Tag: Emory Cohen

War Machine

I know that War Machine has been a term for a long time. I mean, Black Sabbath sang the song War Pigs which uses that term, so it had to exist probably at least since the 1960’s as a sort of protest term maybe during Vietnam? Normally, I might look that up, but I am just spitballing here.

Clearly the Netflix original film War Machine is referring to it in this way, about modern conflicts and maybe war profiteers.

But as you all are aware, there is War Machine of the Iron Man/Marvel movies, and he is probably big enough to have taken over that title. Maybe they picked the title to just piggy back off of that Marvel money. That Disney money.

Like war profiteers.

Face
The face you make when you have been a heartthrob for decades and now have to play a role with gray hair.

General Glen McMahon (Brad Pitt) is a leader in the United States Armed Forces, and has dedicated his life to his career. He was born on an army base, coming from several soldiers. He graduated from West Point, like all eventual war leaders, and so on. He likes to get shit done, he has his close crew of soldiers he can trust, and he doesn’t appreciate things getting in his way.

This is set a few years ago, with Obama still as president, and he wants to end the war in Afghanistan. They are now dealing with insurgents, making it an impossible to win fight, but damn it, he was put in charge and he will put it to a close. He has to make assessments and come up with a plan of attack, everyone in the government is hoping for the best. But McMahon doesn’t do what is heavily suggested, he is going to do what he knows is right to defeat the bad guys and save our troops.

However, as command of the troops, he is finding a lot more of the job involves not warring, but instead dealing with incompetent or annoying world leaders, including his own. The politics of war is unnerving and getting to him, preventing him from doing his job. It seems like he is put into that place entirely to be targeted by newspapers, the media, other countries, protesters, blaming him for a war he didn’t start and is just trying to finish.

And as it is a war movie, there are a shit ton of people involved, so here a lot of of the more important ones. Alan Ruck, Anthony Hayes, Anthony Michael Hall, Aymen Hamdouchi, Ben Kingsley, Daniel Betts, Emory Cohen, John Magaro, Josh Stewart, Meg Tilly, RJ Cyler, Scoot McNairy, Tilda Swinton, Topher Grace, and Russell Crowe.

Leaders
Photo ops allow people to dress up fancy, show their medals, wear cool hats, and apparently drink tea.

Satire films are hard to pull off, especially if you want to avoid the now ugly valley called parody. War Machine does a decent job of maintaining its satire status without dipping down to any sort of parody territory. What it doesn’t do a good job of is being an amazing satire film.

For satire to work, everyone has to be able to get it, understand the real world events and how the art is flipping it on its head. It would be hard for someone to not know about the wars in Afghanistan and Iraq, but the film does go into a level of detail that would require more than the layman’s knowledge. Not a whole lot, just some, so that could be considered a negative to a lot of viewers.

I loved Pitt in our leading role here. He gave such an honest performance and was fully in that character. It never felt like the character was intentionally trying to be the butt of a joke, always very serious in ways that became amusing just to an outsider perspective. It just had a lot of truth to it, a wonderful thing for Pitt to have accomplished in this movie.

I wouldn’t say this is a perfect or extraordinary film. It was a decent watch, one I won’t probably ever go running for again. I will also like to point out how amazing Swinton was in this film. She had only one scene and her character is named German Politician, so someone you would assume is just a dumb cameo, but she killed it and added a lot of gravity to the general’s situation.

3 out of 4.

Brooklyn

For Brooklyn, I was able to go into it not knowing a thing about the plot. All I knew were the main actors involved, and that’s it. Brooklyn could have been the place or the main characters name.

It is wonderful.

Of course, now you should read this review and have that feeling taken away from you. Or stop now, see my star rating, and watch it on your own in the future. It is up to you, reader. You are the one who has all the power!

Dance
That face you make when you just get propositioned with dick pics.

Our stars name is not Brooklyn, but it is Eilis (Saoirse Ronan). It is 1951, and she is living in small town Ireland. Yes, that means you will be hearing a lot of sexy accents in this one. Times are tough in Ireland, but when are they not? She lives with her older sister Rose (Fiona Glascott) and her Mami (Jane Brennan). Rose has a nice life as a bookkeeper for a local company, but Eilis cannot find work. She works at a small convenience store only on Sundays with mean old Miss Kelly (Brid Brennan).

But things are about to change. Thanks to Rose for help, she reached out to a Catholic priest from their area, Father Flood (Jim Broadbent), who lives in NYC. He has agreed to pay for Eilis to come to the city, with a job lined up for her and a place to stay. That way she can make money and make a living of her self. I won’t tell you where specifically in NYC she will work and live, but I bet you can figure it out. Eilis just has to leave everything she has ever known behind, including her BFF Nancy (Eileen O’Higgins).

Unfortunately, life is hard for Eilis. She is not fun and outgoing and always reserved. She is homesick. She is sad. But all that changes when she meets Tony (Emory Cohen), an Italian boy. He teaches her a lot of things, giving her confidence in herself and makes life wonderful. But when circumstances have her return to Ireland for a time, she finds things quite different. Suddenly, a job is available to her, she has things she can do, and there is an available boy, Jim Farrell (Domhnall Gleeson), right now in her home town that is perfect for her. She has to decide if she should go back to her first love in NYC, a city she has made her own, but at the cost of again, her family and friends back across the pond.

Also featuring a handful of other women. Jessica Paré plays her boss, Julie Walters her housekeeper, and the other boarders are played by Emily Bett Rickards, Eve Macklin, Nora-Jane Noone, and Jenn Murray.

Love
The true love test is to try and make a heart between your bodies.

Brooklyn doesn’t have fancy things. It has a simple plot, and it is all focused on a young girl trying to make her own decisions and not let the world make them for her. The description of the film isn’t sexy in any way. A simple plot means a simple story. But in this case, this simple story is one that was actually worth being told.

Now I will admit, yes, it did turn into a “which guy (/lifestyle) should I choose” film, so some may find it too romance heavy. And I admit, that if she made the choice I didn’t like, I would have been angry and you would have been seeing a much different review.

Ronan is utterly fantastic in this movie. I am a bit mad that it took this long into the year for me to see a movie where I can see someone who definitely will be nominated for Best Actress. And no, I haven’t seen Room yet. Best Actress is always my weakest category when it comes to seeing this ahead of time, so I am glad I have something at this point. Did I mention Ronan was also great? Her accent, her mannerisms, everything about her was wonderful.

Brooklyn also had the unique characteristic that it felt much longer, in a good way. When she finally got back to Ireland, I assume it only had about five minutes left, but again, I was surprised.

Brooklyn is a simple tale, but a good story, and some great acting. Accents are the cherry on top.

3 out of 4.

The Place Beyond The Pines

The Place Beyond The Pines by itself is an interesting title. It is actually the literal meaning of Schenectady, a town in New York where this film both takes place and is filmed. Damn these clever directors and writers!

The title is also mysterious enough on its own right to potentially gain viewers by itself. Every time there is a bad movie title, I tend to harp on it, so I felt it was my duty to point out the excellent ones as well.

Gosling
Hey girl, even though I am surrounded by flashy lights and neon signs, all I can see is you.
What would you do to support the ones you love? More importantly, what if you just found out you had loved ones who needed support?

Luke (Ryan Gosling) is a motorcycle rider for a traveling fair, the guy who gets into the tiny steel ball and rides around. It is a lonely life, always traveling, but he can sometimes find love in the random towns that he stays at. Like Romina (Eva Mendes), who he had a nice time with last year, but now lives with a man (Mahershala Ali) and has a son. Well, Luke’s son it turns out.

Luke doesn’t know how to handle this situation, but he doesn’t want to be a scumbag father, like his own, so he quits his job and settles in Schenectady. He finds a job as an auto mechanic with Robin (Ben Mendelsohn), but it still isn’t enough. He needs a large sum, and he needs it now. So why not rob a bank? Who does that really hurt?

This film also tells of Avery Cross (Bradley Cooper), a law school student turned cop, who doesn’t want to follow in the footsteps of his own father (Harris Yulin), a member of the state supreme court. Even the small towns may have local corruption, and that corruption may cause conflict in his household with his wife (Rose Byrne) and other cops (Ray Liotta).

Pines also features Emory Cohen and Dane DeHaan, but I don’t want to tell the specifics of their parts.

Cooper
Hey girl, I know I am no Ryan Gosling, but check out these cheekbones. Hey, wait, come back!
The “Sins Of Your Father” theme is a popular one for shows, movies, and novels, yet I always feel like it never really resonates with me and always falls flat. The Place Beyond The Pines might have the best showcasing of this theme I have ever witnessed, making me truly understand the full extent of what it means, and how it can be conveyed.

The movie is split up pretty nicely into three parts, with the end of part one coming out of left field. It was well acted up to that point, but it was still missing a major umph to get my full attention, and it was sure to bring it. After that, I was hooked and couldn’t look away from the screen, wondering what other secrets and twists it had in store for me.

Everything about this movie felt amazing to me, especially the acting. Eva Mendes is basically the only woman character in this movie. Lately, she seems to be put in movies more often for her looks than her talents, but she definitely delivers in this film.

I have talked to about five-six people about this movie, and at least from the “guy perspective” everyone loved it. The one woman I talked to thought it was decent, but not the best. The themes presented may be easier to latch on to for men, since it falls so heavily into the son/father relationship category, but despite that I think this movie can be enjoyed by everyone.

It might just be the best drama I have seen so far in 2013. This with Silver Linings Playbook has elevated Bradley Cooper into an elite acting category, and it will take more than a new Hangover to knock him down from it.

4 out of 4.