Tag: Romance

I am not just reviewing Beyond The Lights because it was nominated for Best Original Song in the Oscars. No, I wanted to see it even before that!

However, yes, I am having the review out this week because of that fact.

I wanted to see it because I heard good things despite a somewhat Lifetime movie looking trailer. I wanted to see it because it was a mainly black cast and it had nothing to do with Kevin Hart or Tyler Perry. Some of their movies are terrible, sure, but at least they are actually increasing the amount of color that our TVs can show. So it is always exciting to see someone else do something to break the trend or lack of trend.

Oh hey, wait. It is British? Never mind. This means nothing now.

It can’t even help our current opinions about law enforcement!

Just kidding. Despite starring British people, it is actually American overall. Go back to flying our flags proudly, folks.

Since Noni (Gugu Mbatha-Raw) was a little girl, her mother (Minnie Driver) has been focused on her career as a singer. She was entered into talent contests and her mother would not let her settle for second place. Her mother raiser her alone and always wanted her child to succeed.

Now, many many years later, Noni is about to win a Billboard award with a collaboration with Kid Culprit (Machine Gun Kelly). It is very impressive, since she hasn’t even released her own album. She has just been on three of his tracks and they have all been super popular. Yes. Now is the time for her to break out and get one of the best selling records of all time.

But Noni doesn’t feel happy. Maybe she hates her relationship with Kid. Maybe she hates selling her body for success. Maybe she hates her mother deciding every part of her life. Maybe she just feels fake. Either way, she decides to end her life. She is saved last minute by the current cop watching her room, Kaz (Nate Parker), who calms her down and makes her feel like an individual.

And won’t you look at that. A relationship might come from it too. Sure it starts in an awkward place. He kind of saved her life. There is some awkwardness that might make people question its long lasting-ness. Especially since Kaz himself is only going to be a cop for a little bit. He wants to run for office, a political kind of guy. Being with a pop star might make people question his seriousness.

I am sure none of that will come up though. Also featuring Danny Glover, who is still too old for this shit, as a cop.

When your mom encourages an outfit like this, you know you might actually be a doll.

And then I enjoyed a movie about a pop star struggling with the music industry and feeling like a real person. Of course I did. Put it that way, it sounds brilliant. Sure, first world problems a bit, but everyone should understand the need to feel loved and important.

The romance in this picture feels very realistic and that is actually refreshing given the last few “romance” movies I have seen. They have problems, they have outside forces telling them one thing or another, and they have their own issues to work through, but they try things out and give it their best shot.

Both Mbatha-Raw and Parker give great performances. Driver is a straight up bitch, but it all fit for her character. Hell, I might not have completely hated her by the end either.

Overall, a good romance/drama. And uhh, the songs are decent too. I guess. (It won’t win).

Let’s start with the obvious.

Literally everyone at this point knows that Fifty Shades Of Grey started out as some sort of Twilight fan fiction. People liked it, she changed the characters names a bit, gave them some new jobs and that was about it. Literally even the setting is the same. When watching, I could easily imagine Edward and Bella in each scene. The mannerisms, whatever. Yeah.

Either way. That is besides the point.

The other thing I heard about Fiddy Shades is that it is a poor portrayal of BDSM subculture and what this movie really promotes is sexual abuse and lies. Oh good. Perfect date night film then. There are also issues with the rating itself (which I will get to later) and apparently the director and book author argued a bunch on set.

I’m sorry, I can’t hear your criticisms over these chiseled abs and bare skin.

Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) met under unusual circumstances. She interviewed him at his company because he was going to be giving the commencement speech at her graduation. He is a billionaire. She is a senior English Lit major who is doing the interview for her sick roommate (Eloise Mumford). But he sees something in her and she mostly just thinks he is hot.

However, she is also very inexperienced. Despite having average looks, she is a virgin, saving herself for the one she really wants. Fuck this pretense. Christian wants to spank dat ass, and Anastasia doesn’t know what she wants, outside of the fact that she wants Christian’s body too.

So he gives her a taste. Like, a dick taste. But does that get her hooked? No, not really. She knows about what he really wants, and he makes it perfectly clear. He has a contract, things up for negotiation, everything laid out on the table. But she doesn’t want a contract, she wants their relationship instead to be confusing and “normal” where things can happen without rules. In fact, the whole film she just leads him on instead, refusing to sign the contract, not because she doesn’t want to, but because she keeps going back and forth. Not that changing your mind is bad. But refusing to come to a decision for weeks is kind of annoying.

Also featuring the Grey-clan, like Marcia Gay Harden, Max Martini, and Rita Ora. I have been told the last person is a singer.

Grey isn’t the only color in the movie. Unless Red is a shade of Grey. I don’t know, I don’t “see color.”

First of all, I am definitely disappointed in the R rating. Boooo. You might wonder why? The only way it can go higher is the dreaded NC-17 rating, which major movie chains refuse to show! Only indie art house theaters! Well, obviously, an erotic novel for adults only with very graphic sex scenes should be that rating in movie form. But also, this was like, our ONE chance for the major movie chains to change their opinion. They know this is going to make money. They wouldn’t refuse a film version when the book was so hyped up. They would have caved and maybe we would have gotten more NC-17 movies in theaters in the future.

But yeah, missed opportunity.

As for the abuse part? I looked very hard. Christian never does anything to Anna that she does not agree to. Never. Sometimes it takes convincing, but real adult people are allowed to discuss things. Yes he is more experienced, but like in real relationships there will usually always be someone more experienced. If convincing someone to try new things sexually is abusive behavior, then man, I’d imagine most relationships are abusive.

At the same time, this doesn’t really put a good spotlight on the BDSM community, known for being very high on communication. Why not? Christian follows their rules pretty well it seems (despite Anna’s best attempts to muck things up), but they also made him an abused figure in his past who came from a crackhead mom. So they are also painting the picture that BDSM is “not right” and clearly it is due to bad experiences in his youth. Shit, looks like they are also trying to burn all bridges here.

Anyways, Dakota Johnson was very believable in her role, I guess, even if she is stupidly annoying the entire time. The character’s actions rarely make sense to me, but she acted great in it. Dornan had the serial killer look down I guess, but I thought he overacted his part.

In all reality, I thought the movie was okay for the most part. But the ending was down right terrible. Terrible in a “Hey, fuck you guys, you don’t get a complete story in this one, you have to watch two more movies to get a complete story.”

Cliffhangers are one thing. They can work well for a series. But if that series can’t even complete a fucking basic arc, then it is just filler pointlessness. I don’t know anything about how the rest of this story goes, but if it is like the first one, then I can safely assume it probably should have just been one movie and not fucking three.

Also, there were no dicks in the movie. Some bush on both ends, and maybe the start of a shaft once. This is what I assume you all really wanted to know.

What if I told you that sometimes movies are called different things in different countries. That wouldn’t surprise you in the slightest. You knew that.

After all, it is Gojira in Japan, and Godzilla in America. “Hey that doesn’t count, that is just another different language!”

Alright fucker. How about Frozen? We got the clever/unique title, while countries in Europe got stuck with the generic The Snow Queen, which the movie is “based upon” (aka, both have a woman with ice powers and…?). “Well, that one changed its name to appeal to different cultures where The Snow Queen story originated, to get more money!” Okay. Well, I don’t blame them for that I guess. I do blame them for saying it has anything to do with The Snow Queen, but I digress.

That leaves us with the movie for the day, What If. No question mark. It’s original title in Ireland/Canada was The F Word, and for whatever reason that title was found to be too risque or something for American audiences, so we get a much more romantic comedy-esque name to maybe get the ladies in? I don’t know. It is fucking stupid. If I hear it was the MPAA’s fault for alluding to maybe the word Fuck, I will be angry though.

See, there isn’t even any fucking in this scene. That would be impossible for them in their positions.

Relationships are hard. Just ask Wallace (Daniel Radcliff), who is finally getting over his ex girlfriend Megan after like, 3 years. So he is going to Allan’s (Adam Driver) party, his best friend. That is where he meets Chantry (Zoe Kazan), Allan’s cousin. They have some intense conversations, both of them a bit awkward, but it is nice.

Also, Chantry has a long term boyfriend of course, Ben (Rafe Spall), which throws Wallace off guard. Normally that information is given earlier in a conversation. But he is fine with being friends. She believes a man and a woman can be friends with no hidden motives. And you know what? Wallace is fine with that too. Fuck it.

Basically, this is a retelling of The Wedding Singer. Chantry even has a sister (Megan Park) interested in Wallace. Wallace is heartbroken after a long relationship ended. Chantry things she is in a relationship forever, but one that might start having issues. And there is at least one wedding occurring, when Allan hits it off hard with Chelsea (Mackenzie Davis).

It just has a lot less music and singing and no Broadway musical adaption yet. I say yet, because we all know Mr. Radcliffe loves Broadway.

He also loves diners, if you look at every poster for this movie.

This isn’t your grandmothers romantic comedy. This is a a romantic comedy for a more realistic newly mature movie watching crowd. Wait. It is only PG-13? Hmm. I figured it was R, but now looking back, I guess no real cursing or other adult stuff happened.

I say realistic, but in the end, this is similar to a lot of other romantic comedies, just with slightly different approaches. After all, the F word in questions ends up either being “Friendship” or “Friendzone” depending on how you look at the movie. Friendzone is a rather ugly word now, because it is pretty sexist in most cases, and used by people who think that being nice to the sex they are attracted to should eventually lead to a relationship and of course sex. Because not every relationship starts with friendship, a lot start romantically first. Unless its the movies.

So should I punish the movie for going the technically same cliche route of friendship with the intention of friendship leading to something more? Or should I ignore it and enjoy the acting, the chemistry, the comedy, and the ridiculousness of it all?

I like the ridiculousness route. Woo romcoms! Woo What If! A bit of it seemed forced, but I loved how uncomfortable everyone acted when they were forced into slightly romantic situations. I literally live off of awkwardness, and this movie may have extended my life at least 4 days.

And So It Goes is one of the many films I decided to skip the pre-screening and wait a lot longer to see it. I had nothing better to do that night, so I went home instead of watching the movie.

I just couldn’t justify waiting hours in line. Look at the main poster. The title is just vague enough to make it about anything. Brought to us by Rob Reiner, this film wasn’t even really advertised in any way.

Sure his last film he made I really liked, Flipped. I found it adorably cute. But he also did The Bucket List, which just seems to pander to the viewer in the worst ways.

I make sure to show my biases before a review, and most of the time I feel pretty neutral. But man, this movie has an uphill battle as it just looks like a pointless, slightly emotional, predictable, waste of time.

Alcohol? That would totally give this film an edge if they didn’t look so happ (y.

Oren Little (Michael Douglas) is a mean old grouchy old man, and a real estate agent. He is incredibly wealthy, had a son who is a disappointment to him, and he doesn’t like to talk about it. He is ready to retire, sell his old house for several millions, and get away from everything and live out of his life in bliss elsewhere. But for now, he is living in a building he owns, an apartment complex. You know, it’d be weird to sell your house if you still lived there and didn’t want it to seem that way.

But then Mr. Disappointment (Austin Lysy) shows up at the home’s door step, ruining a potential buyer. Apparently the kid has some more bad news. He will be serving time for 6-8 months and needs someone to watch over his daughter. Whoa whoa. Oren has a grand daughter?! Soon to be 10 Sarah (Sterling Jerins) needs someone to look up to, and she might as well assume her grandpa will help out in that department. But of course, he doesn’t want this shit.

Thankfully one of his neighbors isn’t so entirely sick of Oren’s shit to ignore the daughter. Which is where Leah (Diane Keaton) really comes into the picture. A widowed lounge singer now, she tries to assume the best about people and usually she is wrong.

Can she with the help of the girl maybe turn this grouchy old groucho around?

I dunno. You be the judge!

Well shit. The movie ended up being a pointless, slightly emotional, predictable, waste of my time. Incredible. I looked up to see a few stats and saw that this movie had a budget of 30 million.

30 million to make? What? There were like five sets in the entire picture. How much money did Michael Douglas and Diane Keaton demand? It must be at least 15 million of that price, because everyone else involved was no names anyways.

The neighbors I didn’t tag or talk about because they all don’t matter. Their plot lines in the predictable movie are also predictable. They keep getting themselves involved in Oren’s life until he realizes he must not hate them either after all. Yay family. Yay friendship.

Apparently money doesn’t buy happiness, which is the theme of the movie. But that isn’t even true by itself. Because everyone knows that money definitely helps happiness. If he was poor, Oren couldn’t have handled that kid or gotten it on with Diane Keaton. There was also a very awkward scene with the girls mother, but it was less than a minute of screen time and ended very awkwardly. Awkwardly in terms of story telling, as they glossed over a lot of what must have happened and she was seemingly never talked about again. Kind of fucked up.

Shame on you movie. Shame.

Although the words are completely different, whenever I read the title The One I Love, I think of the final song from Grease.

You know. You’re The One That I Want. It bugs me so much that I try to sing the movie title to the same tune and it just falls apart so badly that I feel sad and wonder why would my brain betray me like that.

Either way, I went in knowing this was similar to a romantic comedy, but in no way like a romantic comedy. What a great description!

And it stars the guy from The League and the girl from Mad Men. No, the other girl.

Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are having marriage problems. Their love seems to have floundered. They used to feel great in each others company and spontaneous, but now they argue all the time and don’t know how to rekindle their relationship. Also, Ethan did cheat on her in a moment of weakness. That is important.

So now they are seeing a marriage counselor (Ted Danson), who recommends to them a weekend getaway in a house in the middle of nowhere that he knows about. He has told them it has helped many couples find their love again there and saved many marriages. It has a 100% success rate and is just a magical place.

When they get there, it is okay and they try to give it a shot. And then they have sex!

Or at least they think they do. Sophie says it was great but Mark says he doesn’t remember it. Whatever, it must be some dumb perverted joke of his, always messing around. Oh that Mark.

But the next morning, Mark goes to the guest house and sees Sophie making breakfast with bacon which she is totally against. This can’t be real. Especially when he goes back to the regular house and sees Sophie there as well.

Yep. Things are getting weird. Are clones involved? Evil spirits? Magic? Aliens? Voodoo? Why are they seeing replicas, damn it?! And how can multiple versions of your loved one help you love them more?

I am not talking about increasing the frequency of love here.

MOTHERFUCKING DOPPELGANGERS. This came out of no where! I just liked the somewhat uncomfortable artwork. But another movie to come out this year about Doppelgangers? We had Enemy and The Double? How many more can there fucking be? Doppelgangers of Doppelganger movies. If there are more, seriously, let me know so I can watch them.

This movie was full of surprises. It just seemed to keep getting weirder and creepier the more it went along. It had some great paranoia / jealousy going on, along with fantastic conversations about relationships. Given some sort of magical element, it adds philosophical talk too, in terms of what constitutes as cheating / lying when there exact duplicates running around.

I was very entranced watching this movie and loved every minute of it. Yes, even the parts pre-magic. They were interesting as well damn it. The best part of it is that despite these fantasy elements, it still felt incredibly realistic of its portrayal of real people in a really odd situation.

This movie was a complete surprise for me to watch and I am glad I did.

Yes! More movies in the supernatural rom com genre!

There hasn’t been a lot of these, I guess. Most of them are dramas more than comedies. Apparently that is where they think the money is at, teenage girls. But the comedy element? Outside of Warm Bodies (Warm Bodies), there haven’t been that many.

So sure, Life After Beth is giving us love and zombies again, a year later, but just like regular romantic comedies, as long as they are done in different and unique ways it shouldn’t be an issue.

You don’t need a beating heart to float on water!

Beth (Aubrey Plaza) is dead. You can’t change that. Freak accident. Her boyfriend at the time, Zach (Dane DeHaan) is taking it really badly. Yeah, sure, he lost the love of his life, but it ended badly too. They were fighting. He didn’t her what he really felt.

So yeah. That sucks. Trying to cope after a death is hard. He has even been hanging out with Beth’s parents (John C. Reilly, Molly Shannon) in the down time.

But then he sees Beth. Walking around. Seemingly normal.

What in the highest amounts of fucks? Was this some joke to get him out of their lives? A shitty way to break up with him?

Or, was she resurrected, like her parents believe? They don’t care. They were missing their little girl and are happy to have her back, regardless of any complications.

You know. Zombie things.

The parents of Zach are played by Cheryl Hines and Paul Reiser, he has a brother who is a cop played by Matthew Gray Gubler, and Anna Kendrick as an old friend and old fling.

Sometimes your flirt face is the same as your scare face.

While other supernatural movies may strive for extreme supernatural things going on, Life After Beth keeps it surprisingly realistic. Yes. Sure. Zombies happen. These zombies may have big strength, start to decay, don’t feel much pain, whatever. Normal zombie stereotypes.

But the emotions and reactions are surprisingly real feeling. The grief Zach feels over words not spoken. His reactions to her being alive, the many that occur. The parents, unsure of what to do about it. And ignoring the problems as things get worse and worse over time.

Life After Beth does a great job about moving on but in a unique way. Just because the dead are rising up and walking around doesn’t mean that life is over as we know it, right?

Vampire movies.

A pretty popular subject subgenre of film, most of them all showing vampires in a different light than the accepted myths. Yes. Twilight is basically to blame for these last 8 or so years. I mean, shit, we even have a Dracula movie coming out later this year, about the “True legend” of Dracula. A misunderstood villain movie! How original. How different.

Then we had Byzantium, a very serious different vampire movie that was praised and I just kind of…could never get in to it. This is all important lead up to say that for Only Lovers Left Alive, I know it is another serious vampire movie. One about love. And I am just afraid I won’t be able to get into this one either.

Which is why it took me about or month or more to watch it!

Maybe I am just afraid I can’t experience true pain, like this clearly emotional vampire here is feeling.

Adam (Tom Hiddleston) has been around for a long time. He is so bored with it all, with humanity (Which he refers to as Zombies), that he has turned into a stay at home recluse. In order to not be bothered, he moved to the most decrepit and abandoned by society place he could find, Detroit, Michigan, to live out his lonely existence. And make music.

His only contact with others is a young rocker lackie, Ian (Anton Yelchin), who gets him things during the day for fat cash and has a clause to not tell people of his whereabouts, and a doctor (Jeffrey Wright), who he visits at night to buy blood from, no questions asked.

And just when he is thinking about ending it all, his wife calls him. Eve (Tilda Swinton) has been living in Tangier. They are still in love, just spending hundreds of years with a person can be a lot. So they do their own travels and discovery a lot. Either way, he convinces her to travel to him, so they can be in love and reminisce and relive the glory days.

But with Eve, her sister Ava (Mia Wasikowska) eventually shows up. She is immature and bad news and what leads to just the beginning of Adam and Eve’s problems.

Also, John Hurt is in here as another, much older vampire, that is a spiritual adviser to Eve.

Ever wonder why one of the blood types is O? Stands for Orgasmic.

My biggest fear was…essentially reached.

Only Lovers Left Alive is not really a bad movie, it is just another movie that I had to struggle to really get in to. It is definitely a slow feeling movie, probably because for people with eternal lifespans, time tends to not be super important.

Only Lovers Left Alive is also a really well acted movie. Both Swinton and Hiddleston are fantastic. They had to convey a lot of their emotions through their actions and it showed. But time and time again has shown me that a well acted movie does not necessarily make a great film. Also, shout out to Yelchin, who I had no idea was playing the rock groupie.

The movie tells a decent story, that is for sure. The pacing just kills me at times, which of course also factors into the entire length of the story. Based on the actual plot points of the film, I wouldn’t expect it to be two hours long. But it lingers.

Does it have to? Does it have to let it linger? Not in my mind, but then I think I am a minority here.

Not a completely unique take on Vampires, as a lot of the traits are still there, but a decent adaptation of them in a modern shitty world society.

Oh hey look, a young adult book about death getting turned into a movie!

When I first saw the trailer to If I Stay, I had two thoughts.

1) The song choice, ugh.

2) Holy shit, did I just watch the entire movie?

That is how I feel after seeing only two minutes. Because in the trailer I got a beginning and a middle and a whole lot of other stuff. The only thing I don’t have is the very end. That is a lot of movie it seems to have spoiled. Unless the event we see takes place like, 20 minutes into the movie, I think I got the entire gist of it already. Fuck you, trailer makers.

Hell, I can even draw a bunch of similarities to the Carrie remake.

Mia’s (Chloe Grace Moretz) life is about to get turned on its head. You know. Because of a car crash. Icy roads can be deadly, especially when two cars crash into each other on them.

Mia finds herself outside of her body, watching the ambulance crew work, a car on fire, people running around. Shit. Is she dead? Is she dying? What in the flying fuck is going on?

Well, since we are here, might as well flash back to the last few years of her life. Finding out how her parents (Mireille Enos, Joshua Leonard) changed since she was a young girl. How they became responsible adults when her younger brother Teddy (Jakob Davies) was born.

And of course, her first and only real love. The sweet rocker Adam (Jamie Blackley), who played the guitar and sang in a band, while Mia is a solo cellist! He likes the punk scene, she likes books and not the punk scene! He likes being alive and she is, well, you know.

With her family all banged up, her relationship in maybe turmoil, and her future uncertain, does she even have a reason to fight back out of the coma?

Also Liana Liberato as her best friend and Stacy Keach and Gabrielle Rose as her grandparents.

Finally. Finalllyyyyy. This is the moment I live for. Seeing a movie that, for all intents and purposes, looks terrible to me from the trailers. And then it being great.

Okay, more than that I love finding a random movie no one has heard of that ends up being amazing. But this is the second main reason I watch all the movies. I never know what might actually be good or bad and finding the good is wonderful.

I thought If I Stay was surprisingly spectacular. Not like, best movie ever spectacular, but really emotional at least. It jerks. It tear jerks hard.

The parents may be the cutest/funniest parents of a high school movie since Easy A. Chloe did really great as the lead role. Jamie Blackley, as the boyfriend, was also surprisingly great. He is one of the main concerns I had after seeing the trailer. But he pulled it off and didn’t look 30 the whole movie.

The movie is told mostly through flashbacks, which explains how the entirety wasn’t spoiled by trailers. After all, most of the trailer events would have had to happen before crash. And they do! Just not before the crash in the film. Still, it does show case a lot more of the cuter moments I would have liked to experience. The ending might surprise some people, but I loved how it ended, giving us everything we needed to know.

If I Stay is the kind of movie I would gladly buy in the future and suggest it for a nice romance cry night in the future. I heard there was a sequel book and when I heard the plot it pissed me off. Do not do a sequel to this movie. It would be shit. Please. Please listen movie makers. Don’t do it.

I had multiple chances to see Think Like A Man Too early, but things kept coming up. Heck, one showtime had both Kevin Hart and Drake in attendance. I didn’t go to that one because I knew there would be a long line and require at least 7 hours of my life to see it.

But hey, at least I was able to see Think Like A Man before hand which was my biggest worry. Given the way the first film ended, and that this one has nothing to do with Steve Harvey‘s book, I imagine the biggest worry from Kevin Hart was to make a lot of money.

That’s his wild eyed, stuffing his pockets with cash, face.

The couples established from the film are all still together. Their relationships are just facing new issues all around the same time! Very convenient.

But they are now in Las Vegas. Why? For an extravagant wedding, because getting married in LV at not a quickie chapel is apparently a thing too.

Our Mama’s Boy (Terrence Jenkins) and Single Mother (Regina Hall) are getting hitched, the main reason they were picked was of course to include the nagging mother (Jenifer Lewis) in this movie as well. Their plot line, outside of getting married, is yes the mom still doesn’t like the girl and stuff will ruin their wedding.

The Non-Commiter (Jerry Ferrara) and The Girl Who Wanted A Ring (Gabrielle Union) obviously already got married, but now they are talking about having a kid, and it is scary for one of them.

The Dreamer (Michael Ealy) and the Woman Who Is Her Own Man (Taraji P. Henson) are both still in love, but their careers are taking them to different parts of the country.

And finally, the Player (Romany Malco) and the 90 Day Rule Gil (Meagan Good) are having commitment issues. And by that, the girl is afraid of his commitment, due to the number of women from his past that apparently live in Vegas.

Finally? Just kidding. Cedric (Hart) is still our narrator and freaking out over Best Man duties. We still have our happily married white guy (Gary Owen) but his wife is in this movie too (Wendi McLendon-Covey), and they don’t have many issues.

Also featuring Dennis Haysbert as smooth talking Uncle Harris to get the mom off their backs, and Adam Brody and David Walton as our Mama Boy’s old frat friends who join in the shenanigans.

Just like real life, they all wear generic colored outfits.

Overall, Think Like A Man Too is a movie that shouldn’t have been made.

For bad reasons, this movie is being compared to The Best Man Holiday. You know, both sequels in the last year, with large black ensemble casts. Although Holiday was given to use 14 years later where they had time to find a good story, and Too we had only a two year break if that.

But yeah, a lot just didn’t feel natural in this movie. Too much (all?) of the aggravation involved people not willing to speak truthfully to their loved ones. What? This is years later and they still have the same issues? I doubt these couples should be together.

Whenever it looked like something actually funny and interesting would happen (like the strip club), they ruined it and put the characters in a very unfunny place instead.

Actually, by the end, when stories were resolving, I thought some of them were cute. I thought the mama trouble plot line ended teribly, along with the job couple. The other two were fine endings, just the player past shouldn’t have been an issue at all.

Occasionally a funny moment, but overall, can easily ignore it. Here’s hoping there is no Think Like A Man Thrieve or whatever.

I knew something was up when I went to my screening of Obvious Child. Two things were of note.

One, I was invited to a free screening of a film, that technically was already released in theaters the week before. Most of the time free screenings are before they are out, to build hype and stuff, but this could just be an indie movie thing.

Two, the tickets I had were sponsored and given out by a Pro-Choice group. Huh. That is an oddly specific group to sponsor a show time. I guess…this movie…is about abortion?

That isn’t an issue or something. But it is basically all I knew about the movie going into it. Like Citizen Ruth.

Obviously.

This movie is about a few months in the life of Donna Stern (Jenny Slate). She is a stand up comic, works at a hipster book shop in NYC, and isn’t doing too much with her life. Just telling jokes about how it is. Well, her boyfriend doesn’t like this path and doesn’t like to be talked about in front of strangers. So he breaks up with her. And then she finds out her book store that she works at is closing.

So she does what anyone would do, get really drunk and avoid her problems. If by avoid her problems, I mean talk about it on a stage, of course. Either way. She sexes up a guy, Max (Jake Lacy) who is very nice, and apparently the rubber wasn’t used. She gets pregnant, has a few panic attacks to add to her problems, and wants an abortion. The abortion isn’t even the scary part. It is the telling of her mom (Polly Draper) and getting the money together when she is already losing her jobs. At least she has friends (Gaby Hoffman, Gabe Liedman) for support.

But why does that fucker Max have to be such a nice guy?

Richard Kind is in here as her dad and David Cross as an old friend.

I think this scene is a metaphor for birth. But I think that about all boxes.

The main selling point for Obvious Child is its realness, and it really excels at that point. Really.

Everything in this story feels like something that could actually happen. That is where it gets all of is charm and humor from. The humor is pretty funny, both in a “ha ha funny” way, and a “I am uncomfortable by their awkwardness” kind of way.

And really, there isn’t much more to say about it? The film is funny and incredibly awkward. It is about abortion, but doesn’t make it a big life changing event, just turns it into something that has to happen. And hey, it involves that guy who joined The Office for its final season, so that was cool too.