Tag: Comedy

The Hunt

Before all of the hubbub, I just naturally assumed that The Hunt was a remake of the Danish movie, also called The Hunt. Because it was famous, got nominated for awards, and so of course it will be remade by America at some point.

And that film was about maybe a pedophile, but maybe not, teaching at a school. Apparently this movie is about hunting people as a game, a very unoriginal story!

And apparently, due to its violence, it was taken off the schedule until further notice. And further notice means March 13th, because we haven’t had a big gun disaster in awhile, so it is okay to have a movie with violence.

I mean, minus the fact that people died, it has a pretty good PR campaign to get people talking about the movie. I will assume that was not their goal this whole time.

2 guns
Ah fuck yeah, two guns!
Everyone knows about Manorgate. You know, the conspiracy? The one that says the rich liberal elite once a year steal “deplorables” from the society, to round up and kill them like they are animals. Deplorables can just be anyone they don’t agree with.

You know. Card carrying republicans, gun nuts, conspiracy podcasters, anti-immigration, anti-gay, anti-abortion people. Any of those types. They just want to round them up in a small group and easily pick them off with traps and weapons, and slowly, this will be the rich’s way of getting rid of the poor and shifting our country blue.

Everyone. Knows. About. This. It has to be true!

That’s why when our cast of characters wake up, gagged, and find guns, they immediately know what is up when they start getting picked off. Can they survive? Can they put an end to this program once and for all?

A big cast of characters, on both sides of this hunt, including in no particular order: Ike Barinholtz, Wayne Duvall, Ethan Suplee, Betty Gilpin, Hilary Swank, Emma Roberts, Christopher Berry, Sturgill Simpson, Kate Nowlin, Amy Madigan, Reed Birney, Glenn Howerton, Steve Coulter, Dean J. West, Vince Pisani, Teri Wyble, and Steve Mokate.

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Shit, the military is involved as well? Better just add them to the Republicans side! 
For a film about rounding up people and killing them (allegedly), they really knew how to drag things out and make it really boring. This is the sort of film that promises a lot of deaths, on both sides, and this is wasted on fast group kills that don’t leave a lot left for the viewer.

This works in favor of the film early on, when people are dying when you might not expect it. Big names, with barely any lines, it is hard to know just who the main character is going to be. A lot of traps and explosions and more.

And then when we have only a handful left, it stalls really hard. Later on, a large percentage of the “bad guys” go out right around the same time, once again, why so fast? They needed to much better pace out the killing and keep it diverse.

In the second half of the film, I was left with a lot of slower conversations, like they really needed to pad the running time of this movie to make it last 90 minutes. I shouldn’t be falling asleep as they get to the point.

And yet here I am. The Hunt is all hype and not enough substance. It doesn’t go far enough on the killing, nor really anywhere with its message. This is a film that would only work as a short. Could have told the same sort of story in about 20 minutes and saved all of us time with a much better experience overall.

1 out of 4.

Greed

Greed is probably my 2nd favorite game show of all time. I think it had a good balance of trivia, team work, back stabbery, and good money prizes. I am annoyed it didn’t take off more. My favorite would be Survivor, if that counts as a game show.

However, this doesn’t have anything to do with the game show, outside of the concept of needing…uhh, money. And Greed.

I couldn’t tell what I was really getting into when I accepted the invite. It had an orange dude on the cover, so I didn’t know if it was going for Trump parody, a different person, a mockumentary or what. I did know it was going to be British, which means strange humor.

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This doesn’t look like British humor! These are clearly Brazilian outfits!

Sir Richard McCreadie (Steve Coogan), or Greedy McCreadie from his non-fans, is a dick. An older, relatively wealthy, dick. He grabbed himself by his bootstraps, had already a large sum of money, and turned himself into a fashion icon.

Sure, most of his companies failed. Most of them went bankrupt and somehow the assets went to his family. His wife (Isla Fisher) was able to profit off of them the most, and a lot of it went into Tax Free havens. He borrowed money from the banks to pay for companies, that then went into the companies debt, not his own. He knew the system and knew how to make it work for him and his own, no one else.

>Well McCreadie is about to turn 60. He is annoyed about the bad press, the investigations, and the negativity. He is going to throw a giant bash for himself, regardless of what conditions his workers face. He is going to have the best party, in Greece, with all the stops pulled out. He also has a writer (David Mitchell) doing his life story. He has a lot of random workers like Amanda (Dinita Gohil) whose mom works in his factory, and a son (Asa Butterfield) who can’t stand him.

Yep, this party is going to be the best or the worst.

Also starring Sarah

Solemani, Tim Key, Asim Chaudhry, Ollie Locke, Kareem Alkabbani, Pearl Mackie, Jamie Blackley, Shanina Shaik, Jonny Sweet, Sophie Cookson, and Shirley Henderson.

trial
He’s not Trump. He is more competent.

Greed was weird. It had good moments, and lame moments. I want to be positive and focus mostly on the good.

I enjoyed the strangeness of Mitchell’s character, the writer, who was above it all and awkwardly placed at the same time. Name dropping literary references, not being sure how to handle the lavish dicks all around. He is our character going through the same emotions the audience go through, except he has a bit more say in what happens by the end.

Other actors of note include Gohil, Key, and Chaudhry, who all give us realistic feeling characters. And sure. Coogan as our asshole rich man, with his slick and creative slurs. The rest of the cast isn’t given a lot to work with, outside of being unbearable rich people for the most part, doing dick things and living fake lives. It is more of a script issue than anything, but none of them stand out in a positive way to elevate the film.

The film gets really weird with the end. Often, real stories give us text updates at the end to let us know about the real characters after the events of the film. This one did that as well, except it is about fake people. Instead it talked about real issues, with a lot more weight and passion that didn’t seem to match the scrutiny during the actual film.

Sure, it had rich people doing bad things, and they noted it as bad. It still didn’t seem like such a big deal in the context of ridiculous characters. So it felt like a harder attack at the end. They should have done a better job at being more explicit with the message they were really going for overall.

On its own, its is an okay movie, with some interesting elements. In retrospect, especially how it was filmed, it might have been even better as an actual mockumentary, as it already had a lot of good elements there.

2 out of 4.

Emma.

Okay, so. Listen up. Emma is a book made by Jane Austen. It is likely not one of her most famous books, because it doesn’t feature alliteration in the title and is only one word.

Emma. with a period is a movie version of that book, of which we have already had movie versions, just not in a while.

One of the last times this was done as a movie was, of course, the movie Clueless! Oh you didn’t know it was based on Emma? Most people didn’t. I technically did not. I knew it was based on something but I kept forgetting what book that was. I read that fact several times, and you know what? In one ear and out the other.

But hey, now I saw a movie called Emma. so I can finally remember the Clueless fact.

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Bold move to get an Ed Sheeran looking guy for the lead.
Emma (Anna Taylor-Joy) is a woman with a lot of time on her hands. Tons. She has no schooling to keep her busy, she has not siblings in her home. She lives in it alone with her older father (Bill Nighy) who doesn’t really want her to leave. He views the marriage of his eldest daughter as a mistake, and their house is empty without her now, so he is fine with Emma just staying around, not looking for a husband.

Emma doesn’t have time for a man right now. She is rich, so she has very few people who could really help her station in life, so she makes her own fun. For example, she really likes to play match maker with people in the village. She really feels like she knows these villagers, poor and rich, and can find those star crossed lovers who would never have met without her help.

Her current plan? To match her friend, Harriet (Mia Goth) with the big eared but sort of cute priest (Josh O’Connor) in town. Her neighbor, a George Knightley (Johnny Flynn) thinks that Harriet should marry a local and honest farmer instead, so they both attempt to lure her in various directions, regardless of her own thoughts on the matter.

As for Emma? She might find love some day. Maybe Frank Churchill (Callum Turner) someone who is actually more wealthy and mysterious, who continuously does not visit their town because he is often “busy.” Yes, she should focus on him and no one else. That is the best bet.

Also starring Myra McFadyen, Rupert Graves, Gemma Whelan, Amber Anderson, Miranda Hart, Tanya Reynolds, Isis Hainsworth, Vanessa M. Owen, and Suzy Bloom.

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Mmmmmmmmmmmmmmmmm. Drama food.
If you don’t think you would like this movie, just go ahead and ask yourself if you like’d Clueless. If you did, you might enjoy watching this movie just to compare it to Clueless to see how Clueless handled this old book. That is fun by itself.

Another pro for this movie is the colors and costumes. It is draped in decadence for the time period. The costumes pop, the outfits are awesome, and it makes me want to go to a Victorian era ball again in my life.

Music was also a strange highlight that I didn’t expect. They use very time appropriate music as the backdrop, much like a modern film might. As a scene transition. And yet it feels so strange, just having it going on in the back like it is a pop song that helps with a scene transition. It fascinated me, and I thought for sure, eventually, they’d show that church choir or whatever belting out these tunes, and they never appeared. It was a weird feeling, but a weird feeling I enjoyed.

The story itself doesn’t feel like it has the biggest amount of structure beneath it. It is obviously not a new story, given its old source, so that is one big reason why it will feel outdated. However, even taking that into context, the love story isn’t the strongest love story and a story that is a bit of a downer. I didn’t believe their love enough. Needed more time to grow it.

Hope they don’t get divorced a year after marriage. Anyways, now I am going to rewatch Clueless.

3 out of 4.

Downhill

A lot of people love Force Majeure. Haven’t heard about it? Well, in the magical year of 2014, before all of this mess we are in, it was released in France. It won some awards, received a lot of praise, but did it win an Oscar for Best Foreign Film? Nope. Hell it wasn’t even nominated. And unless a foreign film can win both the Oscar for Foreign Film and Best Picture, should we really care about it?

Now most films aren’t Parasite, which means most films are going to get remade at some point.

Downhill is a remake of Force Majeure, with out the subtitles and who knows what else is different. Will it be more of a slapstick? Will there be a ridiculous scream with the avalanche? Will we get to see man butt?

Force Majeure was a really good movie, and I am hoping before seeing it that Downhill is as well.

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If anything we can get some sweet mountain shots out of it.

Pete (Will Ferrell) and Billie (Julia Louis-Dreyfuss) are a married couple with a couple of kids (Julian Grey, Ammon Jacob Ford) and the romance is on the lower end. Hopefully this very expensive and nice trip to Europe to go skiiing for a week will kick things off with each other. Bring their sexy back. Also, Pete is grieving about his dad dying earlier in the year, so there is that too.

Things start off fine. Their boys complain and argue, but whatever. They got a lot of fun stuff planned. However, when sitting outside to eat lunch at a restaurant, a controlled explosion happens bringing down some snow. An avalanche! And it is a bit scary to watch it coming towards them. Is it dangerous? Or will it be fine?

Well, when others begin freaking out they make their choices. Pete grabs his phone and runs away. Billie is left at the table with her kids and brings them down thinking her husband left them there to die.

And this sort of event unless dealt with right away will probably just build up over time. Like snow on a mountain. And eventually these feelings will avalanche down.

Also starring Kristofer Hivju, Miranda Otto, Zoe Chao, and Zach Woods.

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“The cowardice is palatable.” – Billie, probably. 
Having to compare a movie to what it is based on can be hard. But int his case it is pretty easy.

Force Majeure is a good movie, Downhill is a bad movie, and it is sad to admit that.

In terms of what worked really, really well, we had Louis-Dreyfuss giving a great performance here. Her facial expressions, her outbursts, her confusion about her shitty husband. Her freak out before the helicopter was a good one and warranted.

In this film, they made Pete/Ferrell way more unbearable and the bad guy. I felt like we had some gray area in the first one. He was still clearly wrong, but they balanced it out eventually, sort of, and he wasn’t a complete dick. Pete was someone I wish would have ran from the avalanche and literally just never came back. That would have made this a good remake, deal with that awkwardness.

This remake is shorter, rushes through some of the emotional turmoil, but still includes a bit of the awkward for some discomfort in your seats.

1 out of 4.

The Gentlemen

Let’s start this review with a little bit of a confession. Later this year we are getting a Kingsman prequel movie called The King’s Man. That makes a lot of sense to be the title of a Kingsmen prequel film. No one should get that confused.

Enter me. Movie reviewer. Reviewer who tries to not watch trailers or too many other notes about films before seeing it. I remember that the Kingsman prequel had a really obvious name for the series, but didn’t remember exactly what.

So, when I saw I had a screening upcoming for The Gentlemen? My mind went only one place. Ah yes, the Kingsman prequel.

And let’s just say, this movie had me pretty confused for about 20 minutes about how the heck this was at all related to those other films. When they started making a lot more modern references and talk about cell phones, I knew I must have just been a dumb fuck at that point. Anyways, that movie comes out in September. This one is an original and it comes out now.

grant
But wait, there’s more!

Mickey Pearson (Matthew McConaughey) is a weed dealer on a grand scale in Great Britain, and he isn’t even a citizen. Damn Americans. He has so much weed, making so much money, no one knows how he does it. Where does he hide his crops?

Well, he wants out of the game. He is getting older, less likely to go killing people and defending his territory. If he can sell out his whole operation to someone else, he will have enough money to retire the rest of his life with his comfy and rich friends.

But a simple idea dealing with illegal things will never be that easy. We have a very good and nosy reporter (Hugh Grant), the owner and operator of a gym for formerly bad people to make them better (Colin Farrell), Pearson’s number 2 man (Charlie Hunnam), and an ambitious Chinese gangster looking to make a break in the business (Henry Golding) that are all going to make things more complicated.

People will turn on everyone if it means survival in the end.

Also starring Jeremy Strong, Michelle Dockerty, Eddie Marsan, and Tom Wu.

swag
Success is always measured in dollars, nothing else.

The Gentlemen is definitely a return to form for Guy Ritchie, and is definitely not a prequel to that one franchise I will stop talking about.

This film felt like his previous great works that people think about when they say Guy Ritchie. Snatch, Lock, Stock and Two Smoking Barrels, and sure, RocknRolla, This is not like most of his trash from the last decade.

We get twists and turns, hard to understand accents, shocking moments, extra action when necessary, and surprises. A lot of what I said could be considered the same thing, and I don’t care about that.

It was very entertaining, if not hard to follow at the beginning [Editor’s note: That could be because this viewer was a dumbass, see the beginning of the review.] of the film. I did get annoyed at the seemingly excessive racist Asian language that happened at multiple times, although I accept that as bad people going against other bad people, it makes sense for the characters to be…racist. That was hard to type. Still can be frustrating as a viewer.

I give the most praise to Hugh Grant. He went really out of his normal style for this role (except for his general flair for the dramatics that he always carries) and killed it. I also quite enjoyed Farrel and Golding, Golding in particular is on the rise out of seemingly nowhere.

The Gentlemen is just going to be a fun time, with a little bit of death and mayhem.

3 out of 4.

Isn’t It Romantic?

It has been tough for Rebel Wilson to breakout so far as a leading actress. Probably mostly because she is seen as a goofy, lovable sidekick character. She played it in the Pitch Perfect franchise and What To Expect When You’re Expecting really well, to make her mark.

But with those roles came more roles of similar nature. Only small parts, and if she is a leading lady, she is sharing it with a few others in a group, and those films haven’t been met with any acclaim.

Now with Isn’t It Romantic?, she gets to be not just the leading woman, but obviously the leading character. This is a movie about someone she plays, and everyone else is side folly. I could be mistake, but I believe this is the first time she has done this in a big picture before.

And why not start with a purely satire picture, so that people know we are supposed to find it ridiculous.


Having a RomCom? That means the impromptu musical part will be my favorite!

Natalie (Rebel Wilson) works as an architect, but has no self confidence at all. She lets her work friends walk all over her, she does favors with none given back, she can’t get a word in at meetings, she has an assistant (Betty Gilpin) who just likes to watch movies and is lazy, but she is fine with it.

But this leads to their discussion of romantic comedies. Because Natalie thinks they are stupid, but her assistant loves them. And sure enough, after getting mugged by a subway and waking up in a hospital, Natalie has found her life to be different. The world is cleaner, people are nicer, and good things are suddenly happening to her out of nowhere.

A guy who used to be a jerk to her (Liam Hemsworth) now only wants to seduce her, she now has a gay best friend (Brandon Scott Jones), and her best friend forever (Adam DeVine) is also getting wrapped up in the genre and found a new love (Priyanka Chopra)!

Looks like everything is going to work out after all…

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Have your dreams come true? Gain a Hemsworth.

Plenty of satires have mocked what they were satirizing, and also given a film that follows those tropes as part of their satire. But how far is too far? And how much of it is just an excuse to make another romantic comedy?

It sort of feels like lampshading. “Oh golly, romantic comedies have a gay best friend, and now here is ours!” and things like that. And this movie does do that a lot, which loses its impact over time.

ON THE OTHER HAND. This film does not fully commit, thankfully. It does subvert the expectation as well, giving us that breath of fresh air.

It would be most ideal if it subverted it more often, but if it only subverted the trope, then she wouldn’t be stuck in a RomCom, so it is hard to find the balance.

And also, let’s be honest, I loved the multiple musical numbers. Those really are my jam.

It could have been better, but it also could have been way, way worse.

2 out of 4.

Bad Boys For Life

Bad Boys bad boys, Michael gonna Bay, Michael gonna Bay and explode on you.

As of last week, I had not seen either of the Bad Boys movies. I did make sure to check out the first two before this third one quite a few years later. I figured the plot would be relevant [Editor’s Note: It wasn’t] to previous movies and didn’t want to be lost. And honestly, neither were my jam at all. I can’t remember much about the first film, and only a few scenes from the sequel stand out. It was definitely a chore I had to put up with.

And let’s talk about this title? Bad Boys For Life. I guess they don’t have high expectations for future films, letting go of that obvious for for the fourth film there.

And yes, I know Michael Bay didn’t direct this one. Let me have my fun.

ooohyeah
Lawrence is mostly just excited to have work at this point. 

Set all the real life years after the other movies, we have our heroes Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) getting older and getting into slightly less trouble. Mike still feels he is king of the world and untouchable. Marcus is slowing down, ready to retire, and over a lot of this stuff. Hell, he is a grandfather now. He wants to make sure he can see his grandson grow up and now get shot at some point in the future.

At the same time, some Hispanic lady (Kate del Castillo) broke out of prison in Mexico, thanks to her son (Jacob Scipio), and they seem to have plans about getting their family back on top. Finding some lost money, getting the literal gang back together. All of that. And she wants revenge, for everyone who hurt the family, including a Mike Lowrey many years ago.

Oh yeah, they have history. But you don’t know about it, since it took place before even the first movie, because why not.

Anyways, not sure what else to talk about. Scary threat and scary bad people, and maybe some people will die.

Also starring Alexander Ludwig, Vanessa Hudgens, Joe Pantoliano, Paola Nuñez, Charles Melton, and DJ Khaled.

panning shot
Oh yeah, everyone is getting too old for this shit. 

Bad Boys for Life could have been a better film. The ideas were there. Some of the characters were there. But it did not ever reach the potential and by the end, we were left with the same damn shit.

First I want to talk about Martin Lawrence, featuring a fatter head because he has been a lot more out of the spotlight. Honestly, it fits his character. And I loved his character in the first half of the movie. A grandson changed his life. He had new priorities. He prayed and stick to his prayers. It was actually a delight to see. And uhh, eventually, it was all just thrown away and hey, action movie, shoot gun, bang bang bang killing people. Okay.

Second note. In the middle of the movie we get a big speech from a character and it is meant to be this big moment. A change of heart speech. And then a really bad thing happens at that moment. Mike realizes at that point that everyone else was right, and that he was wrong. He was doing the bad stuff, he shouldn’t be involved, he needs to let others handle the current issue at hand. Hell, Marcus was right and Mike was wrong. They establish it, we all agree with it.

AND THEN RIGHT AFTER THEY GO BACK TO DOING THE BAD THING THEY ALL JUST AGREED SHOULDN’T BE DONE.

What in the hell? I feel like I was taking crazy pills.

This is a film that has some good laughs and scenes, and has good ideas, that get tossed aside on a whim to give us just another buddy cop action film. It didn’t stick the landing in terms of character growth at all, especially with the actual ending, which became a standard big kill fest with expendable bad guys, fire, and some underwhelming CGI.

Oh yeah, and there is no need to watch either previous movie. Despite having a villain from the past, it certainly isn’t one in the first two movies. Despite having a character that was in a relationship with Mike in the past, it is another thing that happened off screen. Completely lazy writing at points for these minor details, and, you know, the main plot of the dang film.

I am just so upset that it had potential and started off way better than expected.

2 out of 4.

Arctic Dogs

Ohhh, box office failures? Guess I have to see it.

Much like you all, I never heard about the movie Arctic Dogs coming out to theaters. It wasn’t given to the press. If it had an advertising budget, it went up someone’s ass.

Arctic Dogs went to theaters on November 1st, and completely bombed. It opened in over 2,800 theaters and currently (at time of writing) has the worst amount earned in an opening weekend for that many theaters at just $2.9 million. Completely, and utterly destroyed by its competition.

But surely an animated film about some doggos can’t be that bad?

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Oh. Foxes. Maybe. Never mind.

Swifty (Jeremy Renner) is an arctic fox, living in, well, the Arctic. He is super white, blends in with the snow, and thus, others seem to just ignore him and let him do his own thing.

Oh, yeah, this is a animals as humans movie. And the coolest animals in this small town are the Arctic Dogs super hero animals. What do they do? Oh. They deliver mail and packages to other small towns. Cool.

So naturally Swifty wants to be an Arctic Dog sledder, despite being a fox. And he meets the weight requirements, but isn’t really strong. So he is sent into the warehouse to help stamp packages, looking on the outside in.

Well, one time, Swifty has to send out a package. And it is to a weird Walrus recluse (John Cleese) who has Puffins working for him, all weird. And apparently that is enough for the Walrus to get rid of all the Arctic Dogs, just in case.

Now it is up to Swifty to deliver the packages, and, maybe, one day, also save the day.

Also starring Alec Baldwin, Anjelica Huston, Heidi Klum, James Franco, Laurie Holden, and Omar Sy.

redacted
Yep, Walrus on a robot spider bod. The ladies love it.

You see, Arctic Dogs isn’t bad enough to warrant its record. I mean, it is bad sure. But it is straight to DVD bad, not let’s scorn this movie so it never tries this nonsense again, bad.

Voice casting, most of it is uninspired. Not even John Cleese could save it with his wonderful words and accent. Hero is generic. We have had plenty of times someone who wants to be something, that he literally shouldn’t be able to do, but does it anyways because perseverance. But they keep doing it with animals or inanimate objects so that the real message is lost.

At least this time in this movie he didn’t just train hard enough to eventually get the job and prove people wrong. No, he got the job because all of the others were captured. Why? Because of plot reasons that don’t make at all any sense. Why would the villain want to take out all of the mail delivery dogs, when he still needs to get mail delivered to finish his evil plot? … … … Ohhh, because of poor writing.

Our female lead has the personality of Engineer, which is at least slightly different than the personality of scientist. And she unknowingly helps the bad guy the whole time, because I guess she isn’t smart enough to know what she is building? And there could be plot resolved from this earlier, if the main characters could talk better.

Oh, and let’s not forget the bad guys motivations. He is used to represent Global Warming, because its great to have a single source for the blame and make things fixable.

I just…I don’t know why the plot is so, so, so, so bad. The animation is definitely okay/average. But the terrible plot, nonsensical decisions and overdone tenants of the story line make this a disaster from the start. Good thing no one watched it.

0 out of 4.

Good Boys

Two movies were hailed as being the next Superbad for 2019 (12 years after Superbad came out. I don’t think movies were really compared to it before?). The first was Booksmart, or Superbad for a modern age with ladies! And it was amazing.

The next was Good Boys, or Superbad for middle school (and for a modern age)!

And Booksmart was great, one of my favorites of the year. And I am disappointed with myself in missing Good Boys in theaters, as it would have probably been even better surrounded by other assholes like me laughing my asshole off.

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Is this some sort of middle school fantasy film? 
The Bean Bag Boys have been best buds since the early years, and now they are in middle school, ready to kick butt. However, they interests are no longer all lined up the same way, and now it is considered uncool to have passions. Like singing, or niceness, or smarts.

Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon) are trying to navigate the new waters, and dealing with bullies, dealing with drugs, alcohol, nicknames, and pursuing their passions.

And like every plot line in middle and high school, a lot of this revolves around a party. Max was invited to a kissing party, with his friends able to come to, but first they need to figure out how to kiss. This leads them on a wild adventure in town, skipping school, getting chased by high schoolers (Molly Gordon, Midori Francis), dealing with perverts, cops, and more.

Also starring a lot of adults, like, Sam Richardson, Enid-Raye Adams, Retta, Lil Rel Howery, Mariessa Portelance, Stephen Merchant, and Will Forte. Also some kids, like Izaac Wang and Millie Davis.

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It’s also great to see puberty effect people differently. 

Good Boys was first and foremost hilarious. I was worried going into it that this would be about middle schoolers who curse a lot and that is the amusement factor. But since they were good kids, they weren’t doing bad things, they were trying to do the right thing and getting into bad situations. It provided a much better humor type.

It is funny to be in these extreme circumstances, since they don’t know what is going on and aren’t familiar with all the words/terminology that are being used. The banter between the kids feels realistic and they feel like real best buds, even if it is trying times between them.

The real stand out to me was Williams, who much best embraced the ideals of being a good kid. He was given the best lines and situations, and I hope to see him in a lot of things in the future.

I laughed like a kid and I watched it on my own, and that is a weird thing for a person to do. It was a good simple comedy, and a nice bright surprise in this year of film.

3 out of 4.

Spies in Disguise

Ah yes, the last major animated film to be released in America in 2019.

Ah no, I am not including Playmobil: The Movie, because I said major release, major damn it. I am talking about things that probably felt they were good enough to come out and get awards or nominations or sweet Holiday money.

And it looks like Spies in Disguise is trying to get that sweet, sweet, Holiday money. Hard to make any money these days against a Star Wars release, but there is some to go around and not a lot of kid friendly movies coming out this Christmas day.

And hey, this one has Will Smith, and some people still think he is the best thing since 1999.

pigeon
But have you seen him as a bird???????????????
It turns out our main character isn’t going to be the cool spy, but the weirdo inventor! We know that Walter Beckett (Tom Holland) is the main character, because he gets a backstory at the beginning of the film, with his mom clearly going to die soon, who encourages him to keep up his science stuff and save the world with hugs.

Years later, Walter is working for the spy agency, but his gadgets are rarely picked. One of his is finally used when Lance Sterling (Will Smith), famous amazing spy that everyone loves, emits his gadget because Walter switched out Lance’s bag. Whoops.

This gets Walter fired, but because Lance is getting framed at the same exact time, Lance finds himself at Walter’s house needing help to disappear. And sure enough, Walter can do that. He doesn’t really warn him, but really he just wants to turn him into a pigeon for some sick fetish game.

Hah! Pigeons.

Anyways, now they have to save the world, when their very capable spy is a pigeon. Role credits!

Starring Karen Gillan, Rashida Jones, Reba McEntire, Ben Mendelsohn, Masi Oka, and DJ Khaled.

penis
Pigeon penis. 
Walter wants to change the world, but no one wants to listen to him. He has to put a spy’s life in danger in order to get it done and is shocked to be fired.

Better question, why does he even have a job at this place if they don’t want to use his stuff? Like, who are the hire ups to kept him working, with zero guidance or feedback? If he didn’t produce, you’d think they’d tell him to stop it and design specific stuff or get walking. But nothing? And why does a spy in the agency have the ability to even fire him at all? They clearly have oversight, and I don’t think agent would be a boss level about the scientists to fire them. That is just silly.

Oh, that’s all stuff I shouldn’t care about? Okay.

They made Will Smith into a pigeon and then didn’t do enough fun stuff with the pigeon. His character is way too antagonistic after the point when he should have stopped being so mad and learned to try to make the best of his body. The science is too dumb that is being showcased to make him a pigeon, along with the other gadgets used. And the pigeon transformation seems to work differently at the beginning and end of the movie. Because.

This could have been an okay movie.

But you know what? They even had a character named Ears act so stupid, just because DJ Khaled was his voice, and it never seemed to match the actual character. Did they let Khaled just improvise? Stop that, his ego doesn’t need that.

1 out of 4.