Tag: Drama

Art of a Hit was sent to me early as a screener. You can see an interview I had with two of the stars, here!

What happens to yourself if you get a little bit famous, but can never surpass that level? And you both plateau, and then fade away into obscurity? You were so close to greatness, and yet it is all gone.

That is what happened to our band. They had a few hits in the 90s, things were okay. But then their bass player (Rob Raco), who had all of their personality and star potential (weird for a bass player…), got offered a solo gig and took it to grow his career, and the rest of the band had…nothing!

So now here it is over a decade later, the band is sort of together, but not really. They never quit, but that doesn’t mean they play together as much. They have side projects, they still make music, but they aren’t together. But with their record label, they get an offer to head to France, to work with a mythical record producer (Charlie Saxton), to see if they can get their sound back. To see if they can make a hit song or a hit record with him. And maybe taste that sweet sweet glory.

While this happens, the band leader, Ryan (Ryan Donowho) has to manage all of the personalities, the producer, and the record label (who actually dropped them and isn’t paying for this, whoops!). While finding himself mentally, and literally, haunted at this daunting task in front of him at this spooky castle.

Also starring Allie MacDonald, David Valdes, James Earl, and Tim Jo.

“This is going to ruin the tour.”
“The what?”
“The world tour.” This film is labeled as a horror, but really it is not. First, it is far closest to a drama. There are scenes that suddenly get…gorey? I guess that is the right way to describe it. Accidents, self mutilation, being literally chased. But those scenes are few and far in between, and they are almost all in the band leaders head or dreams (not a spoiler). So if anything, maybe its more of a thriller, because of all of the uncertainty they are dealing with, and how most of it manifests in terms of fears of failures.

Honestly, the real scary stuff is happening at the end, and it is literally indescribable. Indescribable because of a spoiler, and I don’t want to get into that, but the ending is definitely horror in a non traditional sense of the genre.

Instead what I am mostly watching and interested in, is the band dynamics, the secrecy of their former bandmate who left, and how natural the group feels. And hell yeah, the band feels like a real band, with baggage and history. Exactly like one would hope. Only one member was awkward with them, and that was because he is new to them for the plot. I think Donowho carries a lot of weight in his face, with his fears of mediocrity, and it shows.

I believe I have been told all of the people did re-record the music that was made for this film. The band Jets to Brazil wrote the songs for the movie, but the actual actors (who all happen to be musicians), re-recorded it and we get to hear what they actually sound like together, and that is awesome. No weeks of intense strumming camp for these folks.

Either way, Art of a Hit I think would be better if they focused less on these few horror elements, and more on the very real dramatic and scary elements of being faced with fading into nothingness, with people barely remembering your name after you were so close to superstardom. That is a strong story. But I do understand these sorts of movies are harder to get funding for, than cheap horror. You never know when the cheap horror film will skyrocket and become popular, after all. A good story, just with some dumb horror moments.

3 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.

Gloria! was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the North American premiere of this film! You can see my interview with Margherita Vicario, the director/writer, here! 

Let’s talk about Gloria. Well, Gloria isn’t a character, so we can’t. It is however a common name/word used in religious songs, especially in Italian. You know, Gloria in Excelsis Deo? It means Glory really, but Gloria is also a nice name.

Instead we will talk about Lucia (Carlotta Gamba), who is at a school for choir music training, somewhere in Italy, in the 18th century. Like a lot of girls brought to the school, she was an orphan and so it is also an orphanage, bringing these girls to devout religion but also providing them food, shelter, and a service they can give back to their community. Lucia is also mute! That doesn’t really affect her hearing at all though, so she can still play instruments, she just cannot sing.

Oh, let me reiterate. Lucia can HEAR really well. In fact, she can imagine music all around her, in the everyday mendacity of life. Mr. Music would be so impressed. She also knows music can better than how it is currently presented, slow and dead. It can be upbeat, it can be fresh, it can have many different instruments providing different elements, and yes, even the human voice can be used to greater lengths.

But she is a woman, in a man’s world, and because this is holy music, it has to be done a SPECIFIC way. But with an upcoming visit by the Pope, yes, THE Pope, she thinks it is time to rebel, to spread new music, and to present to his greatest holiness what music could really be like.

Also starring Maria Vittoria Dallasta, Galatéa Bellugi, Veronica Lucchesi, Sara Mafodda, Paolo Rossi, and Elio.

Get up loser, we are going to pop-ify these sounds. Gloria is such a cute movie! Rahhh! And I just need that to be known.

It looks amazing, from the costumes, the set, and the cameras used. It is portraying a dull religious school, but we can still see color when its needed, even in the darkest of moments for the characters, who are going to fight to overcome whats shackling them down. Overcome what? We are going to fight the patriarchy! And hell, even fight the papacy too! Men telling women what to do, how to think, what is right and wrong, its gone now! Let them live their lives!

Okay, yes, this is a work of fiction, and Lucia herself is not based on a person from history. And it is very unlikely that the sort of songs made in this movie, would have been made 3 to 400 years ago. But that is okay, because the point really is that these women were creative, and were not able to express their creativity. And apparently, thanks to some Napoleon nonsense at some point, works that were created by these women composers became lost. At the end we find out this film is dedicated to those women, who likely had a voice, but it was silenced at some point and aren’t people in the history books as a result.

That is a good enough cause for me.

Like I said, it is a very great looking film. But also, it is just fun. It is a good time to be had, while shining light on a real unspoken part of history. It is silly, it is modern, but the cast of characters feel distinct enough and well. They just want to have fun.

Gloria! is fun.

3 out of 4.

Excursion was watched as part of the Seattle International Film Festival 2024! It had its showing on Tuesday, May 14th as part of the festival, and it was the Seattle premiere of this film!

Iman (Asja Zara Lagumdzija) is just a girl, trying to do her best in upper middle school, whatever grade that is officially I am not sure. Just the last one of the middle school in that country. Every year the kids get to go on an excursion to another country or area, and it is a long process to figure out. They have parental involvement, a lot of politics, and a lot of worries about the price. Because sure, they could go somewhere fancy, but if the whole class cant go because its too expensive, then maybe it shouldn’t be a trip.

They mostly want to go to Italy, despite the fact that it is expensive. They are worried about going to a poorer country and getting taken advantage of, or in trouble.

But back to Iman. She is a smart girl, she studies and gets As, and helps her bestie cheat. What a friend. During a game of truth or dare, she agrees with a question that, according to another boy, they had sex. Yes of course this is true. Shocking to everyone. But it is true! This lie of course, has to be believed, so it leads to more and more lies, making things more uncomfortable, until the obvious starts to spill over.

Also starring Maja Izetbegovic, Izudin Bajrovic, Mediha Musliovic, and Nadja Spaho.

Just kids lying and being kids I guess. Excursion is a very tame film. Fun fact, by the end, you won’t see the excursion happen. That isn’t like half of the film, it is zero of the film. But the discussion of said trip is a large portion of the plot, usually involved with just parents and teachers, but it pads this movies run time. It is barely over 90 minutes, and it really needs that padding.

The films other plot, about Iman’s lies are just…disappointing. This giant blow up never really occurs either. People hear the rumors and spread them as kids. There was talk of an abortion occurring. Some of the teachers also become aware of it. But nothing ever really boils over into the “this is too much” area of the film that one hopes this would build up to!

In fact, this is an independent film that really feels like it had the idea for the story, but not the idea on how to end said story. Too much is left unresolved, and this overall just feels like a bigger waste of my time. The story is unexciting, and neither of the main plot points are resolved. It was just a small look into the life of this group of kids. And sure, films like that exist. But it is wild how many independent films just decide they can end it suddenly and say that is what they were going for. At some point, you have to call it out, and that is what I am doing for Excursion here.

A waste of time, a story that doesn’t live up to its plot outline, or its title.

1 out of 4.

The Quiet Maid was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Ana (Paula Grimaldo) is a Colombian who finds herself in Spain! She is here to work as a maid, to earn more money, because her sister is going to go to medical school, but they need money for it. She finds a family who needs maid services, and can sponsor her living in the country.

They promised that soon, in September, they will work on getting her the papers she needs to be a permanent citizen, which would mean a higher salary, and an ability to make more money. But first, the whole month of August, she is with this same family in their big vacation home. They need her there every day, 7 days in a row, none off, and if she does will during their vacation, she will be given a lot more time off and money with the family back at their regular home.

But, of course, this family is a bunch of rich fuckers. The dad doesn’t trust her. She is constnatly talked about like she isn’t there from the son’s horndog friends. She can’t go out and have fun ever, like Gisela (Nany Tovar), a fellow Colombian maid from a different house nearby. Gisela pushes her to date, to dance, and more, but Ana knows one wrong move, she could be fired, and sent back out of the country.

The family sucks though, and eventually Ana will realize that they are not going to necessarily keep their words. So she is going to have to make her own way through this month, for herself, and for her family back at home.

Also starring Ariadna Gil, Luis Bermejo, Pol Hermoso, and Violeta Rodríguez.

Sometimes you need a break to just play with your pussy.

Yes, this is another fuck the rich movie. But this one does it the best, of ones I have seen so far at SIFF. A bit satirical at times, and a little bit over the top. Certainly a potentially strong pro-woman message about a woman doing things her way, and accomplishing despite men and spiteful women trying to break her.

According to the trivia, this is the first European film to be fully funded by NFTs. Which is something I really hate to hear, and it makes sense a few of the plot elements in retrospect. I won’t let that take away anything from the actual movie, but NFT’s just feel scammy to me, so I wonder if anyone got scammed as a result of the making of this film. That would drive me nuts.

Grimaldo as the lead does a lot with a little. After all, she is *quiet*, not loud. She is an observer, and makes plans in case things blow up. She speaks up for herself when she realizes that these papers can likely never come, but is also forced into many uncomfortable situations thanks to the nature of her job. She can’t really say “No” a lot for reasonable tasks that would fall under her umbrella, and if she agreed to be with them every day, she has to be with them in their good and their bad moments.

I think this film is a bit funny, despite the drama and serious moments. A good tale of gleeful revenge and perseverance by the end. We are all Ana at points, and its good to see when good people come up on top.

3 out of 4.

Seagrass was watched as part of the Seattle International Film Festival 2024! It had its showing on Monday, May 13th as part of the festival, and it was the Seattle premiere of this film! You can check out my interview with director, Meredith Hama-Brown, here!

Judith (Ally Maki) and Steve (Luke Roberts) are going through something. Judith is a Japanese Canadian, and Steve is “White Canadian”, and being an interracial couple comes with a lot of difficulties other couples never have to face or talk about. But they are now working on couples therapy. The one they picked is actually many days long and a vacation spot, with other couples. A nice destination to air out their issues and work together to find their love again. In a beautiful area!

And this is one that is for the whole family. They have two kids (Remy Marthaller, Nyha Huang Breitkreuz), who also have their own problems growing up, being of mixed ethnicities, and their identity. But on this vacation is an area with a lot of kids, and kids activities, so they have plenty to do and fun to be had, while their parents are having a bit less fun.

The catalyst for this story is that Judith’s mom died recently, and Judith has been in a funk ever sense. Hopefully they can work on their issues. Hopefully the last decade wasn’t a waste. Or was it?

Also starring Sarah Gadon and Chris Pang, as another Asian/White couple at the resort, with their genders swapped from our two leads. Although notably, the man is Chinese Canadian, not Japanese.

Scenic cool cave shot but don’t worry, the cave MATTERS. Seagrass is a film that is one step away from being a thriller, purely for tense moments in their drama. Honestly, I wondered if this might turn into a murder story. Or a ghost story. Or something. I was a bit scared at times, as they really ramped certain events at the end. And the camera work. The camera really liked to linger, or do some far away shots, and it had me wondering if something was going to pop out and the genre was going to switch.

I think that can all be attributed to the wonderful acting and script for this story. While its not as tense as films that make you clench early on and never let go, it gives subtle hints of a potential ending disaster, and you never know if this is going to be the time for a boiling over point.

Maki does a lot of great work here specifically. Roberts is a good standard dull white guy, who isn’t unable to understand view points outside of his own. But Maki has to put in the full range here. And she is wonderful for it.

I didn’t know exactly where Seagrass was going with its story by the end, but it chose a very nice path, with some powerful final words. I am also glad that the 1994 Vancouver Hockey riots were a part of the story as well. Always important to include those into movies, if at all possible.

3 out of 4.

Solitude was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Gunnar (Þröstur Leó Gunnarsson) is an old man, who lives off on his own large land, with his horses and other animals. He likes it like that. He is self efficient. It is reliable. And he has turned down many offers to sell his land, because he just wants to stay there until he dies. Well, the government won’t wait for him, and because he didn’t negotiate, they bought his land from him anyways due to government legalese stuff. And his land was such a good place and need, he is getting $150 million, which is a lot for a dude that old, to do anything he wants in his life.

So he moves to the city, even though he never wanted to, in Reykjavík, and gets a quick apartment to exist in. Has its own furniture. Now what?

Well, the first person he meets is Ari (Hermann Samúelsson), a 10 year old kid and neighbor, who wants to sell him a newspaper. Literally this is his only human contact, and its frequent enough, so that when he is locked out of his house, he asks Gunnar if he can wait in his for his mom (Anna Gunndís Guðmundsdóttir) to return. Hell, he even becomes a babysitter, and a very nice friend to the family.

But Gunnar is just not used to people so much, he is not used to common social norms, and doesn’t know what actions are inappropriate. He just wants to help people. And when people think he is a nefarious old guy, then that is the only thing he can be to them.

Also starring Jóhann Jónsson and Jóel Sæmundsson.

He’s about to drop the hottest new track of 2024. I think the actor who played Gunner here was a pretty solid dude. He carried pain in his eyes, and felt like he was truly going through these experiences. I think the story is a good idea for one, a nice clashing of generations, and a desire for more innocence in the world. A desire for people to just be good to each other.

But the film didn’t do enough to get that ending. We had a small bit a conflict, and almost no closure, because that is life or whatever. I think there was a lot more drama that could have been explored, and this movie left too much on the table. And that should be a compliment. I wanted more of Gunner and his story about acclimating into city life at his old age, and we just get so little. The snippets we get are good. But why leave it at the simple story? Why leave it so incomplete.

I am not sure what else I can say here. It is overall just disappointment, compared to anything else. Because there is a lot of shit movies out there, and I just want those with potential to really deliver, and not waddle around. For example, the refugee plot line was great! It showed so much character, and had the potential for a lot more. But it was brushed aside so fast that we could barely even have a moment to focus on it with Gunner.

Oh well. If I am alone in this rating, maybe I will be the real solitude.

2 out of 4.

Pure O was watched early from a screener. It is being released on April 12th, 2024. You can see an interview I had with Dillon Tucker, the director, here.

Cooper (Daniel Dorr) is straight up not having a good time right now. He thinks about death, too much. He thinks about killing, too much. He is in a huge depressive funk and can’t seem to snap out of it, even when recently engaged to his long term girlfriend, Emily (Hope Lauren). But when talking to his therapist (Candice Renee) about his issues, she lets him know he has OCD.

But how can this be? He doesn’t have nervous tics, he doesn’t repeat steps, he has heard of OCD before, and that isn’t him, it is just depression. A big part of it is experiencing distressing intrusive thoughts, without the compulsions. It can be categorized into specific categories of types of intrusive thoughts, but it all comes back to OCD, and is known as Pure O in the community.

Cooper, a musician, and a rehab counselor himself, really doesn’t think it is possible, but after his googling and research, he agrees to try to work on this aspect, to see if he can fix himself, to fix his relationships, and hopefully live a life free from the harms inside his brain. He knows addictions, he knows the right things to say to others, but following that advice can prove to be difficult.

Also starring Landry Bender, Jeffery A. Baker, Clint James, Hamish Patterson, and Isaac Nippert.

I bet when he stares this way at women, they also receive a Pure O.One of those things that really bugs me is when people say they are OCD about a task, completely belittling the experiences of those who have actual forms of OCD. Does that affect this movie? Absolutely not. But bringing up how fucked up that is in any circumstance is appropriate, so that maybe someone can learn to not do that. And if it is going to happen in a movie review, why not one that deals with OCD.

Now the director, Dillon Tucker, who is also the writer, made this movie purely because it was personal to him, and telling a story about his own life, and being diagnosed with OCD. It is his story, he just doesn’t also star in it (although he did cameo as a random person also in the therapy groups).  And you can tell it was made by someone who really knew the story, because of all of the unexpected things added to the story. In an “OCD” story where someone is writing about it from a lack of personal experiences, it is the only part of the story. The rest of it doesn’t matter. But in this movie, it is the main framing of the story, but the main character still has to live his life. He happens to also be a counselor, and is still working with individuals dealing with addiction. He still has to plan a wedding and learn how to better himself for his fiancé.

And honestly, Pure O, with ITS honesty, just hits all the right notes for a powerful drama. It tells a still unexpected story, that is meant to really help others through their own worries and providing some therapeutic moments on the screen for them to see. But also when it comes to ones disabilities, the more people are aware how it can affect their life, and be a constant grating pressure at all moments, might just help people stop being such assholes to each other.

This film has several intense moments. Notably a knife scene, and another character having a meltdown, but they are played so serious and so well done that it is emotionally touching for the viewer.

Off the top of my head, I know I have seen films about OCD before, but I can’t think of them right now. Because Pure O is the right one to see.

3 out of 4.

Riddle of Fire was watched early from a screener. It is being released on March 22th, 2024.

Double, double toil and trouble, kids are going on an adventure and word that rhymes with trouble.

Hazel (Charlie Stover) and Jodie A’Dale (Skyler Peters) are having a great time with their friend Alice (Phoebe Ferro). Technically, they are being hooligans. They actually broke into a warehouse at night, to steal a package that they knew had a video game console in it! They got chased, but got away, and at home, they were excited to finally play. But…the TV had a lock on it for some reason. Boo!

Unfortunately their mom (Danielle Hoetmer) is sick, and she thinks they can get to play more with the TV if they go and get her some blueberry cake from the baker, it will heal her! But then that fetch quest has another problem, and so on, and so on, and so on.

And sure enough, eventually, they deal with cultists and witches and magic and meet another friend (Lorelei Olivia Mote) to join their merry band of adventurers.

Also starring Lio Tipton, Charles Halford, Weston Razooli, Austin Archer, and Abigail Sakari.

The main point of being a youth, is to also do spy shit like this.

Do I feel like this film has whimsy? Yeah, I do feel whimsed. Does it have enchantment? Certainly.

The vibe with Riddle of Fire is a strong one. I did not know ten years ago I would be writing reviews and talking about the vibe of a movie, but here we are. It has the look, it has the magic, it has a simple aesthetic, that even when it gets out of hand, still feels simple. It feels like its a kids movie, starring kids, that kids themselves not might like, and adults it really will depend!

Even though I can love the aesthetic, and wish I was on the journey with them, it still feels like something is lacking. Likely all dealing with the story. It is simple to follow, which is a good thing, but yet, there is a filler feel to parts of it, which become more of a frustrating element to the viewer, more than the characters. It is a film I am going to watch once, but not again. I might even recommend it to people, if I know they are in for a very specific experience, but it is not just going to hit every mood.

I really love a lot of the ideas here, and the director is showing hella promise. This was one of my most excited films in Fantastic Fest last year, that I didn’t get to see, and it was still worth it overall. Just the once.

2 out of 4.

The Monk and the Gun was watched early as a screener. It was shortlisted for Best International Film at the Oscars as Bhutan’s submission. And it is released theatrically on February 9th, 2024.

This is pretty obvious from the title, but of course this movie is about…holding free and fair elections!

In 2006, the King of Bhutan was like, hey, you all deserve to have more freedoms. And decided to switch their country to a democracy, so that the citizens could vote. And sure, they would still have their king. You know, like Great Britain. But the citizens had no concept of democracy, or voting, or voicing their opinions on a prime minister. So, what are they to do? Just let democracy fail as everyone ignores it?

No! The local government is going to hold Mock elections, to teach the citizens how to vote, to share opinions, to pick different things to care more about for their government to work on. In a big face of apathy from the local population, who seem to just really like their king and not want the change. Yep, that is the backdrop to the story.

Now, the other main plot is that Tashi (Tandin Wangchuk), a monk, is told by his Lama, in a religious exile for years, to go into the main country and bring him back two guns. For a ceremony, for a mystery. At the same time, Benji (Tandin Sonam) is escorting an American (Harry Einhorn) around the country, looking for a very specific gun as well, for a collection. Guns!

Also starring Pema Zangmo Sherpa, Deki Lhamo, Tandin Phubz, and Choeying Jatsho.

Oh look, a (presumably) monk with a (presumably) gun! The movie delivered its title!  

Finally, another Bhutanese film. I know most of you reading this might have seen zero Bhutanese films in your life. At this point, this is only my second one. And that is probably true of a lot of people who have seen any. Lunana: A Yak in the Classroom, is a film that was nominated for Best International Film a few years ago, and was a surprise. Similarly, this movie was on the shortlist of nominations for Best International Film, but not nominated. Is this a grand awakening of Bhutan as a film producing country, or, have they been producing movies for awhile and I just have only noticed if it relates to the Oscars? Honestly, I hope its the latter.

Either way, I do like that both of these movies have really simple, yet descriptive titles.

But on to the movie at hand. Did I expect it to be about mock elections for a countries first elections? Obviously not. And I am not a historical scholar of Bhutan, and have no idea how much of this story is actually what happened in the country. I clearly have to take the film’s word on the subject. Of which, I do think it is a very interesting backdrop, and I love that I learned a little bit of recent history from just that knowledge alone.

And, it still maintains the other plot as well, the gun and the monk, of which I assume is the more creatively liberal aspect of this story. And that plotline on its own is fine as well. It meshes well eventually with the societal backdrop of the historical events. It is amusing and worthy of light giggles at points. But at the same time, I still wish there was some more to the story. It being a relatively simple story is fine. I just wish it was more satisfying in its conclusion. It felt like a short story, expended into a larger movie without enough content at points.

Still a great film on its own rights. In a year with so much great international work, it had a tough hill, and it was likely an honor just to be shortlisted. Here is hoping I see another Bhutanese film before a 2-3 year gap.

 

 

3 out of 4.