Tag: Olivia Thirlby

Anton Yelchin has passed away at 27 thanks to a freak accident at his home. This is terribly sad and tragic news. A young death is always hard to wrap your mind around and I don’t think I will really understand he is gone for a few years. He has five films on his IMDB, at the time of this writing, is five films, so he will still be gracing us with his presence for months to come.

I always try to quickly review a film of a recently deceased actor, if possible, as soon as I can as a sort of tribute to them. This review is actually up on the site just two days after the passing, my quickest turn around. Yelchin has been in a ton of films I haven’t seen so there was plenty to choose from. Thankfully, for the films I have seen, he has consistently given his best and never been part of a film I absolutely hated. From Star Trek, to Green Room, to Like Crazy, to Fright Night, to Charlie Bartlett, to fucking Odd Thomas, his range of characters is pretty great.

And it sucks that with his early passing the world has lost such a great acting potential. Who knows where he might have taken his acting? Would he have an Oscar? Does complaining about the loss of talent make me an asshole? Who knows.

But now I am reviewing a film, 5 to 7, recommended by another critic last year. And I will probably go back and watch a lot of recent films from him because I probably should have watched them before. But now I’m rambling, woo new movies!

I’m not crying, it’s just been raining…on my face.

Brian (Anton Yelchin) is a typical New Yorker. He is living as a writer, but nothing he writes is getting published. It is okay, because his parents (Glenn Close, Frank Langella) have money and he doesn’t have to rush to a job. They want him to go to Law School, but they will let him try writing for now.

Then Brian meets Arielle (Bérénice Marlohe). He sees her smoking a cigarette, so he walks across the street to join her. Suave as fuck. She finds him charming so she invites him back to smoke next week, and since he shows up, she invites him on a date later on from 5 to 7 that night. A very specific time because it has cultural meaning.

The 5 to 7 time in French culture at least is a more open time for couples, where they can be off doing anything and it not really be suspicious or weird. And it has grown to mean a time when you can hang out with your paramour. Brian didn’t know about this, so he was very surprised to find that Arielle had a husband (Lambert Wilson). But he is aware of Arielle dating Brian, and hell, he has a side woman as well (Olivia Thirlby). They are just an open couple who know they need companionship outside of their marriage and their family. Yep, kids too.

Brian is young, 24 or so, but he really likes Arielle and cannot stop thinking about her, so he gives it a shot. He has to realize that he is the side bitch and can only see her romantically a couple hours a day. No romantic weekend getaways. No late night parties. Just a little bit of intimacy. And that is a weird thing to get used to.

Shit, if I had them as parents, I would probably just write all day too.

I was a bit worried going into this movie. It felt like a romantic comedy. I knew it wouldn’t be typical, but I have seen a lot and it is hard to make something feel unique and different. Hell, when they introduced the dad’s mistress, I was worried this would turn into a What Maisie Knew situation. Without going into too many spoilers, it flirted with that specific scenario, but thankfully still surprised me.

The best part about 5 to 7 is that it felt real. Brian was a young and inexperienced kid and not the best flirter, so their first interaction was awkward. I almost judged Yelchin and thought it was just bad acting, until I realized it was supposed to look pathetic and made perfect sense. Brian wasn’t perfect, Arielle wasn’t perfect, everyone in this movie had flaws and felt realistic. Hell, the parents bickered and argued, but you could tell there was love there and understanding.

So thankfully 5 to 7 featured fantastic acting from all the major players involved. And the story is pretty unique despite dealing with a subject matter in films before.

If you want a realistic movie about extramarital affairs, that are parts of open relationships, and how it affects the lives of everyone involved, 5 to 7 is a pretty good choice. If you want to just see a well acted film, 5 to 7 is still a good choice. At times amusing, other times sad, 5 to 7 is probably the whole package for a film.

I first was going to give it a 4 out of 4, but I am sure that is just my emotions taking over. The reality is the film was sad, but I never was able to fully connect with it emotionally still. I didn’t cry and really, how great can it be if I don’t cry?!

The Stanford Prison Experiment was one of the coolest and scariest things I ever heard about, when I learned about it as a freshman in college. I don’t even remember in what class it was brought up, but the real life experiment was so fascinating I remember running home to wiki all I could about it. After all, doing my own research outside of Wikipedia seemed silly.

Hearing about it lead to hearing about all the creepy things people ended up doing in the name of psychology, before jerky standards were set in place. So now things like TSPE cannot take place for scientific knowledge, because you know, humans and shit. So instead of crazier and more ridiculous experiments, this is one of the top tier ones and I guess it will stay that way.

And although they can’t recreate this one for science, they sure can recreate it for film and TV. They did it in season 3 of Veronica Mars, they had that movie five years ago called The Experiment, and more!

But now, this film is about the entire enchilada. Nut just the test itself. But also the people behind it and what occurred before and after, for realsies, in Stanford.

How do you know someone went to Stanford? Don’t worry, they will probably …err, not talk about this.

In 1971, hair was everywhere and government oversight was only a legend. The 60’s were dead, so it was time to get serious. Dr. Philip Zimbardo (Billy Crudup) was a professor who wanted to simulate a prison in their own building. They would do it over the summer when not many students were around and offer to pay people $15 a day to participate in a two week experiment. After extensive interviews to make sure people weren’t crazy, they narrowed down the group of men and used a coin flip to determine who would be the prisoner and who would be the guards.

Zimbardo and his crew (Gaius Charles, Olivia Thirlby, and more), along with Jesse Fletcher (Nelsan Ellis), a guy he knew who went to prison to help “legitimize” the experiment, would monitor the halls 24/7. The men are kept to a strict contract, where the guards are in charge, the prisoners have very few rights, and there is to be no physical violence of any sort.

So the prisoners get brought in my volunteer police to arrest them at their homes to make it feel a bit real. They have to get naked, cleaned, and put into prison uniforms (which are closer to dresses to help break them down), and put into their cells. The guards try to break their humanity right away in order to maintain order and make it feel a bit more serious. The prisoners are referred to as their numbers not their names. They don’t get a lot of sleep. They are forced into exercise and other mental punishments, since they can’t just get beaten down.

And the prisoners break. They break quickly. Mentally and physically. It becomes quickly a torture job, as suddenly, the people who identify as guards feel they have to be mean and the prisoners feel like they are worthless.

And of course, even more dramatic and scary shit.

Some of the guards are played by Nicholas Braun, Moises Arias, and Michael Angarano, who plays the “worst” guard and calls himself John Wayne. He knows how to push buttons.

A lot more of the prisoners matter, and they are sort of led by Ezra Miller and Tye Sheridan. Other prisoners who play big roles include Johnny Simmons, Logan Miller, Ki Hong Lee, and Thomas Mann who joins later to fill in a spot after a prisoner has to leave.

Everything about this movie is real. Including the facial hair.

Want to see a bunch of male youths devolve into their primal forms and do bad things, but not on an island? Then this movie might be for you!

The filmmakers did an excellent job of really driving home the moments when people began to break under pressure. It is one thing to know that the prisoners were referred to as numbers, constantly having their number drilled into their head, and long amounts of time spent sounding off their number until the guards were satisfied. But it is another thing to see it happen. These, for lack of a better word, mental torture scenes are long, loud, and constant. Major props to everyone involved for making me feel sick to my stomach that things like this could have even happened.

From the prisoners, over half of the prison cast seemed to play an important role. There might have been 2-3 people who were just also there, but every single one of them had a personality that presumably matched reality and a lot of them got focus. We were able to see almost every single one of them break and lose any sense of hope. Seeing that is disgusting, but by golly, is it some fine acting.

For the most part, the guards were just lead by Angarano’s fine acting. Angarano has to play a person playing a role, not just some mean dude. It is sadistic and cruel, but surprisingly not physical. No, other guards devolve into physicality. He is just a mind fucker.

This can be a hard watch, but a good one if you want to learn some crazy shit about human nature, while also watching a lot of young new talented actors in the same film.

Oh hey, so apparently Courtney Cox has directed a movie. She wants to go the David Schwimmer route now.

I didn’t know she was the director when I watched it though. I wanted to see Seann William Scott. I repeat, I watched Just Before I Go because it was starring Seann William Scott.

Scott isn’t a terrible actor, he is just terribly typecasted. Most of his characters are not smart, but they are all generally different. And fuck, Goon was the best. Fuck you if you think otherwise.

Look at him, breathing underwater. That is acting folks!

The film opens with out main character, Ted (Scott) drowning. See above. Yep, he is narrating about his death at the start of the movie, much like the very recent review of mine of Catwoman. Man, having a Catwoman comparison right off the back is not a good thing.

Let’s back up, of course. Ted had a decent life growing up, until his dad died. Then he was full of grief and his life went to shit. He started getting picked on by bullies, both teachers and classmates alike. So he eventually moved away from his family and started a new life far far away. He had a boring job and a woman, Penny (Elisha Cuthbert), who accepted him. Until she left him because he was boring, safe, and stagnant.

Well shit. So now Ted wants to go back home, make amends with a few folks, and then kill himself. Poetic. Kind of. He has to beat up the local bully (Rob Riggle), berate his old teacher (I don’t remember and IMDB doesn’t want to tell me), and also thank a cute girl (Mackenzie Marsh) who was nice to him in high school.

Pretty simple. He even gets to stay with his dick cop brother (Garret Dillahunt), who has a wife (Kate Walsh) who doesn’t love him, and a son (Kyle Gallner) who has to hide his gayness. Woo, gayness. The actual plot of this movie comes when Ted goes to yell at his very old old teacher and ens up meeting her grand daughter, Greta (Olivia Thirlby), who ends up wanting to document his final days before suicide after hearing his story. Very sweet.

Also featuring another high school kid (Evan Ross) and his mom (Cleo King).

Picture chosen because I didn’t want too many of Ted drowning.

Again, no idea Courtney Cox was involved in this project until I looked up picture for the movie, and instead, got a lot of her walking the red carpet. It was quite odd and I was worried I missed her somewhere in the film. Maybe she was secretly the old lady?

Unfortunately for Cox, I think a lot of the blame lies on her side of the movie field. The story has elements that seem interesting. Some of them, sure, they are common, but there were some more unique elements as well. It just doesn’t feel cohesive. The film’s different subplots and stories don’t mold in a way that is pleasant to the mind. It doesn’t know if it wants to be funny, serious, or maybe even a dark comedy. By the end, it mostly just feels cheesy/Hallmark-y. It is all over the place, which can be a good thing, but in this movie’s case just falls flat. Scott doesn’t do great either. He feels like such a bland character, it is impossible to root for or against him. Like if he was an actual jumper, you would turn away apathetically not caring if he fell or not. You would go and wait in a long line at Starbucks instead.

For whatever reason, this movie is rated R. There is about one risque scene that happens about three times, but they don’t even show any nudity during them, making it one of the more tame R rated movies of recent months.

I have nothing more to say. It is a movie that tried to reach some deep and interesting subjects, but felt flat and just left me bored.

The Wedding Ringer seems to fail at the most basic level, having an interesting title. A lot of movies begin with “The Wedding” and end with some noun. Ringer is really only associated with The Ringer and that is a weird movie to be kind of associated with. Or it might make it sound like a shitty horror, if you think about it hard enough.

Oh well. I will note that Sony Pictures really wanted people to see this film a head of time. I think I could have first gone to a screening in October or so. And then roughly 2 a week until it finally came out (exaggeration, but barely). I am normally a bit more weary about films that show too many screenings, because I think they don’t think they will be successful without a lot of positive word of mouth. Like, a lot a lot. And that means it is probably shit.

Not that I am judging it or anything. But Kevin Hart has been on a downward spiral in terms of film quality, with me hating the last few of his movies outside of About Last Night. But hey, despite all these negatives maybe I will be surprised.

This movie probably will taste better with copious amounts of alcohol.

Doug Harris (Josh Gad) is super rich. Like, parents died, took over their business, gained a lot of wealth, and makes a lot of income. He is also kind of fat and awkward and has no friends. But when the daughter of one of his clients suddenly gets interested in him and finds him interesting, he runs with it. Now he is marrying Gretchen (Kaley Cuoco-Sweeting) and it is expensive. She wants everything and he agrees, this includes a big bridal party. Now ten days away, all she knows about the bridal party is their names, weird things about them, but no pictures and none of them around. Shit.

So Doug finds out about Jimmy (Kevin Hart), who runs a Best Man for hire business. With the time line and the number of people needed, Doug needs The Golden Tux package, costing him another $50k, but he is doing it because he totally knows lying is the best option to make his soon to be wife happy. Inventing fake friends ftw. He just stills has to impress her much smarter sister (Olivia Thirlby) and angry dad (Ken Howard).

And we also have the 7 hired groomsmen. Jorge Garcia, Affion Crockett, Dan Gill, Corey Holcomb, Colin Kane, Alan Ritchson, and Aaron Takahashi. Also Ignacio Serricchio as a gay Hispanic wedding planer. And Jenifer Lewis as Hart’s assistant and advice giver. I think I got every one in there.

The most eclectic group of friends since All In The Family. Errr.

One of the most annoying parts of this movie is it just is an impossible service to imagine. Doug has to pay $50,000 for the service he offers, and the only other price we see is about $20,000. Some people apparently have a lot of money on the side that their soon to be spouse know absolutely nothing about. So it is not only a huge breach of trust, spending that much extra before you share things, but the other breach of trust about lying about someone in your life. It is crazy.

So after I get over that fact, there are quite a few amusing moments in the movie. I could tell how the whole thing would end after about 20 minutes, so they never really stray off of the beaten path. That is a bit disappointing.

The cast of extra characters was entertaining. Kevin Hart was his usual self. Gad was never really anything funnier than “That fat guy”, so his character needed a lot of work. They gave me a Lost joke, which is all I really cared for.

The Wedding Ringer is okay, and not the giant shit show I thought it would be. After all, Kevin Hart’s last January movie was Ride Along which failed to live up to its potential.

Originally I was going to just ignore Dredd 3D. Hopefully it would go to the cheap theater at some point and I’d watch it then, but $10? It’s probably going to suck. But then something happened. People I knew were liking it. It was weird. The internet liked it. What? Don’t people hate remakes?

I never got to see Judge Dredd, I was like six at that time and it is violent. Hell, I still haven’t seen it. But what I do know about it is the pop culture references, of course. Basically it can be summed up in these 10 seconds for all I care. LAWWWGGHHH!

Yeah, well if anything, this new guy looks like the law.

Dredd 3D is set in…the future! Giant ass cities, so many people. Lot of them live in these big tower things. The police force are now called Judges, because they will find criminals and carry out the sentencing on the spot, and all of it gets recorded. It is just what has to be done with this many people. Too bad only some small percent of reported murders even get investigated by the Judges, they are so busy.

Who is the judgiest judge of them all? Judge Dredd (Karl Urban. Who is also a Doctor, sometimes). He knows all the rules, all the tactics, and is a bad ass motherfucker, more or less. He has no remorse, and will sentence without a care. Definitely won’t ever remove his helmet. But he is asked to train a rookie, Anderson (Olivia Thirby) who is also a psychic. Yeah, one of those mutants, who lucked out and got a useful transformation instead of an extra hand out of her stomach.

So yeah, she suggests a place to go. These three guys got skinned and fell about 30 stories. Could have been worse, could have been from the top, 200 stories up! They investigate, turn it into a drug bust. New “Gang” is in the area, lead by a Ma-ma (Lena Headey), who took over the entire complex. Hell, turns out they have a new drug that is hitting the market strong. Basically it makes your body feel like life is in slow motion. Kind of awesome. But one of the people she takes from the bust, Kay (Wood Harris), she can tell killed the people directly. He might even know the entire working operation of the drug place, meaning if he gets interrogated, he might spill the beans. Can’t have that happen.

So Ma-Ma does what everyone does. Gets the weird Technie (Domhnall Gleeson) to lock down the building completely, and shut off communication, and tell the residents to kill the Judges. Can they get out alive, and you know, actually still obey the law?

She has no helmet eh? Well that makes things easier. You know, shooting her in the head.

Wait a second. People trapped in a living complex, and wanting to take down the leader with the whole building trying to kill him? That unfortunately sounds familiar. If you read my reviews a month ago, it would sound like The Raid: Redemption. That really is unfortunate!

These movies were probably being made around the same time, so the similar plots were not intentional. Just ruined the awesomeness of this one.

Karl Urban? Wow, what a Judge Dredd. Obviously the best I have seen, but he kicked a lot of ass, and I was cheering him on. Never removed his hat, so really couldn’t tell it was him, but he made that character awesome.

How about the 3D? Well, I can say don’t watch this movie in 2D. I think the reason for the drugs was just to see that shit in 3D and make some super slow motion deaths. But it worked. It was killing porn, basically, and looked amazing. Plot not the best, but the twists and turns were fun to watch. Definitely see this bad boy either in theaters, or your 50 inch blu ray 3D TV.