Day: February 3, 2022

There are a lot of quick disaster films out there. Big ass earthquakes. Polar vortexes. Tornadoes. A lot of them are straight to DVD nonsense.

But the famous ones, that have a big budget, and aren’t necessarily great, just have big names in it? Well, apparently they just have to keep getting bigger and bigger.

“What if…what if…what if the moon…fell, on Earth? That would suck right?”

I mean, I assume that is how we got Moonfall. I am ready to be surprised going in to it, but it would need a lot of work. Need to see more big budget science fiction disaster films where black holes open and stars explode, personally.

If the moon was that close, people would still doubt we have ever been.

Back in 2011, on a SPACE mission, Astronaut Brian Harper (Patrick Wilson) was working on a tether with a crew mate, when the power went out, and a huge swarm of black, small metal things flew by their ship and made things very rotational. Not good. He was able to make it back in, where Astronaut Jocinda Fowl (Halle Berry) was unconscious, their third member gone. He was able to land the shuttle back on earth with no power, and was a hero, until he said what he saw, and then was disgraced.

Well, ten years later, turns out he was telling the truth and people were warned. Because the moon has been knocked off of its orbit, which shouldn’t happen. Megastructurist/conspiracy theorist KC Houseman (John Bradley) was “doing research” and found out that the moon was coming closer, and leaked that information to the public because no one would believe him. NASA at the time was finding this out as well, and then? Panic.

Looks like the moon is going to be spiraling closer and closer to Earth. Causing tide changes, gravity awkwardness, and parts of it will for sure be breaking off to crash into the world. How can they fix the issue? What is that mysterious black swarm? How many aliens are there? Should we just nuke everything?

Also starring Carolina Bartczak, Charlie Plummer, Chris Sandiford, Donald Sutherland, Eme Ikwuakor, Jonathan Maxwell Silver, Kathleen Fee, Kelly Yu, Michael Peña, and Stephen Bogaert.

Spoilers: This phrase written on the spaceship is different in the movie.

I definitely went in to Moonfall thinking it would easily be one of the worst movies of 2022. And that is fair. The trailer was super dumb.

But I also want to at least point out things that worked well. I appreciate that this movie went as weird as it did. It could have played it safe. But it went into some out there, science fiction theories and science, and it went out there hard. In general, big budget Hollywood films try not to make the audience think too much, so they will often dumb things down and go for simple theories. It still explained things in a more dumbed down way, which is fair, but I just think it get points for trying. Especially because of how ridiculous things get, it is easy for claims for it to be very dumb are, when it involves a lot of theory and potential in terms of futuristic technology.

I did enjoy John Bradley’s character immensely, and I am so happy that Josh Gad had to drop out for him to come in, because I don’t think Gad would have been good for this. His scenes with his mom were his worst scenes, but they were minor.

Now in terms of things that are pretty bad for this film? Well, the entire Earth plot of family members while our leads are in space is pretty bad. The CGI gets terrible, especially in the unnecessary car chase/shoot out scene. One character dies very dumbly, when it was unnecessary, and it still made me cry despite that. And honestly just all of the thief characters. I don’t care about people stealing cars and being a recurring antagonist when the moon is about to wipe everyone out, you know?

The film was also rushed throughout it. It finally slows down near the end. Once a character gets the knowledge dump in space, I expected it to end pretty quickly, but we instead got a long drawn out space chase scene, just so we could splice it with the bad earth drama.

I will also point out that early on, I feel like it is heavily implied that Berry’s character, after divorcing her husband, seems to be in a relationship with a Chinese women. And I was thinking, damn, that’s progressive, you go you. And nah. It is just a foreign exchange student she is hosting. How old? Is she meant to be high school? She seems like an adult in the movie (and the actress is my age). It feels like she is in the house purely to watch the kid while Berry’s character can work, and honestly the whole set up is just uncomfortable for me.

Moonfall is going to be shit on, likely, by a lot of people, and be an easy punching bag. That is fair. But if I had to compare it to Roland Emmerich‘s other films, I would say it is easily better than 10,000 B.C., Independence Day: Resurgence, and Godzilla. But I don’t think this one will enter the pop culture stratosphere that a lot of his other disaster films have reached.

In the last ten years there has been a sizable chunk of documentaries made that detail racism in America. Some of them are very specific and deal with just one of the many topics, and some of them try to tackle them all.

One of the biggest ones in this decade was 13th, because it was a documentary that tried to tackle it all. From the onset of slavery, to civil rights, to the prison systems and police forces that have inherent racism today and are still being used as big tools to oppressive people of color. It was for free and on Netflix, so a lot of people saw it and it maybe started to open some eyes.

Honestly, I feel like one of the reasons there have been so many of these documentaries is due to those people who hear aspects of them and then shut their eyes, cover their ears, and just say things like “Slavery is over!” and random MLK quotes to act like everything is fine. The more they hear the message that everything is not fine, the better chance of something slipping through, I guess. And honestly, a lot of these documentaries haven’t been great, if you have seen a lot of them. They may say the same information you already have heard, without that much new to add. But theoretically, if you are the type of person to seek out dozens of documentaries on the topic, then maybe the next newest one isn’t to get your attention and is aiming for those who keep ignoring it all.

That brings us to Who We Are: A Chronicle of Racism in America. From the title alone, you can tell it is one of the documentaries trying to tell the whole story, its many branches, and how it affects us all today and where we are at in dealing with it. I was worried it would tell me everything I already knew. I was surprised to find it giving me the information in a new way.

That’s right. With some smiles!

In reality, this documentary is also sort of a lecture talk. Jeffery Robinson, star of this documentary, does lecture tours to talk about Racism in America. And this documentary uses a lot of his footage on the stage, talking about certain issues, spliced with his voice over of other graphics, and interbedded with relevant and theoretically random interviews/scenes. For example, one smaller scene with him arguing with someone (white) holding a Confederate flag (you probably would have assume White), about what the Civil war was about, and mostly owning him in that regard.

Let’s face it, if this documentary was just an hour or hour and a half long talk with him on stage talking to a live audience, that would not be great. There are some stand up specials that can break the mold and be worth it (looking at you Nanette) but I am glad it had a variety of uses of media to get its message across. It helped keep the overall message going, and me in engaged in the talk, without drifting off or getting bored.

And this documentary has a big goal ahead of it. It is going to THEATERS. I honestly don’t know if any other documentary about racism in America made it to theaters across the nation (obviously NY/LA are different). There have been some conservative documentaries, mainly from Dinesh D’Souza, that have badly talked about race, so it is good to see one go on a large scale to attack those messages.

I hope it is reached. I know it already had the  (unfortunately) regular racism fueled “1 rating bombs” on IMDB early on, which happens already to a lot of black film, and definitely documentaries about black life. Although it is hard to imagine anyone every changing their mind at this point in the country, I like to have some hope that somewhere, maybe, there is a chance.