Tag: Samuel L. Jackson

I may be the only one excited about this film.

I heard about Chi-Raq a few months ago, and like most people, I assumed it would be some sort of Iraq spiritual movie. Chi. Get it?

No, it is Chicago. Okay, a movie comparing the violence and unrest in Chicago to Iraq. After all, Spike Lee is directing it, and that sounds like something right up his alley.

But nothing I have said should make me excited about the film. I hate Chicago (Hockey reasons), and I’ve only seen like three of his films: He Got Game, Inside Man, and of course, the shitty Oldboy remake. However, it is also a modern retelling of the Greek play Lysistrata. As an Ancient History major on my spare time, and lover of Greek plays, the idea became immediately intriguing and something I knew I had to see.

SLJ wearing snazzy suits was reason number 2.

Chicago, the land of death. More people have been murdered in that one city than the American deaths in Iraq and Afghanistan since the wars have started. That should be a big deal, but it is ignored. That is why residents of the South Side have started to call it Chi-Raq, because it is a war zone out there and every body is dying.

In this fictionalized version of the city, the war is between two main gangs, the Spartans (purple) and the Trojans (orange). The leader of the Spartans is a rapper, whose stage name also happens to be Chi-Raq (Nick Cannon, don’t get lost on me yet), who people love. The leader is of the Trojans is a guy nicknamed Cyclops (Wesley Snipes), who only has one eye of course and a sexy studded eye patch.

But they aren’t the stars. No. Lysistrata (Teyonah Parris), the most attractive woman in Chi-Raq who also happens to be dating Chi-Raq. They will make beautiful babies some day. But Lysistrata starts to get tired of all the gang violence. She has to watch a mother grieve (Jennifer Hudson) over her dead 6 year old daughter who was accidentally hit during a drive by. She has to live with the fact that her boyfriend might have done it. And thanks to the same sage advice from a neighbor, Miss Helen (Angela Bassett), she realizes she has her own weapon that she can use to sway public opinion.

Yeah. We are talking about her body. No peace? No pussy. Lysistrata gathers her friends (Anya Engel-Adams, and more) and gets with Indigo (Michelle Mitchenor), the main lady friend of Cyclops. She wants them to put their differences aside and fight for change. They don’t allow any sex until the gang violence is over. They will get all the women in Chi-Raq involved. They will even get the prostitutes. They are doing it to protect the babies and their future. And hell, fuck it. They want World Peace, while they are it. And to prove their point, they also will take over a national guard armory in their city to show they fucking mean business. By not fucking.

Sex.

Also starring a lot more dudes. Harry Lennis is the police chief, D.B. Sweeney the mayor, David Patrick Kelly a general, John Cusack the main local priest, Steve Harris the leader of the Knights of Euphrates, Dave Chappelle a strip club owner, and Samuel L. Jackson our narrator and in the “Chorus” role.

Booty booty booty booty rockin’ nowhere.

Spike Lee might have out Spike Lee’d himself, as Chi-Raq is potentially the Spike Lee-iest thing he has ever created. It is so out there and original while being a modern retelling of a Greek play. It is amazing that I can say something like that and it totally make sense in the context in the film.

A majority of the dialogue in this film flows like poetry, complete with rhyming words and just being so fucking smooth. It was full of music and full of style. I want to have a copy of the script immediately, just to read some of the word again. I will buy this movie in the future and always watch it with subtitles, just to get the full impact and appreciate the cleverness of it all.

I hope beyond everything that Teyonah Parris gets nominated for a Best Actress award for this film. She owned the shit out of it, her presence on camera made you always focus on her and she nailed it. Some people might write off this film as just some “Sex movie” but it is a sex appeal film and not just one giant soft core porno. Parris is not afraid of anything from this film, tackling the hard subject matter in all the different ways.

Chi-Raq has all the same messages from Dear White People, but in a way that strangely makes it more relatable (not on a college campus). It is also incredibly modern, including references to every Black male shot that made political news, but also the Charleston shootings (which was in June this year) and Sandra Bland (July this year). Typing it makes me realize how long ago that was technically, I could have swore they were only two months ago. But eh, still modern as shit.

Original. Fun. Serious. Spike Lee.

4 out of 4.

Ahhhhhhhhhhhhhhhhhhh!

Do I even have to write an intro? Yes? Well. Fuck. Okay.

The Avengers was stupidly successful. I knew it would be in 2008 or so. Everything Marvel has done has been covered in molten gold, but in a good way, not a Game of Thrones way. So of course everyone is excited about Avengers: Age of Ultron. Honestly, I am more excited about the next Captain America movie and some of the new heroes like Black Panther and Doctor Strange.

But hey. Ultron is cool too. I will take what I can get before we get 3 Marvel and 3 DC movies a year, plus random other franchises.

Cool to the touch that is. HA HA HA HA HA.Shits crazy. If you haven’t seen Captain America: The Winter Soldier yet, then I can’t really help you. Spoilers on that front.

S.H.I.E.L.D. is gone, unless you watch the TV show then who knows. Hydra is fucking shit up. The Avengers have gotten together to stop them.

Our friends are all back, Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner).

Remember the twins after the credits of the movie I just mentioned? Well, Quicksilver/Pietro Maximoff (Aaron Taylor-Johnson) and Scarlet Witch/Wanda Maximoff (Elizabeth Olsen) are also thrown into the fray. An evil fray.

Here’s the important facts though. The Avengers get Loki’s staff back pretty dang quick. And using its power, Tony Stark wants to return peace to the world. He would love to disband the Avengers because he doesn’t want there to be a need for them. So he uses the staff to help begin to build some AI to help protect the world from more outside threats. Shit goes badly. We got a robot that wants to take out all the Avengers now. The Avengers bring threats. They are dangerous. Without them the world would be better. Tony accidentally made an Ultron (James Spader).

What? Is that not enough characters for you? Well fine. We have some other appearances of course, and I won’t tell you how big or small their roles are. Nick Fury (Samuel L. Jackson), War Machine (Don Cheadle), Maria Hill (Cobie Smulders), Falcon (Anthony Mackie), Heimdall (Idris Elba), and Erik Selvig (Stellan Skarsgard). We also have newbie, Dr. Helen Cho (Claudia Kim), and of course Paul Bettany and ANDY SERKIS.

But Thor is my favorite so he gets his own picture, damn it. For movies like this, there is no way I can get through these things without rambling and talking so much. So fuck it. Let’s go classic here. A simple pros and cons list of the movie. Well, a likes and dislikes. Yeah. And with fancy bullet technology!

Likes:

• Hawkeye. They heard the complaints about him in previous films and they made sure he was an important character. A lot was added to him. He had probably two of the best lines, did cool things, and was fantastic. Everyone should love him.
• Hulkbuster. Hulkbuster guys. Hulkbuster. Amazing fight.
• The plot elements in the film are definitely related to the first Avengers. Characters decisions are constantly determined to make sure they don’t redo what was done in NYC.
• Characters shared the screen. It wasn’t just a one man show and his friends. A lot of characters got a lot of screen time. Most of the new guys got their motivations and back stories. Everyone got to fight and everyone fought hard.
• It wasn’t an exact repeat of the first movie. There are similar elements, but the threats feel different, the arguments are different, and the jokes are different.
• They didn’t dick around in the beginning, it starts with action and goes quickly into Ultron time.

Dislikes:

• Um. Ultron. I think. I mean. It is iffy. But from the many trailers, I expected him to be a bit scarier overall. He had creepy elements. Especially early on. But then he seemed to turn into a mostly joke cracking villain without the fear.
• Vision. I liked him but I don’t think they did a good enough job explaining him or giving him more things to do. He felt a bit wasted.
• Time. The movie is 140 minutes or so, but there are several times when the thing still feels rushed, especially in the 2nd and 3rd acts. There is a lot going on and a lot I liked, but some things made no real sense. Better explanation or more cutting would have helped a ton.
• Love. There is a romance in this movie. It feels…forced and awkward the entire time. It helps lead to some of these moments where you’d like more explanation.

Also, under both categories I could say the Future. This movie does a lot to set up future movies. Future Thanos battle. Elements for the Black Panther movie. Elements for the next Thor and the Civil War (Although I thought they should have gone way stronger on that side). At the same time, this film kind of feels like a big stepping stone for the future instead of its own amazing event. Too much focus on the later movies, which we know the next many years for and not enough about Ultron.

Overall, AoU is really fucking entertaining. Make no mistake. It was a nice ride, and good action and all of that. The characters are the ones we love with new ones you will love as well. But I think it had enough disappointing aspects associated with it to make me not as excited as I had hoped. With all the set up, I think the Civil War movie will be the one that all this hype has been leading up to. Makes sense, because after it is when we start getting all the new characters outside of Ant-Man.

Go see it. Go see it multiple times. I will buy it as soon as I can for sure. But you know, not perfect.

 

3 out of 4.

Normally when movies get pushed back, I wonder and worry. Sure, sometimes it is as simple as not being able to compete with a bigger movie coming out that same day. Sometimes it is due to a production company not wanting to compete with its own product.

I have no idea why Kingsman: The Secret Service got moved from November 2014 to February 2015. February/January are generally deader months where a lot of shit goes, so it feels like the studio just didn’t think it would be good enough to make it. So they put it at the beginning of the year to hide it.

That is clearly what is going on with Jupiter Ascending, which got pushed out of Summer to February, which means they don’t think it will succeed as a blockbuster.

But this is Kingsman, and the trailer actually looked interesting. Damn it. WHY DID THEY MOVE IT?

I can only hold on to my butts so long in anticipation!

Back in the day, Great Britain decided it needed to protect the world. That is a bit of paraphrasing. Either way, they made a secret service, based on the Knights of the Round Table. Each soldier is incredibly well trained, combat, spy gadgets, code names, Gentleman as FUCK, and lives a thankless life as they can never let their existence be known.

Galahad (Colin Firth) didn’t notice a bomb one time, and one of the new recruits died saving his life. He wanted to help out his family, so he gave them a medallion with a number on it to call if he ever needed help.

Now, seventeen or so years later, Eggsy (Taron Egerton) is in trouble. Sure, he is a smart lad (British terminology), but he has wasted his life living on the streets. His mom never got over his dad’s death and is now dating an alcoholic. He is involved with gangs. He runs from the cops!

And guess what, he needs help. Quite obviously, Galahad thinks he has what it takes. They need a new member as one of their own was slashed down by rich tech billionaire Valentine (Samuel L. Jackson) and his assassin Gazelle (Sofia Boutella).

So you know, training, spy stuff, gadgets, a shit ton of action, and everyone talking super funny.

Also with Jack Davenport as Lancelot, Mark Strong as Merlin, Michael Caine as Arthur, Sophie Cookson as the female main lead/training rival, and Mark Hamill as a professor. I normally wouldn’t even bring him up, but I mean, come on. Mark Hamill.

“I came here to drink tea and give someone a good going over, and the Americans dumped all of my tea.”

Right before the movie started, I found out it was 129 minutes and thought it was way too long. Now that it finished, I found myself only wanting more.

Kingsman is based on a comic by Mark Millar, the same man who wrote Kick-Ass. Hey. Matthew Vaughn, the director, also did Kick-Ass! How quaint! Matthew Vaughn had to leave Days of Future Past to do this movie, and that is fantastic, because it made it so we got two pretty awesome movies instead of maybe two terrible ones. I can’t believe how entertaining Kingsman ended up being. The action was high octane and firing on all cylinders, and the movie built a bigger body count than you would probably expect.

Samuel L. Jackson was in it, and of course he kicked ass as the villain. He had so much personality, I was almost rooting for him by the end. Colin Firth is usually fantastic when he isn’t in a super serious role as well, and I wonder if he backed out of Paddington to build up his R-Rating persona. Another movie with questionable things going on.

I mean. Honestly, the only thing I found super disappointing, was some really awkward stuff that happened at the end. It just felt so forced and childish. It felt like a 13 year old wrote the last minute, almost. It will be very off-putting to people, even if they enjoy it.

Kingsman may be truly the first very entertaining movie of 2015, and it helped kick start my hope for some unique things to come through the pipeline this year.

3 out of 4.

Ah, Captain America: The Winter Soldier. I will be honest. I wasn’t really looking forward to this movie when it was first announced.

I like the Captain, sure. But the next two movies are Guardians of the Galaxy and Avengers: Age of Ultron. This one was just giving me more of an already established character. Still, I was excited enough about it to make a fake review for April Fools Day.

Being a comic book fan is sort of a double edged sword with these type of movies. On one side, it is great experiencing the comics come to life with large enough budgets to make every fanboy cry out in glee. But on the other side, we know the stories they are inspired by, so most likely the bigger plot twists and turns won’t be surprises to us.

Unless of course they create new unexpected ones like Iron Man 3, but that is a different story.

“Hey, stop moving so the camera can focus on your backside.”

The Winter Soldier begins by showing us what life is like for the one and only Steve Rogers (Chris Evans), a national hero and now high up in S.H.I.E.L.D. He is doing missions around the world! But S.H.I.E.L.D. and Nick Fury (Samuel L. Jackson) have their secrets and Steve doesn’t really like secrets.

So when things start to get a little bit feisty at the headquarters in DC, Steve isn’t sure who he can trust. Can he trust the Black Widow (Scarlett Johansson) who is known for half-truths and deception? Can he trust Alexander Pierce (Robert Redford) head of the World Security Council? How bout Maria Hill (Cobie Smulders)?

Yeah, he is kind of in a sticky situation. The spy game sure has ramped up its deception since the 1940’s, so if he is going to protect the world from a hidden threat, he will need all the help he can get. This movie introduces a few future characters as well, like the titular villain The Winter Soldier (Sebastian Stan), Sam “The Falcon” Wilson (Anthony Mackie), Brock Rumlow (Frank Grillo) and Agent 13 (Emily VanCamp).

Holy shit the Vult-err.. Falcon. Sorry. Good Guy Falcon, Bad Guy Vulture. Got it.

Being the fanboy that I am, I have been trying to be more critical of Marvel movies lately. Just because I squeal in delight over almost every one doesn’t mean they are perfect. They don’t all deserve perfect marks.

Captain America: The Winter Soldier deserves perfect marks.

Everything about this movie is so spot on spectacular that I have a hard time believing it is even real. Captain America: The First Avenger was a good movie on its own right, but one I have never really been in the mood to watch again. I can see myself watching The Winter Soldier many times once it releases, maybe more than I saw the first Iron Man. It literally might be my new favorite Marvel movie.

It is hard to find something that is negative about the movie. It is over two hours, but never drags. There is maybe only one scene I thought was a bit pointless, but it doesn’t affect the overall movie. There is a lot of action and all of it is so well put together, from the choreography to sound editing. The movie itself is a lot more serious than other Marvel films, but it still has the nice jokes and references throughout it to keep you happy.

Did I know the big reveal? Yeah. But knowing it didn’t take away from my experience at all in the movie. This excites me because it means I will likely enjoy future viewings.

My last point I guess would be about acting. Evans gave a strong performance as the lead, but the side characters as well were all quite good. Mackie didn’t have too big of a role, but he kicked its butt and I actually enjoyed the Falcon. Redford was great, Jackson was great. Everyone was great.

To me, this movie is like an Avengers 1.5. I don’t expect Guardians of the Galaxy to have too much impact on the current Marvel universe, so this is the perfect lead up to next May. This movie has made me beyond excited for the Marvel future, and definitely for the third Captain America in 2016. Although, knowing the comic plots, I kind of already know what is likely to happen.

4 out of 4.

Yep, I am awesome. I got to see Captain America: The Winter Soldier as a special promotion over a whole week before it came out. They just told me I couldn’t release a review on it til April.

Fine by me, early movies are early. The first Captain America I really enjoyed, but didn’t feel patriotic enough. There was a severe lack of American flags throughout the movie and I just couldn’t accept it. There was a lot of Nazi stuff too, which is silly. I want America stuff, not Nazi German stuff.

Uniform looks diluted. Patriotism failed.

This movie takes place dozens of months after The Avengers. Steve Rogers (Chris Evans) is living a sad life. Sure, he lives in Washington D.C., a patriotic city if any, but is bored. He is still working for S.H.I.E.L.D., but he isn’t killing Hitler, so what’s the point of it all?

Which is when Nick Fury (Samuel L. Jackson) comes back. What a shifty character. Fury has some information regarding Rogers and his family. Turns out Rogers’ brother had a son a few years after World War II. That’s right, the Captain has a nephew. But the weird way time travel works, the nephew, Alexander (Robert Redford) is of course now much older than him. Hah, how silly.

But Alex also helps run the council that oversees the world in the Marvel Universe. Pretty baller. He is the one that lets him know about The Winter Soldier (Jeremy Renner). He apparently just came out of Russia, another classic enemy, has some robot parts and really wants to fuck some shit up.

Good. Steve doesn’t understand technology much anyways, so he is happy to do battle. Of course, when he realizes his true identity, he might have some moral convictions.

Or they might just stand there chatting about the good times a couple years ago.

Man, if people were upset by the changes to the lore in Iron Man 3, they would probably be even more furious at these changes. To change the identity of The Winter Soldier like that to Hawkeye? Man. Why do they keep making him the badguy? No one even really likes Mr. Renner.

There were far too many plot twists involving who was related to who. First Steve Rogers and his nephew, then Nick Fury and his son (Anthony Mackie) it kind of got ridiculous.

This movie was supposed to be a pseudo Black Widow (Scarlett Johansson) movie as well, but if I had to guess, she probably had like 3 minutes of screen time, everything you saw in the trailer, all at the end too. Must have been too busy voicing sexy robots again.

I am pretty sure this is second longest Marvel movie too, after The Avengers, and a lot of it drags on. They kept introducing other side villains who got barely any screen time that it kind of took away from the overall plot, reminding me of Spider-Man 3. Hell, it even had a strange emo dance scene in it as well.

Overall, this movie feels like a big lie. Both to the Marvel continuity, through its advertising, through so much. I am glad I guess that they killed off Steve Rogers at the end, bringing in a different Captain America story. Can’t wait to see how they spin this for The Avengers: Age of Ultron. But that was about the only cool aspect.

1 out of 4.

Wooo, Oldboy remake! I watched the original a few days before Oldboy came out to theaters, then…surprise! They changed their mind to make it limited release on Thanksgiving week, and of course, it didn’t come close to my area. Fuck those guys. Damn it, damn it.

So now it is March, and I can finally see it. I still saw the original, just like 4-5 months ago instead of right before hand. Oh well, whatever. Based on the trailers, it looks like they might have changed some of the main elements around, so it shouldn’t be a complete copy.

This time, the hammer is actually his hammer, and not his penis. `

Basic jist, Joe Doucett (Josh Brolin) is an asshole. He was married and had a child, but they got divorced, and now he is a scumbag ex who doesn’t pay child support and lives sale to sale. One night, after a sale, he goes to visit his friend Chucky (Michael Imperioli), he gets abducted! He thinks it is a hotel room for sex, next thing he knows, the scenery outside is fake, and he is stuck in this small room with a TV.

Twenty years go by with him in that room, getting fed 3 meals a day and occasionally getting gassed for random reasons. He finds out soon after he was captured that his wife was murdered and the blame fell directly on his life. Shit. Now his daughter, 3 years old, who barely knew him, is getting raised by another family.

So what happens after 20 years? He gets released. No questions asked. Huh. Okay. Why? I guess that is the question.

Also starring Elizabeth Olsen (A lot of her), Sharlto Copley, and Samuel L. Jackson.

That’s right, after all that, I just want to show you a very hairy Brolin.

To answer the question that people care about, no, not really. The question they were asking of course was “If I saw the original Korean version, should I watch the American remake?”

That is a bit unfortunate. A lot of it was the same, not scene for scene, but basically every step of the way is the same. Remember that long fight scene from the side in the original? It is back in this one, but…shorter I think, and with more cuts. Remember the ending? Of course you fucking remember the ending. Well, it is very similar. Arguably there is one big plot point different, but in the grand schemes, it is the basic same story.

So, on its own? It is okay. Definitely not as powerful as the first, and really, knowing the entire story kind of tames this one for me. Samuel L. Jackson didn’t feel as good as the Korean counterpart. Sharlto Copley played a villain and uhh, he has been a better villain in other movies. It was pretty meh. In general, the end has a “too many coincidences” vibe to it, so the ending doesn’t even give as much pay off as the Korean version.

I think I also expected a bit more from Brolin here, who I guess is officially a hit or miss actor. Sometimes he is on, sometimes he isn’t. Tis a shame.

Oldboy remake? Could have not been done. I would have expected more different from this type of movie, not a basic copy.

2 out of 4.

Motherfucking RoboCop.

The Hero of Detroit.

Why he doesn’t have a statue yet, I still do not know. Fucking politicians, corrupt as always.

Anyways, when I heard there was a remake, I was fine with it. When I heard it was PG-13, I was confused. Do they understand the point of that franchise? Besides the satire, of course.

He is black, because black is cool and sexy.

Needless to say, no, RoboCop remake isn’t as bad as everyone said it was before they gave it a chance. I even had a popular tweet a few months back claiming it would suck, and really, it wasn’t super terrible, it just also wasn’t super amazing.

Alex Murphy (Joel Kinnaman) is a Detroit detective, and working on uncovering a huge drug and weapons king pin. The detectives meant to monitor him are on his payroll, lots of corruption everywhere. During an encounter, his partner (Michael Kenneth Williams, for authenticity) gets injured.

Murphy really wants to bring him in. So they bomb his car to kill him. Unfortunately they only really leave him super badly disfigured.

At the same time, Omnicorp is making robot police men! But America doesn’t want them to patrol the streets, no trust for whatever reason, so instead they are used to keep peace in the Middle East. Their owner (Michael Keaton) is at war with the government, to overturn their policy making robot guards no longer illegal. Eventually he gets the idea. Why not put a human in a robot, and win the public that way?

Yes…yes…that will allow him to make lots of money. As long as the Robot Human Cop is as good as just a Robot of course. Yet also somehow maintain his human characteristics. Can it be done?

Gary Oldman plays the bio-scientist who has the capabilities of putting a man in a robot body. Jackie Earle Haley is a militaristic trainer. Abbie Cornish is the wife. Jay Baruchel is in here for some reason. And Samuel L. Jackson plays some sort of Bill O’Reilly motherfucker, with a nightly TV show that can warp the American point of view.

He is black because of genetics.

There are at least 3-4 references to the Detroit Red Wings in this movie. This is excellent. In this universe, the Red Wings still exist in all of their glory in like 20 years.

One other amazing thing happened to me in this movie. They played the song Focus by Hocus Pocus. It is a song I have been trying to find the name of for the last 4-5 years, but as it is an instrumental with yodeling and other weird noise, can’t exactly look it up. Thank you for your contributions to my sanity.

Oh you wan’t actual review? Okay.

Well, RoboCop wasn’t completely sucky. It wasn’t completely amazing either. They spent a lot lot lot of time before we actually got RoboCop into the streets. We had to watch the set up, the idea, the training, the tests, everything. Once he was about to hit the streets, he had another quick breakdown that they had fix again. Far too much of the movie was given to these factors, probably as they were trying to keep it PG-13 and not have him, you know, being a Cop.

I do think the film did capture the spirit of the original. Corrupt corporations and what not, so that is fine.

It had its entertaining moments and they increased the intensity of the ED-209, those big two legged walker robots.

I also really enjoyed the ending. And by that, I mean that they ended it on a nice note and didn’t automatically set up a sequel. That happens a lot more in movies nowadays. Fuck that.

2 out of 4.

It took a few years, but I am really stoked that I finally had the opportunity to see 1408. Technically the opportunity was always there, but never the drive.

1408 is part of an unintentional grouping of films. You probably know what I am talking about it. It fits in the category of “Movies that are just four numbers starring John Cusack”. Of course! 2012 is the other half of the pair.

Honestly, the only reason I never watched it was because I wanted to release it when it made sense from the date. But 2008 and was so long ago and there is no 14th month. 🙁

Overall, a terrible reason to wait, when SLJ has been waiting so patiently.

Mike Enslin (Cusack) is famous for debunking paranormal encounters, made famous around the world. You got a haunted house? Prove it. A haunted rocking chair? Doubt it. A haunted room? Let him stay in it.

Most of these people are lying to get more people to visit, and he finds out the truth. A pretty famous author now too, with people recognizing at least one of his books. Some of them about actual scary places too, but more often than not…you know.

Until he clambers his way over to Dolphin Hotel, a new rumor that has reached his ear despite its apparently long and dark history. The hotel refuses to let him rent out room 1408, but some court battle seems to work in his favor. Still, the head of the hotel, Gerald Olin (Samuel L. Jackson), does his best to convince him, including providing a full history of everyone that killed themselves or died in that room over the last hundred years. Still no dice.

Because ghosts aren’t real, right? Right?

Also starring Mary McCormack as his wife. But mostly for haunting purposes.

What in the fuck is wrong with that room?

Room 1408 turns out to be extremely ludicrous. Note, that is more than a normal amount of ludicrous. At first, it is your standard haunted room stuff. Phone/TV on the fritz, hot, seeing images. But eventually it gets beyond reasonable, as you can see in the picture above.

And it also decides to use a lot of deception/trickery to catch the the viewer and poor John Cusack off guard. But, was it scary?

Not to me at least. I didn’t think it was terrifying really, but I more so just felt bad for John, who must have had a killer headache or something. Hah. Killer.

I think if they went a more realistic approach, I would have found it scarier. However, because it was so far past realism, I gained some entertainment out of it as the room in the middle of a large hotel somehow crumbled under neath him. I wish this movie could have been better for me, I really do. But eh, shit happens.

2 out of 4.

Turbo is the latest example of a kids movie following a very standard formula. Let’s take some sort of entity and either a) give them an impossible dream (and reach it!), or b) give them some ridiculous flaw (and overcome it!). Like a bird who doesn’t know how to fly. Or a plane that is afraid of heights (and wants to race). Or an overweight comedian who wants to box. Or a snail who wants to race in the Indy 500. Oh wait, that one is Turbo!

Fuck. Let’s get this over with. Turbo (Ryan Reynolds) is a snail! He has big dreams. He wants to go fast, and is the fastest snail he knows. In fact, he just did the yard in 17 minutes, a new personal record. He dreams of entering the Indy 500, thanks to words of advice from his hero Guy Gagne (Bill Hader), who claims that no dream is too big. His brother Chet (Paul Giamatti) thinks his dream is stupid, rightfully so.

Well, eventually Turbo falls into a car engine and gets coated with NOS, transforming his DNA and giving him incredible speed! This also somehow turns him partially into a car, with headlights, radio, rear review lights and stuff. Not sure how that second part happened. Even more eventually, Chet and Turbo find themself caught by Tito (Michael Pena), a down on his luck Taco maker. He works for his older brother (Luis Guzman) and their business is not doing well. Why did Turbo decide to not run away as soon as they were captured? No idea. But he could have.

Luckily, Tito is all into snail racing. Turns out Turbo is stupid fast and he wants to use Turbo to get more business. A very noble cause. So they set off to enter him into the Indy 500, for exposure. Nowadays kids would just make a YouTube video and become famous that way.

Oh yeah, Turbo has his own snail crew to back him up now. There is Whiplash (Samuel L. Jackson), Smoove Move (Snoop Dogg), Burn (Maya Rudolph), Skidmark (Ben Schwartz), and White Shadow (Mike Bell). Of course Ken Jeong voices a tiny Asian nail technician.

This movie is about to get fucked. Seriously. No mercy. Cover your eyes if you don’t like violent imagery.Let’s start with some factual errors. Why? Because they matter to me. I am a Masters Geophysics Student, and the sloppiness bugged me. Basically I am going to be super critical.

Turbo made a big deal about getting a yard in 17 minutes. I know it was a yard, because they showed the measuring stick briefly. However, 36 inches in 17 minutes is really slow. Like, really really slow. That is why I went over to WolframAlpha to convert it. Seriously check the link.

WolframAlpha is so amazing it compared the velocity calculated to the the velocity of a garden snail automatically and it is about 33% the speed of the actual garden snail. Great, we have a snail that is statistically slower than most garden snails. Let’s say that factual error can be ignored, fine. Unfortunately, almost every other point in the movie (pre-genetic manipulation), Turbo and other snails are still shown with greater velocities than his trial. Unless it was important to the plot that is (see: the tomato/lawn mower scene).

Come on now, consistency.

[Editor’s note: Apparently IRL and F1 are different things, but similar vehicles. I just know them as “Not NASCAR”. Point still stands, basically.]
The ending bugged me a lot as well. As it is a car race, it involved a pile up of cars real close to the finish. At this point, Turbo and Guy go into a “foot race” type of situation for the finish like, similar to Talladega Nights.  But according to official Formula 1 racing rules (here and here specifically), none of it would count and the whole thing feels pointless.

Let’s get to the most important part of the movie. This plot is inherently stupid and bad. I didn’t read the full rules for the Formula 1 racing, so I can’t confirm if there is no rule that would disallow a snail. However, the concept behind it can only be described as cheating and a snail would never be allowed to race in such an event. They have very specific standards for the size of the vehicles, type of protection they need, everything you can possibly imagine. The snail’s dimensions do not match a car’s dimensions. For an extreme example, it’d be like using a Ferrari. Or like doping.

At one point during the race, the announcer screams that he can’t believe Turbo is passing a car from below. I am fine with his reaction, because Turbo is basically cheating. But the announcer is surprised instead that he could fit, even though Formula 1 cars have about 4.5 inches of room underneath them, while a garden snail is at most 1.5 inches tall.

If you hadn’t figured out by now, Guy is the villain of this movie, but only because he wants to win the race too. Just like the other 30ish humans in the race, all doing it without cheating.

I laughed I think a total of two times. The laziness of the plot, the laziness of the details, and the laziness of the character development ruined this movie for me. To quote Eleanor Roosevelt. “America is all about speed. Hot, nasty, bad-ass speed.” Turbo would not have lived up to the former First Lady’s opinions on America or Racing.

 

1 out of 4.

The last of the movies to come out on Christmas for me to review, Django Unchained is unlike really any other.

It isn’t random holiday fluff, and it isn’t based off of previous work/book/musical. Sure, there was the movie series Django. But those stories aren’t at all related, all it is is a name share.

But outside of that, you know its a Tarantino movie, so you know, there will be blood.

Along with stylish threads, and stylish walks.

Django (Jamie Foxx) is a slave. A slave walking through Texas. He had a history, hell, he had a wife, Broomhilda (Kerry Washington). Too bad she got sold to another plantation owner, who knows where.

But as luck would have it, a man has freed him from his bondage. Dr. King Schultz (Christoph Waltz), a bounty hunter and former dentist. He is looking for a group of brothers who have gone on the run, changed their name, and he knows that Django knows what they look at.

So of course he will help him out! Killing white people for money, what could be better? Obviously. Not to mention if he helps him out, he can get cash, and find out where his wife is. Because we have all seen the preview, we know she is with Calvin Candie (Leonardo DiCaprio), and under the watchful eye of her owner and head slave Stephen (Samuel L. Jackson).

And in this movie, the hammer is an actual hammer, and not his penis.

I think I can say, universally, that Django Unchained basically is firing on all cylinders. It was a classic Tarantino movie, despite being his first western. It had it all. Dramatic tension, thanks to a few scenes between DiCaprio/Waltz, comedy, action, and a lot of gunfights.

This is now the third movie I have seen Waltz in and I love his character so much. The high level charisma and witty dialogue will make the long movie length fly by in an instant. Foxx, despite the main character, does a lot less of the talking, which makes sense given his position and role he has to play.

Despite not showing up until the second half of the movie, once DiCaprio and Jackson hit the scene, they make their presence known and make it count. There is a specific scene in question where DiCaprio accidentally cuts himself by breaking a glass, but doesn’t break character making it all the more intense.

Really, this movie is just a great movie. The “controversy” over word choice isn’t a controversy at all, it is just Spike Lee being a jack ass.

In addition to that, you not only see breasteses, but also a penis. Pretty sure though that a stunt cock was needed.

I don’t wanna sound queer or nothin’, but…

4 out of 4.