The 15:17 To Paris
I will admit, when I first saw that this movie was coming out, I knew it had to be one of the early favorites for worst movie of 2018. A movie about a real event, starring some of the real people? What could go wrong?!
The 15:17 To Paris looked like utter shit, and as you can already see, yes, it was utter shit.
At this point, I assume Clint Eastwood is only alive because of directing. He is known for doing things quickly and under budget, despite issues, and it is really showing. Look at recent movies: American Sniper, Trouble With The Curve, Sully, Jersey Boys. He has some real event movies, and they aren’t spectacular. He had a known amazing musical and he botched it. And The Trouble With the Curve? Well, you probably forgot it existed.
The only real worthy note about some of his recent movies has been the acting in it. But it is clear that it is probably more so the good actors continuing to act good, and not Eastwood bringing it out of them. So now we have him directing people who have NO training at acting and really watch it blow up in his face.
Maybe not the best choice of words in a movie about a terrorist attack.
In 2015, on a train from Amsterdam to Paris, a terrorist attack occurred. A guy came out of the bathroom with guns ready to fire, and tons of ammunition. Immediately, he struggled against people waiting to use the bathroom, but once shots were fired, people began to run and much panic ran throughout the train.
But three Americans in a cart over decided that running was not in their blood. Spencer Stone (Spencer Stone), Anthony Sadler (Anthony Sadler), and Alek Skarlatos (Alek Skarlatos) in various amounts fought back against the attacker, including rushing at him despite being fired against.
The three and another were able to get rid of his weapons and subdue him, and keep him down, until they stopped at the next station where authorities and doctors were able to take over. They were international heroes, helping prevent a much greater tragedy.
But how did they get to that point and why are they even friends? Lets have a movie about that.
Bullrush is not the feat it used to be.
Many years ago, Act of Valor came out and I completely hated it. It was a big PR stunt, with actual seals instead of actors. By bringing in authenticity to the craft, they lost having a competent movie. But at least with Act of Valor there was a story. At least there was an attempt to be entertaining and to fill some people with wonder. After all, if it is propaganda, there needs to be a hook.
For The 15:17 to Paris, it seems like it is actually not a movie, but an experiment, to see how much bullshit a person can take before they stop watching a movie. Unfortunately, I can take a huge bag of it, so I saw the whole thing, but I can’t imagine why. This 94 minute movie should have been about 14 minutes long.
We get to have plot of the young versions causing problems in school, becoming friends, and of course, their moms arguing against pills for ADD. Okay. Cool. Go strong with your anti-science doctrine in the first few minutes.
After that we have our characters played by themselves, but pretending to be high school students trying to figure out future careers. Then of course doing these jobs and goign through training and doing things in Afghanistan. Just a whole lot of pointlessness, until we get to the ending. You know, when they are finally ready to go backpacking and train riding throughout Europe!
And guess what. We now get to see the three pretend to relive these moments. You know, being in Italy, Germany, and other places, pretending to be tourists who have been there for the first time, just doing normal things. It is so incredibly uncomfortable and pointless.
None of these things matter at all for the actual train ride. There aren’t clever points where “Oh, we saw them talk to that Californian girl and get Gelato with her because she taught them to disarm a weapon!” Nope. Just because they did it in real life, I guess.
Good news. These guys are heroes. Bad news, everything and everyone about this movie. Goddamn it Clint Eastwood.