Tag: Alain Chabat

Little N-Name movies are all the rage! After all, we had Little Nemo, Little Nicky, and now Little Nicholas. Two of those three are based on comic strips in the past, Little Nemo came out first as a movie but…also was the first of the comic strips, okay. But like, a few decades later, Little Nicholas comic strip was made in France and a lot of people had a good time with it. Most of them were French, to be honest. And a lot more of them were people alive during that time period.

Hell during the 1950’s I was just busy not existing. So I didn’t know about it at the time. However, the two creators of the comic also did a lot of other things in their lives.

Like one of them was also the inventor of Asterix comics, a pretty famous European dude. And the other, did a lot of famous artwork covers for The New Yorker magazine for decades.

But with their powers combined, they made Little Nicholas, and this is their story.

If you actually had to write that tiny, you’d have to jump on each letter.

That’s right, this isn’t just a cute story about Little Nicholas going to school, playing, and having fun. No, this is actually about the creators! Fooled you? Maybe?

René Goscinny (Alain Chabat), famous comic inventor of Asterix and other works, who had already lived a nice life. He meets up with Jean-Jacques Sempé (), another artist, who has been given a job based off of his drawings, but isn’t known for making stories well. So he wants to use René to get the stories for his work, and they can be a tag team duo, and make something great together.

And that is it. They do that. They make Little Nicholas (Simon Faliu) and people like it. They expand his universe and people like it. They even make some shorts I guess? People like that too.

But in the movie we also have Nicholas popping from the page, to talk to his creators, to find out about their lives. So we get to have a biographical film in that regard, in between Little Nicholas segments I guess that were big in the comments, like playing with friends and family members and school.

“Let’s make a child together,” said the straight man to another.

I wasn’t sure what to expect going into this animated work. Even when I read the description, about one making the plot, the other illustrating. Based on the image, I just sort of assumed it was a guy drawing a tiny kid, and the kid coming alive, to make his plot for him to draw. A weird surreal sort of thing. Like a genie in a bottle.

So of course I didn’t know that this was a reference to a European comic, and honestly, I still barely know that it is based on a European comic. Just because it has had, as far as I can tell, no impact on my life. I don’t think I’ve seen a short, or a comic, about Little Nicholas. I am sure where it was famous, it got really famous as just one of those post World War II quaint slice of life stories. Nothing that would excite me now, but maybe something used for very young kids still today. 

The people this movie feels aimed for honestly are likely those nostalgic about the story. I think a regular kid wouldn’t love this story at all, because they won’t give a fuck about the authors and their lives. But at the same time, the art style was very nice (and going for a Little Nicholas feel), and the idea behind this movie was pretty unique. Tell the story of two animators, in the style of one of their animations, while also giving parts of the animations story as well? Nice. Can’t wait to see someone else do a documentary about Werner Herzog’s life in the style of Werner Herzog. 

This family film, biographical film hybrid told me a unique story in a unique way. It isn’t something I know my own kids will care about, but it is still an interesting concept overall. I hope animators always continue to try new things like this. And yes, I know I am saying that despite this being a 1950’s art style. 

This is part of Fantasy and Sci-Fi Week at Gorgon Reviews!

I hate Luc Bessson. I probably have said that at least a thousand times in my life at to this point. I have also already said that he hasn’t made anything good since The Fifth Element, which was of course 20 years ago, and relevant to the release of Valerian and the City of a Thousand Planets.

Because I went into Valerian and I expected to hate it. I expected it to be somehow a Eurotrash movie, but in Space. I didn’t have any fond reasons to love the leads at all, and was just ready to be scathing. But then I didn’t hate it. I didn’t dislike it either. At the lowest I knew it would be an average rating, but not sure if it could land higher.

I did know that I had to go and rewatch The Fifth Element before I wrote this review. Because in all honesty, I hadn’t seen it since it came out when I was a kid, and I remembered nothing except for the intro scenes. And after going back and watching it, I sort of shrugged me shoulders and sighed, remembering it to be better than that.

Two takeaways from this intro: I guess I only really really like Leon, The Professional from Besson, and I don’t hate Valerian.

But I did hate how stupid looking they decided to make her armor.

Major Valerian (Dane DeHaan) and Sergeant Laureline (Cara Delevingne) are team of space soldier ranger things. They work for some intergalactic agency and have to do missions. In space! Pretty standard police stuff. We get to see them doing some space mission after Valerian wakes up from a space dream where a planet of blue things get wrecked super hard.

From this mission, Valerian and Laureline, gain a sweet pearl of extreme energetic power, and a cool little lizard who makes copies of anything it eats. I think you all can put two and two together to see why this is an intense combination. And this is the cause of all of their problems. Because when they return back to Alpha (aka the City of a Thousand Planets. A floating, giant space station that has inhabitants from all over to create one massive entity in unity), shit starts hitting the fan. A wiped out race of aliens appear and steal the lizard, but they use non lethal means. The main captain is taken and people who have no idea what is going on are in charge.

But don’t worry. We have Valerian and Laureline, who will take turns saving each other, to get to the bottom of this mess.

Also featuring Alain Chabat, Clive Owen, Elizabeth Debicki, Ethan Hawke, Herbie Hancock, John Goodman, Kris Wu, Mathieu Kassovitz, Rihanna, Rutger Hauer, and Sam Spruell.

Stare deeply into the eyes of the Blue Dhalsim.

I have put off writing this review for over a week. I have reviews that come out next week that I have already written before this one, it is just so hard.

The thoughts I had when I left the theater: Well, I don’t hate it. But do I love it? Is it average?

It is so damn hard to tell. There is quite a lot for someone to like in this film, and almost an equal number to dislike. So…Here…we…go!

Dislikes:

• DeHaan is not a bad actor, but he is not great in this film. Far too much of his dialogue is spent trying to badly woo Delevingne and it just drags on. His voice is way too gruff for his boyish face, like he is trying to play Batman. He worked for A Cure For Wellness, but it is hard to like him here.
• Delevingne, for the most part, is a bad actress. She isn’t great here either, but they don’t give her a lot to work with. Her character is weakly written, despite being an integral part of the team. Her name should be part of the movie, not just focused on the boy hero. But also, it is like her role is one entire eye roll.
• Goodman was wasted in this film, his voice was great for the character, but they implied he would have a bigger impact on the movie and then he…never came back.
• The Alpha station got really annoying. All of these special biomes and places to live, so of course we have a couple parts of the plot where our characters can rush through EVERY SINGLE ONE MENTIONED. Doing the “look at all the stuff in here!” and making sure it all matters instead of just keeping it small scale and letting stuff happen in the future. I had a similar issue with Zootopia, all these biomes, MAKE SURE WE HIT THEM ALL.
• Related to points 1 and 2, Delevingne and DeHaan had terrible chemistry.

Likes:

• What a goddamn introduction to he film. A nice, beach and ocean planet. A tribe of native aliens. In my screener there was a mess up with the intro, where we couldn’t see their dialogue and subtitles, and guess what, IT WASN’T NECESSARY. A story was told, it was awe inspiring, it was great, quality, film.
• The CGI for the most part was always on par as well. A ton of visual effects and they helped the universe, they didn’t hurt it. A lot of unique elements too, maybe from the comic, maybe not, but it was pleasing to look at.
• The plot wasn’t terrible. It had quite a few good elements and a lot of random twists in the middle. No one would guess where this film is going, even if you could guess where it ends.
• This hurts to say this, which makes it more true. Rihanna was in this film, and her character was fun. It was fun and Rihanna was completely fine in it. She didn’t take away from the movie, although how she exited the movie seemed unnecessary.

Honestly, I could keep going on and on about this movie. What I am left with is realizing this is a step in the right direction for Besson. Another of these films with a more focused story and planet or planets could be amazing. And I wouldn’t even care if he replaced the leads, I swear. It is not terrible, despite pretty bad elements. It is just totally okay.