Tag: Evan Jonigkeit

Westerns! According to Spielberg, Super Hero movies might soon go the way of the Western. Everywhere, and then rarely. K, thanks Spielberg.

All of this is irrelevant to Bone Tomahawk, which is a new western (definitely not a super hero movie). It was also independently released, you can tell, because it wasn’t even rated. Ooh, a Non Rated Western? That has to be intentional. There has to be some fucked up shit in there. You know, NC-17 rated stuff.

What will it be? Violence? Sex? The word “Cunt?” Who knows! Only the one with the best facial hair I imagine.

Fuck. I hope that is real and I hope all future movies let him keep it.

Set in the vague past, we need to talk about a small town out in the West with your standard group of people. We have Sheriff Franklin Hunt (Kurt Russell), whom has lived a good life of protectin’ people and growing facial hair. He has a “Back Up Deputy”, Chicory (Richard Jenkins, who I didn’t recognize at all until writing this review), and older fella who likes to talk. Like old people.

They got a rich guy, John Brooder (Matthew Fox) with no family, a fear of Indians, and a lover of the ladies in the town. Arthur O’Dwyer (Patrick Wilson) is also relatively wealthy, but he has a broken leg, and is being tended by mostly from his wife, Samantha (Lili Simmons), who is basically a nurse.

But when a drifter (David Arquette) comes to their town, their life begins to get a bit rougher. They lock him in the local jail, not sure if they should trust him. Next thing they know, the drifter, Samantha, and Nick (Evan Jonigkeit) are missing. Apparently they were taken by an angry Indian tribe, nicknamed the Troglodytes, because they live in caves. No other tribes will interact with them because of their cruelty and cannibalism.

Well, not in Hunt’s town. He is able to gather a crew of men (the four mentioned!) to get them back, despite injuries and oldness. That is the only thing they can do, lest a wife and a friend get eaten up. That is not a pleasant way to go.

Also with one scene from Sid Haig.

There are rag tag groups, and then there is this group. Rejectag.

Bone Tomahawk is like a slow fuse. A long, slow fuse. Bone Tomahawk is 132 minutes long and the type of film that is in desperate need of a better editor. I can imagine at least 20 minutes of material being cut out to make the story just a smoother experience for everyone involved. I am not talking 20 minutes of beautiful scenic shots, I just mean actual character conversations.

The first scene is great, tense, gets you the mood. Then it takes a long time before people get kidnapped and their journey begins. An incredibly long time. Enough time for me to forget about the intro completely.

The journey itself was fine. The four actors provided nice conversations and good back stories, but still I figured more things would happen outside of the one or two issues they encountered pre-Troglodytes.

The action was very brutal however. A lot a talk about how one death scene was the craziest of the year, and I think most everyone who watches it will feel uncomfortable throughout it. Straight up medieval torture. The other shootouts are not long and drawn out, just real people blasting in holes in people where no one can really be a hero.

Bone Tomahawk could have been an excellent western. It just needs to trim a lot of fat first to get ready for bikini season.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

X-Men, oh X-Men, where art thou X-Men?

This is the seventh film of the franchise. SEVENTH. X-Men: Days Of Future Past. When I first heard about this, I was excited. It was a very ambitions plot and storyline to go for, time travel tends to do that. Couple that with the fact that X-Men: First Class was actually decent meant the series might be headed off in a certain way.

But you know what was terrible? The advertisements for this movie. By having two time lines of cast, we have a shit ton of characters, and Fox decided the best way to advertise it was to give every character its own…thing, whatever. So, magazines would have 30 unique covers, or 30 individual character posters, or whatever. No giant cast pictures, no, just an overabundance of individual character shit.

Here is one of the real reasons this bugs me. Anna Paquin. It was stated a long time ago, in the year of 2013, that she was basically cut from the movie. Then it became a rumor. Then it became true and then changed to say that she would just be a cameo. Just a cameo? And still getting full ad treatment? Boo. That is almost worst than the 47 Ronin ad issues, because she is supposed to be a bigger character.

Finally, in the credits, her name was higher than many other people in the film. Because she is more famous? Than Ellen Page? Fuck that. She was in the original X-Men movies then a shitty TV show, while Page has had a big lucrative film career. It is just nonsensical, and most of this doesn’t matter for the actual movie.

No, but these robots matter. AW YEAH SENTINELS!

In the near future, everything is bad, lots are dead. Mutants. Humans who would give birth to future mutants. The sentinels have destroyed it all. Kitty Pryde (Ellen Page) has an unexplained ability to also let people go back in time with their consciousness to their body and like, change the future. But only for a few days, maybe a week. This is long enough to help their band of mutants survive and run, but not long enough to fix it.

No, they’d have to go back to the 1970’s, before Mystique (Jennifer Lawrence) (who’s actual mutant power seems to be very limber leg maneuvers) kills the creator of the Sentinels (Peter Dinklage). But the process to send back a consciousness would tear apart a brain. Unless of course, the brain can heal itself. Hmm.

Enter Wolverine (Hugh Jackman) ready to travel back in time, convince past Magneto (Michael Fassbender) and past Xavier (James McAvoy) to work together, change the future, and fix their stupidity.

Here is where I talk about everyone in the film, but in one giant paragraph. Maybe the new people first? Like, Quicksilver (Evan Peters), Toad (Evan Jonigkeit), Bishop (Omar Sy), Blink (Bingbing Fan), Sunspot (Adan Canto) and Warpath (Booboo Stewart).

Of course we have Old Magneto (Ian McKellen) and Old Xavier (Patrick Stewart), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Storm (Halle Berry), Beast (Nicholas Hoult), and of course ROGUE. Just kidding. Bullshit cameo.

Do we get Jean Gray (Famke Janssen), Cyclops (James Marsden), or Old Beast (Kelsey Grammar)? Well, maybe.

I will only advertise one character per picture, as per movie tradition.

Yay Sentinels! Like a lot a folks in my age bracket, the Sentinels were one of the first X-Men plots I was exposed to, thanks to the first two episodes of the X-Men Animated TV Series on Fox. Shit, that is where I learned most of my basic plot lines, and why to fear the motherfucking Juggernaut. They were fascinating to see and I love the changes made to them. They were TERRIFYING and kept the viewers on the edge of the seat.

What else rocked? Most of the movie. Sure, some plot elements could have been explained better. But the Xavier/Magneto back story was great, a good continuation from First Class. Speaking of dickheads, Fassbender as Magneto is a huge one, and it was awesome to see. The best part is, you can easily relate to where he is coming from and he isn’t just a mindless villain.

Speaking of even more awesome, Fox’s adaption of Quicksilver was so entertaining. He didn’t have the bigger role in the movie, but whenever he was on screen, you paid attention to him and no one else. They really went all out to make him stand out, kind of a big middle finger to Marvel, daring them to raise the bar in Avengers: Age of Ultron.

To make this long review a bit shorter, here is the quicker analysis: So many characters, but outside of tiny cameos, they all were great and wonderful. Special effects and action was good. Story and plot was good. Holy shit, give me Apocalypse.

Did this 100% fit the continuity issues between a few of the movies? Heck no, but at least it gave it a good try and an entertaining one to boot.