Tag: Musical Week

Welcome to the final day of Musical Week! Aww, sad, yes I know. Part of the reason I picked this week for a theme was because of the two musicals coming out, yes. The other reason is because I am on my honeymoon this week, and for the most part, musicals are set in worlds where people are happy and singing and dancing. Dancing is important. If there is no dancing, then you have Les Miserables and that is a sad musical.

But dancing can also be creepy. We learned that with the Thriller music video. Horror Musical isn’t a huge category. Stage Fright from this year attempted it, but it was also definitely a comedy for going for the happy musical + slasher movie elements. The only one I can think of that got really close was Repo! The Genetic Opera.

Oh well look at that. The Devil’s Carnival is done by the same people who brought us Repo! How quaint. I can’t believe how that segue came so naturally~.

In fact, a lot of the actors from Repo! are in this one as well. It is basically an unofficial and not at all related sequel to Repo!

Satan + Dancing = Horror musical.

The stories from The Devil’s Carnival are based upon Aesop’s fables. That isn’t subtle at all, because we have Lucifer (Terrance Zdunich) reading from the book to a kid. But at the start of the film, three people die. Ms. Merrywood (Briana Evigan) dies in a shootout with the police. John (Sean Patrick Flanery) has just lost his son and is about to slit his wrists. Tamara (Jessica Lowndes) was dealing with bad boys and got killed by an angry boyfriend.

And apparently they are all now in Hell!

The Ticket Keeper (Dayton Callie) runs this Hell/Carnival, where it uses demons and devils to teach those new residents their lessons. But you know, with circus themes and shit.

With such carnival employees such as The Painted Doll (Emilie Autumn), Wick (Alexa PenaVega), The Twin (Nivek Ogre), The Scorpion (Marc Senter), Hobo Clown (Ivan L. Moody), The Magician (Bill Moseley), and The Fool (Mighty Mike Murga), who wouldn’t have a good time?

This game is actually my favorite sort of foreplay.

The Devil’s Carnival is only an hour long, but it packs a lot of material and a lot of crazy shit into that hour. Anything more would definitely be pointless. The songs were both eerie and beautiful. There wasn’t a lot of time for talking either, as the story advanced through songs for the most part.

If I had one major complaint, it is that I thought we had repetitive songs. Not tunes or musical themes, but the songs themselves were basically saying the same thing a few times. I think twice this happened, where the plot/punishment was unfolding for the characters,through a song, then someone told the same story/fable in another song right after. It felt awkward. Like, stop talking about the Scorpion and the Frog. I don’t care that much.

Overall it was a really well put together story and the ending implied a lot more is to come. And there is! More importantly, it won’t just be a rehash of the first film with new people coming to Hell and new fables. No, they have grander plans in the underworld. The next movie, The Devil’s Carnival: Alleluia! It will be a full length production and should be coming out in sometime 2015.

I can wait, totally, a good while. Saying “I Can’t Wait” would be dishonest. But a part of me is pretty excited to eventually see where this story goes.

Day four of Musical Week also falls on a Thursday. Hmmm. That is my documentary review day. Can I do it? Of course I can do it. When you think “musical” and “docuementary”, the only real cross over would be some sort of concert movie. But! There hasn’t been a sweet teen sensation concert movie for over a year. The last one was the One Direction movie.

So instead I found Metallica Through The Never. You may have guessed it already, but this concert movie/movie has a lot of Metallica music in it. And all of it comes from actual concerts that they filmed the footage at from a few concerts on one of their tours. However there is also a small story in here, clearly fictional with actors, set to Metallica songs, to give us a very strange movie hybrid.

They must have thought a regular concert documentary was boring and for teeny-boppers. So they wanted something more.

The story itself is just about a boy, Trip (Dane DeHaan), a roadie for Metallica, who kind of just has to run and get stuff. Well, during the concert, he has to go and find a package in truck that ran out of gas. Get the truck gas, so it can deliver the package that is very important, for reasons.

But chaos has broken out in the streets. Death, riots, destruction, and maybe some supernatural things as well! And who is The Rider (Kyle Thompson)? Is he the Sandman?!

I picked a concert photo so you all wouldn’t call me out on shenanigans.

I am not a huge Metallica song by any means. None of their songs are on my iPod, but I recognize the famous ones, and I know to make fun of the driver due to his anti-Napster campaigns.

Despite that, I was surprised at how many of the songs played I honestly recognized. Probably at least half of them. So that was a bonus. The music didn’t sound terrible either and it fit the story they were telling nicely.

The story itself? Well, it felt like an acid trip. No crazy colors, but all the other elements were there. At points it was terrifying, mostly it was weird, but it was definitely entertaining.

In fact, I wanted way more of the story and way less of the concert scenes. That is a terrible complaint, I know, for what amounts to a concert film. But because it is a hybrid, I expected more time focused on the story. I would guesstimate the average movie went 75% concert, 25% story.

It should go without saying that if you hate Metallica music, or the genre of music, you won’t gind any enjoyment in this movie. I thought it was a okay experience, and what I can tell, a good first effort for this fantasy concert genre.

Another day of Musical Week, another musical!

This is the third day of Musical Week and I am bringing you a British musical that came out this year as well, just no one ever heard of it. When I was first looking up musicals this year, I saw that this one came out in the summer and was pretty apathetic about it. But that was when I thought Jersey Boys was going to be the best musical of the year. Given the weaker field overall, I figured I would give Walking On Sunshine a second chance.

I had watched the trailer, sure. It was cheesy and terrible, exactly what the most famous musicals are supposed to be like, right? It is a jukebox musical, so I was happy I wouldn’t have to learn or judge new songs. The vague theme of this jukebox is just popular songs from the 1980s. Kind of boring. I feel like that is too big of a spread to choose from, so perfect songs for each moment should be easy.

But we shall see!

Especially if we are forced to by someone holding our head towards the screen.

This is your typical summer lovin’ type of film. Namely, Taylor (Hannah Arterton) and Raf (Giulio Berruti) have what feels like true love. But stuff happens, they cannot stay together.

Now, three years later Taylor is returning to Italy to visit with her best sister Maddie (Annabel Scholey). Surprise! Maddie is actually getting married in Italy, and not to her on again off again ex Doug (Greg Wise). Nope. Some mysterious Italian guy she has only known for five weeks.

I think you see where this is going.

The new fiance is Raf! Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

What a crazy random happenstance. Either way, she doesn’t want her sister to know, despite all her old friends knowing (Leona Lewis, Giulio Corso, Danny Kirrane).

And now she has to keep it a secret until she can understand her feelings. And understand Raf’s feelings. And figure out what to do about this wedding mess without ruining her sisters life. Also Katy Brand.

But don’t forget about the singing and dancing.

Walking On Sunshine is everything a musical should be. Cheesy. With some love. Featuring non main characters as back ground dancers. But also, and most importantly in this case, the songs they decided to use in the musical sound unique and aren’t just carbon copies of the original.

Thank goodness.

For the most part, that is what I care about for jukebox musicals. It is one of my top twenty complaints for Glee, when they “sing a song” and it sounds identical to the radio version on the radio with no unique elements.

The story though is incredibly week in this musical. It is like a lot of romcoms or even other musicals. It felt like Mamma Mia! and Moulin Rouge! with other shitty elements rolled in. Also they have Leona Lewis in this movie, a real singer! And she doesn’t have any great singing parts or songs to her self or anything. What the hell is the point of that? I mean, this is a completely original musical, technically, so it is not like the only role she looked like had to be so minor and pointless. What a waste of talent.

It’d be like having Idina Menzel in a musical and not letting her sing. Oh wait.

So, shitty plot, waste of talent, but kept the songs at least somewhat unique and fun. Could have been better, could have been worse.

Welcome back to Musical Week!

The realest reason for Musical Week is that this December had two musicals coming out only a week apart, which meant I only had to find 3 more. Into The Woods was yesterday, and Annie is today!

When I first heard there was an Annie remake, I was mostly indifferent. I didn’t know if we needed a new one, but hey okay. But when I heard she wouldn’t be a tap dancing ginger, but a BLACK GIRL? I was still mostly indifferent. At least there was a change for the remake so that it wasn’t just rehashed material. It would allow them to do a more modern version, not one set in the way back early times.

But then I saw the first trailer. I knew something was weird and different and off from it. And it is an unfortunate change. But one I will clickbait tactic and wait to talk about at the end of the review.

And it isn’t just that when I do this dance, I always look like I have to take a pouty poop.

Little Orphan Annie (Quvenshane Wallis). No, wait, fuck that. She is just a foster kid, not an orphan. She has parents, she just doesn’t know who they are or when they will be back for her. She just knows that maybe, one day, she will see them on a Friday night at a local Italian restaurant eating cannolis.

But while being chased one day by some jerks, she falls in the street and almost gets run over! But thankfully, a man is there to pick her up and chastise her. That man is Will Stacks (Jamie Foxx), the owner of a NYC based phone company that is hugely successful, so he is totally rich, and he is also running for mayor! He isn’t doing that great though. He is super behind. Well, footage goes out of him saving Little Foster Girl Annie on the internets, which gives him a bump up. His campaign manager (Bobby Cannavale) convinces him that if he temporarily takes Annie in and make him seem more charitable.

Annie is a free going individual who understands this is just for publicity, and she is cool with that. Getting to live in a rich house for a few weeks? Hells yeah. She doesn’t want him for a dad anyways, she wants her real parents, who will totally come eventually. Maybe tomorrow even. Or the tomorrow after that.

What could go wrong? Also featuring Rose Byrne, Cameron Diaz, David Zayas, Adewale Akinnuoye-Agbaje, and Stephanie Kurtzuba.

No, trust me, I counted them. Definitely 76 trombones.

Let’s talk about…pop music. Some of it is good, a lot can be bad, even more of it is catchy. That is what this version of Annie is, for the most part. Just pop music broadway. And that is my major complaint. The songs don’t feel as natural as musicals usually strive for. It didn’t have that extra bellow or personality behind the notes that made me care about the lyrics and not just nod my head to a tune. Kids in general like all kinds of music, so a different sound to all of the sounds doesn’t feel warranted.

This is the second thing I have seen Wallis in, the first being Beasts Of Southern Wild, which I kind of hated. She is fine as Annie. She really is. She has charisma and she is charming and she carries that strong independent feeling with her the whole movie.

Everyone else? Ehhh. Byrne did decent. Diaz only annoyed me.

And Foxx. Come on, Foxx. I know you can sing. I remember Gold Digger quite vividly. Was your role in that song fake? I am starting to believe it. You had passion in your lines and feeling in your voice. Every song with Jaime Foxx is terrible. His voice is ridiculously soft for most of them, so I felt like I had to strain to hear him and there is just nothing of substance behind any of them. I kind of felt he was just talking his lines. Maybe they accidentally put in the mumble take? They are just down right terrible.

But you know what bugs me the most? The finale, when they re-did Tomorrow? Despite how terrible I thought the music was in the movie and thus how bad the movie was, it still made me tear up. Just a little bit. Great lyrics can do that. Balloons help.

So who is to blame for this? Will Smith and Jay-Z. They are producers, must be their fault.

Yay yay musicals! If you are a long time reader, you know I really like musicals. Which is why I am finally having a musical theme week. Yay Musical Week!

Into The Woods decided to be a musical coming out on Christmas Day. The last time that happened was two years prior for Les Miserables which I absolutely loved. It was also my first real attempt at watching it, outside of listening to a few songs ahead of time. I loved the shit out of Les Mis.

But going into Into The Woods, I knew a lot more about it ahead of time. I saw a performance of it from college actors, which I guess is above community theater and high school actors, but still not great professional people. And you know what? I down right hated it. It took a lot of familiar stories, intertwined them, gave us their endings, and that was the halfway point. The second half was all new material, it felt super awkward, it got darker and more metaphysical, and it dragged on an on. So yes, I thought it was too long. I thought there was only four or so unique sounding songs, everything else kind of melded together and by the end, it was as if everyone got a long slow ballad, one right after the other.

I guess you can say I was not at all looking forward to this movie. But hey, the fact that it was only a little bit more than two hours definitely helped ease it in.

One of the biggest changes is that the cow was played by a real cow. Boooo.

Classic fairy tales go into the dark woods, because the woods were the scariest parts of Germany. This was Pre-Nazis, post Lutherans, I think. So it makes sense.

Like who? Well, Red Riding Hood (Lilla Crawford) needs to bring food to her grandmothers house, in the woods. Jack (Daniel Huttlestone) was told by his mom (Tracey Ullman) to sell their milkless cow in a nearby village, on the other side of the woods. Cinderella (Anna Kendrick) wants to go to the three day ball on the other side of the woods, but she has to get past her step family (Lucy Punch, Christine Baranski, some other chick).

And there is also the Baker (James Corden) and his wife (Emily Blunt) who cannot bare children. Turns out, a neighboring witch (Meryl Streep) put a curse on them. So now they have to go into the woods to get ingredients over the next few nights to fix that with a potion!

And surprisingly, that is most of the plot you need to know. We’ve got princes (Chris Pine, Billy Magnussen), girls with long hair (Mackenzie Mauzy), and wolves (Johnny Depp)! Shit, I bet the woods even have more secrets than the Library of Alexandria.

The biggest secret is what is real name of the baker’s wife? Can she not have an identity outside of her relationship?

So for those big fans of the musical, there were changes made of course. This is a PG movie because Disney is involved, you aren’t going to see everything you saw in the musical. Like most of Rapunzel’s story line. The second Agony song. No sex is had in this movie. And the sexy times are subdued.

But the only thing I really was sad to see missing was the Agony song reprise, because like the college school production, it was my favorite part. In the movie, it is probably even better as the two princes ham it up and I was laughing hard the entire time.

I do feel like the beginning of the was extremely quick and just kind of threw you into all of the plots far too fast. (Some of these complaints would be complaints with the actual broadway version. I am not reviewing how close they are, just how I feel watching the movie). So that was awkward. I thought I saw some sound editing mistakes, which is one of the hardest parts about a musical to make sure to get right. I also have a problem with the ending, that seems to just whimper and finish instead of an awesome musical bang.

But throughout the film it is definitely entertaining. My favorite would be Blunt (who had an excellent year). I didn’t know she had such singing chops, but she played a great character. I have heard Corden sing before, and it was okay. He was better in this movie than his other recent roles. I was also surprised with the singing voice of Chris Pine, so much that I don’t trust it. And Lilla Crawford, a little girl, had a surprisingly powerful voice as well.

Overall though, Into The Woods is a decently good time. Still has its bleak and sad moments and it may be one of the best musicals of the year, but this year was a bit weaker in that genre. At this point, I would say I enjoyed Muppets Most Wanted more, and probably Begin Again had better music. Despite that, the music has now been stuck in my head for several days, so I will most certainly get a soundtrack as soon as I can and listen to half of it over and over again.