Tag: Jared Harris

Ah yes, the expanded Spider-Man universe from Sony. They have been talking about this for years. Remember the announcement of an Aunt May movie? That was back around the time as Andrew Garfield Spider-Man. But now that Venom has been slightly successful, and Tom Holland has been wildly successful, Sony is under the impression they are doing something right and going to milk the fuck out of the Spidey-universe.

After all, we got teased a lot of villains in Spider-Man: No Way Home. And we have heard the casting announcements. Besides Morbius, we have a Kraven the Hunter movie coming out. Now a Madame Web film. Rumors of the a Sinister Six film, maybe Spider-Gwen, maybe a Tobey Maguire Spider-Man 4. Sony is exploring all options.

The only issue is…Sony is historically not great at making these movies without Marvel’s help the last decade. Venom: Let There Be Carnage seems to be a strange case, since it was a decent film, just still had some awkward B-movie comic book feels to it. Sony likes to rush things with their Spider-Man movies. Sure, Morbius was pushed back several times, including this year for some “reshoots”. But just because it was going to be a January movie initially doesn’t mean it has to feel like a January movie, right?

If you need some blood, cutting the PALM OF YOUR HAND is one of the worst places. What the hell?

Dr. Michael Morbius (Jared Leto) has one big problem. He has a really rare blood disorder. Which one? Uhh, a rare one, that is what. It has no cure. And it seems to require a blood transfusion three times a day in order to keep surviving. That is rough. He has had it for most of his life, but he was really smart, so he got sent to a smart school, and got his PhD by 19. Hey, life is short for him, I guess, better go through it fast. His friend/pseudo-brother is Milo (Matt Smith), who happens to be super rich too, with the same disorder. Michael plans to cure their disease, at any means possible, and Milo is gonna fund that research.

So how are they going to do that? Well, apparently by experimenting with vampire bat DNA. Because they are the only mammal that has evolved with the ability to consume blood, something something made up science, Morbius wants to put the bat DNA into his DNA to see if he is cured! He had to go to South America to get a bunch to bring back to NYC, you know, for science. And then he does the experiment, with his fiancé and lab partner, Dr. Martine Bancroft (Adria Arjona), which is a few ethics problems rolled into one.

The experiment goes painful, and it works, I guess. Well, he does have his eyes and skin change color, his teeth somehow grow into fangs, and he can’t control his instincts. He now wants to kill all these random dudes with guns, not Bancroft, draining them of their own blood quickly. He can also…fly? Sort of? And see bullets in slow motion? And some strange level of echolocation-punch. Wow, what a surprise. But don’t worry, the range ends, and then he is back to normal. But stronger looking, less frail, and actual color in his skin. Until his body starts to deteriorate back into his normal frail self, unless he eats more blood.

How does he control the more-Vampire looking version of himself? I guess he just concentrates really hard. Milo wants the cure too, so he forces it upon himself, and sure enough, he is more evil than Morbius, so Morbius wants to cure him and put a stop to it, while cops and others are trying to figure out what the hell is going on.

Also starring Jared Harris, Tyrese Gibson, Al Madrigal, and Michael Keaton, for a little bit.

Get yourself some bat-DNA. Makes you get all ghoul-y. 

Since 2015, there have only been two worse comic book based movies than Morbius, based on my humble reviewer opinion of course. Fantastic Four and Suicide Squad. But Morbius is bad in a different way. Morbius is bad because it attempted to be dark, moody, and serious. Instead it gave us a rushed plot, terrible characters, vague science, and just nonsensical plot elements.

For the umpteenth time, yes, this is a fantasy film where things don’t reflect reality. But it is still based in our reality, and uses a lot of rules. I know vampires aren’t realistic, but this film has powers that still don’t make sense. They never even attempt to explain how getting some bat DNA allows Morbius to weirdly fly. Not sure if it is just a gliding with style mechanic? And part of it feels like teleporting? But they just pop on some purple blurs around him, and he can now go wherever he feels like through the air. The echolocation elements aren’t consistent. Apparently he can not just do it for almost an entire city, he can focus in on a specific thing he wants to hear, and only hear that to find his prey. I feel like echolocation in NYC at a powerful scale would be maddening, but what do I know.

Vague/undefined powers always piss me off in these sorts of things. That is one of my biggest complaints about the “snake mutant” in The Wolverine. Hell at one point, Morbius just yells and apparently commands thousands of NYC bats to come to him, and he controls them to attack. But also, we all know they aren’t vampire bats. That is why he had to go to another continent to get the bats. Why would his vampire bat genes let him control random fruit and cave bats, that are all different species? Is there a bat quality that let’s an alpha bat command the rest of the bats? What if Spider-Man could just scream and have spiders show up? That would be frightening.

But for the rest of the movie, the plot is nonsensical as well. For a quick “joke”, the kid who grows up to be our rich villain is called Milo, because that is what Michael wanted to call him so he wouldn’t get too close, I guess. And now everyone just calls him Milo? He goes by that officially as an adult? Like. Why? Just have him be named Milo. Unnecessary complication for no payoff. There is no real reason why Milo would turn out to be a ridiculous jerk when he is in this now Vampire-like form, versus Michael who can just control it better? Is it a smart thing? I will admit, the movie was going so poorly I was going in and out of sleep at one point, but I am pretty sure they never explained it. Nor did they explain the transformed self really outside of some emotional balance. I can buy a weird DNA thing permanently changing one to look different. But to constantly having your body shifting between these forms, changing color, growing fangs, whatever, without the use of any sort of magic, just science/DNA is uncomfortable in the universe they have set up.

By the time the movie was over, I was glad at its short run time. The ending is still abrupt. It doesn’t really make sense as a stopping point for where we are at the films plot, but okay. So then they saddled on two credit scenes, the only scenes that feature Michael Keaton. I think these will count as spoiler free, just in case you are worried. The first is, uhh… fine. It doesn’t make sense based on what was established in Spider-Man: No Way Home however, and officially this film shouldn’t even be connected to it.

But the second one? It was just so…dumb. Did they film it in one take and say that was enough? Why was the delivery of both characters so bad? Why would Keaton’s character even bring up that name? Why would the other character nonchalantly agree, despite definitely having no clue what the hell Keaton’s character is talking about? It is so, so, bad. The rating of this movie was teetering between a 1 and a 0 at that point, and those two scenes were enough to figure out where this one needed to go.

After the success of my Saw Franchise review as a Milestone Review, I knew I wanted to do it again at some point in the future. Films that were mostly too old to be reviewed individually on the website, but as a whole, could make a pretty decent Milestone Review investment, for whatever relevant reason I could think about. And yes, I was a bit surprised that it was review 550, when it doesn’t feel like that long ago.

And I knew the next one of those I would want to do would be the Resident Evil Franchise for a variety reasons. The fact that this is review 1750 makes it extra special in my eyes.

1) When I moved to Ames, I started to review EVERYTHING that hit our theaters, both new and the cheap-o theater. I made that declaration the week AFTER Resident Evil: Retribution left the main theaters apparently. I had no worry, I would watch it when it hit the cheap theaters, because I would even watch “horror” movies now. And then the cheap theater never got it.

2) End of January, a new Resident Evil film comes out, and hey, I need to watch these in order to prepare for it.

And finally, 3) I own all five of these films on Blu-Ray, bought a couple years ago on Black Friday real cheap. So, uhh, I really need to watch them already. Also, I never rushed to watch them, because I have never really played any of these games. I played like, 5-10 minutes of Resident Evil 4, found it too scary, and didn’t touch it again.

And I will finally have some context for The Kick Heard Around the Video Game Movie World.

Let’s talk about Resident Evil, the first movie based on a horror video game, based on the first horror action video game. This film starts us in the Umbrella Corporation facility. They do tech stuff around the world, basically Google, but they also secretly did weapon stuff around the world, making them filthy rich. After some disease juice gets loose in their facility, the AI who runs the whole thing (The Red Queen), kills everyone inside the facility. Every single scientist, worker, peon.

So a military group of soldiers are being sent down there to investigate why and to turn off The Red Queen. Before this happens, we see Alice (Milla Jovovich) waking up naked in a bathtub, in a mansion, with some amnesia. And that is when the soldiers bust in. The group, led by “One” (Colin Salmon) bring Alice along into The Hive (the name of the underground research facility) and let her know that she works for the Umbrella Corporation as well and is meant to guard the entrance. The rest of the team includes Michelle Rodriguez and Martin Crewes. They also have Matt (Eric Mabius) as someone who they recently arrested, and Spence (James Purefoy), Alice’s husband and also guardian of the mansion.

Don’t get your pants in a twist, this monster is coming.

When they get down there, they find destruction, death, and weird shit everywhere. Getting into The Red Queen’s server room is difficult and people die, but damn it, they shut down The Red Queen. Yay! Time to leave and go back to the fun outside in Raccoon City, good job everyone. BUT WAIT. With the AI shut down, all of the locks and operations shut down as well. And it turns out that the virus, the T-Virus, basically made zombies. And shit like that thing in the picture above to deal with.

Somehow Alice is like, super incredibly, awesome. She fights so well. Turns out that Spence is the one who spread the virus, because he was trying to stop Matt and his sister from telling the world about what they were doing. So Spence has to die, and Alice and Matt barely escape to the top before bad things happen, with Matt dying from a claw mark, the antidote so close… And then they are found by Umbrella operatives and taken away.

When Alice awakes, she finds herself in an empty hospital. After she gets out of there, she finds Raccoon City in ruins. Crashed cars, fires, and apparently the T-Virus got out and it is zombie time in the real world. MOVIE 2!

Resident Evil: Apocalypse, the extremely high bar setting subtitle, take place right after the events of the first film. Because of the team going in to capture Alice and Matt, they accidentally also let off a wave of the infected zombies onto the city. And this spreads like wild, against Umbrella’s interests. They set up a perimeter wall around the city and only have one area for people to leave, assuming they pass the test to show they are not infected or bitten. But when the dead get to that area to, they close off the last gate and leave the people inside to deal with it on their owns, even willing to fire on regular citizens.

And this is a problem. This is what Alice wakes up to. Umbrella tried to get its best scientists out of the city as well, including the inventor of the T-Virus, Dr. Ashford (Jared Harris). They were unable to get his daughter out though, Angie (Sophie Vavasseur), clearly the inspiration for The Red Queen. So he wants people to go in and find her, anyone really, promising them a way out.

It takes a lot of skill to keep that outfit together in a high action zombie apocalypse.

People like Jill Valentine (Sienna Guillory), an ex-cop who hated Umbrella, and her old friend, Sargeant Payton Wells (Razaaq Adoti). People like Umbrella soldiers Carlos (Oded Fehr) and Nicholai (Zack Ward). And eventually all of them meet up with a news reporter Terri (Sandrine Holt), and T.J. (Mike Epps), a guy with guns, and Alice and the girl.

Also running around the city is a giant monster, named Nemesis, working for Umbrella and killing soldiers, not citizens. He is controlled by Umbrella, namely Major Cain (Thomas Kretschmann). Eventually they find out that the monster is actually Matt, from the first on. He was experimented on, just like Alice, except she just got super strong and looked the same while he mutated as he was already scratched. Oh snap!

Also Dr. Ashford gets killed, a lot of fighting ensures, and the survivors escape on a helicopter as Raccoon City is fucking blasted with a nuke! Their helicopter crashes in the wave, Alice is killed saving the girl and Umbrella finds them some time later. Alice wakes up a few weeks later, in a Detroit Umbrella facility, by Dr. Sam Isaacs (Iain Glen), restores her own memories, breaks out and goes on the run with T.J., Jill, Carlos, and Angela, with Isaacs letting her run, knowing she is still controlled. Or something.

Exctinction takes us five years further into the franchise. The T-Virus has spread throughout the world, and basically life sucks. It is all desert-y and dead, very Mad Max-esque. Alice is now driving on her own, abandoning her friends because she is being tracked by satellite. She also has some sort of psychic powers now, thanks to experimentation.

Somewhere near Las Vegas is where we find them all now, Alice wandering and killing bad people and bad zombies alike. And a big caravan of survivors looking for a place to call home. It is led by Claire Redfield (Ali Lartner), and features some returnees like Carlos and T.J. Yay! No idea where Jill went. Some of the new “survivors” include a girl named K-Mart (Spencer Locke) and other actors (Ashanti, Christopher Egan, Matthew Marsden, and Linden Ashby).

Shit, sand got everywhere. I hate sand.

And uhh, well, eventually Umbrella attacks them again when they are in Las Vegas trying to get supplies. They want to go to Alaska, where they heard there is a settlement. More people die, and Alice goes to the local Umbrella facility to put a stop to them and take their helicopter, so the survivors can go. And she does that!

Inside the lair is of course Dr. Isaacs again, but this time he was weak, so he injected himself with the T-Virus too. This turned him into a hybrid fighting entity, with arms that could be elongated with tentacles. Fun! Alice kills that guy, finds out that this facility has hundreds of Alice clones, and she plans to use them to take down Umbrella. Looks like they are located in Tokyo for sure now, they didn’t like Isaacs, and some guy in glasses (Jason O’Mara) is the new, bad guy. Survivors to Alaska, Alice plans to take out Tokyo Hive, end of film.

Afterlife begins with showing how Tokyo got infected. Then we see Alice storm in after Extinction, clone army and all, and clear house. But Wesker (Shawn Roberts), Mr. Sunglasses himself, now played by a new actor, escapes. During their battle, he removes Alice’s super powers, of which she is happy, they both crash and explode and somehow, Alice survives. So she makes her way to Alaska.

There she is attacked by Claire, with a metal spider on her chest. Once she removes it, Claire stops, with some amnesia and doesn’t talk. But Alice finds no other survivors, just a lot of planes and emptiness. So she flies a plane to LA with Claire and lands on top of a prison with some survivors flagging her down. The survivors include Luther West (Boris Kodjoe), Crystal Waters (Kacey Clarke), Angel (Sergio Peris-Mencheta), Bennett (Kim Coates), and a prisoner who calls himself Chris (Wentworth Miller).

Indoor rain scenes are all the rage these days, not at all for sexual reasons either.

And yeah, they are now in a prison, surrounded by zombies. Not just zombies, but a giant one with a big axe/hammer weapon, called Axeman. Turns out Arcadia, the Alaskan settlement, was actually the name of a ship, which is off the coast. They want to get to the ship, to see the other survivors, makes sense. So they do that. They escape, some people die, but when they get to the ship, turns out it also is an Umbrella trap.

They have everyone in tubes under ground, for testing or who knows what. And surprise! There is Wesker again, this time, super super fucking powerful, and fast, and he can regenerate. Much fighting occurs, eventually he is on a ship that explodes and everyone is free! Yay, the survivors are freed from the tubes, when…suddenly! More Umbrella ships show up, with guns. And our old friend, Jill Valentine, now blonde and not at all looking like her former self. But she has a robot spider on her chest, and then…movie ends!

Don’t worry, at the start of Retribution, we will see what immediately happens to Alice in crew, but in slow motion and backwards! Then she will tell us about the first four movie plot, then it will show the attack in regular motion at regular speed. Then we find Alice waking up in a suburban house, with a husband, a deaf child Becky (Aryana Engineer) and no zombies. Weird. Okay. Until zombies attack their neighborhood! Lot of people start dying and of course, then real Alice wakes up, again, in an Umbrella facility.

Sigh. Okay. But the computer that runs it starts to malfunction. So she escapes, a lot of weird things happen, and somehow she finds herself in Tokyo right when the plague begins? What in the fuck? Blah blah action, blah blah plot, eventually we get some knowledge. She is in a large Hive base (They are all really big), but it is a testing facility in Russia. They built huge areas to simulate T-Virus attacks in a few major cities, to sell the tech to governments against each other. It is also underwater and under ice. But don’t work she is being rescued by…Wesker?! What, he survived?

Oh and Ada Wong (Bingbing Li) his assistant. Apparently they want to free her to finally bring down Umbrella, because now Umbrella is being run by The Red Queen herself. They now have to escape, with Becky (who things Alice is her mom, despite just being a clone), in a two hour timer before the facility explodes. Also rescuing her on the other side is a crack team of warriors. Including Luther West! Also Leon Kennedy (Johann Urb), Barry Burton (Kevin Durand), and two guys who are totally not as important (Robin Kasyanov, Ofilio Portillo).

Resident Evil always had the most appropriate outfits for fighting AND doing that BDSM thing.

That’s right, this is another movie where they have to escape a place before they all die. But this one features a lot of returning members, because apparently a lot of them were actually clones the whole time. So people from the first and second movie are back, just to fight her with Valentine, still controlled by a robot, while the base comes crumbling down. And more Axemen, zombies, infected, and guns.

Needless to say, eventually they win, and get picked up by Wesker. Where is Wesker? In the White House, with the “last remaining survivors” ready to finally rid the infected threat once and for all. Maybe.

Oh where to do we begin. I guess the first film. Despite having CGI that has aged terribly over the last 14 years, the first film in the franchise is dreadfully okay. The acting isn’t great, but the concept it is introducing is original for the time and it creates a potentially scary situation. Out of all the five films, it is the scariest because everything is new, but again, bad CGI takes away some of the frights. Some of the scenes felt straight out of a video game, but it still wasn’t high art in any sense of the word.

Resident Evil: Apocalypse introduces us to some video game characters and a lot more action. Action at the expense of horror. Like, there are no fears at all in this movie. The zombies aren’t scary, and Nemesis NEVER feels scary, just threatening and powerful. For a horror franchise to immediately drop large portions of horror is a terrible move to make. But at least this film feels like the next step in the franchise and continues the plot along decently, despite the dumb teaser at the end. It is still bad and should feel bad, but there were some attempts there.

Resident Evil: Extinction takes the series in a completely different direction than anyone expected. The point of it was to make a scarier movie with a lot of it set during the day instead of night like normal zombie flicks. The plot was a bit of a weaker point in this film as well, but it would have been stronger had the next two movies not done what they did. It did increase some of the horror elements from the first film, not to the same level, but that is why I left it as okay. Mad Max and Zombies is a fun crossover idea and the film once again got a closer to some sort of closure.

Wow how did Umbrella get their logo to burn on a building like that? Is that a metaphor?!

Resident Evil: Afterlife is where the franchise starts to hit garbage fire mode. To talk about both films, neither really seem to feature that strongly of a horror element. Once again, these films feel incredibly action oriented, with very weak plots. And by weak plots, I mean the films should barely exist. After the third film, we have Alice heading to stop Umbrella Corp’s main office in Tokyo. Awesome, she does that early in the film, then most of the film is instead dealing with this being stuck in a prison, trying to get on a ship situation. This is not really a new plot line from this franchise or from zombie films in general.

And in the fifth film, we start off once again LOCKED IN A GODDAMN UMBRELLA BUILDING. And the entire focus of the movie is to get out of the building. Just like movie one. Just like movie four. They are just rehashing the same plot line and not moving the plot along. Sure, at the end of the movie, they escape the place that they were. But they are solving problems that the films itself create.

After the third film, we can sort of assume where the franchise is going and will go. And instead of delivering that outcome, the fourth film is almost entirely a filler plot line. At the end of the fourth film, we know where the franchise should go, and instead of getting there, it is entirely filled with a different fucking filler plot line. They create and solve issues in the movie itself at the expense of telling a story and it is downright furious.

Sure, they might have some cool sequences in them. They were movies made for 3D and IMAX screens. But they abandoned the genre of horror, retold the first plot in worse ways, and refused to give us growth, which is goddamn necessary that late in to a franchise.

I can hope and hope amongst all things that the next film, Resident Evil: The Final Chapter, will bring us the plot we have been looking forward to. But I honestly am just assuming it will also end on a bad cliffhanger and not actually be the final movie. Because money. And dicks.

Ah, horror remakes. We need at least one a year right? We’ve had Carrie, Evil Dead, Fright Night, and many more. It is easy and hip and cool to do. Hell, I know it sounds like I wrote that like a sarcastic asshat, but for those three films in particular I ended up liking them or thinking they were okay enough as a remake. I didn’t hate any of them.

Then Poltergeist flashed its way onto our screens like a lightning bolt. “Not so fast, mother fucker!” it clamored through the speaker box.

I may be jumping the gun with the review, but Poltergeist decided that instead of making a nice modern update with its remake, it would instead just…take more of the same elements from the original, cut out a lot of the horror bits, and instead turn it into more of a Sci-Fi Thriller. Yeah. Fuck the original, right?

And always fuck clowns, obviously. As long as its consensual and not Vulgar.

Big day for the Bowen family! They just got a new house. And hey, it is really low because of the stagnant market. Definitely not because no one would buy it. And it doesn’t have many neighbors. Who cares. They can afford it, which is the most important thing in this economy. They don’t have much of an income right now. The dad, Eric (Sam Rockwell), insists that his wife, Amy (Rosemarie DeWitt) not have to go back to work, because they can totally get through this without that. So yeah, Eric is kind of a dick.

Either way, they have their three kids, Kendra (Saxon Sharbino), Griffin (Kyle Catlett), and Madison (Kennedi Clements), in order of oldest to youngest. Kendra is DGAF oldest sister, so you can ignore her. Madison is the one who starts saying things and talking to entities in her room alone. Griffin is the only one who believes that something weird is happening.

Either way, outside of funky static TV stuff, other electronics are also acting wonky. It turns out that this house used to be built on an Indian Burial site. That was decades ago (Oh man, is this technically a sequel!?). But weird stuff happened and people got angry, so they had to pay a settlment, I think, and agreed to move the graveyard to a different location. Well, then why the fuck are spirits still angry? Why are they somehow bring the barrier between worlds and stealing their youngest daughter?

Also featuring Jane Adams— and Jared Harris.

Maybe this is a metaphor for letting the TV be your nanny?

Poltergeist has about three scary moments in it. Maybe. Calling it a horror film almost feels ludicrious. It has a lot of other things though!

It has a lot of zero character growth. Rockwell’s character is completely cardboard. A completely unrealistic person given anything that happens in the movie, and even more sadly, he doesn’t even dance. The mom and older daughter role are almost completely unimportant.

It is all about little boy and little girl. And occasionally some adult comes around and does something, but when the girl gets sucked away (for a majority of the film I guess), it is mostly up to Catlett to keep us entertained. He does an okay job, in terms of kid stuff. But he cannot save this boring mess of a film.

That’s right. The biggest shame of this remake is not that it isn’t scary, it is the boringness of it all. It honestly feels like they went so light and fluffy with the whole thing that they wanted it to actually be a PG horror film. It was hard to get through because of how uninteresting it became after only 15 or so minutes.

I am a big Armie Hammer fan, which is a weird thing to say out loud (or through words in a review post).

Seriously.

I liked him as The Lone Ranger and I liked him in The Social Network. He was charming in Mirror Mirror and appropriately dramatic in J. Edgar. And hell, he was the best cameo in Entourage.

I realize that The Man From U.N.C.L.E. is based on a television show from the 1960s, but that is super old and I will never watch it for research purposes. All I care about right now is that Armie Hammer gets more leading roles, and damn it, maybe one day he can play a super hero?

pic with henry canville asking if he is jealous

Set during the Cold War, the opening credits of the movie really really want you to realize that after World War II, Germany was broken up into East and West, with West Germany controlled militarily by America and East by the Soviet Union. Why? Because that is where our film starts, and is one of the many places of tension between USA/USSR!

It begins with Napoleon Solo (Henry Cavill) bringing his American self into East Germany! He is there to see a mechanic, Gaby Teller (Alicia Vikander). It turns our her father was a great scientist, who of course worked with the Nazis. He was able to eventually head to America to work on their nuclear program, but two years ago he went missing. Shit.

Solo and the US government think that he is in Italy against his will, working for Victoria (Elizabeth Debicki) and Alexander Vinciguerra (Luca Calvani). They plan on building their own nuclear warhead and using it. No good at all. In fact, this potentially threatens the whole world. Which is why the Soviet Union and United States have to team up! They are going to send Solo, the CIA’s best agent, in with Illya Kuryakin (Armie Hammer), one of the KGB’s best agents, two men who have battled before, to work together to save the world.

Also featuring Sylvester Groth, Jared Harris, and Hugh Grant.

I have heard that the movie that came out is actually nothing like the TV show outside of people sharing the names. You know what I think? Don’t care. I don’t base reviews off of the source material, just what is presented before me. And what was presented before me ended up being a very entertaining film.

First off, it’s a Guy Ritchie film. Outside of his Sherlock films, I haven’t been able to see one of his movies without subtitles because they usually go way too strong on the accents. That almost happened again at the start, with strong German talk, but we got over it thankfully. The movie itself is HIGHLY stylized. The tone, props, settings, everything screams out that decade. It is one giant love letter to the entire era. The cinematography was wonderful and so was the choreography. It is hard to describe how stylized the film became, with one action scene featuring a very comic book feel despite not being based on the genre.

As for the main characters, Cavill and Hammer both did great jobs with excellent chemistry together. The first scene where they were introduced was able to showcase how fully badass both individuals were, while never really making one seem like the lesser spy. This film has been in production for a long time, and the last guy on before Cavill was actually Tom Cruise, but he had to back out due to Rogue Nation. With Cruise, it would have been a very enjoyable movie, but probably not the same dynamic these two were able to pull off with each other.

The movie was also decently funny. The competition between the leads and them being forced into awkward situations had me laughing quite often. Longer jokes existed too, including the “watch gag” which featured obvious and subtle jokes throughout the film.

I hope at least one more film gets made as a follow up, because I could watch Hammer talk with the Russian accent all day. Not to be ignored, Vikander also held up her own as a relative newcomer to the action genre (because we all should ignore Seventh Son).

Shit. This one is honestly hard to describe. I definitely enjoyed The Man From U.N.C.L.E., but I feel like an eight year old trying to describe…well…anything. I think if I had to say anything, this movie was definitely very cool. Hell, I felt a bit cooler after watching it, almost picking up a pack of cigarettes on my way home while listening to popular band music.

If you see The Man From U.N.C.L.E., you can feel cool, too!

Let’s face it. Trailers for the most part suck. Every once in awhile you get a Walter Mitty trailer, but those usually end up only being a first edition trailer, and later trailers ruin everything. Too much plot, too many spoilers, all of the cool shit, they can leave nothing exciting for the viewers when they finally see it on the big screen or awkwardly on their sofa on an iPad a year later.

The Boxtrolls is a big exception to that rule. I only remember two trailers for The Boxtrolls, this trailer and this second one. The former gives us a look of the many models and work that went into the movie behind the scenes, while giving us a song and showing some scenes but not ruining the plot. The second, just a song and scenes, no plot.

And I loved them both so much. After I saw the first one, I really really wanted to see this movie and assumed it would be one of the best animated films of the year. The second trailer only helped secure that notion in my head. And it was brought to us by Coraline / ParaNorman team (the latter, I guess, I didn’t really love, shh).

So, I was totes excited to see this movie, especially because I really didn’t know any damn thing about it. Ahhh, bliss.

I guess I also knew that it starred some of my cousins from up north. You know. Those cousins.

Here. Let me ruin my experience by telling you a little bit about the movie. Just a little bit.

In the town of Cheesebridge, we have humans, and we have Boxtrolls. Boxtrolls are troll like creatures, who wear boxes as armor/clothing. Their name is based on what is on their box. They like to build and tinker, stealing trash from the humans. The humans are lead by those who wear white hats, the elite, those who love the cheese.

Archibald Snatcher (Ben Kingsley) wants to be a white hat, he only has a red hat. Who cares if he is allergic to cheese. He wants dat prestige, and will do anything to get it. Even if it means starting a fear mongering campaign against the Boxtrolls, declaring he will capture and kill them all, ridding the town of the pests, and saving the day, earning the white hat.

Yeah. You go Archibald! Unless he is lying, like saying a box was killed by them, when instead, the Boxtrolls saved the boy and raised him on their own. We shall call him Eggs (Isaac Hempstead Wright), because that is his box name. Raised by Fish (Dee Bradley Baker) and Shoe (Steve Blum), Eggs doesn’t really know if he is a human or a Boxtroll when he gets older and starts feeling things down there. If he is a human, he is a Boxtroll of a human, and if he is a Boxtroll, then he is a human of a Boxtroll. That reference might be too vague for some of you. I don’t care.

Also featuring Nick Frost, Richard Ayoade and Tracy Morgan as Archibald henchmen, Simon Pegg as an inventor, Jared Harris as the head White Hat, and Elle Fanning as a girl who has a punch in the face look the entire movie.

She is made of clay, she can totally help the way her face looks.

Early on in the film, The Boxtrolls had me a little bit uninterested. Sure, the stop motion was really rockin’ hard, but I thought the plot wasn’t moving fast enough and didn’t really enjoy any of the characters. But it surely got better, and somehow the animation even got better. This is by far the best animated film I have ever seen with stop motion, and I am sure it is not just because when I saw Coraline, my 3D glasses sucked. I really need to rewatch Coraline.

Either way, even in one tiny chase scene at a ball, I was wowed at how amazing it all looked knowing what they had to do to make it look amazing. Speaking of the attention to detail, I loved the existential crises that the henchmen were having about good vs evil and how they seemed to acknowledge they were in a movie at times. Had my laughing pretty hard.

The story got better and it ended with a tremendous bang. I wish this was an original story and not based on some book so I could give it even more praise for coming up with these tale out of nowhere. Those guys are good, with the stop motion and clay. I hope they keep giving us high quality work such as this.

I don’t think this is the animated flick of the year, I think at least 3 are better, but it is surely up there and you cannot go wrong with watching this in theater or at home. Very entertaining and a movie I could watch many times and not get sick of it. Yay! I don’t feel betrayed by the trailer!

The Quiet Ones is the second horror movie released this month but one that I don’t think was advertised that well.

I saw only the trailer only once the week before it came out. So up til then I knew it was just some random horror movie. Which is how I like it! Let’s not have half of the scary stuff spoiled in the trailer like normal.

But one cool thing is they found a younger Christina Ricci clone.

Alright, this movie takes place in England! Oxford University! In the 1970s. Yes. It has been well noted that cell phones are ruining horror movies, because they have to add in a line about how they have no service where bad things happen. One way around that is to set things in the past.

This story, “inspired by actual events” which means jack shit. It is about Professor Joseph Coupland (Jared Harris), a researcher on abnormal psychology who wants to prove that all the spiritual brouhaha dealing with possessions is baloney. No, he thinks it is simply people with telekinetic powers who have to learn to harness their powers.

So he thinks if he can fix just one person, he can fix all people when the truth is finally revealed.

His patient is one Jane Harper (Olivia Cooke) that he saved from the foster system who believes an Evey is messing with her.

His crew involves two students to help him conduct studies (Rory Fleck-Byrne, Erin Richards), and Brian (Sam Claflin) an audio visual person looking for work.

Also there is a doll. Fuck that doll.

The Quiet Ones goes a lot of places. But one place it doesn’t go is onto my future Blu-Ray rack.

The type of movie allows for some of that fun shaky cam horror stuff, but even more old school, because the 1970’s. We have a classic exorcism like plot, but with “science” instead of exorcism. If I didn’t look it up, I would have assumed this was a James Wan movie based on some of the stuff that occurred.

The film has twists, turns, but unfortunately parts of the plot are so confusing that none of them have any effect. There is a breakthrough moment where Brian sees some of her past files and runs off. It becomes a huge moment, and of course! But we have no idea what he saw. In fact, we never learn. It doesn’t seem relevant at all to what he did.

But yeah, the movie isn’t that great. The fears are all a bunch of jump scares. The ending is a lot of who gives a shit as well.

Just so much about this movie is uninteresting, I don’t think I could suggest it to anyone. Not to mention the title is mentioned just once, and not really relevant to the movie in the slightest. Good times, shitty movie.

How am I gonna be an optimist about this?

That is the question I ask myself, heading off to see Pompeii. But first, maybe some back story!

When I was an undergrad, I majored in Geology and History, with a focus on Ancient Rome. Clearly, the perfect crossover for research on both subjects would be in Pompeii, Italy, where Mt. Vesuvius exploded in 79 AD, wiping out an entire city and basically freezing them in place like statues. It is perhaps my FAVORITE historical event ever and I have been waiting forever for a movie version of it.

Unfortunately, Hollywood has churned out a few “historical” tales lately and they have been some of the worst movies I have ever seen. I am looking at you, The Legend Of Hercules! So, no, I don’t know how I will be an optimist about this.

Mr. Eko, why must you die in everything?

Hmm, where do we begin? The rubble or the sins? The sins of course! The rubble is the second half!

Pompeii is a strange movie in that we already know how it ends. Everyone dies right? Huge explosion. It is sort of like a disaster movie, but also a historical film. They have an advantage here too, where they can kind of just tell any story they want to and then end with everyone dying and no one can say they are wrong.

In this story, a Roman Senator, Corvus (Kiefer Sutherland) in 62 AD takes out an entire Celtic village who were showing resistance for a trade route, with his bodyguard Proculus (Sasha Roiz). Well, they missed a kid, who later gets caught my slavers, and 17 years later he is now a really good fighter. He was trained as a gladiator, because why not.

As luck would have it, this Celt, Milo (Kit Harrington) is packaged up from his small time market and sent to the bigger leagues in Pompeii! There a lot of coincidences happen, such as meeting the fair Cassia (Emily Browning), basically a Pompeian princess. Her parents (Jared Harris, Carrie-Anne Moss) want to expand Pompeii with Roman money, so they have to put on a show for a senator, which just so happens to be Corvus.

So, Milo is in the same city with the people who murdered his whole tribe! Too bad he has to also fight Atticus (Adewale Akinnuoye-Agbaje), who is about to earn his freedom if he gets one last victory.

Oh, and of course, while all of the human stuff is happening, Mt. Vesuvius decides to get its boom boom on and explode for a ridiculously long time, causing a lot of destruction. During the climactic finale, the walls kept tumbling down in the city that we learned to love. There were great great clouds that rolled over the hills, bringing darkness from above.

Then a lot of people died.

Oh look, Kiefer is in a movie where shit is going down in less than a day. Huh.

I was left to my own devices to really analyze this movie.

So let’s start with the story! Gladiator redemption is always a nice story to choose, just like in Spartacus and Gladiator. Most of those movies give our heroes a lot more time to work with, in terms of training, and battles, and eventual redemption, so time was the real enemy here given the explosive finale. I think it did a decent job at conveying it all quickly, with the appropriate motivation for most of our main characters. The battle scenes themselves were generally pretty awesome, although some felt a little bit too close to Gladiator.

The effects from the volcano were also decent, not amazing, just decent. During the ending, it became more of a hindrance as there were possibly “too many effects” going on at once, that it all felt choppy and a bit blurry, so that was disappointing.

In terms of acting and dialogue, it kind of went all over the place. A few scenes felt repetitive and the quick love didn’t feel right to me. Sutherland appeared to actually be acting in this movie, so he stood out more than normal playing the pompous jerk.

I think it would have been a sexier movie if they added some other historical relevant material. Maybe a cameo involving the only real story we know associated with this eruption with Pliny the Elder and Pliny the Younger.

Overall, Pompeii didn’t blow me out of the water as much as I hoped it would. I am also grateful that it didn’t poop all over the walls either. I plan on visiting Pompeii in my life, hopefully sometime in the next year. When I get there, I hope I can just close my eyes and have it almost feel like I have been there before. But until then, I can only speculate and use this film as a source for how it might have felt.

Eh. Eh oh. Eh oh.

Wooo, sequels!

A Game Of Shadows is the sequel to the very successful first Sherlock Holmes movie that came out two years prior. I remember the day it was released to theaters, they announced they would already o a sequel, unbeknowingst to Guy Ritchie and Robert Downey Jr. at the time, making them both cancel projects. Did you know that RDJ was supposed to be in Cowboys & Aliens originally? Me neither.

As far as I am concerned, from the trailers, this is the only thing that happened in the movie.

This time, the movie is narrated by Watson (Jude Law), as he appears to be typing up a story. What kind of story? Well one that begins with Holmes stalking Irene Adler (Rachel McAdams) down the street. He sees that she is delivering a package, and has goons following her. Whoops, those are her bodyguards. Holmes is still narrowly able to catch up to her before she delivers the nice package, a bomb. Professor Moriarty (Jared Harris) is up to some shenanigans, has been for some time, and Holmes tends to always put a stop to him.

Some things happen, including the fact that Watson is getting married tomorrow, to the same Mary (Kelly Reilly), and Holmes forgot about the Stag party. He invites his older and equally annoying brother Mycroft Holmes (Stephen Fry), and they go out to a bar and gambling den (void of any of Watson’s friends). Mostly to see a gypsy Simza (Noomi Rapace) who Adler also had a letter to deliver to. Oh look, another assassination attempt.

Turns out that her brother is working for Moriarty as well, and they have no idea why. This leads them to Paris to try and stop another assassination attempt, then Germany and Switzerland. The battle of wits is played out between Holmes and the Professor, all the while other big spoilers happen, and a very unexpected honeymoon disaster.

Holmes was Mary the whole time! No wonder he hated the idea of marriage!

Woo, [rushed out] sequels!

They even said it themselves. Or at least when I hear “fast tracking” a sequel I think of them doing it as fast as possible, spending less time on the script and other areas in order to release it fast enough to ride off the popularity of the first. I mean, it makes sense, but usually means a movie isn’t as good as its predecessor (not that it matters, because the sequel will still make bank).

I did find parts of the movie entertaining, but it wasn’t the same as the first in all aspects. I thought the elements of thriller and mystery were lessened greatly, which took away part of the experience. Sure, I didn’t know what was going on, but not because of the mystery, mostly due to the confusing unraveling of the plot throughout.

It made sense during the beginning, but most of it seemed kind of unrelated, a problem I usually have with stories that span “all across Europe.”. Usually not enough time I feel is spent at the new location to accurately get the appropriate emotions I should get form each scene, and then we are whisked away to a new location.

Although not a bad movie by any means, I just felt that it lacked a lot of what I liked from the first.