Tag: Straight Outta Compton

Best Films of 2015

This year, I am doing the best first! Mostly because, miraculously, I have seen everything that might make this list already, decently early. My worst list might be a few weeks, as I have been avoiding some of the worse films for my own sanity.

I had a lot of movies that I really liked this year too. And unlike the worst list, everything on this list I gave a 4 out of 4 too. This is the cream of the crop. As a side note, here are some critically acclaimed movies I did not see yet: Victoria, Son of Saul, The Diary of a Teenage Girl, and The Duke of Burgundy.

Honorable Mentions::The Hateful Eight, Love & Mercy, Everest, It Follows

15) Southpaw

“What is this? This is Southpaw, not Creed! How dare you!” First of all, you have no idea if Creed is going to show up (it isn’t) and second, yeah, I think Southpaw is the better movie.

I should reiterate that since my baby girl was born, my emotions have been all over the place. And so when bad things happen to families with young girls? They can get to me. If there is a long death scene with crying and screaming, I will be right there with it, bawling my eyes out.

To go with it, Jake Gyllenhaal is a great actor and he really gives it his all in this film. The fight scenes are exciting, the drama is tense, and I would say it is definitely the best boxing movie of 2015. Bring it on, haters.

Southpaw

14) Chi-Raq

Speaking of haters, boy golly, Spike Lee sure has a lot of them. I mean, some people have valid reasons. He has done stupid things in the past and has strong opinions based on movies that he may not have ever seen. But just because he may be an opinionated asshole does not mean that he cannot make good films.

Fuck. Everyone knows Lee can make good films. Outside of the recent Oldboy remake, he has had a pretty dang good track record as a director. Chi-Raq is not an exception and is one of the more unique and entertaining films of they year. I love Greek plays, so the idea of doing a modern version of an already scandalous and potentially offensive play is ballsy. Turning most of the films dialogue into poetic rhymes? Ballsy. Making a movie about solving gang violence with sex? Very very ballsy.

Lee has balls. And his balls paid off with Chi-Raq.

Chi-Raq

13) Infinitely Polar Bear

Good news Mark Ruffalo fans! Infinitely Polar Bear is not the only movie on this list with Ruffalo. I will say there is only one more with his cheesy face and he acts the most eccentric in this film.

To me, this movie was about better understanding bipolar disorder, and to watch Ruffalo act his ass off. He was all over the place, but it worked for the film and it was touching and warm. It is one of the first times in a few years where Zoe Saldana didn’t detract from the plot, but actually helped! Given that two of the main stars are teenage and pre-teen girls, the film is able to keep you on the edge of your seat as almost every character has the potentially to suddenly not act as you would expect. Emotions are all over the place and the best part is that it just makes sense.

And fuck, it probably has the best title on this list at least.

Infinitely Polar Bear

12) Mad Max: Fury Road

Let it be known, if I kept to a standard top ten list, Mad Max: Fury Road would have not made it on this list. That sounds like I am reluctant to praise the film, even though I did enjoy it. It is just a film that has been circle jerked on the internet to death, so it can get a tad annoying.

Fury Road is good. The action is intense and barely stops. Tom Hardy gives one of his many amazing acting performances of the year. Charlize Theron does a good job as well.

Top notch visuals and stunts really drive home the insanity of the universe George Miller created.

Mad Max: Fury Road

11) Straight Outta Compton

Straight Outta Compton ends up with the status of being the best musical Biopic of the year. Sorry Love & Mercy, but you were still close.

I think part of the reason I enjoyed this film so much is that I actually learned a lot through it. I had heard some of the songs and band members before, but I didn’t know how they got started or how they got famous outside of the group. I didn’t know about all the arguments or how other famous rappers came into the picture. It was probably the best way a young white person could ever remotely begin to understand any of it.

And you know what else? It almost made me cry. It almost made me cry three times. Which is technically a stark difference to the next film.

Straight Outta Compton

10)Inside Out

Oh Inside Out, how much I love you.

When I saw this in theaters, I cried three whole times. And one of those three times was during the animated short Lava (which won’t be nominated for any awards, what the hell?!). Given its subject matter of emotions, it is so wonder that the film can make people feel so emotional. It appeals to kids and adults, with old movie references and simple slapstick humor. Hell, even one part gets insanely psychological, but the kids would just write the scene off as weird and not miss a beat.

It is important to note that Inside Out is my only animated film on the list, so it is the obvious pick from me to win Best Animated Film. I think it is no contest. Maybe Shaun the Sheep could be an extreme dark horse.

Inside Out

9) Sicario

Oh Sicario, I feel bad for you Sicario.

Sicario is twisted and beautiful. It is well acted and emotion inducing. It is realistic and sad. It is scary and thrilling. It is so much and more. Well, not a comedy.

After watching Sicario, I knew I had seen something special. I knew it would be nominated for Best Cinematography and Best Supporting Actor for Bencio Del Toro. But now, suddenly, there is no award love at all. At the same time, it isn’t even that far down my list.

This was a hard list to compile, and like other films, I found myself surprised at how “low” certain films ranked, this being one of them. But I loved a lot of movies this year, and Sicario may end up being forgotten like the majority of films this year. So sad, but at least it is the highest thriller on my list this year. It is something!

Sicario

8) Me and Earl and the Dying Girl

I first saw Me and Earl and the Dying Girl back in April and I loved the piss out of it. At that point it was my favorite film of the year and it stayed there for months. Like, literally until September when more good movies started coming out.

And yeah, sure, it fell a few spots, but it is still on the list and still in the top ten.

This movie is about quirky people who love movies and full of awkward conversations between teenagers. Your basic indie bread and butter. But it is also funny, well acted, and a bit unexpected. Did I cry? I just might have. That was a long time ago. But it is the type of movie I want to own and put with my other weird films to show how cool and unique I am.

Me and Earl and the Dying Girl

7) The Last Five Years

The addition of The Last Five Years on the list should end up being my most shocking. I don’t know if anyone put this film on their top of the year list, let alone do I know how many reviewers actually saw it. It was released limited on Valentine’s Day with an immediate VOD, and then out to buy only a month or two later. I remember the day it came out the Blu-Ray was only $7, which was a steal! It clearly just was ignored by most of the population.

And 2015 was a terrible year for musicals, but the only two shining stars both featured Anna Kendrick. The other being a sequel, not as good as the first.

I don’t even know where to start with The Last Five Years. It only has really two characters and it is told out of chronological order. The female POV is backwards, the male is forwards. The relationship jumps back and forth from bad to good and you know it won’t end well thanks to the very first song. The music is haunting and not pop musical shit. Choruses exist, but they are rare and change up. Many of the notes get belted and are just hard to sing along with, showing dedication to the words chosen.

After I watched it on my computer, I immediately had to re listen to the whole soundtrack, just to go through the emotions again. This is obviously the only musical on the list this year, and I hope 2016 also has some surprises in store.

The Last Five Years

6) The Martian

Science, science, science!

Let it be known that I feel really bad placing The Martian at only number 6 on this list, given how happy and excited it made me feel. Hell, I read the book right after watching the movie. That is how much I liked this film. Then I did that thing where I remembered I technically love all the films on this list, and that 6th is still pretty damn good. And I couldn’t figure out what films to pull back from the top five. Reality sucks.

But thankfully reality has Matt Damon in it to make everything feel that much better. The Martian is the best pro-science, pro-NASA thing to ever exist since the actual moon landing. Yes, it is a film, but it is a film a lot of people had seen and it is pretty accurate on the science front.

And it is entertaining yeah. It is funny, and scary at points. And they made a Lord of the Rings reference. That is automatically cool points, right?

The Martian

5) Spotlight

I told you Ruffalo fans he’d be back. I hope you weren’t assuming it was Avengers: Age of Ultron.

Spotlight is the front runner to win Best Picture for the Oscars and a slew of other awards. And you know what? It totally deserves all of its praise.

Spotlight isn’t about one person giving the acting performance of a lifetime, it is a group of people coming together to give a real performance about real events. It is informative and lets you realize how hard investigative journalism can be. It shows how every cog is important in the machine. No one will be nominated for anything outside of supporting roles, because not even Michael Keaton is the “true” star. Sure he is the easiest to put in that position, but it definitely feels like something more than one individual.

Spotlight is a wonderful film that decided to get details right and tell the truth. Sure, this was all 14 years ago, but like most scandals, the people really only heard the headlines and not the details and specifics. I won’t be mad if Spotlight wins Best Picture, I just personally found four movies this year to be a bit better.

Spotlight

4) Steve Jobs

Sure, after reading my Spotlight blurb, you might find this and the next few placements a bit strange. After all, unlike Spotlight, they are most known for incredible acting performances. But I’d argue they have more than that, they have the whole package as well. This is true for all movies on the list as I gave them all perfect scores.

But let’s talk about Steve Jobs. No not fucking Jobs, that movie was technically bad despite above average acting from Ashton Kutcher. Steve Jobs features one of two incredible acting performances from Michael Fassbender this year, with the other being Macbeth. Unlike Macbeth, you can actually understand this whole movie and the dialogue is the strong point, not the weak point.

Some people may not like Aaron Sorkin‘s writing style of quick rapid fire banter, but those people just have to accept being wrong. The film is like an orchaestra and a war zone of words, displaying in full glory the asshole that Jobs was to his friends, family, and coworkers. And even though every aspect of this film and almost every camera angle is directed at Fassbender, the supporting actors also give top notch performances, especially Kate Winslet, Seth Rogen, and Jeff Daniels.

This biography, that includes fictionalized events, gets to the hearts of the real people involved and truly showcases human emotion.

Steve Jobs

3) The Revenant

The Revenant is a perfect storm of parts coming together to make a masterpiece.

First of all, the director is of course Alejandro González Iñárritu, who recently won Best Director, Best Original Screenplay, and Best Picture for Birdman. We have Leonardo DiCaprio, always the bridesmaid and never the bride when it comes to winning Best Actor. There is Tom Hardy, who had the acting year of his life, as you saw above and didn’t see above with Legend. And last but not least, Emmanuel Lubezki, who won Best Cinematography the last two years with Birdman and Gravity.

Yeah, they were going for something great. And thankfully, this 2.5 hour epic is something worthy and marvelous, especially on the big screen. Leo does a big part in this and I fully believe he deserves the Best Actor award this year. If not him, then look above at Fassbender. They are the only acceptable winners.

I hope Tom Hardy also gets some love as a support, but that category is stacked this year.

The Revenant is beautiful and a bit awe inspiring at times. It is truly a film created by people who take heart in their craft with every bit and piece working to perfection. It is a movie I worry won’t feel truly as amazing on my TV at home, but that doesn’t mean it isn’t still one of the best of the year.

The Revenant

2) Room

Room is a hard film to describe and praise, but given its surprise position on this list, I guess I have to try.

I originally avoided Room just thinking it’d be some family romance movie from the cover alone. Of course I was wrong. It is a serious drama/thriller. In fact, the subject matter is so strong that those with especially weak hearts and given today’s culture, I am surprised that it wasn’t splattered with trigger warnings before the first scene.

Room features two very strong acting performances, not just from Brie Larson who is totally going to win Best Actress, but also from Jacob Tremblay, who plays the kid.

And since the movie is basically from his point of view, it allows the movie to remain vague on many of the harsher elements. This allows the viewer to fill in the blanks and jump to their own conclusions, without being spoon fed the answers. It assumes the audience is paying attention, which not a lot of films care about.

Room is a hard movie to sit through, but one that is worth it for all the great elements around it.

Room

1) The Big Short

I saw a trailer for The Big Short before Steve Jobs and didn’t care that much. But alas, people told me that it had Oscar buzz and it was supposed to be a big deal, so I reluctantly bought a matinee ticket two days before Christmas to check it out. And I was blown away.

Much like Spotlight, this movie involves a lot of actors working together to do some of their best work. The film’s biggest leads are Christian Bale and Steve Carell, and although they don’t meet in the film at all, their prescense is felt throughout it, especially Carell. It is well acted and based on a true story.

I can’t attest to how true the movie version is, but they call themselves out when they do something bullshitty, so it seems truthful. More importantly though is it takes a real, very confusing event that affected the entire world and did a pretty damn good job trying to explain it. It made me angry and pissed off at banks and was way more effective than what a documentary could have done. The Big Short makes me want to go out and change the world, so it left me with some of the strongest emotions of any film this year.

It might not be the big winner, but this year it is the big winner of my heart and mind.

The Big Short

And there you have it! The best of the best. Did I leave off anything you think should have been up here? Do you disagree with anything at all? Am I the stupidest person ever? Be sure to let me know and yell obscenities while doing it!

Few fun notes:

No super hero films made the list this year.
Only one animated film, last year had two.
Still only one musical like last year.
No straight horrors made the list this year, although there were a few thrillers.
And most likely my top movie this year will not win Best Picture like the last three before it.


2015: A Box Office Year To Remember

It’s safe to say 2015 has been one of the craziest years ever in terms of box office history. If you haven’t been paying attention to movies at all this year, first of all, why weren’t you on this website and secondly, why are you on this website now?

You may have heard a record or two thrown around in your every day life but in reality there are more than a handful new records for both the best and the worst films ever.

And because the best stories are rags to riches, I think it is appropriately if we start are way on the bottom and work our way up.

Jem
Here’s looking at you, kids.

The Worst of 2015

Not making a lot of money when you only open on a dozen or less screens is expected. Unless you are The Grand Budapest Hotel, you will only get several thousand bucks. What is important in tracking failure is for the movies that don’t make a lot but open a wide release in the US. Usually the metric that people care about is at least 2,000 theaters across America. You probably never heard of Oogieloves In The BIG Balloon Adventure or Delgo, but they are the number 1 and 2 worst openings ever for films that have reached 2,000 theaters and have been there for a few years now. Those are both animated films.

Instead, this year we received We Are Your Friends, a live action movie with Zac Efron about electronic dance music. It opened to a measly $1.76 million. It was the worst live action opening of all time (that wasn’t a re-release). Unfortunately, it couldn’t even hold on to its fame for that long. Just two months later, two more films on the same weekend decided to suck harder. Rock The Kasbah had only $1.47 million and Jem and the Holograms $1.38 million. Before this year, the live action winner was P2, a shitty thriller from 2007 and even that made at least $2 million.

If we change our standards, November saw the worst live action film opening of all time with at least 2,500 theaters. Victor Frankenstein, starring Professor X and Harry Potter, managed to win that title.

Just for getting the whole picture, there are two other great movie mentions. United Passions is the story of FIFA, starring Tim Roth, and it came out right when FIFA was being bombarded with corruption claims. It opened to only 10 theaters and made $607 its opening weekend. Even better, it made only $9 in Phoenix, meaning in the first three days only one person decided to burn his money and waste his time.

More recently, a small time thriller named Momentum opened up to also 10 screens in the UK. It’s opening weekend take translated to about $69. Ouch. And that one had Morgan Freeman in it.

JW
I heard she was competing against the bear in The Revenant for Best CGI Female.

The Scrooge McDucks of 2015

Overall, not as many films can be represented in the best money makers, because it is hard to get people out of their couches and into the theaters. With VOD and high food prices and shootings, people would rather stay in their homes. And yet, here we are, studios making bank.

The biggest winner of 2015 (so far) is Jurassic World. This film is part of a franchise that, realistically, only had one great film with Jurassic Park and two average sequels. But nostalgia and a return to the park at the right time in the summer was the key to its success. The most important record it broke was the Biggest Opening Weekend Domestic, with $208.8 million, just a hair over The Avengers at $207 million. It also won Biggest Opening Weekend Internationally and of course, Biggest Worldwide Opening Weekend. .

Jurassic World finished third all time in the domestic box office, only about $6 million behind Titanic. It was the fastest to reach basically every milestone you can think of monetarily.

But a new challenger approaches. Most people think that Star Wars: The Force Awakens, coming out this Friday will break all of the records Jurassic World crushed and more. There are even official odds for record breaking potential and plot points, because who doesn’t like to gamble. I know I do. I made a bet with someone that it wouldn’t beat the 3 day weekend Jurassic World domestic record. I am probably going to lose $20 now. Mostly because it has broken pre-sale records and other ridiculous things.

The hype is running this film to the ground. No matter how good it actually is, I can’t imagine anyone speaking bad about it for months. It is like they forgot The Phantom Menace hype and disappointment. Some people just want to set themselves up for sadness, I guess.

SW
And the CGI for John Candy is absolutely stunning here.

The Big Studio In Town

Now, Jurassic World isn’t the only film to make money this year. A handful of films broke a billion worldwide, and a lot of films became surprise successes with relatively low budgets.

The biggest winner overall, hands down, is Universal Studios. Jurassic World, Furious 7, Avengers: Age of Ultron, and Minions all broke $1 billion worldwide, and outside of Avengers, all three of them come from Universal.

It was the fastest studio to ever reach $1 billion (domestic) in only 165 days. As of August, it had over $5.5 billion from its films, making it the best year a studio has ever had. I don’t know its official end of year numbers now, but basically every movie they released was a box office smash. They had the best of luck with Straight Outta Compton, Pitch Perfect 2, Fifty Shades of Grey and Everest.

Their only loose end was Jem and the Holograms. Yes, the biggest dud of the year. But with profits like that, they wouldn’t even bat an eye at the film.

PP2
And Pitch Perfect 2 wasn’t even the best Anna Kendrick musical this year!

Takeaway Notes

The main purpose for this article is to highlight how extreme the box office numbers were from this year. With overall theater attendance going down, it is refreshing to see such high box office totals for a wide variety of films. People might be going to the movies just as often as before, but they are also refusing to see anything that may be bad or mediocre. That is what Redbox and Netflix are for after all.

2016 is looking to be the first year mostly controlled by super hero films, with roughly 1,000 being released and no more Hunger Games. I can’t imagining anything being as high or low as this year has turned out to be.

Thanks for reading!

Straight Outta Compton

I started talking about Straight Outta Compton with my review of Dope, because I am super white and ignorant.

Basically, I don’t know jack shit about this album, nor do I know a lot about the artists who made up N.W.A. I do know the phrase before the internet meme sensation came out, but that is probably only due to the fact that Weird Al made a similar joke almost ten years ago. Weird Al continues to give me most of my music knowledge about what is hip and cool in the world.

Despite not being able to name even one song from the album, I would probably consider myself an expert on late 80’s and early 90’s rap music. As you already know, I have seen and reviewed the movie Notorious! Yeah, because rap on the west coast and rap on the east coast were basically the same thing. That sounds like something I heard once.

Press Bitches
They find my joke hilarious, because I am so white and don’t know any better.

Lives used to suck for black people back in the day. I can keep that sentence vague, because in America is has basically always been true. Back in the day could be yesterday, technically. But in this case I mean 1980’s, where apparently everyone was free and equal under the law, and the law wanted to put the black youth in their place. Arrested for being black was a common occurrence, but also drugs, gang violence, and more. N.W.A. was a rap super group from Compton, California, composed of five members with various talent.

We had Ice Cube (O’Shea Jackson Jr.), who was just in high school but a great lyricist. He wasn’t a thug, but he sure got harassed by the police. Dr. Dre, or Andre (Corey Hawkins) was hoping to be a DJ and produce music, not sit in a cubicle all day. There was Eazy-E (Jason Mitchell), who had money and some clout in the music business and would help set them up if they had a good idea. But then he was forced to rap, and hey, he could do it well. And then there was MC Ren (Aldis Hodge) and Dj Yella (Neil Brown Jr.) were also in the group, but this film was a lot less about them and more about the other three. They wrote some rhymes and DJ’d too, I guess. I don’t know shit about them.

NWA
They are the two on the left so they don’t complain to me about under-representation. Now I can ignore them the rest of this review.

Either way, their first single Boyz-N-The-Hood was an instant success. Their whole city and area loved it, and it spread like wildfire. They weren’t being soft with their words and they were telling the street truth about their lives. It was gangster rap. They were quickly signed by Jerry Heller (Paul Giamatti) as their manager, because he does sleazy well, and he was able to get them to produce a few more hits to create their first album. Straight Outta Compton! They were signed by the same record company who was getting big off of the California Raisins and wanted to branch out, and next thing you know, they are touring around the United States to sold our concert arenas carrying a strong message. You know, Fuck The Police and all that.

This of course led to the arrest for being black and speaking out, and other shenanigans. The group was now super famous, but thanks to contract disputes and managers screwing people over, they also had to go their separate ways. First Ice Cube left, causing a big rift and song battles, then Dr. Dre founded his own company with Suge Knight (R. Marcos Taylor) (Don’t fuck with Suge Knight. He will secretly give you aids, kill Tupac and Biggie and get away with it all).

And uhh. More stuff happens I guess. Shit. I can’t tell you about everything. I can’t tell you about Rodney King. I should let something be a surprise.

Other artists name dropped in the film include The D.O.C., Tupac, and Snoop Dogg. Actors aren’t even important in there. However, some of the women who would go on to be wives and lovers of the big three are played by Carra Patterson, Alexandra Shipp, and Elena Goode.

Bus
You can tell the band members apart by what their favorite teams are: All from California, surprisingly!

Not many people get to play their own dad in a movie about their life. First you need a famous father. Then you have to be the right age at the right time. You also need to look a lot like him. So O’Shea Jackson Jr. got to play his dad, Ice Cube, which is awesome. He is like the kid in Notorious, who played his dad for like one small age group in that film.

In particular, I thought Jackson Jr. and Hawkins did a phenomenal job playing Cube and Dre, which also happen to be the people I know more about thanks to how big they both got. But their stories, and Eazy-E’s story was a fantastic thing for almost anyone to hear and , despite it being over 20 years ago, oddly relevant to today still. Things don’t change that quickly, regardless of the size of computer chips. However, nothing made me cry! There were three scenes where they were going to attempt to bring out the tears, but I was able to resist them all. The last two would have totally gotten me if they just made those scenes a little bit longer, but when your film is already pushing 2.5 hours, it is understandable to make a few cuts.

Seriously, this movie was intense, dramatic, entertaining, a bit funny, extremely informative, and an all around fantastic film for just about everybody. Maybe not your kids, leave them at home for awhile. Honestly, this is now my second favorite music group biographical film, and I don’t even care about most of the music in this one! It will be hard for something to beat The Temptations, honestly, unless we eventually get a gritty Weird Al movie. Two references in one review, solid.

4 out of 4.