Tag: Colin Firth

When I got the invite first for 1917, I really just assumed I would ignore it. I try not to watch trailers, I try to avoid spoilers and go out of my way to research movies before I watch them. All I knew was that this was a war movie?

A war movie? In my 2019?! We just had Midway which was WWII (and I have not seen). I skipped one, why not skip this one as well? How can you wow me war movies?

And then a friend knocked some sense into me. He told me that this movie was done in real time. With the illusion of one continuous shout.

Hold my green apple Smirnoff ice, I’ve GOT to see this on the big screen.

Words cannot describe the fear the audience will experience.

Lance Corporal Blake (Dean-Charles Chapman) is awoken one afternoon with urgent orders that General Erinmore (Colin Firth) needs him and one other for an urgent mission, time is of the essence. He chooses his buddy Lance Corporal Schofield (George MacKay), and they hope it is just a supply run mission to head back and bring more food for the troops. They are quite hungry.

Unfortunately, it is a lot more urgent than that. There is another British division in the woods outside of a nearby French village. They are planning on attacking the German troops nearby at dawn, who are supposedly retreating, but the intel has changed. It is a trap. And Blake has an older brother in charge over there, another incentive to get there in time.

Now these two men have to travel through trenches, across no man’s land, hope that the German’s in their area did retreat, then travel several miles over land and hopefully get to the troops before it is too late and 1,600 men get killed.

Also starring Benedict Cumberbatch, Mark Strong, Andrew Scott, and Richard Madden.

Two men, one note, no cups.

Roger Deakins is god and we are just living in his well defined cinematographic world.

Breath taking. Wonderful. Immersive. It is hard to explain. If any film had to talk about the dangers and realities of World War I, this is probably the film we need. Our delivery boys are not bad ass guys who take their revolvers and head shot Nazis left and right running down a field. Every potential threat is just that, a threat, and potentially the end of their journey.

I never can tell if they will make it out of their current predicament, and if so, will they be fully in tact along the way.

The smaller roles given to big names help give some gravitas to their situation. Also, so do the explosions, and the hundreds of extras, and the miles and miles of real sets built, and the natural lighting.

An ending scene where a runner is going across the battlefield, while bombs are going off and explosions is one of my favorite and tense scenes of 2019. Along with a nighttime scene, running through the village with fire, flares, and German soldiers. It is hard to pick which scene feels more intense, honestly, and that is a good problem to have.

I loved 1917, and it is something that should be discussed for years to come on how to just do every little thing right with a movie.

54 years has to be some sort of record when it comes to having a sequel for your movie. I am talking about movies that have never been rebooted, or turned into an animated series, or given sequels decades ago but here is another one to ignore the rest, or a prequel in a different format. And you know, a sequel, done by the same company who has always owned those rights.

When they first announced Mary Poppins Returns, with the main leads, I was actually excited. Blunt killed it in Into The Woods, and her look could clearly pull off the same character. And of course Miranda is amazing in everything and could handle the goofy singing and dancing sidekick.

But I did quickly forget about it, and haven’t really cared about it coming out since the announcement. The idea seems swell, but maybe the real world is too annoying and dark for me to really escape for two hours and watch British kids learn to use their imagination or whatever.

And British adults learn their imagination never really left.

Many years ago, Mary Poppins magically appeared and fixed a family, then flew off, never to be seen again.

Until now. Decades later. Same neighborhood, house, and…family? Michael Banks (Ben Whishaw) and his sister, Jane (Emily Mortimer) are now older. Ben is living in the same house, with his three kids (Pixie Davies, Nathanael Saleh, Joel Dawson) and Jane has her own flat, but she is around frequently to help out. Michael was married, but she died, and this has put a big strain on their house. Finances are bad for that reason, but also because the whole neighborhood is in a financial crisis, of which it is hard to even find work.

So things are kind of shitty, and you know what, the bank is going to reposess their home probably. That means bye bye childhood, hello sadness and stress. They need help. And the kids aren’t being kids, they are just acting like tiny adults. Boo!

We need Mary Poppins (Emily Blunt) to return! And with the help of her new compadre, a fast talking lamp lighter Jack (Lin-Manuel Miranda), they will get the damn job done.

Also starring Julie Walters, Meryl Streep, Colin Firth, Jeremy Swift, Noma Dumezweni, Kobna Holdbrook-Smith, Dick Van Dyke, Angela Lansbury, Jim Norton, and David Warner.

Jumping into the pits of hell is a unique twist in this film.

Mary Poppins Returns is an unrelentingly optimistic look at life, sorrow, and pulling yourself up by the goddamn bootstraps to make yourself smile.

Something sad? Fuck your sadness, let’s get happy!

This movie felt a bit weirder, as there is a notable “villain” character, while the problems of the first film seemed to just deal more with priorities and not being family enough. This is a fine family in terms of love, just they have lost their way, and also, someone is out to get them. I don’t think it needed to be so mean spirited for a Poppins movie.

For the songs, there is only one song I really loved, which was A Cover Is Not The Book. And it is definitely a song I like more with the video, and not just the song. Most of the other ones just feel adequate, or extra. A fair number of reprises for the songs is a good use of their time at least. I absolutely hated the Streep song and the whole scene. It was a one off just to get her in there and act silly, and clearly it is a reference to the first film, but also, it did nothing for me.

This film relies heavily on nostalgia to sell. We have various versions/scenes that are clearly just throwbacks to the first film, to have similar antics, and that is more lazy than exciting. Because of better special effects, everything is a lot more polished, and thus feels a bit more fake when it comes to the more spectacular dance scenes. When we have the lamp lighter army doing their song and dance (because the last film did it with chimney sweeps), it just felt too cut heavy and small, like you could see the size of the set and didn’t pull me in.

It should be noted, that Blunt and Miranda still knocked it out of the park, and they are reason enough to see it. This is the film you want if you just need to smile and have a pick me up in these times of misery. It isn’t the best film, it won’t probably change any lives, but it can be a good escape, despite its issues.

Kingsman: The Secret Service was a strange breath of fresh air in 2014. A strange mix of Bond parody while maintaining its own serious qualities of a film. It wasn’t outright joke-y, but it did have plenty of jokes and extremes when comparing itself to Bond films.

I mean, outside of its very stupid ending (Which again, was just going to extremes), it almost felt like a perfect film. So many people were excited about Kingsman: The Golden Circle, heck, I was too. I just…didn’t see it.

So again, we find ourselves with a perfect film for “Things I should have watched and reviewed last year,” a theme title too long to tag, especially since I keep changing the wording. All of that is part of the theme title. It came out during a stronger time for movies, so the makers were certainly confident in their own work, that’s a good thing.

Just like they are confident enough to feature a lot of people wearing glasses.

A lot has changed for The Kingsman group since Galahad (Colin Firth) died and the whole world ending stuff from the first film. For example, Eggsy (Taron Egerton) is now in a committed relationship with the Princess Tilde (Hanna Alström). Merlin (Mark Strong) is getting in more of the action now too, and we learn he loves John Denver, how quaint! John Denver was featured heavily in Free Fire and Logan Lucky as well, so 2017 was like a love song to him, but you know, with movies.

Either way, they are going to have to deal with The Golden Circle, the world’s biggest drug organization. Why do they have to deal with them? Because they are planning something big soon to take out most of the world’s inhabitants. You know, like the last movie had a similar thing going on. But also because the organization took out basically all of the Kingsmen, except for Eggsy and Merlin, including their headquarters. That is totally not cool.

Following some clues, they head to America, to find The Statesmen, the American version of their organization. They are disguised as a brewing company in Kentucky. Well, disguised, and also do make the alcohol. In fact they have cute code names that are alcohol based. We get Tequila (Channing Tatum), Ginger Ale (Halle Berry), Champ/Champagne (Jeff Bridges), and Whiskey (Pedro Pascal). The two sides agree to work together, after some shenanigans and reveals to help bring The Golden Circle down, before calamity and stuff.

Also starring Julianne Moore and Elton John.

America has more cowboys and cowboy accessories.

Kingsman: The Golden Circle is 141 minutes long. 141 minutes long. The last one cracked two hours as well, but at no point did it crack 2 hours like this film. Sure, both run times include the credits, so we can subtract about 8 from each and still wonder what the hell was so important in this film for it to be so goddamn long.

And one of the biggest issues with this film is that it certainly drags and just has too much extra information that really doesn’t add a lot extra to the plot. It is in desperate need of some editing.

The characters still maintain some of their charm. I think too much of the film is spent trying to bring back some memories of a character. The action is okay, the overall plot isn’t. It feels way too similar to the plot of the first film, given the goals associated with it.

Overall, this is an average movie and not really worth the time it was given. Outside of Merlin, the other characters really don’t have much growth that you would expect in a sequel. It didn’t feel as funny or unique as the first film either. Basically, it is a lamer and longer version of the first film, pure and simple.

Normally when movies get pushed back, I wonder and worry. Sure, sometimes it is as simple as not being able to compete with a bigger movie coming out that same day. Sometimes it is due to a production company not wanting to compete with its own product.

I have no idea why Kingsman: The Secret Service got moved from November 2014 to February 2015. February/January are generally deader months where a lot of shit goes, so it feels like the studio just didn’t think it would be good enough to make it. So they put it at the beginning of the year to hide it.

That is clearly what is going on with Jupiter Ascending, which got pushed out of Summer to February, which means they don’t think it will succeed as a blockbuster.

But this is Kingsman, and the trailer actually looked interesting. Damn it. WHY DID THEY MOVE IT?

I can only hold on to my butts so long in anticipation!

Back in the day, Great Britain decided it needed to protect the world. That is a bit of paraphrasing. Either way, they made a secret service, based on the Knights of the Round Table. Each soldier is incredibly well trained, combat, spy gadgets, code names, Gentleman as FUCK, and lives a thankless life as they can never let their existence be known.

Galahad (Colin Firth) didn’t notice a bomb one time, and one of the new recruits died saving his life. He wanted to help out his family, so he gave them a medallion with a number on it to call if he ever needed help.

Now, seventeen or so years later, Eggsy (Taron Egerton) is in trouble. Sure, he is a smart lad (British terminology), but he has wasted his life living on the streets. His mom never got over his dad’s death and is now dating an alcoholic. He is involved with gangs. He runs from the cops!

And guess what, he needs help. Quite obviously, Galahad thinks he has what it takes. They need a new member as one of their own was slashed down by rich tech billionaire Valentine (Samuel L. Jackson) and his assassin Gazelle (Sofia Boutella).

So you know, training, spy stuff, gadgets, a shit ton of action, and everyone talking super funny.

Also with Jack Davenport as Lancelot, Mark Strong as Merlin, Michael Caine as Arthur, Sophie Cookson as the female main lead/training rival, and Mark Hamill as a professor. I normally wouldn’t even bring him up, but I mean, come on. Mark Hamill.

“I came here to drink tea and give someone a good going over, and the Americans dumped all of my tea.”

Right before the movie started, I found out it was 129 minutes and thought it was way too long. Now that it finished, I found myself only wanting more.

Kingsman is based on a comic by Mark Millar, the same man who wrote Kick-Ass. Hey. Matthew Vaughn, the director, also did Kick-Ass! How quaint! Matthew Vaughn had to leave Days of Future Past to do this movie, and that is fantastic, because it made it so we got two pretty awesome movies instead of maybe two terrible ones. I can’t believe how entertaining Kingsman ended up being. The action was high octane and firing on all cylinders, and the movie built a bigger body count than you would probably expect.

Samuel L. Jackson was in it, and of course he kicked ass as the villain. He had so much personality, I was almost rooting for him by the end. Colin Firth is usually fantastic when he isn’t in a super serious role as well, and I wonder if he backed out of Paddington to build up his R-Rating persona. Another movie with questionable things going on.

I mean. Honestly, the only thing I found super disappointing, was some really awkward stuff that happened at the end. It just felt so forced and childish. It felt like a 13 year old wrote the last minute, almost. It will be very off-putting to people, even if they enjoy it.

Kingsman may be truly the first very entertaining movie of 2015, and it helped kick start my hope for some unique things to come through the pipeline this year.

The main reason I wanted to see The Railway Man was because of the song they used in the trailer. You know the one. From The Thin Red Line.

“God Yu Tekkem Laef Blong Mi” . Seriously, put that song in a trailer, I am going to try and watch your movie. I will also be pissed if your movie isn’t epic enough to warrant the use of that song. Thankfully, Mr. Nobody used it in its movie, and it deserved it.

So, just saying, The Railway Man. A lot of pressure on you to not fuck this one up.

They get bonus points for making a World War II movie without Nazis, though.

Eric (Colin Firth). He’s got a secret. He’s been hiding. Under his skin. Wait, no, that is Mr. Roboto. Sorry.

Eric really likes trains. He always has, likes to ride them, knows what makes them tick, knows a lot of trivia. He also served for Great Britain in World War II. While on duty, his company had to surrender to the Japanese military and their unit was taken to work in camps. What did they have to work on? A railroad! The Burma Railway, to be historically accurate. How zany.

Speaking of coincidences, he also met his now wife (Nicole Kidman) thanks to the trains. Trains are really a big part of this guys life.

But he actually does have some pent up secrets. Some things happened to him while he was in that POW camp. Things done to him by Takeshi Nagase (Hiroyuki Sanada), the official translator for the Japanese that he would rather keep buried. But it turns out that Takeshi is still alive, in Japan, and wasn’t taken as a war criminal like the rest of Japanese soldiers from that camp.

This is good, if Eric was the kind of guy to enact revenge. But he wouldn’t do that at his age, would he?

Also starring Stellan Skarsgard as one of his old friends, and Tanroh Ishida and Jeremy Irvine as the younger Takeshie and Eric. I will let you figure out who goes with who.

Don’t just assume races stay consistent, is all I am sayin’.

I don’t think the entirety of The Railway Man lives up to the song. It’s sad, but true.

The ending is fantastic. The encounter between the two older men, combined with flashbacks during World War II. It was very dramatic, tense, and even a bit beautiful. It really kept you glued to the screen.

On the other hand, the first half of the movie tended to drag on. I think it is because see the meeting of Eric and his wife play out, then they are married. They have to give us that whole story. Then we have to have flashbacks of the POW camp. Finding out that the guy is still alive doesn’t even happen until the second half of the film.

It was quite a bore, and ruined the much better ending a bit for me.

This is a true story, but things were changed enough to ramp up the dramatic elements. I don’t care about that. I just care that presumably the beginning wasn’t changed enough to make it more interesting, just the ending. Come on. Enhance All is a way better option than Enhance End.

“What the hell is this shit? It is 2013 and you are just now reviewing the Best Picture winner from 2010? No one cares anymore! We already know its good!”

I have the meanest readers some times. Yes, I am a bit embarrassed that I am just now reviewing The King’s Speech. I just kept putting it off. I did see it a long time ago, but before I reviewed it, I felt like I should probably…you know…re watch it on Blu-Ray. Yeah, technology!

Enough excuses.

After all, did King George VI ever make excuses? All the time? Well damn.

Before King George VI was King George VI (Colin Firth), he was just the son of King George V (Michael Gambon). His older brother, King Edward VII (Guy Pearce) (“Hey, why is everyone a King?” Shhh) is set to be King before him, which is great, because George6 has a problem.

He sucks at talking. He has a terribad stutter, and it is frankly down right embarrassing. He is royalty, and he muffles all of his words! No one can take him seriously if he cannot give a simple command. They tried everything, including throwing money at the problem, but nothing seems to work.

So his wife (Helena Bonham Carter) decides, against his knowledge, to go off the beaten path to look for help. He has basically given up hope and doesn’t care anymore. He would just rather hide instead. As it is with movies, the man she finds is named Lionel Logue (Geoffrey Rush) and quite unconventional. He wants to get into psychology, and determine why people may stutter. That is personal shit, a bit too personal for a potential king.

OH NO. CERTAIN HISTORICAL EVENTS HAPPEN AND KING GEORGE VI BECOMES KING GEORGE VI. Fuck. Now he has to talk. He really needs to fix dat stutter and fast. But can he? Can he do it?

Just like any problem, all the king really needed was helpful aides.

There is a reason this movie won Best Picture, and it lies almost 100% with Colin Firth, who also won Best Actor. I know I’ve used this phrase before, but it is really the only thing fitting of this situation. Colin Firth acted the fuck out of this role, and there is no touching him in this movie. Stuttering is not too hard to pull off, if you want to mock a person and be an asshole. But to pull off I guess a “sincere” stutter, throughout an entire movie? And have it all look completely real and natural? Damn, maybe he just has a strong jaw and tongue! It is just insane how great he is at this role.

I tried to tip my movie after I saw it because I had such a great time. Oh yeah.

Everyone else is good too, notably Mr. Rush, as always. Not sure why Helena was nominated for her role, she is barely in this movie. But hey, congrats to her a anyways!

The story itself is not one I can see myself watching again and again, after all, there are some boring parts. But for the topic at hand, it made a seemingly “Who Gives A Fuck?” topic a star experience and helped everyone care about a now dead British King.

I really knew nothing about the plot of A Single Man before i watched it. Only thing I knew is that there was controversy around it, and that there was claims that it deserve the best actor award, not just nomination.

We will see. I will say that Crazy Heart, with Jeff Bridges winning that year, definitely wasn’t my favorite movie, so I can probably agree that someone else should have won without too much effort.

Uh oh, man and woman laying down. Clearly they must have had sex.

George (Colin Firth) is just a man, a single man. Single meaning just one person, but also at this point, he no longer has a lover. But why not? Because traffic is a bitch.

This takes place a month or so after the Cuban Missile Crisis, so it is a much scarier, yet simpler time. He was living with Jim (Matthew Goode) for sixteen years in a suburban neighborhood, who seemed pretty accepting of them as a couple, but they still couldn’t be too open about their relationship. After Jim dies in a car accident, George is pretty distraught. Never really the same, and couldn’t even go to the funeral (Jim’s family would not allow it).

George is a professor of literature at a university, and he doesn’t like the world right now. Fear everywhere, a fear of communism, fear of different types of people, etc. So he has decided he is done with the world, and at the end of the day he will kill himself..

The movie is a day in his life, potentially the last day of his life. With some flashbacks of course. George attempts to handle all of his affairs, and say goodbye to his friends. Including a last dinner with his neighbor, Charley (Julianne Moore) who is a single lady, after a divorce, and also longing for love in the world. There is also a story involving a Hispanic man who lets George borrow a cigarette, and a student of his, Kenny (Nicholas Hoult) who might just be in the same boat as him.

Don’t look into his eyes. Don’t do it.

Wow. Just wow. First off, some of the scenes are a bit weird. The flashbacks, the day, some of the shots are pretty artsy. Slow motion, imagery, etc. But a majority of the time it is straight forward, minus a bit of eye obsession. George during his day tends to stare deeply into peoples eyes, and study them, looking for that bit of compassion.

The acting in this movie is extraordinary. Damn that Colin Firth. Probably part of the reason he won The King’s Speech is from the accumulation of his other roles right before it when he knocked that shit out of the park. This is based off of a book and controversy before hand involved the trailers/posters seemingly “taking the gay out” of the movie. Focusing more on him and Julianne Moore, not him and Jim or Kenny. I am sure that mostly had to do with getting the trailers in theaters, than anything. You know those ratings, they hate gay kissing.

I am not sure if the movie will have the best replay value. Might not be as interested in some of the longer detailed scenes, but the dialogue is so interesting and seemingly important, I could probably listen to it multiple times. Bit weird, but very powerful.

SPY MOVIES.

But this is not your James Bond type of Spy Movie. This is the more subtle, information based spy movie. Of course more secret government organizations. But it is also British, and with other European people. As a hardcore American, that is a negative to me. Because we are the best.

But honestly, I knew absolutely nothing about Tinker Tailor Soldier Spy before I watched it, just that it was probably a book.

Reading is sooooo European.

The movie begins with Jim Prideaux (Mark Strong) sent to Hungary by the head of the Circus (British Intelligence nickname?) (John Hurt) to meet a native to buy secrets! Too bad he gets shot and captured though. That is not the plan, so the head gets canned, and his aide, George Smiley (Gary Oldman) get into forced retirement, and the head dies soon after from being old.

They get replaced by Tinker (Toby Jones) and his new right hand man, Tailor (Colin Firth) and also Soldier (Ciaran Hinds) and Poorman (David Dencik ) also move up the ranks. Bet you thought that last code name would be Spy? Yeah, what teases. Spy would also be a poor code name.

Speaking of poor nicknames, they move up the ranks due to Witchcraft! Russian secret intelligence they have found and traded to the Americans for even more intelligence. Smiley is brought back out of retirement from Ricki Tarr (Tom Hardy), as there are reports of a mole in the British government, someone who has been there for quite some time.

He has obvious suspects, but starts with those who left around the same time as him and works his way inward. He gets a team of people, including someone played by Benedict Cumberbatch, to do some secret espionage stuff to find out who the mole is, and if the initial outing of Smiley and others was all part of someones plan.

Other secrets to find out! Just what the mole was doing, the true purpose of the Hungary visit, and how jerky some peopl can be.

LOOK AT HIM. Not even an unrelated caption. Just do it.

In other news, this is efinitely not a movie I could watch again and again. It is a slower pace, obviously, and strictly feels like a very tame game of chess. The actors involved all do wonderful jobs, but personally I didn’t see a need to give Gary Oldman more props than the rest of the cast (Nominated for Best Actor for the film). When everyone does a fine job, I just find it harder to praise a single person.

However the plot I never really seemed to care for. Couldn’t relate to older British intelligence officers, go figure. I was just hoping the American’s wouldn’t get screwed over or made seem stupid in the movie. And well, it kind of happened. Whoops.

Decent movie, but just not my kind of film.

Turns out that Then She Found Me, a movie I had never heard of and found in a cheap bin and bought for the actors involved, is the first movie directed by /The/ Helen Hunt.

But she is also the main character too. Obviously she can’t completely escape the starlight, just yet.

“Quit staring at me with those dead eyes, you church bitch!” I think thats the quote there. Might be confusing it with something else.

Helen Hunt is getting married! Yay! She is in her late 30s, but is finally getting hitched to Matthew Broderick, a fellow elementary school teacher. She has no idea who her biological parents are and was adopted herself into a Jewish household, so for all intensive purposes, she is Jewish. She also really wants a baby before its too late, and really really doesn’t want to adopt herself.

Well ten months later, she is still not pregnant and it is looking rather grim. So Broderick does what every insecure man does and leaves her, not wanting that life. He also just quits his job, thinking it’d be weird teaching a class right next to hers. Ya think? So she goes to live with her brother (Ben Shenkman) where she also gets some strange news. Her mother (Bette Midler) has found her and wants to meet. (I am 85% sure that is the reason of the title!).

Turns out she is a local celebrity who does a talk show early in the day that Hunt has never heard of. Midler want to reconnect with her lost daughter and make up for all the years lost, despite the fact that she is now an almost forty year old woman. Who, if you forgot, is going biological clock crazy and really wanting that kid. It also so happens that she meets Colin Firth, a single dad with two kid, who is not socially awkward, but britishly honest, I guess.

Oh, and when Broderick broke up with her, she had sex with him before he left, and guess what. Got pregnant. But now she wants nothing to do with Matthew who left over that very reason, and might be in love with Colin. Dramaaa.

Colin also has a filthy fucking mouth in this movie.

More stuff happens, but that is end of the movie spoilers. I assure you it has to do with love and babies though. And maybe even her mother!

The movie is clearly very dramatic, and at points I loved it, and other points I hated it. Generally that fluctuated with whether or not Colin Firth was on the screen. His character was awesome, and the mom was annoyingly not. The dialogue also went back and forth between awesome and horrible, this time across all actors.

Despite partially interesting plot, it also gave me you know, boring plot. I guess that was the major problem with this movie. Back and forth between interesting and boring. Probably just like real life. Too real if you ask me.

Sometimes film titles tell you what the movie is about. So you’d think A Summer In Genova was about a summer in Genova.

And it is! Hah, tricked you. But it is also about a mom dying.

Annnd sadness.

Colin Firth is a college professor. But in a car accident loses his wife, and he becomes a single parent. His older daughter, Willa Holland, is in her mid teens, and the younger daughter, Perla Haney-Jardine, probably about 10.

So they move to Genova, for a bit. Why not, Italy helps get over mothers. Well, the whole movie Firth is sad. He flirts with a student there, and also another professor, Catherine Keener. The older daughter starts having sex with everyone in Italy, and the young daughter is mostly alone, and sometimes sees the ghost of her mom. Causing another car accident.

Annnd movie.

Annnnd more sadness.

Seriously. That is about it. Them three grieving in different ways I guess. The daughter wanders off a lot, and keeps getting found by the dad. Following a ghost. Causing another car accident was weird. Then it pretty much ended.

I mean, honestly I found it boring. Didn’t really feel that emotion. And thought none of the stories really felt connected and kind of pointless. Made it feel like a documentary. After all, indie-ish, so the cameras weren’t fantastic. Maybe it was secretly just a guide to Genova? Whatever it is, not too good.