Tag: Matthew Broderick

Movie titles can get pretty descriptive. The ones that can really sell you on a setting with just a title do a lot of work and can help draw people in.

Something like The Assassination Of Jesse James by the Coward Robert Ford? That is a descriptive and specific title, you know the main people involved and the event in question!

That is an extreme example. For Manchester By The Sea, it just really wants you to know which Manchester the film is set in. “Is it the Manchester by the forest? Is it the Manchester in the mountains? Is it the Manchester in Iowa?” No damn it. It is the Manchester by the sea!

And this is presumably a Casey by the sea!

Lee Chandler (Casey Affleck) is a seemingly miserable prick. He lives alone, works a basic janitorial job for a complex and deals with shitty tenants, and sometimes he is shitty in return. He just wants to drink and forget his worries. And this is how he was before his brother (Kyle Chandler) died.

Lee has to head up to his hometown of Manchester to help deal with the aftermath. Funeral arrangements, will stuff, and checking on the kid, Lee’s nephew, Patrick (Lucas Hedges). Lee has a problem in Manchester, something that happened in his past that the locals talk about and spread rumors. And nope, you aren’t getting that spoiler in this review.

Needless to say, Lee wants this whole thing to get finished as soon as possible so he can get back to his new life and out of this town. And then he finds out his brother left him as the guardian of Patrick, not their uncle like they talked about. This will also shake up Lee’s life, forcing him to either dump the kid off with a friend or worse, Patrick’s mom (Gretchen Mol) who was a trainwreck throughout his youth.

Or, strange as it may seem, maybe just movie back to his old town and be this guy’s guardian?

Also starring Michelle Williams as Lee’s ex-wife, Tom Kemp, Anna Baryshnikov, Kara Hayward, C.J. Wilson, and Matthew Broderick.

If you look close you can see them in a boat. A boat ON the sea.

All I wanted to do was see some realistic acting and maybe cry a little bit. Instead, I got fantastic and realistic acting, and bawling my eyes out.

Thankfully the film reveals what happened in Lee’s past about halfway through the film, and the moment and scene really got to me in the theater. I felt horrible and I was forced to imagine how it would affect my own life. Even after the flashbacks were over, I then had to consider every scene of the film from that point forward in relation to Lee’s past. Normally regular dramatic scenes became sadder from this knowledge and the cries came intermittently.

In the final conversation between Affleck and Williams you would be hard pressed to find a viewer who doesn’t become emotional as a result. They bring so much into their characters. Affleck of course, being the main character, and it is expected, but I was surprised at how much pain I felt with Williams who had significantly less screen time.

The film wasn’t just sad, but it was awkward. There were awkward situations/reunions, uncomfortable conversations about death, and it was a funny film. That’s right, laughter, I laughed about as much as I had cried. I officially classified this as a drama/dark comedy, but honestly it could still be considered just a regular comedy. The balance between the two was extremely precise in this film that it really fits both molds.

Other notes: The setting was gorgeous, the cameras were well placed, the actors and people involved all felt like they belonged. This was a snapshot on a community as much as it was on a single person. Affleck will most likely be nominated for an award for the film, and hopefully Williams for Supporting Actress. I still haven’t seen all the potential contenders to know if anyone will actually win though. Affleck just continues to impress with every film he is in.

Also, there are accents. Accents!

This movie Margaret (which has no character with that name, but taken from a poem) has had a shit storm of post processing nightmares. I think the filming of this film took place somewhere between 2005-2006. Yeah, way back in another lifetime almost.

It was originally scheduled to come out in 2007, but the version of the film the director wanted was about three hours long. What! Studio wasn’t having that, said 150 minutes max. So a lot more editing, a lot more saying “it can’t be done!” Then some lawsuits were issued in 2009. This film was going to take awhile to come out, damn it. Eventually it was put to 150 minutes exactly, with the help of other people. The longer version can be seen on the DVD which comes out nowish, but uhh, I wanted to see the 150 version instead.

All of that is interesting, since this movie is about a long law suit as well.

Lisa (Anna Paquin) is just a girl, either senior in high school or freshman in college. One of the two. Legal is the important point. Still lives at home with her mom though, so a local college if that is the case. She is more or less normal, has some favorite teachers, like Mr. Aaron (Mattttt Damonnnn) who teaches math. Debates in some psychology/politics class.

Well one day she just misses a bus, but runs after it anyways, She is at the door, but the driver (Mark Ruffalo) doesn’t care, even almost makes fun of her. Waving his cowboy hat around. Well this causes him to not pay attention to the road, where he ends up running a red light and slamming over a random woman (Allison Janney). Leg, totally off.

So Lisa and a crowd get to gather around, try to make it so she doesn’t die before an ambulance gets there. Doesn’t happen. Nope, she has a woman freak out and die in her arms, and she is partially to blame. This phases her pretty damn hard. But while giving her testimony, she looks at the driver, and thinks they have a “mutual look” to cover it up, and she says the light wasn’t red from her memory.

Well that guilt tears at her. She becomes more sexually active (than before of not at all) with her classmates (Kieran Culkin) and maybe her teacher. She gets more angry in her debates about terrorism. She tries to reach out to the driver, who isn’t having any of it, saying her recollection of the story is wrong, and doesn’t know why she’d “lie” in the first place.

This makes her mad, so she wants to change her testimony, which is a big problem. Wants to go to court, finds someone who can actually press charges, and part of the reason is just to get the guy fired. Not looking for money (she wouldn’t get any anyways, the family would, who doesn’t know this is even going on). But lots of factors get in her way, which doesn’t help her anger, or help get the justice she feels is necessary.

We also have Matthew Broderick as a small role as a teacher, and Michael Ealy as a legal friend to give advice on all the shenanigans.

Post accidental cause of bus accident syndrome face.

I really cannot imagine a longer version of this movie. Either even more angst and lashing out fight scenes, even more negotiations with a lawyer while trying not to get screwed over, or they took out another subplot entirely and left the others in tact. Who knows. I am pretty sure I won’t try to watch the longer version ever.

I will say yes, Anna Paquin acted pretty great in the movie. I loved the emotion and confusion her character conveyed. But I think they had way too much going on, and a lot of it I didn’t care for.
So well done Anna.

Ruffalo was decent too. But all this movie really teaches us is that life sucks, and then sucks a bit more.

As I have pointed out before, Matthew Broderick has been in a bunch of movies the last few years, just none of them big. All smaller releases or indie pictures. Usually drama-comedies. For whatever reason, he just can’t make the big screen anymore. I wouldn’t be surprised if it’s out of apathy, and more focus being put on his broadway career.

Either way, I saw a preview for Wonderful World on some random movie, and it made me really want to see it. I looked hard for it, for like, ten minutes too! Then forgot about it. BUT HAH, I GOT IT NOW FUCKERS.

ARE YOU NOT ENTERTAINED?

Broderick works as an editor for some publishing company. He has been working there for eight years. Most people see it as a temporary job before they do what they really want. Like his good friend Cyril (Jesse Tyler Ferguson, who you all know). “Good friend” is a stretch, more accepting of his cynicism friend is a better choice of words.

Cynicism? Yeah, Broderick isn’t a nice person in this movie. He assumes the world to be bleak, miserable place, where everyone is out to get everyone. He is divorced (shocker) and his only decent moments seem to be the times he gets to hang out with his daughter (Jodelle Ferland). He is oblivious to the fact that her life is also miserable, no friends, no skills, and gets more depressed the more she hangs out with her dad.

Speaking of stuff being shitty. His roommate Ibu (Michael Kenneth Williams, motherfucking Omar) is a diabetic, and during an attack when he tries to get Ibu to the hospital, he finds his car getting towed for an illegal park. Unable to convince the tow truck driver of the real emergency at hand, Ibu collapses in the streets and is sent to the hospital to stay. Well fuck. His sister from Africa (Sanaa Lathan) visits due to his sickness, and stays in their apartment.

Can her presence in his life change it at all, even as the world gets darker? Why is he talking to Philip Baker Hall, who is a made up guy in his head? Does the fact that he used to be a children song writer have anything to do with any of this? Will his case against the city due to towing in an emergency go unheard?

In case you guys didn’t believe me earlier that he was in this movie, here is a picture, that is somehow supposed to be proof!

I feel like I’ve talked about this movie too much already. I liked the set up and liked probably half of what happened in it. But not everything that happened. More importantly, it felt way too slow.

It also didn’t even feel real, which I think is an aspect they were going for. Broderick’s zombie like nature is present about 80% of the film, with snippets of happier times throughout and the end. It isn’t pleasant or interesting to watch. Just want to tell him to be a jerkface. It did get annoying though that almost every character complained to him about his disposition. Repeating records repeat.

I just expected better of the music man.

Turns out that Then She Found Me, a movie I had never heard of and found in a cheap bin and bought for the actors involved, is the first movie directed by /The/ Helen Hunt.

But she is also the main character too. Obviously she can’t completely escape the starlight, just yet.

“Quit staring at me with those dead eyes, you church bitch!” I think thats the quote there. Might be confusing it with something else.

Helen Hunt is getting married! Yay! She is in her late 30s, but is finally getting hitched to Matthew Broderick, a fellow elementary school teacher. She has no idea who her biological parents are and was adopted herself into a Jewish household, so for all intensive purposes, she is Jewish. She also really wants a baby before its too late, and really really doesn’t want to adopt herself.

Well ten months later, she is still not pregnant and it is looking rather grim. So Broderick does what every insecure man does and leaves her, not wanting that life. He also just quits his job, thinking it’d be weird teaching a class right next to hers. Ya think? So she goes to live with her brother (Ben Shenkman) where she also gets some strange news. Her mother (Bette Midler) has found her and wants to meet. (I am 85% sure that is the reason of the title!).

Turns out she is a local celebrity who does a talk show early in the day that Hunt has never heard of. Midler want to reconnect with her lost daughter and make up for all the years lost, despite the fact that she is now an almost forty year old woman. Who, if you forgot, is going biological clock crazy and really wanting that kid. It also so happens that she meets Colin Firth, a single dad with two kid, who is not socially awkward, but britishly honest, I guess.

Oh, and when Broderick broke up with her, she had sex with him before he left, and guess what. Got pregnant. But now she wants nothing to do with Matthew who left over that very reason, and might be in love with Colin. Dramaaa.

Colin also has a filthy fucking mouth in this movie.

More stuff happens, but that is end of the movie spoilers. I assure you it has to do with love and babies though. And maybe even her mother!

The movie is clearly very dramatic, and at points I loved it, and other points I hated it. Generally that fluctuated with whether or not Colin Firth was on the screen. His character was awesome, and the mom was annoyingly not. The dialogue also went back and forth between awesome and horrible, this time across all actors.

Despite partially interesting plot, it also gave me you know, boring plot. I guess that was the major problem with this movie. Back and forth between interesting and boring. Probably just like real life. Too real if you ask me.

From the start I think Tower Heist got a lot of bad publicity. Why initially? Because it planned on releasing itself for download only a month after going to theaters, before coming out on DVDs. Apparently a lot of theaters were mad about that, and were refusing to show it. So of course it backed down.

But then after that, people are generally “Ben Stiller? Gross, next.”

That is the face Ben Stiller makes every time someone walks away and calls him gross.

I think the trailer did a bad job of explaining the overall plot. So here we go. The Tower is actually some large sky scrapper building in NYC, that is basically just apartments. Large staff, super secure, and they don’t accept tips.

Ben Stiller is the overall manager, runs the day to day, keeps his staff in tip top shape and helps all of the top clients. Casey Affleck is his second in command. Matthew Broderick is a formerly rich guy getting evicted and divorced, Michael Pena plays an elevator operator, and Gabourey Sidibe is a Jamaican maid.

And they all get fucked over. The penthouse belongs to rich wall street investor Alan Alda. And he has just been arrested for stealing investments, and getting people trapped in Ponzi schemes. And he also handled everyone who works in the Tower’s pensions!

Stiller gets mad. And he takes it out on Alda’s apartment (as he is now stuck there for temporary house arrest), getting himself and other fired. He then takes the drunk advice of a special agent on the case, Tea Leoni, and decides that the old school method of pitchforks and mobs to storm the castle were appropriate. But instead of storming, they should rob him.

The amount of money he should own versus what they found didn’t match up, so it is likely that Alda is hiding a batch in his apartment, in a safe in a secret wall. Can his team get the maybe 20 million dollars in the safe, escape without jail time, and divide it up amongst the workers to get their money back? Not without a criminal. Thankfully Stiller “knows” a guy, Eddie Murphy, who steals shit!

Potted plants, cash, and scenes, mostly.

Seriously. Eddie Murphy is hilarious in this movie. This is best classified as an action/comedy, despite the action not being that much, and the comedy not being…that much. Oddly enough. There was only a few times I really had a good laugh, some of Eddie Murphy’s scenes, the thing about lesbians, and a few others. But I could just classify it as a “movie” and maybe that genre is specific enough.

But I really enjoyed it as a whole. When I saw the preview, I assumed it wasn’t an apartment, but just some big corporation in NYC. I assumed they were people who had lost their jobs due to budget cuts, and I assumed Stiller used to be a big fat cat, but got screwed over. But they really do a good job of making you feel for and root for them. There are many other workers at the building who aren’t part of the thievery, but they show enough of why their lives were affected by it.

Some jokes and situations, sure predictable. But not all of them, nor the ending really. I was surprised that I liked it that much.

I decided to watch this movie ahead of schedule in honor of this. Unfortunately, it is all a lie and a tease for a car commercial. Join me in never buying whatever car it happens to be. WHY PLAY WITH OUR EMOTIONS, WHY?

Wait, what is the movie called again? I think I found her.

Finding Amanda, despite being the name of the movie, is actually not that hard of a task. He finds her pretty quickly. Who is he?

Matthew Broderick plays a “succesful comedy writer” for a “hit TV show”. But his stuff hasn’t been as good lately. He also used to be addicted to smoking and alcohol. But that is all behind him. Gambling is his thing now. He is seeing therapy for it, and cant carry around a checkbook or a credit/debit card, despite it being his money. His wife Maura Tierney would be upset, you see, if he wasted it all.

So after another argument (damn Horse races!) he decides he can prove that he is over gambling. He is going to Las Vegas to find their niece Amanda, Brittany Snow, who is hooking. He will find her, convince her to go into the rehab that they already paid for and he wont gamble at all. But thats a lie. He gambles a shit ton before even looking for her.

Besides, how bad could her life be? She has a nice home, living with her boyfriend Peter Facinelli, and makes bank. Sure, creepy people, might have been raped when she was younger, and rude people. That part might not be good. Broderick also has to worry about Steve Coogan, one of the head guys in the in the casino/hotel he is staying at, who helped loan him some money to get him on his feet. But he is getting very angry.

So can Broderick convince his niece to go into rehab? Can he change his lying ways to his own wife, or will he strike it big first. Also, will anyone believe that Amanda is his actual niece when they are hanging out in Vegas?

Nope

So I gave this a dark comedy, because it wasn’t really laugh out loud funny. What you get to see is the tailspin of Broderick’s character as he is going through a huge mid-life crisis. It reminds me of the role he played in Election, but this time his downfall is pretty much his own fault and not of some young girl. The beginning started off pretty slow, but it really started hitting its stride once he found Amanda. The ending was pretty great, and makes sense overall.

Kind of also sends a positive message. What you’d expect in a movie about hookin’ and gamblin’.