Tag: Will Poulter

When Midsommar was announced, it became one of my top anticipated films of 2019.

Sure sure, a big part of that has to do with the theme. A horror movie, set mostly in daylight, and in Sweden? That is unique in itself, even if the plot ends up being weak. Location can mean everything.

The other big reason is that the director, Ari Aster, was ready to follow up his smashing success of Hereditary. Not only was it on my top of the year list, but it was the best horror of last year and had some best acting performances in my book. Clearly I would run towards any second movie he had to offer after that glorious first picture.

And also, Swedish people!

None of these people are Swedish. Well, one is. But can you tell he is Swedish?

Dani (Florence Pugh) and Christian (Jack Raynor) are having some problems with their relationship. They have been dating for awhile now, but they might be drifting. Dani’s family has been having a lot of personal drama, so Christian feels like it is never a good time for a breakup. And then, a bigger tragedy occurs, and sure, guess they need to keep this romance going.

Unrelated to their romance, Christian was invited to go to Sweden for a few weeks. Pelle (Vilhelm Blomgren), a Swedish friend at their University, has invited his new friends to come see a festival in the commune where he grew up. They have yearly festivals around the middle of the summer, but this is the most special one that occurs only every 90 years. Also coming along are Josh (William Jackson Harper), who is working on a thesis about various cultures summer celebrations, Mark (Will Poulter), who is looking to score with some hot Swedish babes, and of course Dani, because she just needs something to distract her.

Now of course, this middle of nowhere, super northern, Swedish village far away from the main roads is going to be a bit weirder. And, given the time of year and location, they barely even have darkness. What a fun time to celebrate and frolic with the flowers. With this culture, their customs may seem strange to visitors. But they have done them for hundreds of years, so who is to say they are wrong?

Also starring a lot of Swedish people, including Liv Mjönes and Anna Åström.

Ah yes, frolicking with the flowers.

Midsommar is definitely a movie, and one that took me awhile to be able to write about. Not weeks, just a few days. I wrote parts of the review right away, but I knew I needed to sit on my analysis.

First important note to point out is the film’s length. Very few horror films ever break 2 hours, and the ones that do end up being extremely successful or reach cult status. Midsommar is 2 hours and 20 minutes, almost unheard of for a horror (but not unheard of in terms of average movie length that seems to keep creeping upwards). Despite the length, I never once felt bored throughout the film, and mostly sat in awe of the beautiful cinematography, long shots, and colors.

In comparison to Hereditary, this is not as scary as his first film. It is definitely still unnerving/creepy, but for pure horror it lacks. It builds up its shocks and goes to an expected place by the end, but it is still satisfying and makes sense to get to that point.

Above all else, this is a film about a couple going through hard times and eventually going to have a break up. We know it, they know it, their friends know it. It just so happens that this break up is done in a unique and gory way.

Aster’s second major film is another win for him in terms of creativity, gorgeousness, and great acting performances. I cannot confirm yet if this is the case for sure, but you get to see a lot of Jack Raynor’s penis for those who have a check off list. It is probably actually him and not some CGI dick.

Leonardo DiCaprio doesn’t have an Oscar. Everyone knows that. The internet won’t let you or anyone forget. He tried so hard with The Wolf of Wall Street. There was the incredibly long and well acted scene where he was on Ludes that was hysterical and just so damn good that it elevated his chances to win.

But he didn’t, and rightfully so. Chiwetel was the bomb. So what does a Leo have to do? Well, he found out that people love really physical performances. Just ask Eddie Redmayne, who won last year. So he will go and give a really physical performance. Easy, no problem, he is a professional actor, he can pretend to do anything. However, he needs help.

So he turns to the man with a plan, Alejandro González Iñárritu. He is fresh off his own Best Picture win with Birdman, and he wants to repeat. So two powerhouses coming together. What could go horribly amazing? Hopefully everything.

Acting.

Hugh Glass (Leonardo DiCaprio) is a real person! In the early 1800s, he was a fur trapper and explorer. Here is his wiki. This movie is based on a very important part of his life. It is also super very different, because in movies, we need cool shit to happen.

Either way, he is the lead scout for a group who are about to head back home after a long few months. And of course they get attacked by some local Native Americans. Who knows the reason? Could be because they are hunting on the land, could be because they desecrated something, could be out of boredom. But there are more of them with really well aimed arrows, so a handful of them are able to escape by boat down the river. They saved some of the furs, but not all of them, meaning they won’t get paid as well as they thought when they return home. Worse news is that according to Glass, that same tribe owns the river, so they will probably lay an ambush for them soon. They have to get off the boat down river, hide the furs, and hike back to civilization on foot. Maybe with a large army they can return and hopefully get the fur back.

The captain, Andrew Henry (Domhnall Gleeson) agrees with the plan, but it angers a few of the crew, namely John Fitzgerald (Tom Hardy) who wants to get paid for all his hard work.

Fast forward a bit, and holy shit, Glass gets fucked up by a Mama Bear (Editor’s Note: He doesn’t get fucked though. Just fucked up) and has injuries all over. The crew would carry him back, but they are on mountains and it just can’t be done when they are on the run. So a few men volunteer to stay back until he either dies or gets better. Hawk (Forrest Goodluck), his son, Jim Bridger (Will Poulter), a young dumb trapper, and of course, Fitzgerald. He did it for the bonus money.

But when Glass is eventually left for dead anyways, he is encouraged to get over his almost carcass of a body. He is determined to ignore the biting cold and hunger. He needs to travel on his own a really long ass way, surviving the weather, river, animals and people trying to kill him along the way. Just so he can get revenge. Just so he can get closure.

Also starring Melaw Nakehk’o and another guy, who isn’t on IMDB, but totally important as he is the leader of the Native American tribe.

You can’t tell by this picture, but you will also see lush bears and hear even lusher accents.

This film is so beautiful. In every single way. Words can’t describe it well. Ohhh nooo. But I will still try today.

In case you are curious, no The Revenant is not one long continuous shot. Are you kidding me, it is 2.5 hours. This isn’t Victoria. However there are quite a lot of longer scenes in this film, definitely longer than normal. It works wonderful, especially during the skirmishes, which allow us to see all aspects happening as they occur, while also gracing us with the beautiful scenery that makes up this winter mountain side. Did I mention beautiful? I think I did.

Now onto the acting. HOLY SHIT LEO. WHAT ARE YOU DOING. He gave it all, more than his 100%. At least 105%, which is technically impossible. Impossible is probably what he thought his chances are at winning an Oscar, which is why he put so much dang effort into it. This thing was relentless. The bear attack was a CGI bear, but she was amazing and it didn’t look fake at all. The bear should get nominated for Best Supporting Actress (it is a weak year). Back to Leo, his groans and moans and crawling were everything I could hope for and more.

Technically he didn’t have many words to say. He was often alone, or just physically couldn’t due to injuries. Half of the speech he did have were in a native language. I kind of hope he doesn’t win Best Actor, not because I think someone has acted better (at least, not in films I have seen), but I want to see him top this. If he doesn’t win from this, he will have to try harder right? What kind of future movies could we have where DiCaprio constantly elevates his game, always looking for that highest honor?

No, that sounds mean.

I like to imagine this as all one glorious beard.

Speaking of Acting, Tom Hardy has had a fantastic year. He was great in Mad Max: Fury Road and the only good part(s) of Legend, and here again he is amazing. None of his roles were similar, they all had different voices and mannerisms. His bumpkin drawl was captivating, despite a bit of a struggle just to understand what he was saying sometimes. This is another role I expect to be nominated for Best Supporting Actor, but I still think Benicio Del Toro gets it for Sicario.

Either way, if you don’t see The Revenant on the big screen, you are missing out. It needs to be big to appreciate it that much more. Doesn’t mean I won’t buy it, but fuck, it’s so pretty. Maybe my film of the year.

With The Maze Runner coming to theaters, I believe this is the 143rd young adult novel turned into a film. It is also the 87th dystopian novel. And the next half movie hasn’t even come out yet!

Needless to say, the trailers at least looked a bit entertaining. However, I also knew this book series had 3 or 4 books in it. There is no way at the end of the book the guys are still in this giant maze thing, right? Like. The later books have to deal with something else.

That worries me. I feel like without knowing a lot about it, the story can’t possibly go anywhere. It’d be like having a sequel, but having nothing similar to the first but the characters? I don’t get it. Well. Maybe their could be a bigger and badder maze. Or maybe they can introduce more women to their society.

Because the only penetrating that happened here was through this hole.

Elevator shaft. Darkness. Open sky. Big group of men. Sounds like my idea of a party.

However, for poor Thomas (Dylan O’Brien), this looks like a nightmare. He is in a field with a small wooded area. And of course surrounded by lots of dudes and giant towering walls.

Not only that, but they have a few rules. No hurting others, do you part, and never go into the maze. What? A giant maze? What is even more infuriating about those rules is that he gets hurt quite a few times in the first day, by many people, most notably the asshole Gally (Will Poulter).

Either way. They are stuck there. Once a month a new boy comes up with supplies and that is all they know. The doors to the maze close at night too, with scary creatures on the inside. So they best bet is to figure out the maze and escape but only when it is daylight.

He just has to become a runner first if he really wants to help. But it up to the “elder” Alby (Aml Ameen) and Newt (Thomas Brodie-Sangster) before that can happen.

Also there is Ki Hong Lee as the best runner, Blake Cooper as some fat reject comic relief kid, Kaya Scodelario as a girl who comes and messes things up, and Patricia Clarkson as a mysterious woman.

This dude I know named Adam blames everyone on women though, so who knows if we can take his word for it.

First of all, The Maze Runner made fantastic use of its time. Just a little bit under two hours and every minute seems to count. Either for world building, character development, or continuing the plot. Awesome. We are also not given some shitty exposition at the beginning or end to explain things. It just tells the story through the characters.

I thought the special effects were pretty rad as well. The spider creatures in the maze were pretty unique and a bit scary at times.

And overall? Pretty dang entertaining. I would even describe myself as someone who is interested in the future movies. I would read the books, but it will probably take them another 5 years to get the other 3 books out (the last one split into three parts or some bullshit probably), so I will wait a long time for that.

But it wasn’t perfect of course. You can watch the trailer and find that out. A character utters “What if we were put in here for a reason?”

No. No fucking way. Really? You don’t remember a thing from your past but you wake up in an elevator with a bunch of other people who were put in there one at a time? AND THERE MIGHT BE A FUCKING REASON? Just die. Seriously.

Yes. I will rage over a line as bad as that one.

There were other errors as well. I noticed at least once where items just disappeared that a person had and was just forgot about I guess. Not the best dialogue choices.

The movie is definitely a bit darker and more entertaining than I expected. So yeah, let’s do more.

Watching the trailer for We’re The Millers, it is clear that it could be hit or miss. There are moments in there that make me laugh every time I see it, and those that make me think it will be the worse film ever.

I like Jason Sudeikis as a comedy actor. The problem is, he hasn’t proven himself yet as a leading man in a comedy movie. He is fine as a side kick, or part of a trio, but his only real venture as leading man was in A Good Old Fashioned Orgy, which ended up being less than stellar.

If anything, this film might just cement Eustace from The Chronicles of Narnia: The Voyage of the Dawn Treader as a young comedic genius. Stranger things have happened.

“We’re not even a real family. She is just a washed up actress from a 90s Sitcom!” Whoa, Jason. That’s cold.

David (Sudeikis) is a guy in his mid thirties, still dealing pot. It’s a good life for him. But when he gets robbed of his stash, cash, and back up cash, he finds himself in a pile of trouble. His boss Brad (Ed Helms) doesn’t care and sort of wants to kill him! Unless he heads down to Mexico, grabs a shipment of drugs for him, smuggles it across the border. Sounds easy when the other option is death. Plus, he will earn an extra $100k. Nice!

The problem is, he looks like a drug dealer and in no way can smuggle it across the border on his own. Until he realizes that white middle class families on vacation never get searched! He just has to rent and RV and a group of people to play his family.

He hires the weird kid downstairs, Kevin (Will Poulter), the homeless girl on the street, Casey (Emma Roberts), and the stripper down the hall, Rose (Jennifer Aniston) to play the various roles of the Miller family. Nothing could go wrong!

Sure they get to Mexico, and find out that they are actually stealing the marijuana from a Mexican drug lord (Tomer Sisley). Sure, the amount of drugs is several thousands of pounds worth. But they can probably still pull it off.

Hitmen, spiders, engine failure, dogs, DEA, and another RV family (Nick Offerman, Kathryn Hahn, Molly C. Quinn) are just some of the other problems they will face on the road.

I’d let Nick Offerman sexually wet willy my ear any day. Even Tuesday.

After viewing We’re The Millers, I think that Jason Sudeikis was able to run this movie like the comedy veteran I always knew he could be. It works. It really does.

Yes, this movie has a lot of foul mouthed humor. Cursing, sex jokes, genitalia jokes, incest jokes, it has them all. The unfunny scenes I alluded to in the trailer mostly turned out pretty decent, which is a big relief.

Almost every time Will Poulter was on camera, I found myself laughing. He used to be an annoying asshole kid in a bad Narnia movie. But now he plays the awkward teenager so well, that everything the put him through just tickled my gills.

It wasn’t a perfect movie. Sitting there, a lot of character actions and decisions seemed illogical. If the script was stronger overall, they could have avoided those type of moments. I don’t think they really knew what to do with Emma Roberts as her role in comparison was really limited. Such a shame.

Now if you excuse me, I am going to go blast my old TLC records up and start planning my own fake family vacations.

I have been trying to watch Chronicles of Narnia 3 for a long time. I kept putting it off, because I didn’t want to watch it until I bought it (as I assumed I would eventually) and only in Blu-Ray (because of the pretty colors!)

And I wish I haven’t bought it now. It is definitely the worst of the three Narnia movies (At this point), and it is not just because of a lack of Anna Popplewell. (I knew she wouldn’t be featured, but just saying, the author a long time ago is dumb).

Hey. You can have your weird crushes, and I will have mine.

Certain book plots do not carry over into movie form, like they do into the books. You can kill off all the characters in a book, and people will probably read it. The two older kids we were told wouldn’t return because they were getting old (and discovering SEX! Thus impure! Okay, that was in the book). So what we are left with is the two younger siblings (Georgie Henley and Skandar Keynes) and a new cousin character (Will Poulter).

Sure, the kid was an annoying asshole jerk. But for the other two kids to scoff at him for declaring himself intelligent is ridiculous. I assume they are laughing because he doesn’t believe in Narnia (a land of no proof) and doesn’t know how to sword fight and other bullshit. For shame other kids, you should be kicked out for being so mean.

The story at the start isn’t much of one. All of the sudden they are on a boat? Prince Caspian (Ben Barnes) is sailing around for some reason. The rat is back too. Doesn’t even know why, just kind of wants to go to the end of the world. So eventually they sail enough to find out that people are disappearing for a sacrifice? And that they need some swords for some reason? So they do those things, and then afterward reach the end of the world.

The cousin’s name is Eustice. I can’t tell if they were going for useless in similar spelling or not.

The CGI was mostly good. I thought some of the effects were cheesy. I am normally against sailing movies in general, because the only freeness you feel from it is when they land on other places. Just being cramped on a boat is annoying for me, as a viewer.

I also knew Aslan was supposed to be some Jesuslion the whole time, but holy crap did they smack that message in your face at the end of the movie. They did everything but say “Oh wait, so you are Jesus in the real world?” Gave some bullshit “you have to discover me yourselves over there”. But seriously, what? Lets learn some ways to be more subtle, please.

You know. More subtle than this.

So yeah. I really didn’t know what their purpose was for half this movie. I didn’t even know they had won out of no where. That was weird too.