Tag: Sci-Fi

I first heard about Gravity a few months ago, and it scared the shit out of me. Floating through space, darkness all around you, no one to talk to, just alone?

Yeah. A mountain of nope. Then I heard talented actors were at the helm? Aw hell yeah, time to do this movie so hard.

How hard? Harder than sex in space suits.

This film takes place in…Space! Dr. Ryan Stone (Sandra Bullock) is on a short mission with a tiny crew, to install some hardware. She is up there for her first time ever, after six months of training. Doesn’t matter. Going home tomorrow. She has help of course, like Matt Kowalski (George Clooney), a very experience astronaut who loves to talk, and would probably live in space if he could.

Well. Bad things happen. Then more bad things happen, and gosh darn it, we got our selves a movie. Ed Harris supplies his voice for mission control, but other than that, no other real characters. How lonely.

“I’m floating in a most peculiar way, and the stars look very different today…”

Well, first off, if you go to see this in theaters, and don’t see it in 3D, then Fuck You.

Secondly, if you buy this on DVD and not Blu-Ray, then fuck you again.

There are many things that can be said about Gravity, but the one main thing that everyone can agree on is that it is a CGI space extravaganza that can cause eyegasms. It is possibly the BEST thing I have ever seen with 3D glasses on, in terms of “worth it ness” for the extra ticket fee. If there is an IMAX in town, I’d suggest watching it in 3D on that. The bigger the screen, the better. Just go all out. That will get you the full experience.

But I digress. A movie needs to have more than extreme sexiness for me to love it, or else I would have loved Avatar. Right?

I can say that the fear and the conflict are incredibly real. Not just because there is shit flying in your face. Thanks to the cinematography of this movie (which is extremely creative and diverse for every scene, by the way), when a character is alone floating through space, you will feel alone as well. Shit, depending on your screen, you might feel like you are in space as well. Everything is working together so well to give you those feels, including the excellent sound mixing. After all, in space, sound doesn’t really travel.

The plot is scary, and I will admit, parts of this film just feel like coincidence after coincidence. Everything works out so perfectly for the film to happen, but technically most movies fall that way. It is just a bit exemplified because, you know, space. I can’t say all of the science is correct either, but those are factors I am willing to forgive for the excellent story told.

The film is just under 90 minutes long and honestly it works really well in a film like this. I might go crazy if they packed in a lot of extra time just to make you feel extra lonely. Gravity made me laugh and cry, and affected me so hard in such a short time. Highly recommend it.

4 out of 4.

Fuck.

Sorry, didn’t mean to alarm you. But I should note that now that I don’t write reviews for every theatrical movie release, I can now post some of them quicker and with less edits. Yay multiple reviews for the newspaper! So I threw in a fuck, because I don’t have to self censor myself for this review. I just type endlessly about random shit, because it really doesn’t matter when it just on this website. Quality be damned!

See, I haven’t even said the movie title yet, 85 words in. I am such a shithead.

There is no need to be upset.

Insidious: Chapter 2 takes place immediately after Insidious. So, spoilers, yo.

Well, Elise (Lin Shaye) is dead and strangled, but by who? A ghost? Preposterous! I bet it was Josh (Patrick Wilson) back from Astral Projection, so do the cops, minus the astral part. His wife, Renai (Rose Byrne) isn’t sure what to think, but she is happy to have her child (Ty Simpkins) back.

Either way, they decide to go live with Lorraine (Barbara Hershey), Josh’s mom, after the incident. Different house, same shit.

It is almost as if the evil demon spirits are attaching themselves to a person and not the house like we learned in the first film. Hmmm.

Because Elise had to go and die on us, we are introduced to Carl (Steve Coulter), Elise’s assistant from way back when Josh was a kid. Leigh Whannell and Angus Sampson still exist too, as the younger, yet also technically formerly assistants of Elise.

Insidious: Chapter 2 delves deeper into astral projecting. But also, shaky cams, possessions, abandoned creepy hospitals, and more back story than you knew was necessary. PLOT PLOT PLOT. Imagine those plot words came at you with a loud shrieking noise, like the title INSIDIOUS did in the first movie twice…and in this movie…twice as well.

A lot of similarities between part 1 and 2, is all I am sayin’.

James Wan likes to make some weird movies, that is for sure. If you saw Insidious you may have found it scary, but you definitely would have also called it unique. It was doing stuff that had not been touched before, just to ensure it stood out.

Well, Chapter 2 continues with the weird, but potentially fails to deliver any real fears or tears. Seriously. I was in a packed theater opening night, and I don’t really remember the audience reacting in any way outside of laughter. Not the “I’m too cool to be scared, so I will laugh” laugh. But Chapter 2 has lots of jokes in it, and some slapstick humor, thanks to the bumbling assistants.

But no scares, which seems fundamentally flawed as a horror film.

The story itself was interesting though. Stylistically, it felt like Wan didn’t know what kind of horror film he wanted, and kept changing a few things. Like, suddenly, a wild abandoned hospital appeared. Who the fuck has one of those in their cities, just taking up space? Astral Projection of course eventually returns, and almost reminds me of the time in Bill and Ted’s Bogus Journey when they went to Hell and ran through their past fears. A lot of it was kind of clever, just unexpected for this movie.

Major props to Lindsay Seim who had to play “Young Elise” in this movie. Shit, she looked and seemed like Elise, my mind was freaking out about the excellent make up. Well done no name.

Overall, I’d say it is less scary than the first Insidious, and thus technically an inferior film. Other parts were better overall as the the universe was expanded. The ending was stupid though. Fuck that ending.

2 out of 4.

Vin Diesel is living out every stereotypical nerds dream. Most people know by now that he loves roleplaying. No, not just acting in a movie, but pen, paper, and dice. Heck, he wrote the forward to a book celebrating 30 years of Dungeons & Dragons. So the Riddick character is basically living out his childhood fantasies, with him as the star, and kicking major butt the entire time.

The movie Riddick, follows Pitch Black and The Chronicles of Riddick, while switching genres once again. The first film was Sci-Fi Horror, the second film was Sci-Fi Action Adventure, and this new film is Sci-Fi Action Thriller. Basically a cross breed.

This third project was over nine years in the making, and has gone through financial woes and rewrite after rewrite. Diesel had to put up millions of his own money just to keep filming when the cash ran out and also leveraged his own house. Let’s just say, he really loves the Riddick character, and is willing to put all of his eggs in one basket.

“Take these shackles off my feet so I can dance.“

Another day, another fight for survival.

Riddick (Diesel) finds himself trapped again on a desolate and unforgiving planet, stranded and alone. Left for dead, the Necromongers betrayed their new leader after the events of the second film, and Riddick has no idea how he is going to get off the world. He soon learns to adapt on this new planet, figuring out the meanest creatures and their weaknesses, while also taking in a pet of his own.

But a storm is on the horizon. A literal storm, I mean. It is slow moving, but the water appears to awaken a force buried in the ground, one that he cannot survive on his own.

So he decides to lay a trap. He lets the universe know where he is hiding, so he can ambush the crew and take a ship before it is too late. However, two bounty ships appear, both with very different motives behind them. One ship is lead by Santana (Jordi Molla) with six men (including Dave Bautista), looking for the bounty. The other crew is lead by Johns (Matt Nable) and second in command Dahl (Katee Sackoff), and they are looking for answers.

Dude. Who gave him a cape?

The Riddick movie has two main acts associated with it. The first is his survival on a new planet, with little dialogue (but some voice over). It moves at a slow pace to really make us feel for his character. The second act introduces a variety of characters who bring with them guns, dialogue, and opposite motives for capturing Riddick.

Although the film attempts to give a few of them personalities, the only two bounty hunters who end up standing out are the leaders from both sides. I did get some chuckles out of Bautista, but I knew that was his sole purpose in the film.

I’d say I liked the first half a lot more than the second half. They took their time with combat and death felt like it was actually possible. The action became choppier and less scary when they introduce darkness and guns. Strange, I know. They probably had to rush filming the ending, along with the budget concerns, so that must be to blame.

On its own, I found the movie possibly more entertaining than the other two films in the franchise, but there is one drastic problem with it that cannot be overlooked, and something I don’t think I have harped on before.

Riddick has so much rampant sexism in it, that I almost got sick during the actual movie. That’s right, the excessive gore didn’t sicken me, just the Riddick-ulous amount of sexism.

There is only one woman character in the film who is given a name, and her name is Dahl. You might have realized on your own that it is pronounced just like Doll. I’d say over 90% of the lines said by her, or said to her, are sexual in nature. Literally, the character exists merely as a sex object. Sure, she is able to hold her own in combat, but she is also the only character to be given a small (and surprising) shower scene. With only one topic coming out of her mouth, it is hard to take any part of her role in the film seriously.

Her character also is a lesbian, because that is apparently the only reason she would be a mercenary and always talk about sex. However, it turns out her sexual orientation is no match for Riddick’s charm (And hornyness after being on a planet alone for a few years). Who does Vin Diesel think he is, Ben Affleck? (Affleck “turned a lesbian straight” in two films, Chasing Amy and Gigli).

I think if her character was more than some strange sexual fantasy, this movie could have been a lot better. The “brown filter” I thought would annoy me, but I was able to get over it. The not so amazing CGI I thought would annoy me, but I got over it. The rushed second half and treatment of women I really just can’t forgive or ignore.

 

2 out of 4.

Not a lot of people know that The World’s End is actually the last movie in a trilogy. Yes, Shaun of the Dead and Hot Fuzz are the first two films, all three of which are directed by Edgar Wright and star the same two people.

These three films make up the Three Flavours Cornetto trilogy, which I would explain more, but it is British and thus inherently confusing.

It’s beer! Hooray beer!

In the town of Newton Haven, there exists a challenge. There are twelve pubs, and those who attempt this “golden mile” must travel to each pub and drink an entire pint before the night is through. That is a lot of alcohol and few have ever made it. Gary King (Simon Pegg) and his four friends attempted it on the last day of high school to celebrate their accomplishment. Unfortunately, he only made it to nine pubs, and has regretted it for the the rest of his life.

Now, twenty some years later, Gary King is exactly the same as he was in high school. Due to his regret, and living apart from his friends, he has decided to get the band back together to try again. Sure, he might have to lie to get them all to come, but at least his heart is in the right place. Kind of. His friends Steven (Paddy Considine), Peter (Eddie Marsan), Oliver (Martin Freeman), and Andy (Nick Frost) are now all adults with families, lives, and responsibilities, so they are reluctant when they see he is still so childish.

Their pub crawl becomes even more difficult when there is so much unspoken drama between the group of friends. Thankfully, alcohol makes speaking your mind a bit easier. The group also find that Newton Haven is not the same quaint town they left decades ago. It has changed, and not just in the metaphorical sense. Most of the residents are some sort of alien robot hybrid now. But that isn’t the important issue. The important issue is getting Gary to stop living in the past and finally move on!

Rosamund Pike plays Oliver’s sister and Pierce Brosnan a former high school teacher and mentor to our heroes.

I’ve experienced emotions like this before. Once. Let’s just say, it didn’t end up with blue paint everywhere.

I guess I should start out by saying that I don’t think The World’s End is as good as the previous two films (and thus my rating!). Something seems inherently different. Maybe they were too aware of what they were doing at this point in the trilogy. Not sure, but something just feels missing.

Simon Pegg is playing a character unlike anything I have seen before from him. He was incredible in it. His character was so spastic, impulsive, and such a fast talker. Out of anything, I was most impressed with his acting in this film. Major props to Pegg.

It should go without saying that the chemistry between the group of actors was also high up there. A lot of these men have been working together and real life friends for so long, it is just completely natural.

The film itself was humorous but I don’t think it was “laugh out loud” funny for the most part. You know when a joke happens and you exhale a bit harder because of it to show your appreciation? Yeah, I did that a lot.

The story also seems to run away at times. By the end, I was just waiting for them to get to the last pub, so the film would find some sort of conclusion. I also found myself not caring about the alien/robot threat, which is a main point of the movie. The glowing eyes were kind of neat/scary but by the end they were totally uninteresting.

Fans of the other two films will most likely enjoy this new addition. Someone new to the series is unlikely to get some of the “in jokes” that run rampant throughout, however. Whether this film will be as successful as the other two in a few years is yet to be determined.

 

2 out of 4.

In 2009, Neill Blomkamp changed the world.

Okay, that is an exaggeration. But he did release the movie District 9, a beautiful, very detailed, sci-fi movie, with great acting, plot, and messages associated with it. More importantly, it was his first major film as a director and it was an independent movie. That’s right, they found out they could make big epics without breaking the bank at the same time.

This is why four years later, most people are excited about Elysium and wondering if it can repeat his earlier success.

I’d want to live there too. Shit’s dope, even if the Earth was fine. In the year 2154, Earth is left in shambles. Not from an alien attack or war or mole people. No, from just straight up over population, pollution, and an ever growing lower class. To fix this issue, the rich people decided…to leave Earth completely! They made a giant spaceship habitat to orbit Earth (called Elysium!), to live out their lives in luxury. They got everything there, green grass, fine dining, and of course the ability to heal any ailment, disease, or virus. Aw yeah.

On Earth,people are dying from these diseases a, the high costs and a strict robotic police force. It is hard not to be a criminal. Like Max (Matt Damon). Sure he used to be a criminal, but now he wants to earn money the right way. Too bad the man ain’t letting him get on his feet! In fact, at work, he gets bombarded with a lethal dose of radiation, leaving him with only five days left to live! So they fire his butt, and leave him in his misery.

Yeah. Max really needs to get to Elysium.

A man with five days left to live will go through a heck of a lot to try and survive. Even if it involves attaching a permanent exo skeleton power suit to his body, kidnapping the CEO of the company that fired him (William Fichtner), and teaming up with members of his old criminal team (Wagner Moura). It would also be nice if he could bring his lady friend Frey (Alice Braga) and her daughter with them to Elysium.

It won’t be a cakewalk either. He has to deal with the Elysium head of security (Jodie Foster) and a sociopathic sleeper agent (Sharlto Copley) who will stop at nothing to bring him to “justice.” Poor Max. Why couldn’t you just be born rich?

I wonder if in 2154 they have classified at what constitutes a cyborg. Officially. The best sci-fi films have always been those that offer great social commentary. Actually, I’d say that most sci-fi films and stories offer some form of social commentary. What better way to “secretly” criticize government or policies than by setting it hundreds of years in the future?

This one really isn’t even that subtle about it. Basically it takes the rich getting richer to extremes, along with some elements of overpopulation and immigration.

Sometimes films can feel a bit too preachy, but this one does a good job of providing enough entertainment at the same time for it to be acceptable. Most of the film I’d describe as “action light.” There are only really two action scenes: a robbery, and the ending, which is exciting enough to make up for the slower parts of the film.

Strangely, I think the films main issue comes with not making everything clear enough. No one likes to be spoon fed, but they could definitely fleshed out more details to enrich the world, and answer some more questions. The dialogue of the film could have also been better. Jodie Foster’s character felt underused to me, which might have been on purpose.

But overall these points are pretty minor. It was a really well done story, and Sharlto Copley was fantastic in it. Probably the best acted character in Elysium. His character was so exciting and vivid, I almost had a hard time cheering for Matt Damon at the end. I think we can all agree that we need more Sharlto Copley in our movies.

 

3 out of 4.

Alright, look, I am sorry it took this long to review District 9.

Most have you have already seen it by now, I bet. Which is great. It was fantastic when I watched in theaters in 2009. Shit, that is like, four years ago. FOUR YEARS AGO PEOPLE. Fuck. It seems so new, even now. Still, I am reviewing it now for two reasons. One, Neill Blomkamp. District 9 was his first directed movie, and it is an indie one at that. Insane. More importantly, he has another movie coming out in a couple of weeks, Elysium, you might have heard of it.

Reason number two? I said I would review this movie once I finally rewatched it again. Needless to say, that shit took awhile.

Yeah. Aliens AND politics. My kind of entertainment! You already know this is a positive review, look how highly I talked about it before.

This takes place in modern day time, 2010 or so, but in an alternative history. South Africa has always been known for its rambunctious nature and high levels of racism. But did you know in 1982 an Alien Spaceship landed above Johannesburg? Of course not, it is a movie, ffs.

Well, they checked out the ship that wasn’t attacking them and found hundreds of malnourished aliens on board that they now call Prawns, a racial slur against them. They were put into a government campsite outside of Johannesburg, named District 9 and given tiny shacks and junk yards to live in. There is constant pressure from those in Johannesburg, who hate the shit out of them, and internal struggles in their poor neighborhoods, so eventually the government wants them to be moved.

These aliens have rights though. They have to be evicted first, before they can be put in a new location much farther away (And a lot more shittier).

Wikus Van De Merwe (Sharlto Copley), a random bureaucrat, has been assigned to give the notices. There is a lot of eyes watching the process, to make sure they don’t harass the prawns, so many news organizations have sent representatives. They also have a small armed force, lead by Koobus Venter (David James). But what happens when they find more than just a few homes smuggling alien weaponry, and discover something even bigger is forming?

Even more quizzical, what happens when they discover the black goop?

The feels. The feels. Oh my goodness, the feels.

One thing I certainly forgot in the four years since I saw this movie in theaters? It is kind of gross. The attention to detail is high, and that leads to some cringe worthy scenarios in my stomach area. Lot of violence. People die. Aliens die. People die in weird ways. Other things happen that are gross that I can’t really describe without spoilers. But seriously, gross gross gross.

However, at the same time, it is just so fucking well done. The plot, the intrigue, and the acting. Only one actor really matters in this movie, good ole Sharlto, who had basically his first role with this film. He carries it on his back, despite being a big unknown. Especially when a lot of the movie deals with him interacting with aliens and Nigerians, he really stands out (racist?).

However, there is one thing that keeps me from giving it a 4. Part of the reason I would give a 4 comes from rewatchability. I can watch a great movie, and love its acting, but if I don’t think I would want to watch it again in a few years, it can’t be a 4 for me. Now, this one took me about three years to finally watch after buying it, which is a huge amount of time. I didn’t finally watch it because I wanted to, just had to before Elysium.

So, with that, that explains the 3. Very good, watch it at least once and be happy.

3 out of 4.

Don’t worry readers, I am not about to spend a whole review explaining why R.I.P.D. (Trailer) just looks like a rehash of Men In Black. From the grumbles I heard in theaters during the trailer, I realized everyone had already figured it out on their own.

Technically R.I.P.D. is based off of a graphic novel of the same name, but it didn’t publish until after the first two MIB movies came out. Regardless, it seems like Universal itself doesn’t care about this movie with limited promotion and refusing early showings for critics. Generally when critics can’t get early showings things are going badly.

That facial hair from Bridges is not the something bad though. Nick (Ryan Reynolds) is a member of the Boston PD, and finds himself dead unexpectedly during a raid. Man, dying sure does suck. He gets pulled up to what he thinks is heaven and runs into…a Proctor (Mary-Louise Parker). What? Were you expecting Jesus? She offers him a choice. He can either go straight to Judgement and find out his fate for eternity, or join the Rest In Peace Department, serve for 100 years, and get a recommendation before Judgement.

Given Nick’s somewhat corrupt cop nature, he chooses to join the force. The R.I.P.D. are sent down to Earth to round up those who have died and refuse to pass on, as they slowly corrupt everything around them. Roy (Jeff Bridges) is a lawman from the 1800s, and reluctantly takes Nick under his wing.

Too bad the deadoes are also working on building an artifact to bring all the dead entities back to earth, and end the world. Good thing Nick just died and can try and stop it!

Kevin Bacon plays Nick’s old partner, Stephanie Szostak is Nick’s wife, and James Hong and Marisa Miller play Nick and Roy’s avatars while they are on earth. A joke that most certainly gets old really fast.

This joke might have gotten pretty old real quick. R.I.P.D. is not as bad as the trailers will have you believe. Sure, it has a lot to work on, and it could have been a lot better, but still, it isn’t complete trash. Critics just tend to give lower ratings to movies that they don’t get to see for free.

As for our leading man Ryan Reynolds, I thought he was really weak in this movie. Sure, his character just died, and he has a lot of angst, but I didn’t believe any of it in this movie. He was supposed to be pissed off the entire movie, but he just seemed passive aggressive and pouty.

Jeff Bridges was over the top in this movie, but it really did work. It was strange at first, having his era specific dialogue mixed in with the modern dialogue of everyone else. Once you got over that fact, basically everything he said was gold. I will give props to Mary-Louise Parker as well, who didn’t really have a lot to work with for her role yet still made it her own. She was in two different movies released this week (Red 2), and thankfully her characters were completely different.

The movie felt really short, and the ending was wrapped up pretty nicely with a bow, by ignoring pretty huge plot points. If you have monstrous beings running around Boston, blocking off whole intersections, with giant vacuum like holes appearing in the sky and taking out infrastructure, you are going to have hundreds of thousands of dead. After the initial appearance of bad guys, the streets became miraculously clear and no humans seemed to die. Great!

R.I.P.D. caused me to laugh on numerous occasions, but in general, the plot and acting from Reynolds felt really weak. It is at best a little bit entertaining, but not something I’d ever watch again.

2 out of 4.

Giant Robots Fighting Giant Monsters.

That should be a good enough review for this movie.

If you are like me, the first time you heard about Pacific Rim (Trailer) you bounced around with joy. Sure, some of you maybe bounced on the subject matter alone, which is fine. But I was even more excited about the fact that Guillermo del Toro was set to direct the film. Guillermo means quality in Spanish, I am pretty sure. Just examine the last two films he directed! Hellboy II? Pan’s Labyrinth? This guy knows how to tell a story, while also kicking major ass.

Spoilers: These robots are here to fuck shit up. Monster shit. In the year 2025, we are currently in the twelfth year of fighting the Kaiju. Kaiju are larger than life mythical beasts that come from a dimensional portal at the bottom of the Pacific Ocean. The first one to appear took over five days to kill while it rampaged the California coast. The world realized it would have to stop fighting and work together to stop this threat from taking over completely, which started the Jaeger program.

The Jaegers are giant robots equal to the size of the Kaiju that can be deployed to fight the beasts before they cause more harm. Initially they prove to be quite successful, but the Kaiju have started to appear in increasingly shorter intervals, bigger and badder than before.

Raleigh Becket (Charlie Hunnam) used to be a great pilot with his brother. Five years prior, a Kaiju took his brother’s life, so he left the program to become a drifter. Shockingly, the UN is thinking of abandoning their Jaeger program due to the amount of Jaegers that are now getting destroyed. Their idea is to build a giant coastal wall to keep them out (very dumb). With only few months left of funding, Marshall Stacker Pentecost (Idris Elba) brings Raleigh back in to the fold to attempt one last shot at ending this thing once and for all.

Damn, that was a really good plot description. But there are many more people who have important roles in this movie. Rinko Kikuchi is Raleigh’s new partner once he returns to the Jaeger program. Max Martini and Robert Kazinsky play a father/son pilot team who run the fabled Striker Eureka, the fastest Jaeger made. Charlie Day and Burn Gorman are the main two scientists working on solving the Kaiju problem, a biologist and a mathematician respectfully. Finally, Clifton Collins Jr. is the main control room operator for the operation, and Ron Perlman a black market Kaiju flesh dealer.

Spoilers: There is no giant version of this monster unfortunately. If you don’t like the idea of giant robots fighting giant monsters then I really don’t think you will enjoy this movie. Because the movie gives you exactly that, and just a little bit more.

First off, if you are going to see Pacific Rim (Which you should!), you should watch it in 3D. The fight scenes were so incredible, I thought my eyes would melt. The second fight scene in Hong Kong is probably the sexiest thing I have seen in film this year. They were filmed with 3D cameras, so you don’t have to worry about blurriness mucking up the great action.

The Hong Kong fight is actually better than the fight at the climax of the film. Some would consider that to be a big problem, but I can easily forgive it. The final fight gets points for taking place in a different environment from the rest of the film.

I love the casting choices in the film, in that most of the people are not big named stars. This really allowed the viewer to get involved with the story and not get distracted by the eyes of someone like Brad Pitt.

Sure, there are a few weak plot points, and the acting isn’t always top notch, but the stunning visuals, well choreographed fights, and complete bad-assery from start to finish well make up for it. My biggest plot complaints really come from what was NOT said by a few characters. I was disappointed that the movie didn’t delve deeper into some of the ethical implications brought upon by certain actions, but really, that just allows a sequel/prequel to ask those questions later.

Please. Give Guillermo del Toro your money. Go see Pacific Rim.

3 out of 4.

Upside Down hit theaters in the first half of March, but it ended up only getting limited release. I am not sure, everything about it made it seem like a movie America would go bonkers over. A nice love story, science fiction, CGI, famous people, and a decent sized budget.

But due to its limited release (11 in the USA its first week), and no one hearing of it, it might as well have gone straight to DVD. Very strange indeed. It was totally released in other countries first, including Russia all the way in August 2012. Fucking Russians, starting to get random foreign yet still American movies before us.

This is the second movie to feature Miss Dunst kissing in a strange way.

In some other part of the universe, we have two planets that rotate around a star. However, these planets are very very close to each other and spin together, around the star. They each have their own gravitation field and humans living on them. But an item that is created or born on one planet will only be affected by the gravity field on that planet. No, it doesn’t make sense in real science terms, but its a movie, so lets call it magic.

You can offset your weight with items from the other world and fall the other way of course, but the matter on different planets will get hotter over time if in contact with each other and eventually burn up. Apparently, in this movie, matter doesn’t include humans, just items.

Either way, one planet sucks, the other is rich. The rich one exploits the poor one, pretty standard stuff. Adam (Jim Sturgess) ended up accidentally meeting a girl from the rich planet, Eden (Kirsten Dunst) when they were kids, climbing mountains that almost go up to each other. Due to an accident they stop seeing each other and go on with their lives.

Ten years later, Adam has decided to join “TransWorld” as a scientist, the only building/company that attaches both planets in one miraculous building. He has been working on a special powder/cream that is anti-aging, or at least anti-gravity, if you catch my meaning. But really, he is doing it just to get access to the top planet, find out if the woman of his dreams remembers him, and hopefully woo her off of her feet. Figuring out how he can stay on their side of vice versa, without getting jailed is a problem to think about later.

Timothy Spall gets a shoutout here, for finally being in a movie where he isn’t a slimy villain like character.

So if you think about it, even Timothy Spall is topsy-turvy in this movie.

I did spend most of the plot outline going over just how the world works, in non spoiler-y terms. Not specifically what Jim and Kirsten actually do in this movie. Why? Well, the actual plot itself is very weak. They spend a good deal of time at the start going over the worlds like I do, and then apparently spend the rest of the movie ignoring their set in stone rules. Incredibly inconsistent with what is going on, numerous plot holes, and they use one of the laziest story writing techniques out there: Amnesia. Ugh.

The climactic ending scene ended up only being confusing, never sure which way was up, down, or who was in danger at any given moment. But it definitely had guns, and definitely had people with very poor aim. The actual end end scene felt cheesy and rushed.

Overall, this is incredibly disappointing. The concept is fucking amazing, with endless possibilities, but this film doesn’t deliver. It has many inconsistencies with the rules and what happens, so the sci-fi nerds will rage over that. The romance is a bit weak, so those romantics will also be disappointed in it.

It should be noted that the film is very gorgeous. It is CGI heavy and they put a lot of work into it. That is the biggest plus it has going for it, which is a shame.

1 out of 4.

The FP was the third movie added to my Apocalypse Week, after the This Is The End and Rapture-Palooza. Before I describe it, you will want to know how I found out existed.

The main character from this movie, JTRO, was actually in This Is The End, as a cannibal near the end. Same costume, random as fuck cameo that most people won’t get from this vague vague movie. Yep.

But here is how I was introduced to the movie, through the IMDB description.

In a post apocalyptic future, two rival gangs fight for control of Frazier Park by playing “Beat Beat Revelation”, a deadly version of Dance, Dance, Revolution(TM).

“What? Don’t be a playa’ hata’, we just want to dance!” Right now you are probably thinking “Nope. No Way. No way at all. This is fake.” Too bad. This is 100% real and happening. And also a parody. Need more proof. Look below.

No words needed. Yep, they are dancing alright. But what makes it deadly? Nothing. From what I could tell. I thought the loser would get killed or something, but no, they just dance for street cred.

Well, when the two gangs are fighting, BTRO (Brandon Barrera, who looks a lot like Josh Radnor in that first picture.) is going against the other teams leader L Dubba E (Lee Valmassey). Unfortunately, during an extremely challenging song, BTRO finds himself losing and eventually dies.

How? I dunno. Heart attack or something. But his younger brother, JTRO (Jason Trost) is completely miserable after this battle, so he swears off the gang and runs off on his own, never to dance again. OH NO!

Well, years later, Frazier Park is in ruin. The other gang has won and it sucks. After a series of big speeches from KCDC (Art Hsu), he comes back to the fray, earns some more street cred, and challenges L Dubba E for the title again.

Also he has an eyepatch. For some reason. I feel like I should mention more names of people in this movie. Like Stacy. Okay. That isn’t weird. How bout Beat Box Busta Bill, Sugga Nigga, and Stacy’s Dad. Damn that last one is weird.

Either way, this movie is completely ridiculous, as expected. But it wasn’t ridiculous enough. It is clearly a parody, everything is over the top, the dialogue is ridiculous, it cannot be meant to be taken seriously, so I won’t.

But seriously, where is my deadly DDR game? They only danced a few times in this game, and it all looked tame as shit. I wanted more extreme.

Maybe that was the parody part. Making me wish it was better? Either way, I can’t give it an amazing review. Just because the movie was a lot tamer than I would have hoped.

2 out of 4.