Tag: Drama

Never Rarely Sometimes Always

 

Oh what is this? A new theatrical release but on VOD? This is the first? 

Sure, Trolls World Tour (which comes out on April 10) is a much bigger movie that was meant to come out in theaters and is instead going straight to video for families. And there have been a lot of recent movies that were in theaters for a short time having VOD releases way early to make up for the money lost.

But Never Rarely Sometimes Always hadn’t made it to theaters yet and it was supposed to, and is now getting released digitally instead. So it is the first to really do this. 

And that is brave of them, even if they are a much smaller project. Especially a project with a theme like this one that would have maybe sparked protests anyways, and we don’t want protesters to protest, because then they’d be in groups. Even if they have dumb opinions. 

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Me judging people with dumb opinions. 

Autumn (Sidney Flanigan) is just a girl, living in a world, that isn’t the nicest to teenage girls. She has a job as a grocery clerk, where she and her cousin, Skylar (Talia Ryder) are definitely getting harassed by a boss.

Autumn is mad a lot of the times. Her parents (Ryan Eggold, Sharon Van Etten) don’t seem to give her a lot of attention due to their plentiful amount of kids, and her dad is a full on ass towards her. She has emotions, is getting bullied, and doesn’t know why she is so angry.

And then she finds out she is pregnant. About ten weeks. But she lives in Pennsylvania, in a small community, and the only place that was free for her to use was an organization that would never let abortions happen, complete with all the lie filled propaganda. And a parent would have to be involved.

So Autumn does what any girl would do. Sets an appointment in New York City, steals money from her dipshit bosses, and along with her cousin, go to get the deed done quickly and quietly, with hopefully no problems along the way. (There will be problems along the way).

Also starring Théodore Pellerin.

nyc
Just two teenage girls on a fun filled middle of week NYC trip to get an abortion. I’m surprised this jolly movie wasn’t made decades ago. 

 

I had this thought when I first saw the movie, I swear. It isn’t hyperbolic because of the closing of theaters. But this is my favorite movie of the year. So far.

And yes, the last few weeks have had movies pushed out, some of which already pushed to next year. There is going to be a big lull in films for the rest of the year, so I have no clue what this sort of landscape will bring for cinema. This might remain my favorite movie of the year, the only one that I have given this rating to so far.

Now, this movie is not funny. It is a realistic take on the subject, it is serious, and some not great things happen. The scene where the title comes from definitely wrecked me emotionally. And that is why my intro wasn’t spent making fun of it like I originally planned.

I love that this film comes out the year after the terrible, propaganda induced Unplanned movie (sponsored by Ted Cruz). That one made my worst of the year list (spoilers). It took everything from the anti-abortion list playbook and tried to make it seem like a true story in incredibly deceptive ways. 

This film is quiet. It is just a story. And yes, an abortion happens. Does that make it pro abortion? Maybe. What it really does is highlight how shitty these various state by state laws are that make it incredibly hard for people to get out of a tough situation. And that isn’t cool.

4 out of 4.

 

Blinded By The Light

What is this year? Two movies about Asian men being super into some older band?

We had Yesterday, about The Beatles, and now we have Blinded By The Light, about The Boss, Bruce Springsteen.

Sure, neither of these movies are at all related. One a mystical event wiping them from the world. Another a realistic tale about a dude who just liked Springsteen decades later to an obsessive degree. Yet, at the same time, I feel like they will forever be linked in the future despite everything.

And you know, because of people like me.

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People like me, who don´t get to look good in plaid.

Javed (Viveik Kalra) has had a typical Pakistani upbringing. Well, he has been living in London for most of his life, that is different. But his father (Kulvinder Ghir) and mother (Meera Ganatra) are strict, and have his whole life planned out for him. Same for his sister (Kit Reeve).

Despite having a British best friend (Dean-Charles Chapman) across the street, who got to do everything, Javed had to watch and live vicariously a lot of the time. When it got to be time for graduation and college, Javed liked to write poetry, but that wouldn´t lead him to a good career. He couldn´t follow his passions in writing, he had to do something that would make him some money.

Dealing with racism, not fitting in, and a home life that doesn´t care, Javed found a home in one of his fellow South Asian friends, Roops (Aaron Phagura), and his love for a man named Bruce Springsteen. Javed immediately began to connect to his music, about the struggles of life and found a new passion in it all. His music encouraged him to try new things, to date, to follow his passions, and of course, to write.

But following your dreams doesn´t mean you will be on a path of least resistance.

Also featuring Nell Williams, Tara Divina, and Hayley Atwell.

room
The most appealing part of the room is just how clean it all feels.

I didn´t like Yesterday because the story was a mess and bad all over. I didn´t like Blinded by the Light because I failed to ever care.

This film almost received a 0 from me, but it had some nice scenes at the end. Mainly the protest scene and the arguments with his family scenes. They brought me in a little bit. But everything else felt so forced, and more importantly, slow.

It felt like an eternity to get through this movie, and took awhile to get to a real point. It doesn´t offer anything new on the basic side of things. Kid wants to do something, parents do not want him to do it, and he is able to do it anyways for success! Yay!

Is it better because its a true story? Because its about Springsteen? None of these inherently make a great story. And if it is a true story, it still fails to tell me why it matters. This kid, if he grew up to be a famous song writer or author, we don´t know. At the end we know he grew up to go see Bruce Springsteen in concert a whole lot of times.

Setting the bar quite low for reasons to make a movie here.

1 out of 4.

Les Misérables (2019)

Do you hear the people screen, screening the films of Academy? They are watching all the foreign films that might take home a win!

Even if they share a name, with other films going for the same!

And if it gets the nom, and goes up for an award, it will likely lose to Parasite all the same!

I hope you sang that. Here is a French film not based on but named after the French book, Les Misérables.

beard
Shit, they even got Jean Valjean in this.
Stéphane Ruiz (Damien Bonnard) is a country man, moving to the big city. He was a cop, and is still a cop. But there are a lot of differences out there compared to the big city of Paris. We have a lot of groups here. Immigrants, various religions, the poor. Ruiz is about to work in one of the worst and hardest districts out there, but not without some training.

He is to follow around Chris (Alexis Manenti) and Gwada (Djibril Zonga), partners who have been running the day shift for quite some time. They don’t report every crime, no, they are here for relationship buildings. They simmer down the tensions between the various groups. They fix the growing insecurities and shake down when they need to, skirting the edge between legal and illegal.

Ruiz definitely doesn’t like the cut of Chris’ jib, but he has to go along with it. Harassing young people, dealing with criminals, all of that. And then eventually, while actually doing something potentially right, the men get overrun by the youth who are just trying to protect a friend. Then something bad occurs, and it occurs on film.

So now they have limited time to try and fix it, before maybe all hell breaks lose with the factions.

Also starring Issa Perica, Al-Hassan Ly, Almamy Kanouté, Steve Tientcheu, and Nizar Ben Fatma.

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The body armor shows they are cops. That’s all it takes in Paris.

The film took me awhile to really grasp. I read only a little bit about it, and it said it was based or inspired on some riots in Paris in 2005. So naturally I assumed it would take place in 2005 and be those riots, but no, it takes place in modern times. We got iPhones, drones, and all of that.

I didn’t know anything about these riots in 2005, and I still technically don’t know anything about them now. There is one scene where it is mentioned, and that is it. But we do have some riots in this film near the end, but presumably on a much smaller scale.

I was also lost a little bit culturally, as getting all of the references and tensions between various groups didn’t come naturally. At one point the dick cop is making references to modern day Paris and the book Les Miserables, and the puns or jokes he was making didn’t make a lick of sense.

However, despite that, we do have a lot of tense, edge of your seat moments. I enjoyed the drama and the dilemmas that our leads were put in, and really didn’t anticipate where they ended up. I was scared by the end of the movie, while also unsure if I was upset by the events unfolding.

A better cultural understanding of Paris and past riots would make for a more full experience I believe, but on its own, it is a solid criminal cops doing bad and good things situation.

3 out of 4.

The Aeronauts

The Aeronauts is a an end of year movie that should have had all of the pomp and circumstance of a summer release and…did not. Because Amazon Studios bought it, I guess they felt it only deserved some amount of release, and one of those online a month or so later.

It was really swell of them to do that for me, as I got to see it before the end of 2019!

Although, I was curious about how the device would affect my enjoyment of the movie. So I split it into thirds by time, not my plot (as I hadn’t seen it yet). I started with my regular desktop computer, then the next third was my phone, and my final third was my living room television.

And the results will not surprise you at all!

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The results are as shocking as this balloon ride.
The Aeronauts is a fictionalized telling of James Glaisher (Eddie Redmayne), famed weather scientist, and him going on a balloon to do some science. His goal was to go super high up, higher than anyone else, with all the science equipment in order to help predict weather patterns and just figure out shit about the atmosphere.

His partner in crime? Fictional, Amelia Wren (Felicity Jones), hot air balloon pilot, loosely based on Sophie Blanchard. She was good a piloting, even though on one of her recent missions, her husband (Vincent Perez) died in the balloon, so that sucks a lot. She is all about the flair and the spectacle in order to get financing behind these trips. Science be damned, she just wants to fly and redeem herself.

And yeah. This is a movie about the hot air balloon trip that almost killed them both, where they went higher than any human before, and science’d a whole lot. Sort of based off of a real trip done, but way less crazy.

Also starring Himesh Patel, Phoebe Fox, Rebecca Front, and Robert Glenister.

ice
She’s as cold as ice, but not willing to sacrifice their love. 

First, the screen results. I was much more excited abotu the movie and interested in its plot the bigger the screen. Shocking ahh! If you got to watch this on IMAX, I am jealous, because it is a beautiful movie with a lot of CGI that works really well together to take us on a trip above the clouds.

The biggest selling point for the film is the visuals.

Redmayne and Jones have really good chemistry together, and despite the story being told in a disjointed order, it doesn’t take away from their short and important flight.

Unfortunately, it is also really hard to get super psyched about this movie, knowing it is far closer to a fake tale than anything else. If it was sold just a fiction story? It’d be a fun adventure. But it is being sold as the sort of true story, and now the whole thing is muddled. This is not something you would get actual useful knowledge out of. It should not be seen as educational.

Unfortunately, the whole film is set up in a way to highlight this one big important moment and flight that really didn’t exist. A cool story, destroyed by its details.

2 out of 4.

Breakthrough

I love a good movie about ice. I mean, did you see Aquarela? It was 33% about ice, then the rest was just water.

In this film, it looks like ice is the villain of the story. There it is, trying to just exist on top of a river or a lake, and these assholes start to walk all over it. And when they fall in and drown, what, the ice is the bad guy?

Do you break a window with a baseball and go “hey, how dare you break and make my baseball go inside of the house, you asshole glass!”

With Breakthrough, the ice will break, and through the ice, we will find Jesus.


This scene happens a lot when Jesus takes the wheel of your car.

John Smith (Marcel Ruiz), what a basic name! And he feels really basic. He was born in Guatemala, but his parents put him up for adoption, which is why Joyce (Chrissy Metz) and (Josh Lucas) adopted him and brought him to St. Louis, Missouri. Basically Guatemala 2.0.

They are super religious, and he is super apathetic. He wants to be cool and hang with his friends, but he lacks an identity. And really quickly, with his friends, they all fall through some ice and start to drown. They are at various levels of cold when help arrives, but John is ultra-fucked. He is underwater. He was underwater for 15 minutes before they could begin any sort of recitation.

And guess what! Well, he isn’t dead. But he is in a comma. And he was kind of drowned for a long time. If he recovers, he will probably have mental problems.

Thankfully, Joyce is super religious and demands a lot of prayer and positivity and eventually he comes back against expectations, with a new lease on life. In fact, he starts loving Jesus a little bit more, which means the doctors were right about how he might be if he recovers.

Also starring Topher Grace as youthful hip pastor, Dennis Haysbert as a doctor, and Mike Colter as firefighter who saved him.


Checkmate atheists.

I guess these real life Christian dramas are running out of good material to work through. Does it feel miraculous that this kid survived despite being under water for 15 minutes? In the ice? Hell yeah it does. Good job firefighters and doctors and everyone who kept him alive and his parents for not pulling the plug early.

But why the hell is this a movie? It is so god awfully boring.

The ice thing happens early on, which it should, because everything for that is just introductions and filler. And then it takes until near the very end for him to be good again. So most of the time is just, you know, lying in a hospital, with minor inconveniences occurring every once in awhile.

Acting performances aren’t wonderful, it didn’t make me cry at all (which when these sorts of films are slightly better made, usually can make me cry) and it is a goddamn drag.

Please pick cooler miracles to make movies next time. Or at least ones with more exciting medical drama in the middle, like in Miracles From Heaven.

0 out of 4.

Climax

I was told a few warnings about Climax before watching it. Not about actual content, but more about the director, Gaspar Noé.

A controversial fellow, Noé has done plenty of films that I have never seen and shorts I have never seen. Apparently Love was very graphic, but I never got around to it.

I can expect a movie called Climax to be graphic. It is sort of there, in the name. I can hear warnings about French film, but that is really hard to put into one box.

No matter the warnings I received, none of them were really enough and none of them could really explain just what I was getting myself into when I decided to finally check out Climax.

showoff
And I felt. fabulous! No, wait. The opposite of that word!

In this movie, we have a few people who are getting a dance troupe together. Selva (Sofia Boutella) is the lead dancer of the troupe, and is working with someone else to pick people for their group and the music. I won’t tag anyone else in it, because everyone else is professional music people/dancers in some way only, and that is why they are in this movie.

The movie opens with a big, long dance sequence in one shot that is interesting, but strange. No wait, before that they show clips from fake interviews with these dancers on questions they asked before joining the troupe. No wait, before that, we see a woman bloody running in the snow. Oh.

After the big dance number, we get to see people talking. People dancing. Some interactions between a few of the characters. Back and forth talks between just pairs, making you really strain to pay attention to the plot point of the film. This is where you get backstory, kind of, sort of! After that confusion ends, we go back to dancing and people interacting.

But, the dancing gets stronger. The people get angrier. The people get weirder. Oh no, someone spiked the sangria and a lot of people are now going on a bad trip.

And then a lot of bad stuff happens the rest of the night, resulting in some deaths, some rape, some deaths, some uncomfortable moments, some sex, some dancing, and some other gross unfortunate terrible moments. Hooray!

dance
Hooray?

I think I definitely did more of a plot description than normal compared to other films. And it feels justified.

There are quite obvious from the conversations early on that seem to be the main focus, and some of the characters who are definitely less of a nice person. The interview portion is completely forgettable after the dance, and probably should be rewatched for clues now that you know the characters better. But it is a huge struggle early on to remember what aspects of what characters were told and are important, with there being such a big cast of dancers and the conversations going so quick.

Now, once the tone shift happens in the film, and everyone starts to get on the bad trip, it definitely gives an uncomfortable feeling to the viewer. Oh no, bad things. And guess what? Basically every bad thing you can imagine happening, based on the earlier conversations and events, totally does happen.

It is very predictable in regards to probably the three worse things that occur in the movie. And this is a wildly gross and sometimes scary film, but having the worst/grossest parts easy to guess seems odd. Basically, if it could go bad, it does go bad.

I will admit, I first just assumed everyone was going to die in some extreme ridiculous ways, and not a lot of people die by the end. But no one is super happy by the end. People have been violated, or killed, or threatened, or raped, and it is just uncomfortable moment after uncomfortable moment. And the whole time we are getting a constant trance background beat, with some characters constantly screaming in the background. We get a power outage and thus, more darkness, a “scarier” hue to the whole thing, and even more bad stuff.

It has a lot of uncomfortable moments, but at no point does it feel worth it. Like you should have to see it, like any character deserves their fate. It is just basic exploitation for the sake of.

And what the hell. There were like, three times in the first half of the film where we got opening credits. I don’t know what was going on there.

0 out of 4.

Yesterday

When I first saw the trailer for Yesterday, I will admit it intrigued me. A world where only one person knew about The Beatles? Okay, cool.

A world where something never happened can be a hard subject to take over. Are the writers/director going to really drive hard into all the consequences of the bigger band ever never existing? Will a lot of the world be different? Or will it just be an awkward hole that needs filling.

And honestly, I don´t care about The Beatles at all. So hearing some guy do covers of their music all movie doesn´t appeal to me in the slightest, so I would go in only caring about the story, the why, and the ramifications.

sing
He also seems to be screaming instead of singing most of these shots.
Jack Malik (Himesh Patel) is a British man from an Indian family, trying to make it big in the music business. He can write songs and play guitar, but no one gives a damn about him. His best friend for a long time is his manager and a school teacher, and Ellie (Lily James) has always supported him, even when he wants to give up.

And he wants to give up, a lot. Especially after he is hit by a bus when a global blackout occurs.

After his recovery, he plays a Beatles song for his friends, and none of them recognize it. That is a dumb joke, but whatever. And when he references them to more and more people, no one has a clue what he is talking about. Shit, even the internet is confused by his nonsense.

Time to exploit this knowledge, sing all of their songs, and become world famous! But wait, it is 2019. Will people care about the Beatles songs outside of the context of their role in history? Aren´t they all basic forms of music compared to some of the complex music we have today?

Eh, who cares. Let´s get rich and deal with the how and moral implications later.

Also starring Kate McKinnon, Ed Sheeran, and Joel Fry.

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Scream number 2.

If you want a light movie with some Beatles covers and some light romance too, then I got a movie with you. If you care at all about plot or the ramifications, well, do not watch this movie.

This is the type of film where they had the idea and stopped developing it after the idea. There were a few cute moments about OTHER popular things that did not exist because of the Beatles fame. But the only one that made direct sense was Oasis, because of course. The filmmakers just nonchalantly picked other famous things to delete as well.

Were they because of the no Beatles? Were they also wiped during this weird event? Were they the real thing that was disappeared and that caused no Beatles? They do not explain it at all, and do not make an attempt.

And also, as most of us would assume, no one would get super famous from Beatles music in 2019, if it didn´t come out 60-70 years ago. No way at all. So his strange rise to success feels forced and at no point am I given a believable picture of this strange rise to fame.

Just kidding. A scene where his parents gave no fuck that he was unveiling a new song for them to hear, and interrupted him multiple times? That was believable.

A concept that could have been great, but was instead left up to mysteries and lack of thought.

1 out of 4.

A Hidden Life

Why am I doing this to myself? Why am I going to a theater to see A Hidden Life? It should offer me nothing. It is a Terrence Malick movie, and I swore I wouldn’t watch his stuff anymore! They just kept making my worst of the year list, and I never got an ounce of pleasure out of them, just pain.

I think I have missed one or two of his films since my declaration and my life has been notably happier.

So why did I decide to see* a three hour movie of his, in theaters, with subtitles? Because it had to go and get nominated for a Spirit Award for Best Feature. Damn it, I usually like those best features. Maybe this one is different? Maybe he is trying something new?

Maybe I won’t feel like quitting my job as a reviewer over it?

grass
The waves of grass and aloof voice over is already calling me to the void.

Franz Jägerstätter (August Diehl) is just an Austrian dude, living in a super small community in the mountains, trying to live his best life. He meets a cutie with a booty, Fani (Valerie Pachner), they hit it off, and then start doing the house thing together. They do their farming, their animal raising and shit, have a few kids along the way. They have help when they need it, but they try to do their own thing.

Well, this takes place during WWII. That’s not good. Franz is sent to boot camp for a bit, when Austria is still sort of independent, but gets sent back when they realize they won’t need people because France surrendered and war should be done soon.

But it ain’t. And that German influence sweeps over Austria, even in their small community. Everyone starts Heiling Hitler, wearing swastikas, signing pledges, but Franz doesn’t. That doesn’t make sense based on his values, he wants to just continue to stay out of it.

Then they draft him, but he refuses. So he is imprisoned by the war machine and has to write letters to his wife and kids and just wait out the war. And waiting he and us viewers sure do a lot of.

Also featuring Matthias Schoenaerts and Michael Nyqvist.

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Mowing takes a goddamn century if you have more than a small amount of land.
Sooooo. This movie. Basically it is like Hacksaw Ridge with out the entertainment value.

Knowing what I was going to get into and the length, I figured there was a good chance this movie makes me sleep. I told the rep, just let it be (and they always do), maybe record how much I sleep for this review. It turned out that only two critics came to this screening, including me, because others had it on DVD by then I guess and didn’t care for the big screen.

And you know what happened? The security guard woke me up. It was hard to pay attention early on, but I passed out, and I was shook awake with very little actually sleep. The nerve of that man. I didn’t want to be touched in the dark in my sleep, so then I had to battle and just force myself to stay awake which became a very unpleasant game.

At some point I needed to know how much time was left, feeling it was forever, so I went to the restroom, and found it at only half of the run time gone. Oh no. No no no no.

I got my stuff, wrote my note, and left. Yes, I walked out of the movie, halfway through, because of annoyance at security and getting very little out of the plot or story. It was more of the same from Malick. Maybe he dialed back a little bit of the whimsy for this one, but more of the goddamn same.

I read the plot outline on Wikipedia, and when I left he was already in prison and jailed in Berlin with his wife wondering where he was at. It seems very little happened after that, so I don’t know how it lasted another 90 minutes.

Oh wait, yes I do. Malick.

0 out of 4.

The Last Black Man In San Francisco

Title alone, The Last Black Man in San Francisco is a winner. I comment, quite a lot, about a title can make or break a movie. Stuber, on one hand, helped break that movie. This title? I am intrigued, tell me more, what are you about?

Is this a fantasy film? A political one? A drama, a musical, or an action film?

I don’t know, I just know I am ready to be wow’d with whatever direction it chooses and hope the story can live up to the name.

hugs
The hugs look very cozy, I want one. 
Jimmie Fails (Jimmie Fails, no he is not a celebrity) is a relatively young adult living in Sand Francisco. And no, he isn’t the only black person in the city.

He lives with his friend Mont (Jonathan Majors ) and his friend’s grandfather (Danny Glover) . They travel the city often and comment on its changes, but a lot of Jimmie’s time is spent going to a special Victorian house that he USED to live in when he was younger. Due to many factors, they had to move, but he loves this house because his grandfather built it after World War II. It is in his families history and the old couple who live there now aren’t taking good care of it.

A lot of his free time is spent fixing the exterior without permission, much to their annoyance.
But lo and behold, one day, there is crying and packages moving away. Apparently the new owner had died, and now the sisters are battling with who gets to have it, and until that is settled, the house is going to be empty.

Jimmy and Mont should just, you know, live there, with the old furniture, and fix it, and maybe he can claim it back for his family again!

Also starring Mike Epps, Tichina Arnold, Rob Morgan, and Finn Wittrock.

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The movie shines of San Franciscian.

TLBMiSF is a hard film to describe and recommend on why it is good and worth your time watching. The plot is simple, and yet still far more than that. A guy wants his family home back, that his grandfather built, and he is just really kind and nice about it.

This film goes through racial stereotypes in a lot more of a subtle way than other films on this topic. What does it mean to be a black man? And does the city matter when it comes to your race? Is there a wrong way and a right way to live?

The play scene near the end is very powerful, and yet, so is the regular sites and sounds of the city. It is a really great film from first time actors, directors, and writers, and hopefully wont be forgotten by the years end completely.

3 out of 4.

Joker

Todd Phillips has directed a handful of movies in the past, including every Hangover movie, Old School, Road Trip, and Due Date. All comedies, not all of them necessarily good, but all comedies nonetheless.

So it makes sense on that level for him to direct a movie called Joker. After all, that title sounds like a comedy.

Oh wait, this is a serious drama piece, about the origins and rise of a super villain? A big acting movie that is probably going to be offered awards? Oh uhh…Todd? Are you sure you are ready for this?

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Nothing screams out humor like a clown smoking on some stairs. 
Arthur Fleck (Joaquin Phoenix) is an adult, but why? Being an adult sucks. He has a disorder that causes him to laugh out spontaneously, and annoyingly, at weird times, so much that he has a card to warn people. He used to be in an asylum, but he is doing much better now. He works as a party clown, for kids, or whatever the occasion, even if it means standing on a corner with a sign.

More importantly he cares for his sick mother (Frances Conroy), who used to work for the Wayne family a long time ago. She still hopes they will respond to her letters, because they are good people. She is bed ridden now, and Arthur´s income isn´t a whole lot of money. But Arthur is kind to her and watches their favorite shows together and makes sure she is comfortable, even if he is having a bad time.

Like when he gets beaten up by some kids who steal his sign. Or his job threatens to fire him, or when they do actually fire him. A lot of bad is adding up, and he can´t take it. So when he kills some young rich adults in self defense, it starts a movement in the city. A city who is tired of the wealthy getting away with everything but murder, while the poor suffer.

This whole thing is a big misunderstanding, and a joke. But maybe it is just what Arthur needs to find his purpose in life.

Also starring Robert De Niro, Zazie Beetz, Brett Cullen, Shea Whigham, and Bill Camp.

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Phoenix playing someone with mental illnesses? You don´t say! 

Now that it has been out for over a month, most have you had already heard the praises of this movie and its record breaking $1 billion in the box office. It is by far the highest grossing R-rated movie of all time. All these records needed was just to put a superhero tag on the film and they were good to go.

Phoenix does an incredible job, but this type of role is something he has shown again and again in previous movies. It is very much in his wheelhouse, they are just usually more independent films that no one feels like watching (and honestly, a lot of them I have disliked). No other actor is really a standout here, although De Niro is at least interesting in his role.

This film offers a very unique look into the start of a movement, and the start of a supervillain. It does not say the Joker is right in his regards, but pointing out societal problems is good in the long run so that we can collectively all work on making the world a better place. There will always be problems between the classes, when one side suffers over the other. And a movie like Joker takes that to the logical conclusion. Eventually people get tired of being pushed around.

And yet, all of this is still an over simplification of what Joker is all about. The only really way to know, is to experience it and see where it takes us.

4 out of 4.