Tag: Michiel Huisman

The Invitation

The Invitation is the latest Drafthouse Films movie to get a release. And since I live in an area with two Alamo Drafthouses, it feels almost necessary for me to see and review these film releases!

It took over a year for the movie to come out after SXSW festival and it released on only ten screens, but also on Video on Demand like many a horror flick before that. And despite having a city with one of the ten screens, I still watched it in the comfort of my home. Can’t beat that demand service, and the popcorn price at my home is way better.

Going in I knew nothing about the film. But the last dinner party thriller I watched was The Perfect Host, many years ago. And hey, that one was fun, so maybe the dinner party horror/thriller genre would still surprise me.

Yelling
Hey, stop yelling. This is a damn dinner party. Use harsh whispers instead.

Will (Logan Marshall-Green) is taking his girlfriend, Kira (Emayatzy Corinealdi) to a dinner party. But not just any dinner party. It is being hosted by David (Michiel Huisman) and Eden (Tammy Blanchard), another couple. But Eden is actually Will’s ex-wife and he hasn’t spoken to her in over two years. They had a kid who died tragically, which eventually led to depression, suicide attempts, and divorce.

What fun! David and Eden actually met in a grief group, which is generally not a place to expect to find love.

Other guests are mostly friends of Will and Eden (played by Michelle Krusiec, Mike Doyle, Jordi Vilasuso, Jay Larson, Marieh Delfino). But not everyone was familiar. There was a strange girl, Sadie (Lindsay Burdge) who was extremely free spirited, and a late comer Pruitt (John Carroll Lynch).

Eventually they find out that the point of the party isn’t just food. Eden and David want to talk about their grief and how they overcame it. They found help with a special psychiatrist who talks highly of death and how to accept it and move on. A guy who actively encourages suicide as an option to leave the world, surrounded by friends and family. Whoa now.

Things are getting weird at the party. Will believes that they have joined a cult and want to convert everyone else. Hopefully that is all that they want. And nothing more sinister and deadly.

Sneaking
Yo dude, if you are the good guy you can’t be so creepy sneaking around.

When an independent horror film is called a slow burn, The Invitation might be a text book example of that. For 80% of this film, I would just call it a drama, maybe slightly into thriller territory, but any frightful moment is all just done by people talking and the main character getting worried. It doesn’t cross over until the final 20ish minutes and I can’t say it is entirely worth the wait.

I can handle good character build up, I just would prefer something to keep my interest occasionally throughout the film outside of waiting for the conclusion.

The cast was pretty well acted for the most part. Marshall-Green was a good lead for the film and carried tension on his face throughout it. He felt like a man who was truly hurt and still grieving. I could definitely relate to him (outside of his almost extreme paranoia). The only other person one would recognize is John Carroll Lynch who is always unnerving when he wants to be. The great thing with Lynch is that he also can go and do a nice guy role, what a diverse dude.

The Invitation is a interesting story, well acted, and a great ending. It can just be a bit painful to get through for those with lesser attention spans or people who don’t want to wait too long for some of the scarier bits.

3 out of 4.

The Age of Adaline

I am coming into The Age of Adaline a few months after it hit theaters. This really means that I cannot in good conscious make any jokes about a crossover movie of Avengers: Age of Ultron and this one, which came out roughly around the same time. That would be silly.

So instead I will talk about how little I know about this film. I am literally going in knowing nothing about it, not even who is in the movie. I figured out it was based on a book, probably a popular modern romance.

And hey, not all popular modern romance novels are bad. Sure you got your Twilights, but there is also The Fault In Our Stars! Shit, this is all teenage stuff. I am not as familiar with older adult romance novels.

Given the genre, I hope (like always) I can get a good cry out of it.

Elevator
My emotions are like this elevator: They look really pretty but they get ignored by the rich all day.

Adaline Bowman (Blake Lively) has had an interesting life. Born on New Year’s Day, 1908, she has always had a party for every birthday. And right now she has had 108 birthdays.

But no, she isn’t old. She is young, attractive, and looks like she is around 29. In fact, her body is 29, despite the years around the sun. Due to a freak accident, involving drowning, body chemicals and lightning, somehow she no longer ages. Science, magic, fantasy shit.

So now she has to move every 10 years, or else people get weirdly suspicious. Or if she ever gets too close to someone romantically. That is a huge issue for her, never getting to love again.

Now it is modern day, and of course, someone likes her a lot. Ellis (Michiel Huisman) is rich and is impressed by her intelligence and poise. They like each other a lot. She even gets to meet his family! He has a Momma (Kathy Baker), a sister (Amanda Crew), and a dad (Harrison Ford). The dad of course being someone Adaline had a relationship with over 40 years prior.

Also starring Ellen Burstyn as Adaline’s much older looking daughter and featuring Hugh Ross as the narrator.

Family
“Dad, remember the girl who broke your heart before you met mom?”

I loved the concept of The Age of Adaline, once the movie told me what was going on. Shit, I might have tried to watch it in theaters if I actually knew what it was about.

This is by far the best acting I have seen from Blake Lively. Savages and Green Lantern weren’t great for her, and of course Gossip Girl isn’t known for its great acting. But she is fantastic in this film. So is Harrison Ford, who also has had quite a few stinkers/unforgettable roles lately. Let’s not forget he did Paranoia. In this film he reminded us he was a great actor, which is good news for those dying to see Star Wars VII.

The story was a good one, the acting was good, but the major downfall with this film was its ability to drag. Which is this romance in a nut shell. It is like the rich and prestige, going to fancy dinner parties where people do a lot of small talk, having the same conversations with their friends. That is just the general feeling of the first half of the movie when it is set in modern times. Adaline is worried about being caught, her daughter just wants her to finally live her life, and discovering Ellis. I don’t think it gets truly interesting until she finally meets the dad, and the awkwardness really begins. The awkwardness allows for the best acting in the film and is where Ford starts to shine.

An okay romance, with a decent plot, and some fine acting. But it did not make me cry.

2 out of 4.