked are a pretty good mix of archetypes, including one student who has the ultimate of lows with having to withdraw from the program. The decisions behind that, and the pressures can really get to people. Especially when they go on excursions and actually force the students to make their own fires, melt their own ice for water, and cook their food. There isa time for hand holding, and there is a time for showing yourself, and not everyone is willing to trust their own abilities to achieve that higher level.

Now I wonder if anyone has ever died during these school trips. I am most certain that things would never get that dire, and they would intervene at that point. But there is certainly a line!

I admit, the school sounded cool, and depending on the price, it honestly sounds like an experience one would never forget, and give every life lesson possible that one might need to go into the world confident and ready to excel. I might have already looked up how my own kids could go.

The documentary itself has some incredible shots. Including shots of the drivers of the sled dog team, and aerial shots of the campers on a journey, and one particular beautiful shot of just laying up and watching the aurora borealis.

In conclusion, Folktales is a documentary that isn’t set out to push an agenda, but just inform of something rather neat out in the world that people likely didn’t know about. And that is how this documentary came across, as something rather neat!

3 out of 4.

Killing Romance was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 18th as part of the festival, and it was the Seattle premiere of this film!

First, Hwang Yeo-Rae (Lee Ha-nee) gets famous! A viral person, a superstar singer, and an actress, and she is everywhere. She rises so fast, she gets put in the lead of the most expensive film of all time, and it is a dud. Her acting falls flat, she is a laughing stock. Sure, people love her for this, but she thinks this is a tragedy and her life is over.

Then she meets Jonathan Na (Lee Sun-kyun), a very rich, powerful man, who helps her out of a jam, and seems to like her. Perfect. They live away from Korea for so many years, and eventually return, Hwang now a house wife, with the world forgotten about her.

But then she meets Kim Beom-Woo (Gong Myoung). No, this is not a love thing. This is just a guy who happens to be a super fan of her work. Apparently there is a lot of them ou there. Kim is stuck in a house hold where he cannot pass the college entrance exam, and cannot go to Seoul University like everyone else in his family has ever done. He is a disappointment. But he is able to get a script to Hwang when the couple moves next door.

A script? For a musical? Can this be Hwang’s next big break? Well, no, because Jonathan says no. He cancels the whole thing. He is powerful. He is strong. He is rich. He is controlling over Hwang. He can get people killed. Hwang realizes she needs out of this relationship, it is toxic. But to do that, either Jonathan will have to die, or she will have to kill herself.

Also starring Bae Yoo-ram, Pierce Conran, and Shim Dal-gi.

Gosh, I am already in love with this guy myself. I need to of course start this section talking about Lee Sun-kyun, who tragically passed away in December. I won’t go more into the story and circumstances of his death, but they were very tragic from almost every standpoint. He was famously known as the rich dad in the Parasite movie from a few years ago. I don’t know if this is his last movie, but it is certainly now one of the last ones. And it is tragic that this is a movie where the main plotline is to actually try and kill his character.

And he destroyed this role as the toxic mean husband.

Killing Romance is certainly a movie that is indescribable in many ways. It is a BIZARRE film. It is wacky. It is strange. It is an experience.

I think the offput nature of the film, the switching aspect ratios, the switching of quality, the terrible background scenes, the zany nature of Jonathan’s character, are all just certain features that highlight the absurdity of cinema. I know this isn’t a negative of Korean cinema or anything like that. This is just a movie that wants to do its own thing, and is unapologetic in the process.

Is Killing Romance itself a good film? Honestly, hard to tell. I did enjoy my watch overall, and I appreciated the creative output. And again, if this one is Sun-kyun’s swan song, it was certainly a cherry on top.

2 out of 4.

Tenement was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the North American premiere of this film!

Sorya (Thanet Thorn) is a Japanese-Cambodia woman and a Manga artist, who has already hit a wall in life. She likes what she does, but it isn’t challenge, and she wants to make a horror manga. Also, her mom died. That is important. Because of the death, and wanting to make the book, Sorya wants to go back to her ancestral home in Cambodia, to the same apartment complex where her mom used to live, to help for inspiration, and her own life in general.

And heck, this place is a dumb. People seem friendly, but you can tell it has not been maintained in any level, and its just rubble. Her boyfriend Daichi (Yoshihiko Hosoda) joins her on this adventure, and she is also able to meet her Aunt Mao (Sveng Socheata), who still lives there. This surely will be a great place for inspiration.

Unfortunately, they didn’t know how apt the horror would be. With basically cults running around and rituals, it turns out their stay here as tenants might not be that long.

Also starring Sahrah Pich Manika, Rous Mony, and Touch Narady.

Exactly what I like waking up to see. All of my neighbors with candles watching me, for protection. Tenement feels almost meta in a sense. The lead couple wants to go to this complex, specifically to get a horror feel, and of course that is what they get. They get weirdly terrorized in their sleep. They have creepy kids singing songs. They get to worry if everything is just a dream.

But all of these elements just felt like regular horror staples. It was interesting that they were so up front with the horror aspects at the start. They didn’t keep things in the dark and rely entirely on jump scares or anything like that. It just failed to capture me at all on the story. It was boring, with a few interesting scenes thrown in. And, I can also say that I didn’t like the ending that much.

Now, there can be a lot more to this story that I am unaware of. Like Cambodian history, or the area, and that all might have deeper meanings, but I am just a lost American, looking for scares, and getting a movie that felt disappointing in that aspect.

Oh well. Might still be worth a watch for the visuals, but my overall disappointment in the matter is what judged this rating.

1 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.