Tag: Richard Jenkins

Let Me In

Let Me In is the American Remake of Let The Right One In, a highly rated Swedish movie. I do own Let The Right One In, on Blu-Ray, just haven’t seen it yet. I kept putting it off for no reason, and meant to review/watch it before the American version, but at this point, the American version had to come now with my opening to watch it closing.

But if Hank Hill has anything to say on the matter, he’d say if a foreign film was any good, they’d remake it for America. While kind of an insult, it is kind of also a compliment. So I expected good things with this movie.

Chloe
Good, probably creepy, things with this movie.

Owen (Kodi Smit-McPhee) is a small young, probably Minnesotan boy. I am guessing the state, but there is snow a lot, and these guys go out to play hockey on a lake once, and Minnesota has a lot of lakes. He is weirder, so he gets picked on by the bullies at school, lead by Kenny (Dylan Minnette). His parents are also getting divorced, so he pretty much only lives with his mom.

Then, one night, a girl, Abby (Chloe Grace Moretz) and her dad (Richard Jenkins) move in next door. Abby tells him they cannot be friends, but they do so anyway. Even talking in Morse code through the walls. The bully problem is getting worse, so she tells him to defend himself and she will help. He ends up fighting back, with a quick swing, and manages to slice Kenny’s ear open…right at the same time a body is found under the ice!

If you didn’t know, Abby and her dad are vampires. The dad character tends to go out and feed and bring back blood for Abby. When one encounter goes wrong, the dad is left badly burned and in the hospital, with the detective (Elias Koteas) very confused and suspicious of everyone. Eventually the little girl.

The ending of the movie includes Owen trying to finally, maybe, overcome the bullies, the realization of vampire-ness, escaping the detective and more. I kind of want to spoil stuff, but wont this time.

let me in
Vampires be crazy.

This (remake of a foreign movie) was so very good! It was deep and felt heartfelt the whole time. Kind of a slow paced movie, it is also equally about bullying as it is about vampires, I’d like to think. And yet everyone does so good. Owen was also the little kid in The Road, so he knows a thing or two about being in horrifying situations and not freaking the heck out.

Chloe also did a great job. Despite the fact that their characters were “going steady” eventually in the movie, and that vampires are usually all about sex, I never felt like a creepy “oh god, pedophilia?? (or necro)” thought in my head, even in one “bed” scene. Mad about quotation marks yet? Too bad. It all felt more like child curiosity, even though Abby is a lot older than Owen.

It also didn’t try to change vampire mythos. All of it seems to be based on the facts we knew growing up, which is all everyone wants. Most new vampire movies try to change them. But in this movie, sunlight is bad, holy water is bad, need blood, can’t go into residence without being invited (thus the title), and etc. Since that stuff doesn’t have to be explained, the movie can just be enjoyed and felt. Pretty much, this is like Flipped, but less for kids.

4 out of 4.

The Rum Diary

Ah ha! A Johnny Depp movie! Not only that, The Rum Diary is the kind of prequel to everyone’s favorite movie from 1997, Fear and Loathing in Las Vegas. That movie and this one were both written by the same guy, and both kind of about his life. The Rum Diary was written in the 60s or something, but not published until after the FaLiLV movie came out.

So unofficially it is a prequel, but stars the same character 10 years before the events in FaLiLV, and has the same actor playing that character. Yes, 14 years later, he is playing the same role, but supposed to be 10 years younger. Go with it.

Rum Diary
What a great way to open a movie.

Lets see what I can figure out of the plot. Depp’s character is mad at the US journalism, so he leaves the country and goes to work in Puerto Rico. He finds a PR newspaper, lead by Richard Jenkins, and eventually gets a job. Then he has to do dumb tourist stories.

Eventually he finds Amber Heard and wants her. He also drinks a lot of rum. Unfortunately the woman is married to a shady business man, played by Aaron Eckhart, a real estate guy. He ends up getting mixed in their business and other journalist stuff, that leads to crazy drunken adventures around Puerto Rico. Also maybe some lessons learned about journalism. Not sure.

Rum diary car
Puerto Rico has got style, yo.

It is amazing how little I cared for this movie as I watched it. I kept trying to figure out the point of the whole thing. It is in no way at all similar to Fear and Loathing, a movie that I personally didn’t like much, but appreciated how much effort went into it and how great the acting of Depp was. But this didn’t give me that latter satisfaction. Apparently this movie took about 10 or so years to make, after initial rights and development, first with Depp, then someone else, then Depp again. Now I know why it kept sputtering out of control.

Not sure how different it is from the book, or if the book is way better, but this movie on its own is just dumb.

1 out of 4.

Dear John

You can really learn a lot about the world with movies. Not the bull crap happy ending stuff, and many other lines. But simple things! Like expressions. I never heard of a Dear John Letter before (or I might have in Serious Moonlight, but can’t remember). Those are letters telling your lover your breaking up with them, usually for some other lover. That adds more meaning to this movie title (Dear John, no shit). I think about that expression and I think “Man…people do dear john texts now. Even less effort.”.

Dear John
“Now if only knew how to read…”

Let me just say that this is my favorite Nicholas Sparks movie based off one of his books. That being said, I still have only seen two, this one and The Last Song. Which I hated. So it didn’t have much to beat. The Notebook I own just…haven’t gotten around to watching it yet.

Channing Tatum starts off the movie being in the army and getting shot. He is narrating at this point, and tells of a story of him going to the US Mint when he was a child. He had a fascination for coins as a kid, and became a collector. Flash back time!

John starts off at a beach, meets Amanda Seyfried. She is in Wilmington, NC (whaaat) where he lives for spring break. In that small break, they “fall in love”. She even loves his dad (Richard Jenkins), who seems kind of crazy and invested most of their money into coins. Kind of obsessively.

A lot of this movie takes place a long time ago, like late 90s, early 2000s. Once she goes back to school they decide to write letters to each other. Once he goes back into the army the letters keep coming, albeit at a lesser pace. John feels a sense of duty to remain in the army after the 9/11 attacks, and constantly reenlists, but possibly just to escape his home life. He also gets mad at Amanda for suggesting his dad has Autism, just was never treated as such because back then, what was Autism? Just weirdness.

Eventually she sends him a Dear John letter, breaking up with him for someone else she grew to love. Fuck that shit. He re-enlists again, despite getting shot. After some more years of not talking, he finds out that his dad had a stroke and is in serious condition.

Can he forgive his dad for the years of awkward growing up in poverty, due to his obsession? Will he ever find Seyfried again (and you know, win her back despite the fact that she is married)? When will he ever leave the army? What the hell is up with all these coins?

Dear John
“They’re mine! Mine I tells ya! (Hiss!)”

What surprised me about this movie is the layers. It is not very simple and obvious, like The Last Song (which also was pretty cheesy). It has a lot more serious stuff going on, and not everything is as peachy. The plot lines between JOhn and Seyfried, John and home (with his dad), John in the army, all interweave pretty snazzylike, and I thought that was great of writer.

Obviously the acting wasn’t that great. I think Tatum needs to learn how to make his big face show more emotion. Seyfried could have probably been any girl in this movie. Half of her lines were just narrating the letters they sent. Jenkins was great as “old man who is dying and confused and autistic” though. But ehh. Everything else could have been better.

2 out of 4.

Eat Pray Love

One of my friends joked to me a long time ago that Eat Pray Love could just be renamed “First World Problems: The Movie” (probably a stolen joke) but I didn’t get it now. Holy shit, I never knew the journey to self empowerment would be such an expensive endeavor.

Julia Roberts
Sure she is roughing it. But she is roughing it in Italy with a safety net.

The movie stars Julia Roberts as she travels around the world to experience life and find herself. She was living very well off in NYC with her husband, Billy Crudup, but got bored by the marriage. While trying to get a divorce (which he didn’t want), she fell for James Franco, who she then also had problems with. Her obvious solution was to pay for a trip to Italy, India, and Indonesia.

In Italy she was supposed to focus on her eating, and find happiness. In India, she would focus on her spirituality, and in Indonesia she would hang out with this weird medicine man and figure out her love life. Despite being packaged into nice little boxes, the overall theme of the movie was love. Everyplace she went, she had to deal with other social stigmas on her for not having a husband/being divorced. Some would call her courageous, but others stupid.

The transition was weird for me to watch too. Once she got to India, I felt like she was only being berated by Richard Jenkins for a long time. She got mad that he was speaking in “bumper stickers”, but she really didn’t have a better message. I barely even noticed her getting to Indonesia, minus the medicine man dude. Where, from what I could tell, all she was doing was hanging out with the rich Javier Bardem.

Javier Bardem
Not to be confused with the evil killing Javier Bardem.

Anyways. Most of the movie she seems to be complaining about love, and trying to get over her past two loves. Despite the eating and praying portions. Not only does that happen, but she complains a lot. Apparently her life is so bad that she had to leave the USA. By the end of course she “finds herself”, whatever that means, and in doing so…a new man. I thought they were trying to set us up for an independent woman thing, but somehow it still ends with a man. That man not being Billy Crudup, who she left brokenhearted in NYC.

I cant’ speak as a woman, but from what I can tell, it still promotes the fact that they need a man in their life to be truly happy, and that journeys require lots of money. If you are stuck at home, oh well, maybe you can journey to a nearby town. Doesn’t seem like the best messages. For shame, Julia Roberts. For shame.

1 out of 4.