I don’t need a long introduction anymore, I have done a few of these already! I don’t even have a significant list of missing films to talk about, even better!
So you know the drill, here are some honorable mentions. Honorable what?
Like every year, I had quite a few 4 out of 4’s to choose from. Top 15 lists are more exciting and besides, 10 is an arbitrary number. But what films couldn’t make the list? Things like Love, Simon, Widows, and Isle of Dogs. Officially only three honorable mentions, keeping it little this year.
There are no foreign films in the top this year, but that is because I only saw two major ones, and neither were 4 out of 4s for me. I also will say I didn’t get to see Beautiful Boy, Can You Ever Forgive Me?, A Private War, Destroyer, At Eternity’s Gate, and Mirai.
And click on the title to get the original review of the movie!
15) American Animals
I always try to make sure there are a few weirder films in my top 15, and this year was harder than most. I didn’t think we had as many strong weird films, because there were so many great films. And this year, American Animals is probably my only real surprise.
American Animals is a film I expected nothing out of, and barely even watched it to review as it was an online screener. I had some time, sat down, and was floored by the story and its presentation of facts versus the real situation. It was done so creatively, and it makes the viewer think. What more could you want?
Ruth Bader Ginsburg has grown to fame over the last few years as being someone who is unmoving in her convictions and always willing to fight for the oppressed. But it turns out, she has been doing it her whole life, coming from hard beginnings, a law school that didn’t care about women, and over a decade of being unable to even join a law firm despite wild talent and smarts.
This is a story that we should be showing our daughters when encouraging them to be anything in the face of oppression. This is a story that hits all of the right notes and gives a powerful role model still doing as much to change the world as she can in her 90s.
Although RBG is here and amazing, and a must watch (more so than On The Basis Of Sex) it is not the best documentary of 2018.
13) If Beale Street Could Talk
In the making of the list, If Beale Street Could Talk was the last film I watched before deciding on the final block of 15. It is so fresh in my mind that I still haven’t wrote a regular review about it. I just knew I had to see it from its Spirit and other awards accolade, and needed to make up my own mind before it was on DVD.
And it is a powerful movie in a year of powerful film. It is about race, love, and family. Another portrait of how the black man is never given a fair shake at things, but putting it set further back when it was more common to see these injustices. It was a story we could relate to, while also focusing firmly on the characters involved and what they were going through during the events. I loved everything about this movie, and even more notable was the soundtrack. A nice collection of jazz to fully embrace the viewer in this setting.
12) Hearts Beat Loud
Hearts Beat Loud is one of those breath of fresh air movies. I went in seeing it and I didn’t even know I was seeing it, as it was a mystery screening. This is the perfect sequel to Sing Street, despite having nothing in common creatively from Sing Street.
It is just about a father. And a daughter. Trying to make some music before they have to separate and go on with their lives, in a scary world. Change is hard. But family bonds can last forever. And the feelings I felt with Hearts Beat Loud I hope I can experience again and again with every new viewing.
11) Avengers: Infinity War
For those that hate superheroes, might want to skip the next three entries. Avengers: Infinity War is meant to be a cross over to end all cross overs. Well, the first Avengers was that ambitious goal, the second one was more of the same, but this one? This was like times three, so many more people, from parts across the galaxies, gotta team up and go after this bad guy.
And it was beautiful. It had the action scenes, humor, real struggles, and of course, the ending. The snap.
The only thing that takes away from it is knowing that the snap itself, which can make a grown nerd cry, is temporary and thus, a little bit meaningless. Once we see who is lost, and with the movies coming out, we know that it doesn’t fully matter. Only a little. And so it does feel like a bit of an annoying cliffhanger.
But what do I know? Maybe with the new one in 2019, it will elevate the first half even more.
10) Spider-man: Into The Spiderverse
In 2017, the animated movies were mostly shit. Deal with it, it is true. In 2018, we have a lot of duds as well, from our trusted companies. Must be playing it safe.
Spider-man: Into The Spiderverse is the opposite of playing it safe. Tons of main characters, a weird stylistic approach, meta humor, comedy, and strange aspects of the Spiderman lore to devote a whole film around on the first go. When it works, it really works. When it doesn’t, well, that doesn’t exist. It always works.
From start to finish this is the best Spider-man film in some time, and was almost nearly the best Superhero movie of the year, but instead will just be the best Animated film of the year.
9) Black Panther
Black Panther was the first superhero movie of 2018, coming out in February (you know, Black History Month) and felt like a breath of fresh air in the superhero world. It told a powerful story, with a memorable non-throwaway villain, and of course, a cast of characters celebrating cultures not normally celebrated on the big screen.
It was an early favorite of mine, and it became a tent pole to judge other super hero movies by. And at the end of the year, I still think it is on the top. I have to ding Avengers a little bit for having a plot that I know won’t fully matter in a year. But Black Panther is a secluded story that is important and will be the gift that keeps on giving for Marvel in a few years.
This is the best superhero movie of 2018.
When Searching came out, there were only a handful of examples of films that were done in this way. Basically, some horror ones, and like, a TV episode. The ideas were sound, and cool, but never were they fully great and up to the level people were hoping for.
Searching said no, let’s do it right. Let’s use the technology correctly so that there are no (or extremely few) technical issues. Let’s make it a thriller/mystery, so that the audience is on the edge of the screen with them. And let’s let John Cho do his thing and act like a worried dad.
And acting he did. A film was created. And an amazing experience was had. Take a ticket for this ride. This is the best “computer based” movie of 2018.
7) Won’t You Be My Neighbor?
And then there was Rogers. Fred Rogers. The manliest gentleman ever to be on television. He had a vision in the 60s for TV that was heartfelt and not stupid, and he carried his passion with him for decades. In hard moments, he became the person to address the youth about hard times, and he always accepted the mantle when the time was right.
It is easy to see his passion through the archival footage, and coming from someone who never watched the show in his own youth, this is a documentary that will make you cry.
They got everything right about this documentary, making it the best documentary of 2018.
6) The Hate U Give
What can we say about The Hate U Give that wasn’t said by most people when it came out? Powerful, modern, topical, well acted, and of course, a family film. Or as family centric as a film on this topic can get, since most of the films that would deal with racial inequalities and problems will easily earn R ratings, despite being felt by people under 10 all the time.
I cannot wait to show my family this film, and it should be really soon after the posting of this article. It is easy to see all the different perspectives, and although not based on a real event, it is clearly a combination of similar events and a buildup to the natural conclusion. Shit getting real.
Also, I think Russell Hornsby should get an award for this movie.
It is very hard to talk about Bodied and why it deserves to be on a best of the year list. It has no A-listers in it, it is relatively strange, and it is probably the first movie I have ever seen that had its premier on YouTube Red. And last, because it has been re-branded already.
But despite its strangest, it goes hard into the political, and PC nature of our changing environment. It deals with very hard topics, like race appropriation and culture vultures, while making the viewer uncomfortable and not sure who to root for. It is a sports movie in a sense, without a clear answer or best case scenario. It is a musical, more than anything else on this list, with the how much of the film is focused on rap battles (and seriously, it is most of it).
The last half hour had me spell bound, and I didn’t want it to end, while cringing all over the place at the same time. Making something like Bodied takes a lot of passion, and a lot of courage. And it is a movie that should be seen.
Bodied is the best musical of 2018. And its the best sports film…?
From watching the trailers, early in the year, audiences should have expected something special from Hereditary. Well, audiences who weren’t expecting jump scares.
I didn’t see any of the trailers for Hereditary, but with the title, my mind went a lot of different places, and somehow it didn’t go anywhere I could ever expect. It was dark, and it got on every last of my nerves, and it is one of those movies I just could not bring myself to rewatch before making this list. Hell, its been out forever now, but I knew it just wouldn’t be the same as my first experience, and I don’t want to think less of it due to distractions.
I do want to think more about how Toni Collette nailed her role, and how she clearly gave the best Actress performance of her life, and of the year. The next two movies on this list feature four very strong actress performances, but this one is definitely on the tops. Completely unnerving.
Hereditary is the best horror film of 2018.
3) Ben Is Back
My theme for most of these top films is great acting, as you have seen, and will seen, and few films have a better pairing than Julia Roberts and Lucas Hedges in Ben Is Back. Not to diminish the other actors in it, who are also fine, but hot damn, these two are so fine, you couldn’t seen their individual grains with a scanning electron microscope.
That was fun to write, and Ben Is Back was not fun to watch. It was downright depressing. It was great critically, and to be amazed at how the two carried themselves and these characters. How we get to learn about so much history and weight bearing down on them to get them to this point. So much that they have to go on their journey as a way of maybe, finally, getting closure.
And despite it all, Ben Is Back isn’t even the best drama of the year. Although, this is the best drama if drama’s are not allowed to have humor.
2) The Favourite
When it comes to Yorgos Lanthimos, every year I say I need to see his earlier work, and this year I might finally mean it. The Favourite is only his third movie I have seen, and it is by far MY favourite, and almost my favorite movie of 2018.
It has everything I could love in a movie: history, witty dialogue, comedy, amazing outfits/scenes, and an excellent cinematography that is going for something special in the movie. It is also led by three terrific actresses who showcase that they can be masters of their craft.
Goodness, I better see Dogtooth this year, or else…you know, 2020. The Favourite is the best comedy of 2018.
I don’t want to sound too preachy or too political (just kidding, lets do it), but this has been an amazing year for showcasing black talents and cinema, accurately representing the struggles they face in America in a variety of ways. We already talked about the subtle (and not so subtle) nature of it decades ago, and we talked about it on a more family friendly level. Hell, we almost talked about it on this list with the bizarre with Sorry To Bother You, but it just didn’t make my top.
And with Blindspotting we get to talk about it in a new way. About areas changing, gentrification, and perceptions of white and black men who can be very similar, and very different, yet perceived in completely different ways.
Our two leads are amazing, even if Casal is annoying, he is played to be that way. Diggs and Casal made this passion project after years of work, and it really shows, as this is the first time Diggs has gotten to showcase his talent since he was Jefferson in Hamilton.
Blindspotting is real, uncomfortable, and tells a strong message, with not a simple answer. I loved it, and want to show it to as many people as I can. This is the best movie of the year, and the Best Drama of the year. A few more raps and it could have been musical of the year.
Thanks for reading! If you disagree with part of this list, let me know. If there is something I missed, let me know (but I probably saw it and reviewed it on this very site!
And as always, I accept hate mail via the post office, email, or tweets.