Tag: Tim Robbins

Do you remember A Civil Action? Or maybe Erin Brockovich? Well, I will say I remember the first one a lot more. Because the latter came out when I was a bustling teenager and the only thing I remember in that film is cleavage being nominated for Best Supporting Actress, or something like that.

Either way, legal thrillers can be really fun, especially when they are fighting against people hurting the environment. Hurting the environment is something most of us can agree is wrong, and it is an easy bad guy. The corporations! And usually people are getting sick, or dying, or the land is getting ruined, and no one wants that either.

The sad news is that these cases are still happening and still real, so they can keep making movies about them. They don’t have to make fake boogeyman stories, they are really out there!

Dark Waters is the next attempt to bring a real story to public eye, so we know there is a bad guy out there, and who is trying to fix it.

And do they also know where this baby is?!Robert Bilott (Mark Ruffalo) just got partner in the late 1990’s at a sweet Law firm in Ohio. They are probably the number one corporate chemical law firm. They protect companies in chemical law suits, from regular folks or other companies. But the number one chemical company, DuPont, has been out of their grasp as a client.

Well, Bilott comes from a small town in West Virginia, and an old neighbor of his grandma shows up at the firm one day with tape after tape of “evidence” that the landfill put up by his farm is dumping/hiding chemicals even though they said they wouldn’t. His cows are dying, their parts are mutating, they are angry, and his own family is being affected. DuPont, the largest employer in their area, is also the one in charge of this landfill.

Fun.

Bilott is not used to representing plantiffs, but he feels like he has to check it out, for his own sense of morality. And sure, after a few levels of checking, it feels like DuPont is still on the up and up. But when he continually digs, he finds out they have been hiding secrets for decades from the community and America about their products, and this quick lawsuit is going to be a several decade long affair.

Also starring Anne Hathaway, Bill Camp, Bill Pullman, Louisa Krause, Mare Winningham, Tim Robbins, Victor Garber, and William Jackson Harper.

Ruffalo does his best impression of a frog pretending to be human in this movie. Todd Haynes directed Dark Waters, and honestly, this is not the topic or type of movie I would have expected from the person who last brought us Carol a few years ago.

To me, this movie had a sort of TV movie special feel about it. The way it was shot, some awkward scenes early on for exposition purposes, it really just didn’t help me get fully into it.

Now, Dark Waters is certainly a story worth being told. It is an important case and I assume most people don’t know about it despite it affecting most households (myself included). It could become must watch material for that reason (or at least, must read for the article this movie is based off of). Maybe even just the Wikipedia synopsis at some point.

Or here: DuPont sucks. Teflon is cancer causing and bad for us. The chemical company lied for decades, helped cause diseases that killed its workers, and tried to hide it and never self regulated what the EPA demanded of it at the time. For profit. And they are still making lots of profit.

But in terms of this film, a lot of great actors are involved and feel wasted. Hathaway is way too great an actress for the angry at home housewife role. I couldn’t tell if Pullman was acting, and Robbins has maybe one good scene. I hate seeing Garber as the villain, but his scenes were pretty by the numbers. Ruffalo is definitely acting weird the whole film, and putting a lot of face work into it. I did love Camp in his role, once I could understand his heavy accent.

The film as a whole is just average. It doesn’t go hard enough and it just feels lazily put together.

2 out of 4.

With a title like Majorie Prime, it in two words somehow perfectly describes the different aesthetics of this film. Despite prime really just being a math term, it also can conjure up Sci-Fi feelings, which is one of the two aspects. The other word, Majorie, is an old as fuck lady name. It hasn’t been used in forever. Old people aren’t in Sci-Fi movies, they are in dramas.

So we got ourselves an old person drama Sci-Fi. That means it is a Sci-Fi film about death, probably.

And yeah, knowing all of this, I figured it was an indie movie, and a Sci-Fi film, so it had the potential to be really great, without actually knowing anything about it.

“Let’s talk about our feelings and count this as a Sci-Fi!”

Learning to let go of loved ones can be a difficult thing. Thankfully, at this point in my life, I really don’t know that. In the near distant future, technology has grown enough along with artificial intelligence to make the transition feel a bit smoother.

You see, you can make a robot that looks and smells like you past loved one after their live. You will fill them with memories that you want them to know, and then you can just talk to them. You can tell them more stories, they will learn from you, adapt and grow with you. And better yet, they will be nostalgic with you to tell you stories that will make you feel better, ones that you originally told them, but from their point of view. It will feel real, it is kind of real. And best of all, you can get things off your chest for closure reasons if you never had a chance.

This is usually reserved for spouses. Like Majorie (Lois Smith), who is getting old and losing her memory. So her daughter Tess (Geena Davis) sets her up with one of these prime bots of Majorie’s husband, Walter (Jon Hamm) except she chooses a much younger version of him. It helps her a bit, but the memory loss is still there, so much that she even starts to forget her husband isn’t real.

But is it helpful for real? Does having a prime unit in your house actually help you? What about more than one, assuming you lose a lot of loved ones? Will it turn people into isolated recluses, will they feel better, or will it just lead to more issues in the future?

Also featuring Tim Robbins, Hannah Gross, and Stephanie Andujar.

Basically, it is a more dramatized (if that is possible) Blade Runner.

I love a good movie that is 95% dialogue, I really do. Locke was one of my favorite movies in whatever year Locke came out, thanks to the wonderful Tom Hardy. I knew that this film would be dialogue heavy, but I didn’t know the real reason behind it. This film was actually based on a play of the same name, so it took some effort to get pictures from the movie version.

Knowing it was a play makes so much more sense. Literally most of the film is usually two people just talking and recalling events, events we are really only sometimes aware of and can have a real context for.

And although the ending had a really cool moment, and this film featured at times some intense acting, it didn’t feel like the time was worth the payoff. I ended up describing the entirety of the film to my wife, only because the ending moment was interesting, but I knew that her time was more valuable than taking the 90 minutes to get to that point.

It deal with a few good concepts, about aging and what it means to be human. But it never feels like it goes hard enough. Oh well, when the end of the world comes due to the AI take over, we will know now that the robots will have old people names, like Walter and Majorie.

2 out of 4.

If there is one thing I like talking about on this website, it is me. Yes, movies too, sure, whatever. But I am far more important, because a review has to give his/her thoughts on the movie, and knowing how they felt on previous films of that nature is the only way to know if you are compatible with that reviewer. Not only that, but you should know how they feel about other topics too. Like sharks. Or potatoes. Or that bitch Sally from the sixth grade.

You should know everything about that person, even their deepest and darkest secrets. The movie isn’t important, it is clearly whoever does the talking.

So a movie called Welcome To Me just makes sense to me. That is what the website is secretly about. Me me me me me me.

And swan rides.

Alice Klieg (Kristen Wiig) has borderline personality disorder. That is very serious and not a joke, although it can lead her to doing weird things. She is living on government benefits, is very selfish, always has a TV on in her home (for infomercials and Oprah!), and spends a lot of money on the lottery. She even has only one real friend, Gina (Linda Cardellini), despite her quirks. Then Alice wins about 86 million dollars in the lottery.

Well shit yeah. Time to go live in a casino and do whatever she feels like! Like stop taking her meds despite her doctor (Tim Robbins) strongly discouraging the act. She is a bit peeved her planned speech was cut off on the air after winning due to talking about masturbation, so she goes to hijack one of the late night shows hosted by Gabe (Wes Bentley), who sells weird shit. They think she is nuts and cut her off too. But she is rich now. So after a long discussion, with their company losing tons of cash, the main owner Rich Ruskn (James Marsden) allows her to have 100 two hour long episodes of a TV show she calls Welcome To Me, since she is paying for all the costs up front.

And what we really get is a terrible show, where she cooks food, talks about whatever is on her mind, and has reenactments of past events in her child hood in order to get back at mean people. Don’t worry, this is not at all like Holy Man.

Also featuring Joan Cusack, Alan Tudyk, Thomas Mann, and Jennifer Jason Leigh.

Like all recent action movies, orange and blue also feature heavily in this film.

First thing of note, this movie does not make fun of people who actually have borderline personality disorder. That would be mean and awkward and not something that happens a lot nowadays. I think. No, this movie instead shows the reality of the disease, which can put people in weird situations. Yes it is a comedy, but you best believe it is also a drama. There are many melt downs where Alice’s character loses it and does the unthinkable. During these Wiig shows herself to be a gifted actor.

Any comedian could be completely exaggerated in their roles to make fun of a serious condition, but for Wiig in the film it all feels so real and natural. She gives the role proper care and restraint. She is also completely 100% full frontal naked in this movie too. So you know it is a serious role for her, and not some throwaway straight to DVD quick cash job.

I thought the movie had a nice balance of drama/comedy. The comedy in the film isn’t the type that will make you laugh every second, but it is still quite amusing at points.

Overall, this movie won’t be enjoyable for everyone. Just make sure you are in a weird mood before hand and it might surprise you.

3 out of 4.

Ooh, Noise. That would be either some vague horror movie, or another remake of The Grinch.

Obviously it is neither, but man, wouldn’t some gritty remake of The Grinch be cool? Something rated R, yet also still not a horror movie.

I’d watch it.

Quick googling says there is no such thing as a Gritty Grinch. Yet.

Instead of my bizarre idea, this movie goes one step bizarrier (Level 2 spell?). It stars mild mannered Tim Robbins. He lives and works in New York city, with his wife, Bridget Moynahan, and their young daughter. But every night the same thing happens. The noise never stops. More specifically, the car alarms, but all the excess noises are a big problem in his eyes.

It makes the baby wake up, and makes it so no one can sleep well, and also makes him limp. Err. Well because the cops never seem to do something about it, he decides to do his own punishment. First he starts slow, deflating a tire or whatever. But eventually he is full on rage mode, smashing the window open to pop the trunk, to cut the line to the battery, just to shut it off. 3 minutes is too long for an alarm to go, given that most people ignore alarms anyways and probably do more harm than good.

He becomes known as The Rectifier, a sort of vigilante punishing those who don’t turn off their alarms. He does try to use the courts to his advantage, but each time his case is thrown out. After his wife makes him leave for his obsession, he meets a Russian student, Margarita Levieva, who helps him start a simple petition to change some car alarm laws and make it fine-able which gets huge support. But the Mayor (William Hurt) and his assistant (William Baldwin) don’t like it just because it seems to support vigilantism, so they put a stop to it.

So it becomes up to Tim Robbins to find a way to get his law passed, any means possible.

Look at all that rage. Yeah, he clearly mad.

I will keep this short and sweet. This movie was weird, yes, which I like. The beginning felt pretty good but died down after about twenty or so minutes. The ending was also strong, I liked what he decided to do in order to finally get his ordinance passed. But a whole lot of the middle was kind of boring. I didn’t even like their quick country plantation visit, where he found that the noise problems still exist outside of the city.

It is a bad problem, no one likes it but everyone accepts it and his character cannot fathom why they should accept it any longer. So he decides to spend a long time trying to combat it, and it is kind of awesome in an “unexpected hero” sort of way. I was surprised this wasn’t based on some real life story of a guy who hated the alarms that much.

But man, if it was a bit better in the middle, this movie would be a lot better.

2 out of 4.

Four comic book movies came out this summer. Green Lantern (DC/WB), X-Men: First Class (Fox), Thor, and Captain America (both Marvel). Unfortunately for the Green Lantern, it has to be compared to movies of a similar type and it fails. All four movies are “origin” movies as well, so it cannot argue established characters. Well, kind of for X-men, but that is still a reboot. Even when comparing it to older films recently, Iron Man and Iron Man 2 are more interesting, along with of course Hellboy II and Dark Knight. Clearly I might just be trying to get as many links as possible in this first paragraph. If anything, Green Lantern is better than that OTHER DC movie. The one who’s name shall not be spoken.

Green Lantern is better because I can say Green Lantern without feeling sad.

Ryan Reynolds stars as the titular character, as only his second different comic book character, leaving him way behind Chris Evans. The film goes back and forth between being a universe protection, special Green Lantern Corps space army thing, and just regular earth hero. Unfortunately he doesn’t do much super stuff in the movie. He stops the overall bad guy (spoilers). He saves the chick he wants (Blake Lively) from a helicopter crash. And he kills three people who are mugging him with a green punch. Sure, flight, space travel, all that is fine, but we ex-

WAIT WHAT?

He KILLS three regular people? They didn’t even have weapons, just a outside bar fight. That is unacceptable. It doesn’t show him “kill them”. But from the force of said punch, combined with the speed they flew and what they hit (one guy THROUGH a brick wall), there is no hope for those guys.

The main, lesser villain is played by Peter Sarsgaard and is just creepy. He never seems intimidating, just gross. Tim Robbins is also in here, but he doesn’t do too good. The movie is filled with normal cliches and tropes (oh wow, one random lesson I learned earlier helped me win overall! Also, the final boss was easier than expected, despite being scary and “coming closer” throughout the movie. Also, the ugly people die). It barely touched on the fact that yellow was his weakness (instead yellow = fear, and don’t be afraid, or else your will would lose.)

This page is now protected from Ryan Reynolds.

I am told that WB said that despite the poor profit gain, they will go for a sequel anyways. They are going to make it darker and grittier too. Because clearly that’s how all Superhero movies should be.

1 out of 4.