Tag: Laurent Lafitte

Little N-Name movies are all the rage! After all, we had Little Nemo, Little Nicky, and now Little Nicholas. Two of those three are based on comic strips in the past, Little Nemo came out first as a movie but…also was the first of the comic strips, okay. But like, a few decades later, Little Nicholas comic strip was made in France and a lot of people had a good time with it. Most of them were French, to be honest. And a lot more of them were people alive during that time period.

Hell during the 1950’s I was just busy not existing. So I didn’t know about it at the time. However, the two creators of the comic also did a lot of other things in their lives.

Like one of them was also the inventor of Asterix comics, a pretty famous European dude. And the other, did a lot of famous artwork covers for The New Yorker magazine for decades.

But with their powers combined, they made Little Nicholas, and this is their story.

If you actually had to write that tiny, you’d have to jump on each letter.

That’s right, this isn’t just a cute story about Little Nicholas going to school, playing, and having fun. No, this is actually about the creators! Fooled you? Maybe?

René Goscinny (Alain Chabat), famous comic inventor of Asterix and other works, who had already lived a nice life. He meets up with Jean-Jacques Sempé (), another artist, who has been given a job based off of his drawings, but isn’t known for making stories well. So he wants to use René to get the stories for his work, and they can be a tag team duo, and make something great together.

And that is it. They do that. They make Little Nicholas (Simon Faliu) and people like it. They expand his universe and people like it. They even make some shorts I guess? People like that too.

But in the movie we also have Nicholas popping from the page, to talk to his creators, to find out about their lives. So we get to have a biographical film in that regard, in between Little Nicholas segments I guess that were big in the comments, like playing with friends and family members and school.

“Let’s make a child together,” said the straight man to another.

I wasn’t sure what to expect going into this animated work. Even when I read the description, about one making the plot, the other illustrating. Based on the image, I just sort of assumed it was a guy drawing a tiny kid, and the kid coming alive, to make his plot for him to draw. A weird surreal sort of thing. Like a genie in a bottle.

So of course I didn’t know that this was a reference to a European comic, and honestly, I still barely know that it is based on a European comic. Just because it has had, as far as I can tell, no impact on my life. I don’t think I’ve seen a short, or a comic, about Little Nicholas. I am sure where it was famous, it got really famous as just one of those post World War II quaint slice of life stories. Nothing that would excite me now, but maybe something used for very young kids still today. 

The people this movie feels aimed for honestly are likely those nostalgic about the story. I think a regular kid wouldn’t love this story at all, because they won’t give a fuck about the authors and their lives. But at the same time, the art style was very nice (and going for a Little Nicholas feel), and the idea behind this movie was pretty unique. Tell the story of two animators, in the style of one of their animations, while also giving parts of the animations story as well? Nice. Can’t wait to see someone else do a documentary about Werner Herzog’s life in the style of Werner Herzog. 

This family film, biographical film hybrid told me a unique story in a unique way. It isn’t something I know my own kids will care about, but it is still an interesting concept overall. I hope animators always continue to try new things like this. And yes, I know I am saying that despite this being a 1950’s art style. 

At some point, I probably just assumed that Paul Verhoeven was dead. His last movie was in 2012, Tricked, and I never really heard about it. Before that, 2006, Black Book, another I hadn’t ever seen. And before that, 2000, Hallow Man, which totally fits his style.

He has gotten older so I don’t expect a movie every 2 years, but man he used to be so on the map.

So when I saw Elle I basically ignored it (even with the awards talk), I just can only see so many subtitled movies in a year. It takes a lot out of me when I am in a job that makes me pass out before 9pm most nights. But with Verhoeven directing as some sort of thriller? Where sex and violence might be brought up to 11? Sure, I will give it a shot.

If anything, it will still help me prepare for the Oscars.

Editor said I cannot make a reference about her reminding me of the hook lady from Boston Public, no one would get it.

And at the beginning, Michèle Leblanc (Isabelle Huppert) is raped. In her own home, by a man in a ski mask. She is the head of a video game company in France, with her business partner Anna (Anne Consigny). Her father was a serial killer, found out when she was a young girl, so she has been lashed out against all the time. This has led her to becoming a strong and successful woman, independent as fuck, so how could she be raped in her own damn house?

She doesn’t trust the police, given her childhood problems. So she doesn’t report it, confides in some friends, and goes about her business. After all, her game company has a deadline and they have to finish the product. But at the same time, she begins her own independent investigation as to the culprit. Could it be one of her angry workers? One of the many enemies she has outside of the job? Some pissed off citizen or neighbor?

Whoever it is, Elle is going to handle it on her own. While dealing with a son (Jonas Bloquet) who has grown up to be a little bitch, affairs, and more.

Also starring Christian Berkel, Judith Magre, Virginie Efira, Charles Berling, Alice Isaaz, and Laurent Lafitte.

Revenge is a dish best served with a cold weapon.

At its best, Elle is a slow burn that has a lot of subplots and a couple twisty moments to tell an over two hour story. At the same time, some of these slower moments and subplots do the obvious thing and slow the story down significantly.

All of the plot with the son and his baby? They do end up mattering, but it is a strange thing to watch until it becomes apparent. The extra parts about getting the game in on deadline? Well, besides red herrings, they bring a sense of realism to the story. Her relationship with her father? Well, that explains why Elle is so fucked up and police scared.

Despite wanting to complain that there are slower moments and slower scenes, on my own it is hard to find something that IS actual cut worthy and necessary, in order to tell the complete story.

Huppert gives a nuanced performance as our lead, having to deal with a lot of her internal struggles despite external forces pressing down on her. She has all of the baggage in the world, isn’t a perfect character, and sadistic.

A very interesting character study, despite getting bogged down in excessive story details (yes, that I am unable to pin point exactly. Shut up).