Tag: Ed Harris

I am not going to harp about how Michael Bay is the worst guy since whatever. Yes, he did the Transformer movies, and fucking Pearl Harbor, and he is about to kill the Ninja Turtles, but he has some decent stuff. Like. Independence Day. I love Independence Day!

I am just saying, there is no reason for me to assume Pain & Gain will be bad. The trailer just makes it look…weird. And apparently a true story. Okay, yeah. Sure.

So far, Michael Bay is clearly experimenting with different light refraction techniques. He is growing!

1995. Miami, Florida. Danny Lugo (Mark Wahlberg) is the current main manager at Sun Gym, after serving a short sentence in prison for fraud. He promised his boss (Rob Corddry) that he would triple the membership and get the gym back on the map, and boy did he ever. Through some questionable means, but who cares when you got dat income.

He is great friends with Adrian Doorbal (Anthony Mackie), another former criminal and bodybuilder. But they are both poor and tired of it. Tired of a bunch of assholes, like Victor Kershaw (Tony Shalhoub) who are self made rich men, and think everyone else is a piece of shit. After all, Danny is a doer, not a donter (lessons he learned from Johnny Wu (Ken Jeong)).

Doers do, and so Danny had the simple plan. Kidnap Victor, torture him until he signs away everything and ruins his life completely, then kill him and live the life of luxury. Just need a third man. Like Paul Doyle (Dwayne Johnson). Paul just got out of prison, was a cokehead from NYC, but found Jesus and wants to turn his life around…but he also needs cash.

Simple plan, nothing can go wrong if they have enough can do attitude, muscles/fitness, and positive thinking! Yeahhh… Ed Harris plays a private investigator, and Bar Paly a stripper turned confidant.

Step 1: Identify self to kidnappers. Step 2: ???? Step 3: Profit

Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck. It is not cursing if you take 10 seconds to say it.

Hot damn, this film was awesome. And amazing! And abstract. Abstract? Yes. Totally. I wasn’t just looking for more A words.

Seriously, this film was definitely something special. Who thought Bay had it in him? I was laughing and cringing, often in secession. There is just so much ENERGY in this movie, I’d find it impossible to lost focus at all.

Dwayne Fucking Johnson, I don’t even know you anymore. He acted the fuck out of this film, and was 100% the best part. Not saying Mark Wahlberg wasn’t amazing (because fuck, he was!), he just had to compete with The Rock! The two of them were out of their minds the entire time filming this, and made their characters their bitches. That is the only way to describe it. Literally. No one else has tried. If they did, they used those words.

Just. Aggh! The true story itself is a fascinating one, which is also not as funny as the movie took it out to be. Check it out here, but be warned it is a long read (so…its like reading the book version?). I am not saying the movie made light of the events in the film, because very serious shit went down and they talked about a lot of it. Just still had a more comedic tone overall, while also splashing your face off with shock juice.

I feel like a bad Ben Affleck fan. Here I am, talking about his greatness, despite having finally seen Pearl Harbor, but I have not seen a third of the movies he has directed. That means the first movie he directed, Gone Baby Gone. I might not have really known it existed. Whoops. Of course he has his brother in it, but it is nice to know his first work that lead up to Argo, right?

Damn straight. Forgive me Affleck Fans 4 Lyfe, my former Myspace group that I was in. I have redeemed myself in your eyes I hope.

But maybe not in the eyes of Ben’s brother.

Patrick Kenzie (Casey Affleck) is a private investigator, with his long term serious girlfriend Angie (Michelle Monaghan). On the news, there is a story of Helene (Amy Ryan) who’s child has been abducted, and she is pleading for the police to find her quickly! The police chief (Morgan Freeman) is super sympathetic to the cause, because he has lost a child himself, and has made child protection his number one goal as head of the department.

The next day, Patrick and Angie get a visit from Beatrice (Amy Madigan), the sister of Helene, wanting to hire them to find the child. This is a special case, they do specialize in finding missing people, but that means people on the run, not people who have been kidnapped. The last thing they want to do is find the child in a ditch somewhere, kind of ruins the mood. Eventually, they agree to help Beatrice, Helene, and Beatrice’s husband Lionel (Titus Welliver), while also trying to not get in the way or ruin the police investigation at the same time.

What follows is the dark paths their investigation take them on, the reprecussions that follow, and the many months of aftermath of uncertainty and grieving. You know, without giving too much away. Ed Harris and John Ashton play cop guys, and Michael Kenneth Williams is of course a drug dealer.

OH GOD I HAVE SPOILED THAT THERE IS BLOOD IN THIS MOVIE. MY BAD.

To fully enjoy Gone Baby Gone, you definitely can’t multi task through it. There is a lot going on in this thriller, with many layers of information coming in at different rates. But it is also not your typical mystery to figure out the ending, because it is actually the last thought on your mind while watching it.

Nay, loyal readers, the main point of this is the characters themselves, and their lives as they are all affected by this simple child abduction story.

But then again, personally, I did think it was going a bit slow early on, after they agreed to take the case. You know, because clues are hard to find then. I just didn’t expect so much of the movie to take place after the case had been “solved”. Solved in quotation marks can mean lots of things, so stop guessing!

Either way, it is a well acted drama/crime movie, I just think it could have been a little bit more entertaining (or quicker?) with certain developments.

Man On A Ledge, a very descriptive title for a mysterious movie. I was confused when I saw the TV spots for this movie at first, the commercials definitely made it look like it was a TV show. But there was no way an entire show can be based on a guy maybe going to jump off of a building.

Unless it was on AMC, but then those 8 episodes would probably be the most amazing episodes of TV of all time.

But nope, it was a movie. But what the heck was it about? Very sketch previews. I did want to see it in theaters, but alas, no friends to go with. I was hoping it would be another movie like Phone Booth (which I love). But it is in fact, way different.

For instance, phone booths are 9 times out of 10 a safer place to be than a ledge.

The only stuff I will say in this will be known from the first thirty minutes. I mean, you have to get some plot as to why he is on the ledge. If not, you wouldn’t read this part at all!

Nick Cassidy (Sam Worthington) used to be a cop, but got sentenced to jail for a felony. At the funeral of his dad, he found an opportunity to escape, and oh boy did he. He claims he was set up, where he allegedly stole very valuable diamonds from a local real estate / diamond guy (Ed Harris). Even his former partner (Anthony Mackie), despite his claim to innocence.

What does he do with his new found freedom? He makes a fake identity, gets a nice room and goes to stand on the ledge in the middle of NYC. Wooo, a jumper!

He refuses to talk to the original hostage negotiator (Edward Burns) but demands instead Lydia Mercer (Elizabeth Banks), someone who ended up getting a cop killed a month earlier, and the current red headed step child of the police department. Maybe he is just stalling though. He is after all talking secretly in a hands free device to his brother (Jamie Bell) and his brother’s girlfriend (Genesis Rodriguez), who are across the street trying to break into a jewelry vault.

Wait what?!

A lot of the film takes place here though.

Thankfully the film had a lot more going on in it than just a diamond heist. And he wasn’t on the ledge the whole time either. Thanks to things like flash backs, the heist itself, cops doing cop work, and leaving the edge within the last 20 minutes, it is more than a one note thing. It is obviously a metaphor and literal title, given he is on a ledge, and just means a man who has no place else he can go. Either prove his innocence (if he isn’t lying) or die trying. Animal in a corner, and other stuff like that.

It had an okay plot, and a decent heist, but was still probably a bit too long. A few of the potential “oh man, action!” parts are just him acting like he will jump, when we all know it won’t ever happen. Not that early, at least.