Tag: Isabel Lucas

I cannot stand Terrence Malick films. No I haven’t seen a lot of them. I haven’t even seen The Thin Red Line.

But I have seen The Tree of Life and To The Wonder. The former I couldn’t get behind at all, despite some lovely visuals, and the latter was just a complete train wreck from my point of view.

Some people call him pompous, some just refer to him as art house, and I just cannot stand his movies as of right now. So sure, I will give Knight of Cups a chance. But I am going in with a huge bias on my shoulders that I cannot shake. I will never get the time I lost from To The Wonder. Never.

Given the director, you have to assume every shot, no matter what, is actually a metaphor.

Also given the director, describing the plot of the film can be a bit tricky. So let’s run to IMDB for some help:

A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women.

Our writer is of course Rick (Christian Bale), whom is apparently good at his job and sought over, but he cares not about his job that much. He cares about his past and who he is going to fuck next. And that means he has more than six relationships in the film, as there are a lot of unnamed girls without speaking roles.

The six women include: Nancy (Cate Blanchett), his ex-wife, Elizabeth (Natalie Portman), a museum enthusiast, Helen (Freida Pinto), a model, Della (Imogen Poots), a free spirit, Karen (Teresa Palmer), a stripper from down under, and Isabel (Isabel Lucas), who, I dunno, likes beaches I guess. They all like beaches though. Beaches are kind of a big thing here.

Oh and he has family! Wes Bently plays his brother, Brian Dennehy his dad. Antonio Banderas has some role of significance, if you can call it that. But I don’t know what or why. Some rich guy.

There has never been a more metaphor-y beach.

I tried, I really did, to understand this movie from a different light. To think about the bigger themes that he might be getting at. To imagine the scenery as its own character. This was all advice people gave to me about Malick movies. Despite my hatred for the last two movies, I knew I had to watch this one do my best to review it fairly, because only watching movies I will probably like does not make me a great film critic.

But this movie just felt like a waste of time. It is two hours long and it felt like it was over three hours. The film felt like it was about to end three separate times before it finally showed the credits. The story that was told could have ended at any moment, because it is hard to say that there really was an actual ending they had in mind. It was all very spiritual and airy. Rarely do you see any character actually talking. Most of the dialogue is spoken over scenes of characters living and interacting with each other. And of course other dialogue is made by never seen characters, some talking poetically, or telling random stories, or…just who the hell knows.

Knight Of Cups is a confusing film. It is broken down into sections named after Tarot cards, which is also where the title comes from. And if you try hard, you might figure out why a section with the characters in it is called The Moon, or Freedom, or Death. Knight of Cups is presumably made so that you can derive your own opinions on the film based on what you get out of it.

And what I get out of it is a big waste of time. Sure, there are some well shot scenes. A whole lot of beaches, and some Californian mountains and death valley. But if I cared about well shot pictures of nature, I’d be watching Planet Earth, not a film that should have a basic story.

I can’t remember the first time I heard about the movie The Loft. I do know that it was supposed to come out in the fall of last year, but the date was pushed back til 2015, thanks to As Above, So Below.

Apparently, they were deemed to close and needed a breathing room of about 5-6 months between films. Huh.

Oh, because this is a thriller. A sexy thriller. With multiple people who have been in movies based on comics! Whoa. What could go wrong!

Well, it could be a total sausage fest I guess.

Five men. One room. Lots and lots of extramarital affairs. For whatever reason, let’s just say the extreme influence of a couple of individuals, they all wanted to cheat on their wives. So if they all put in together for a nice Loft in the city, they could go there at any point, sleep with their lady friend, and their wives wouldn’t know. Wouldn’t have to buy hotel rooms, they would be the only ones with a key. Nothing could go wrong.

UNTIL THEY SHOW UP ONE MORNING AND FIND A DEAD HOOKER ON THE BED.

Not just any dead hooker. Sarah Deakins (Isabel Lucas), who most of them had a relationship with in one way or another at some point. Not talking sex. But just general interactions with.

So five guys, five keys. Who did it? Who killed the woman? They can’t just call the police, or else all of their relationships will be rightfully ruined. So through a series of mostly flashbacks, the occasional police interrogation, and just general shouting match, we can maybe piece together who did what. Why people did things. And just who the hell is a killer?

It could be any of these men! James Marsden, Karl Urban, Wentworth Miller, Matthias Schoenaerts, or even Eric Stonestreet. Just, big gay man on Modern Family, Eric Stonestreet.

“I’ve never seen so many dead hookers in all my life!”

There isn’t a lot to say about this movie.

It was boring, it was dull, it was convoluted. Everyone is a scum bag, which is a hard film to watch. No one is the guy to root for, you just want them all to lose. Everyone sucks, some people just suck a little bit more.

And really, it was hard to follow at points. With flashbacks, interrogation scenes, and real time, it tried to build up suspense, but made me check the time left instead.

If I had to say one good thing about this movie is that sometimes…every once in awhile, the camera work was pretty nice. I guess? The only other thing I could say is…uhhh.

Well shit. That’s about it. Some nice camera work. Fuck this boring movie.

U-S-A! U-S-A! U-S-A! U-S-A!

Nothing I love more than patriotism, except maybe blind patriotism. So give me a war movie involving America, and I will probably love it. Red Dawn is of course a remake of the 1980s movie of the same name. The original film was not really a work that most people would describe as great, but maybe entertaining. In that film it was the end of the Cold War, and the USSR along with Cuba invaded the US. Clearly, the enemy has to be updated as well.

Let’s face it, the invading country is fucked when Thor is on our side.

In this distant future, the USA has become involved with more conflicts than they can handle. They have troops all over the world, and some would say that leaves their coast lines defenseless. But who would attack the US? Well, apparently North Korea would! That will teach us to over extend ourselves. Set in Spokane, Washington, Jed Eckert (Chris Hemsworth) has returned home for a visit while being an active duty marine. Jed left home after their mother died six years ago and hasn’t kept in touch. His father (Brett Cullen), a police chief, and brother Matt (Josh Peck), a high school quarterback are reluctant to have him back without a warning.

Then, you know, North Koreans start falling out of the sky in parachutes, and corralling up people in the streets! Hell no. Jed and his brother run away to their father’s cabin, picking up some other high school friends along the way (nerds, played by Josh Hutchenson and Connor Cruise, the latter being the mayor’s son!). Toni (Adrianne Palicki), a female friend is able to find them, but not Erica (Isabel Lucas), Matt’s girlfriend! She is captured! Oh no!

You know the rest of the story, the band of misfits begin to train in the woods and try to slowly take back their town. The Wolverines gain more recruits, more guns, and are quickly able to put a dent in their takeovers side, Captain Cho (Will Yun Lee) doesn’t like being messed with and is determined to fight back. They also find themselves joined by three marines (Jeffrey Dean Morgan, Kenneth Choi, Matt Gerard), looking to join up with the local guerrilla force to acquire the communication device of the enemy. That way, they can hear their transmissions and hopefully start taking out larger groups around the country.

You know. Or die trying.

The fate of the future of America may be in these men’s hands.

In the original Red Dawn, the threat of invasion probably felt a bit more real than it does today. However, I also felt that the previous movie was a bit campy in its actions, kind of making it a action/comedy by today’s standards. Just watch this famous scene again, and try not to laugh.

The remake does a much better job of creating a more serious film, even going so far as to kill off a lot of the characters you might expect to make it to the end. After all, it is a mini war and people die in wars. The audience has come to expect it now.

I think it is interesting how they ended it, leaving it open for potential sequels, and reminding us that there would be no easy fix to having another army invade our borders. But I can also see how it would piss people off. I think they did the right thing, giving us their training in a speech montage, instead of wasting more time before their counter attacks. I actually liked most of the action sequences too, which in turn made me feel pretty patriotic.

This film could have focused more on a lot of the pressing issues of our time, how different citizens react, and how one man can make all the difference, but really they instead went more for the fun action flick. Which is fine, I don’t mind action if its entertaining. Just remember the film seems to be focused more on entertainment, instead of a film focused on changing our attitudes towards war and society.

Daybreakers took me awhile to watch mostly because I assumed it was supposed to be some sort of horror film. There is no elements of that though, just straight up action.

Action, with some science talk and lots of vampires.

It also has crossbows. You know. Because bullets “don’t hurt”.

Ethan Hawke is a vampire! But most people are. The world is mostly vampire, and they can all think still. No worries. But, there are less and less humans out there. And they are running out of blood. He works for a company that extracts blood, and has blood farms in order to help sustain the population, but if they don’t solve their issue, they will run out within a month. He is a farmer, while his brother, Michael Dorman, is a hunter who goes out to collect humans.

He also doesn’t drink human blood. Guess he feels guilty. Well accidentally he finds a group of humans, including Claudia Karvan, and protects them from being caught. Somehow they trust him, and he is a scientist, so they bring him back to their hide out. BUT WHY. There he finds a really weird looking Willem Dafoe…with bite marks! Yet he is in the sunlight. Heck, he is a human again. Somehow he found a cure.

So now that he is on the run anyways, he works on developing a cure for vampirism. Hopefully no one finds out, and tries to use this knowledge to solve the blood shortage by turning prisoners into humans. Like his boss, Sam Neill. Or his scientist buddy, Vince Colosimo.

I don’t know how to insert Isabel Lucas into the plot summary but she is a human too, and a rather important one.

Also, some weird ass shit is going on here.

I can’t help but think that a lot of this is supposed to mirror oil and energy. But if it is…what? It sounds like it is supposed too, but in the metaphor of the vampire world, the solution to the oil crisis seems to be forgo technology and go back to the way we used to be before oil. Aka return to being humans. Which is a stupid solution to energy use.

Doesn’t help that “use less” energy/blood and “find alternative solutions” to energy/blood have already been explored by these vampires, and it looks like they are fucked. Are they saying our world is fucked, and nothing will work except for a trip back to the 19th century?

I don’t know at all. Bad parallels. Bad acting. Weird cure and then additional way to cure at the very end. Not at all sensical.