Tag: Bill Cobbs

It has been awhile since Night At The Museum: Secret of the Tomb came out, but I am finally now ready to talk about it. Why did I wait so long?

Well, I had never seen the first two movies, Night at the Museum and Night at the Museum: Battle of the Smithsonian. I have owned the two Night at the Museum movies, which came out out in 2006 and 2009, since 2012. I just haven’t “found the time” to see them. Never in the right mood.

A few things helped put me in that mood. One, Robin Williams died, very sad, I really needed to see more of his movies. Two, the kids were about to go home for the summer and we had a long Memorial day weekend where I didn’t have anything to show them. So it was easy to watch one, then the next a few days apart, and finally, FINALLY, the third and last movie.

Fair warning, I thought the first movie was kind of terrible, and the second one had its moments, but was overall okay.

But those movies lacked a dreamy knight in shining armor.

Years later, that museum is still popular! Larry Daley (Ben Stiller) is opening up more cheating night things. This time, constellations. Well, shit goes badly and he gets fired. Why? The magical tablet is acting all fucky. People are freaking out, getting meaner. Who knows what is going on?? Well, apparently the parents (Ben Kingsley, Anjali Jay) of Ahkmenrah do! Yes, but they are in a museum in London.

So the gang gets together, tablet in hand, to go to a new museum at night and find out how to fix the tablet. Pretty simple plot actually. His son, Nick (Skyler Gisondo), played by a new guy, is also going to come. For reasons. You know, get him back on track and shit.

Oh hey, and we also have Rebel Wilson playing the London night guard. And Dan Stevens, yes, that Dan Stevens, as Lancelot. Sure, he is a fictional character, apparently in a museum, but go with it, assholes.

And there are all the returning characters of course. We still have Teddy Roosevelt (Robin Williams), Octavius (Steve Coogan), Jedediah (Owen Wilson), Ahkmenrah (Rami Malek), Attila the Hun (Patrick Gallagher), Sacajawea (Mizuo Peck), and even Dr. McPhee (Ricky Gervais). Hell, we also have the old geezers back played by Dick Van Dyke, Bill Cobbs, and Mickey Rooney (who also is dead now).

Just a bunch of eccentric Americans and killers hanging out, riding a bus.

The overall problem with this franchise are the inconsistencies. And the inconsistencies are all shrouded behind a mysterious Egyptian tablet and magic, so that any of them can just be written off. But no, it is incredibly annoying.

For instance, why do some things come alive and others not? Statue and wax people? Fine. But in this movie there is a display of Pompeii, and it even explodes and has its own lava and everything. What? The things are supposed to be alive people or animals or creatures. They are just making things up as they go.

The tablet was losing its power and so people were slowly reverting back to their original forms. Apparently people who get transformed for the first time didn’t turn back slowly because it was their first night. They are apparently just making up rules on the fly because why not. In this movie, they say people act a lot weirder right when they transform and get used to the change eventually. This wasn’t true at all in the second movie, as we saw tons of people come alive and go straight into character and being fine with it.

A more structured, less clusterfuck, is all I ask.

Now this one has some interesting jokes and I laughed a few times. Despite the fact that the main new character was a fictional person who makes no sense to be a museum exhibit, Lancelot was killer. Rebel Wilson also did a good job. But the issue with the tablet was lame, as was the “threat” behind it all. It all seemed poorly done, where conflict continued to be created for the stupidest reasons.

It turns out, more than one movie came out this weekend. That is right. The very strongly advertised and anticipated Oz The Great And Powerful. Really, I feel bad for any other movie trying to make money. It’d be like coming out vs The Avengers.

Of course, there is also the potential for naysayers. You can’t touch The Wizard of Oz after all. It is too nostalgic to be remade, re-imagined, or even associated with anything. Okay sure. Maybe the classic was based off of a book and not original. But at least it was the only one, right?

Fuck to the no. That classic was at least the 6th or 7th movie version of it, in a 30 year span. I just like to point this stuff out to people, who are quick to say Hollywood is no longer original, always rebooting. The movie you love was a reboot on its own.

So if they want to make up a prequel, with a lame china doll girl, by all means, I say let them!

Go figure, it takes place in Kansas. Oz (James Franco) is working at a traveling fair, being quite the ladies man. Maybe too much of a ladies man. His assistant Frank (Zach Braff) he treats like a trained monkey! Foreshadowing. Either way, he makes the Strong Man angry. Has to run, hops in a hot air balloon. Oh no, Tornado! Boom, Oz.

Shit is all in color and widescreen. Potentially dangerous as well.

Good thing he was found by Theodora (Mila Kunis) and not some creepy flying monkey. She is a witch, but thankfully not wicked. Nor is her sister, Evanora (Rachel Weisz), the current pseudo-ruler of Oz. They are all stoked, that the prophecy is coming true! An Oz will save the day, destroy the witch, and he will rule the land. Yay!

Or you know, shenanigans. Greed. Oz isn’t really the nicest or most honest man. Not to mention not actually being a wizard. Can he, will he, kill the witch? Well, just think about the fact that this is a prequel, then figure it out.

Featuring Michelle Williams as Glinda the Good, Joey King as china doll girl, Tony Cox as a helper, Bill Cobbs as a “Tinkerer” and Bruce Campbell. Why Bruce? Because its a Sam Raimi film.

Plot Twist: Bruce Campbell is the wicked witch!

I watched Oz on the opening night, in 3D, of course. It opens with a long title sequence, and its pretty fantastic. Really sets the mood. If you couldn’t tell from the trailer, the Kansas scenes are in a brown tinted lack of color scope, and squarely in the middle of the screen. Thats okay.

But Oz? Oz kind of turns into a CGI slugfest, over the top and extraordinary. I should have known it when I saw it was Alice In Wonderland producers, which might have had 2 real actors the whole movie as far as I could tell. Nothing wrong with special effects, but most of the time, the cast felt out of place or up against a green screen.

The acting in the movie isn’t the best either. Franco seemed like he wasn’t trying, nor did really any of the witches. Kunis plays some odd naivety, Weisz typical angst, and Williams felt like she had nothing to work with.

I might have been a bit bored halfway through, waiting for the eventual plot changes.

But you know what? The ending is kind of amazing. The attack on Oz, to the playful tricks (some of which are obvious, but not all of them), to the resolution, all feels pretty dang great. Not to mention a small part where Sam Raimi actually threw in an Evil Dead reference, which made me as giddy as a school girl.

Was this movie a lot less spectacular than advertised? Yes. But the ending almost made it super worthy to me.

Get Low? Alright I will get it over with.

No more references to that!

Get Low stars Robert Duvall as an old hermit man Felix Bush, living outside of a town in the 1930s or so. A simpler time. Why does he keep to himself? No one is for sure, but every once in awhile he does go into town, much to the ire of the towns folk. For some reason, he heads to the local funeral home, run by salesman Bill Murray and his new partner Lucas Black (the kid from Sling Blade!) to set up his own funeral. He has everything already ready for it though, except for the “funeral party”.

Funeral Party? What? He wants to hold a gathering of people just telling stories about him for his funeral, but while he is still alive. Very weird concept, but Bill Murray needs money and will sell anything. So flyers are put up to invite folks, radio interviews, haircuts, new suits, etc.

Also, Felix agrees to sell raffle tickets, $5 a pop, and the winner (announced when he actually dies) will win his home and land, which is quite a large amount.

At first it appears as if the funeral home is trying to rip off Felix, but throughout the movie you are unsure of who is ripping who off.

The event gets canceled a few times, and changed a lot. We find out that he doesn’t just want random stories, he wants his story told. Why he has been living by himself the last forty years, and an admission of his sins. Also included in the cast are Sissy Spacek, as a past friend (maybe former lover?) and Bill Cobbs, as the Reverend from where he used to live.

This is also a good film to reflect on with the end of “No Shave November”.

By the end of the film, don’t worry, you will find out the answers to why he is doing the funeral party, why he is a hermit, and what he did in the past. To be fair, those are all kind of the same answer.

The acting in this film is way too good. I am a well noted Bill Murray hater (unless he is in cameos). I banked my getting into college on it. But even he did a good job (but since he was kind of a crook, it was easy I bet). The ending is of course sad too, and when you realize everything that Felix went through in his (fictional) life, you will just want to hug that old man.

The music and designs/costuming were pretty top notch as well. Despite the slow start of the movie, if you pay attention, you will be hooked early on and find yourself on a decent ride.