Tag: Moises Arias

Finally, a movie about a person on the horse. What is with those actual horse biopic films that came out every few years? A horse winning a Kentucky Derby or triple crown seems like an awkward thing to want to see more about.

I want my horse movies to be about horses who save lives. Hell, I liked War Horse. Or I want them to be good at telling jokes. That is my preference. I will also take horse movies dealing with girls who want to have a pony and finally get to have a pony after some bootstrap pulling from their rich parents.

So let’s talk about the Jockey, the guy on the horse, and how much fun he must be having.

This is the jockey part of the Jockey movie.

Jackson Silva (Clifton Collins Jr.) is a hot shot jockey. If you knew about jockeys in this movie, you would know about this guy. We aren’t getting a film about a jockey who starts jockeying and climbs the ranks, no we are starting with the greatest already. Actually, the greatest is getting a bit old. He should maybe retire. But he wants to go out on top. He thinks he can do another big championship. He thinks his reflexes haven’t deteriorated or anything. He could do it.

Ruth Wilkes (Molly Parker), his…I don’t know Jockey terms. Someone who raises championship horses for jockeys to race on? Yeah whatever that is. She doesn’t trust in him. He should retire.

Also a new person joins in his life. This younger gentlemen, Gabriel Boullait (Moises Arias), who wants to be a famous jockey but hasn’t gotten a good start in the big leagues yet. He needs a team to trust him. Also, he might be Jackson’s son? Whoops.

Which Jockey will Jockey the horse the best? Who will make it to the finals, who will be upset, and who will die trying? Maybe no one.

This is the horse part of the Jockey movie.

Jockey is a character study, and specifically a character study of a champion who doesn’t know when to retire. In a sport a lot of people don’t actively think about.

You should be here for the story, and not here for horse racing. It has been a couple days after since I watched, but I will be honest, I don’t remember if I saw a single horse race in this movie outside of the final scene. But it was also showing just our star rider, and his face and emotions during the race, and not actively him on the horse. An interesting angle. Is it done to keep the budget low? Is it to make sure no horses get injured in the movie? Is it done to just give that specific focus in their eyes as they ride and make us feel that intensity? Who knows. But if you like sports horse racing, this movie will disappoint you.

But if you like regular drama, some alcohol, a kid mystery, and someone whose star is fading, regardless of their profession, then this will be up your ally.

Unfortunately, for me, this is more of a standard indie drama type of film. I have seen things like it before, and I will see them again. I loved Collins Jr.’s acting in it. He was great. I just didn’t fully love the story and care too much about the ending by the time we got to it. I can see its praise, while also seeing why it still isn’t drawing a whole lot of buzz at the same time.

If you liked The Power of the Dog, you would probably enjoy this one as well. You know. It is that type of film.

2 out of 4.

I don’t inherently hate remakes. There should be a reason for them though. Maybe technology has advanced to tell the story in a better way. Maybe the original copies are crap. Maybe the original films are crap. Maybe there is a good way to do a modern update. Just have a reason. A scene for scene remake usually feels like a waste of time.

When people heard about the Ben-Hur remake, they went ballistic. And it is hard to blame them. It should be noted that the “original” Ben-Hur was actually a remake itself. That’s right, we got Ben-Hur: A Tale of the Christ in 1929! But the reason it was remade is because they wanted to go balls to the wall crazy with it. The director William Wyler wanted authenticity, real chariot scenes, and shit, they got Charlton Heston!

It is a technological epic film that is still watched and enjoyed today. So yes, there seems little reason to remake it outside of a potential cash grab, which is what the studio was hoping for with an over $100 million budget.

They really just wanted to nail the chariot scenes. That would have made it ideal.

Judah Ben-Hur (Jack Huston) has a ridiculous name, but hey, he is made up so it is okay I guess. He is Jewish and a prince, and his family is awesome. They adopted a Roman boy too into their family, Messala (Toby Kebbell), about the same age and they are great friends. They chariot race and all that shit. The mother is played by Ayelet Zurer, and sister by Sofia Black-D’Elia. Messala feels weird though and leaves the family to join the Roman army, while Judah decides to marry a slave (Nazanin Boniadi).

Years later he returns, a great soldier now and Judah wants him to be an informant. A lot of people hate the Roman rule now in Jerusalem and want to rise up. He lets Judah know that a new governor, Pontius Pilate (Pilou Asbæk) is on the way. And when he shows up, a guy Dismas (Moises Arias) tries to kill him and fails.

This causes their palace to get overrun and Judah takes the fall for Dismas. His mom and sister are crucified, and Judah is sent to be on a ship to be a rower in the wars. Fuck. Also he meets Jesus (Rodrigo Santoro) when getting walked and whipped down the street. Needless to say, the brothers get mad at each other, a lot more shit happens, and some people get hurt in the process.

Also starring Morgan Freeman, Marwan Kenzari, and James Cosmo.

Et tu, Morgan Freeman?

Eyuuch. Oh man. There is bad, and then there is this Ben-Hur remake. This film tried to recreate an epic, but in a modern way. And despite going for an epic, it made it only 2 hours long to tell the same story, in 90 minutes less time. The original was slower, but it moved at a pace very deliberate to make sure everything was clear, motives and other wise.

This is a modern movie, so it is rushing right out of the gate and forcing you to keep up. It has a lot of region specific actors in side roles, and gives us a couple of white British people leads. I felt a bit lost very early on, despite being a little bit familiar with the story and it never really got better.

In fact, for those watching it, they will quickly realize that this is not a movie they should invest their time in. They will either shut it off, or play on games on their phone throughout it. The filters used to give it the old time feel make it actually just a pain to watch.

In addition, it reminded me of other recent bad “Ancient” movies like Immortals or The Legend of Hercules. No, it didn’t have CGI magic or anything, but just that bastardization of the past feel.

Even the chariot scene doesn’t save it. We have laws now that prevent any animals from ever being harmed now, so it doesn’t look as real as it did a long time ago. It feels fake, it feels processed, and it fails to keep any interest.

Ben-Hur is the remake no one wants, done in a way no one cares about, and was apparently a movie no one saw either, for good reason. Big pass.

0 out of 4.

The Stanford Prison Experiment was one of the coolest and scariest things I ever heard about, when I learned about it as a freshman in college. I don’t even remember in what class it was brought up, but the real life experiment was so fascinating I remember running home to wiki all I could about it. After all, doing my own research outside of Wikipedia seemed silly.

Hearing about it lead to hearing about all the creepy things people ended up doing in the name of psychology, before jerky standards were set in place. So now things like TSPE cannot take place for scientific knowledge, because you know, humans and shit. So instead of crazier and more ridiculous experiments, this is one of the top tier ones and I guess it will stay that way.

And although they can’t recreate this one for science, they sure can recreate it for film and TV. They did it in season 3 of Veronica Mars, they had that movie five years ago called The Experiment, and more!

But now, this film is about the entire enchilada. Nut just the test itself. But also the people behind it and what occurred before and after, for realsies, in Stanford.

How do you know someone went to Stanford? Don’t worry, they will probably …err, not talk about this.

In 1971, hair was everywhere and government oversight was only a legend. The 60’s were dead, so it was time to get serious. Dr. Philip Zimbardo (Billy Crudup) was a professor who wanted to simulate a prison in their own building. They would do it over the summer when not many students were around and offer to pay people $15 a day to participate in a two week experiment. After extensive interviews to make sure people weren’t crazy, they narrowed down the group of men and used a coin flip to determine who would be the prisoner and who would be the guards.

Zimbardo and his crew (Gaius Charles, Olivia Thirlby, and more), along with Jesse Fletcher (Nelsan Ellis), a guy he knew who went to prison to help “legitimize” the experiment, would monitor the halls 24/7. The men are kept to a strict contract, where the guards are in charge, the prisoners have very few rights, and there is to be no physical violence of any sort.

So the prisoners get brought in my volunteer police to arrest them at their homes to make it feel a bit real. They have to get naked, cleaned, and put into prison uniforms (which are closer to dresses to help break them down), and put into their cells. The guards try to break their humanity right away in order to maintain order and make it feel a bit more serious. The prisoners are referred to as their numbers not their names. They don’t get a lot of sleep. They are forced into exercise and other mental punishments, since they can’t just get beaten down.

And the prisoners break. They break quickly. Mentally and physically. It becomes quickly a torture job, as suddenly, the people who identify as guards feel they have to be mean and the prisoners feel like they are worthless.

And of course, even more dramatic and scary shit.

Some of the guards are played by Nicholas Braun, Moises Arias, and Michael Angarano, who plays the “worst” guard and calls himself John Wayne. He knows how to push buttons.

A lot more of the prisoners matter, and they are sort of led by Ezra Miller and Tye Sheridan. Other prisoners who play big roles include Johnny Simmons, Logan Miller, Ki Hong Lee, and Thomas Mann who joins later to fill in a spot after a prisoner has to leave.

Everything about this movie is real. Including the facial hair.

Want to see a bunch of male youths devolve into their primal forms and do bad things, but not on an island? Then this movie might be for you!

The filmmakers did an excellent job of really driving home the moments when people began to break under pressure. It is one thing to know that the prisoners were referred to as numbers, constantly having their number drilled into their head, and long amounts of time spent sounding off their number until the guards were satisfied. But it is another thing to see it happen. These, for lack of a better word, mental torture scenes are long, loud, and constant. Major props to everyone involved for making me feel sick to my stomach that things like this could have even happened.

From the prisoners, over half of the prison cast seemed to play an important role. There might have been 2-3 people who were just also there, but every single one of them had a personality that presumably matched reality and a lot of them got focus. We were able to see almost every single one of them break and lose any sense of hope. Seeing that is disgusting, but by golly, is it some fine acting.

For the most part, the guards were just lead by Angarano’s fine acting. Angarano has to play a person playing a role, not just some mean dude. It is sadistic and cruel, but surprisingly not physical. No, other guards devolve into physicality. He is just a mind fucker.

This can be a hard watch, but a good one if you want to learn some crazy shit about human nature, while also watching a lot of young new talented actors in the same film.

3 out of 4.

Hey look, a movie based on a book! You know. Like most movies.

But this isn’t any book. This is Ender’s Game. A very famous sci-fi novel from the 1980s, that is required reading in some/many schools now! So, that can mean a few things. It can mean angry mobs of book fans when the movie of Ender’s Game turns out unfaithful, or it can just mean a buttload of money.

That’s right. Buttload. Not even getting into the personal thoughts and opinions of the author, Orson Scott Card, but there are 20 separate books/collections/short stories that he has published in this story. Ender’s Game was the first one to get published, but it is now like, the middle book. Jeez.

Apparently his games just involve very large octahedra dice.

In the future, shit is all bad. Big alien force came and killed a lot of people, but a hero was able to think on the fly and saved the day for everyone. Hooray!

Well now, almost fifty years later, the alien forces are building again and the threat of a new attack is high. They have begun to train children to become their new generals and commanders. Due to growing up with realistic war video games, they are not as afflicted by things like morals or death or killing. Heck yeah!

Our hero is Ender Wiggan (Asa Butterfield), third born from his family, and taking a stab at joining the academy. Well, he is good. He just has to march through rank after rank, school after school, to be deemed good enough to eventually, finally, maybe, go against an actual alien fleet. But until then, it is really just a series of…games.

Harrison Ford is a commander, Viola Davis some sort of…officer. Abigail Breslin is Ender’s sister, Nonso Anozie a sergeant, and a bunch of other kids are played by Aramis Knight, Suraj Partha, Moises Arias, and Hailee Steinfeld. Hailee, who of course starred in True Grit and was called a supporting actress back then! Whoa.

Yes of course Ben Kingsley is in this movie. Just in the last third.

I decided to sleep on the analysis part of the review, and not write it all in one sitting like usual. After watching the movie, I still had so many questions. Ones I would bring up here, but I can’t spoil them because I am not a dickface.

I am really surprised this movie was under two hours, because it felt a lot longer. Here is why. Most of the movie is Ender training at consecutive harder and harder levels. He has to go through a fleet academy thing, he has a break down, then battle school, then battle school at the next tier, he has a break down, then battle school leading his own group of “soldiers”, then he has another break down, then he has to go to commander school, then another breakdown, then his final test.

Just. So many god damn tiers. It felt long because I knew that even though the beginning felt super rushed, the ending confrontation with the evil bug aliens would also have to be potentially rushed. So it felt like a lot of waiting to me.

Outside of that annoyance, and certain inconsistencies near the end that really had me confused, I did enjoy many parts of this movie. It dealt with emotions and morals that are very important and need to be discussed, but it didn’t delve on them as much as I would have liked. Aka, it was just quick, like a lot of the movie. Nothing really felt dealt with, and I don’t want to wait for another movie for things to be dealt with. Probably won’t happen. It didn’t make a ton of money, and Thor 2 is next week. Sooo, yeah. Probably going to be considered a flop, unfortunately, because acting was good.

I am sure that if I read the book a lot more would make sense. Presumably a lot was left out, and I hate it if I have to read a book to fully understand what a movie is trying to convey.

2 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.

Noobz is a funny word. It sounds like boobs. One of the best early memories of Pure Pwnage involved asking random women questions about gamers, including if they though the word noob was sexy.

The answer is no, because noobs are lame and thus not sexy. Gotta have skills to get the ladies.

Either way, I watched this movie for a number of reasons. One of which is a lot of video game references and jokes. Hurrah!

The second and final reason is motherfucking Jay.

Noobz is about a group of gamers going to a gaming competition in California. They are members of “Reign”, a clan who plays Gears of War 3. For whatever reason, Gears of War 3 is the biggest game ever during this time, and it is thus a competition that everyone who is anyone cares about. It is a best 2 out of 3, 4 on 4 match, and that is it. Not much gaming for a round, no, but hey, whatever.

Cody (Blake Freeman) is actually the fourth best in the world, and the rest of his team is no where near as good. He claims he would be first best if his wife didn’t get mad at him, and his shitty job as a realtor wasn’t getting in the way. Good news is, he loses that job and his wife leaves him early in the movie. Yay!

Andy (Jay Mewes) works at a gaming store, and wants to go to the fest. He is willing to pay Andy for a shot of some of his prize money. They also have Oliver (Matt Shively), who exists only as a really long gay joke. Because he does gay things, and claims he is straight. That is his only purpose. Their final member is Hollywood, aka a guy who was on Starship Troopers.

But yeah, they go to the fest to play Gears Of Wars 3. Trying to win $400,000.

There is also a side story of Greg “Armagreggon” Lipstein (Jon Gries) who was a big deal in the 1980s, doing the coin operated arcade circuit. He was world champion at everything. Everything but Frogger. This year is his comeback and his chance.

Also, Moises Arias is in this, but I don’t want to spoil his role. If you watch it.

She is in this movie for one scene. She has boobs. Not for noobs though.

Alright, well I wanted a lot of nerd jokes, and unfortunately this movie didn’t really have any. Like. Not many at all. For Serious. Some gamer language was used, and their gamer tags were a little bit clever, but most of the jokes came out as gay jokes, or slap stick only. Pretty weak.

Oliver’s gamer tag was of course Fragget. Or something similar, not sure.

There was also a love story, which made the ending a lot worse than it should have been. It was predictable unfortunately, so I’d rather not talk about it.

Mewes was okay in the movie.

The intro for them to get to their expo took forever, and didn’t have many jokes attached to it. Unfortunately, the best jokes were of course in the blooper real in the credits.

But this movie is not a 0, no no. Because jokes did take me by surprise and I did laugh a few times. It was just incredibly low quality, and underwhelming. That is all. Don’t watch it, for sure, but I was not pissed off by the time it finished.

1 out of 4.

Sometimes the Japanese don’t produce their own original content. Seriously, did you know that? I learned that last night. I never even considered that fact! But damn, it can happen.

So we have The Secret World Of Arrietty (or just Arietty if you have the fancy non American version), which is based on The Borrowers! And maybe I also just learned that they were a series of books before that movie in the 90s. Holy crap, there are like three Borrowers movies.

Fuck it, today is a day of learning and facts. It has been declared!

Don’t spray your house for bugs ever. Might end up killing a tiny human, you monster.

Shawn (David Henrie, some 23 year old who was a Wizard in a Disney show and the SON in How I Met Your Mother), is a 12 year old boy with a bad heart. So he goes off to live with his aunt for a week before his surgery, in the nice peaceful countryside.

At the same time, we have Arrietty (Bridgit Mendler who was…also a Wizard in a disney show?), who has just turned 14 but you know, is only a few inches tall, a borrower who lives in the house with her father and mother (Will Arnett and Amy Poehler, who formed an incestuous relationship in Blades Of Glory).

Well on her first borrowing mission, she ends up dropping a sugar cube and accidentally waking up the delirious Shawn, who wants her to stay, quite creepily. But she runs away, and her parents are freaking out. Especially when he leaves the sugar cube near their home with a note “You Forgot Something”. Shit, this might turn into a horror movie soon, or the weirdest relationship ever.

Either way, she becomes more and more curious about the human, despite the parent warnings. Humans kill Borrowers, or other evil things. Especially that shady housekeeper, Hara (Carol Burnett, who I have nothing clever to add here for your knowledge), who thinks they exist but has no proof (yet). But if their shenanigans continue, they might have to move anyways. Especially if Hara gets involved. Hopefully they meet some savage Borrower who can help them find a new home, like that Spiller guy (Moises Arias, who was someone on a Miley Cyrus show and…maybe a wizard. What the fuck?).

To me this whole movie, her crazy mean face reminded me a bit of Stich’s face.

Now I am going to base this off the dubbed version of course, but I think unintentionally they made a lot of this really creepy. Like, having a 23 year old male voice a 12 year old kid. His voice was strangely deep, and spoke super slow. I felt scared that he’d turn out to be a serial killer or, you know, worse.

That with the ending are really my only complaints. It kind of left it super open ended, and didn’t really do much for my plot questions.

But outside of that, loved pretty much everything else. Especially the animation. I watched it on DVD and was still floored away with it. Obviously it wasn’t CGI, but it was just really really well done and processed I guess. If I had seen it on Blu-Ray I wouldn’t have believed it possible.

But the characters were nice, the music was nice, and the story was simple and only slightly felt stolen. Hey, its all good.

3 out of 4.