Tag: 3 out of 4

Art of a Hit was sent to me early as a screener. You can see an interview I had with two of the stars, here!

What happens to yourself if you get a little bit famous, but can never surpass that level? And you both plateau, and then fade away into obscurity? You were so close to greatness, and yet it is all gone.

That is what happened to our band. They had a few hits in the 90s, things were okay. But then their bass player (Rob Raco), who had all of their personality and star potential (weird for a bass player…), got offered a solo gig and took it to grow his career, and the rest of the band had…nothing!

So now here it is over a decade later, the band is sort of together, but not really. They never quit, but that doesn’t mean they play together as much. They have side projects, they still make music, but they aren’t together. But with their record label, they get an offer to head to France, to work with a mythical record producer (Charlie Saxton), to see if they can get their sound back. To see if they can make a hit song or a hit record with him. And maybe taste that sweet sweet glory.

While this happens, the band leader, Ryan (Ryan Donowho) has to manage all of the personalities, the producer, and the record label (who actually dropped them and isn’t paying for this, whoops!). While finding himself mentally, and literally, haunted at this daunting task in front of him at this spooky castle.

Also starring Allie MacDonald, David Valdes, James Earl, and Tim Jo.

“This is going to ruin the tour.”
“The what?”
“The world tour.” This film is labeled as a horror, but really it is not. First, it is far closest to a drama. There are scenes that suddenly get…gorey? I guess that is the right way to describe it. Accidents, self mutilation, being literally chased. But those scenes are few and far in between, and they are almost all in the band leaders head or dreams (not a spoiler). So if anything, maybe its more of a thriller, because of all of the uncertainty they are dealing with, and how most of it manifests in terms of fears of failures.

Honestly, the real scary stuff is happening at the end, and it is literally indescribable. Indescribable because of a spoiler, and I don’t want to get into that, but the ending is definitely horror in a non traditional sense of the genre.

Instead what I am mostly watching and interested in, is the band dynamics, the secrecy of their former bandmate who left, and how natural the group feels. And hell yeah, the band feels like a real band, with baggage and history. Exactly like one would hope. Only one member was awkward with them, and that was because he is new to them for the plot. I think Donowho carries a lot of weight in his face, with his fears of mediocrity, and it shows.

I believe I have been told all of the people did re-record the music that was made for this film. The band Jets to Brazil wrote the songs for the movie, but the actual actors (who all happen to be musicians), re-recorded it and we get to hear what they actually sound like together, and that is awesome. No weeks of intense strumming camp for these folks.

Either way, Art of a Hit I think would be better if they focused less on these few horror elements, and more on the very real dramatic and scary elements of being faced with fading into nothingness, with people barely remembering your name after you were so close to superstardom. That is a strong story. But I do understand these sorts of movies are harder to get funding for, than cheap horror. You never know when the cheap horror film will skyrocket and become popular, after all. A good story, just with some dumb horror moments.

3 out of 4.

The Ride Ahead was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 11th as part of the festival, and it was the Seattle premiere of this film! You can see my interview with the codirectors, here! 

Documentaries that are slices of life feature can go so many ways. They can be dreadfully boring. They can be insightful. They can make you grow as a person. What happens with them really is more so up to the viewer. The documentary is saying here I am, this is me, take it or leave it. And then the viewer has to take it, or leave it.

Sometimes the slice of life has a greater message like. Hey. Be good to people. Or. Hey. Treat me like a person. Quite reasonable asks.

The Ride Ahead is about Samuel, who at the time of the documentary is 21, and adult, and he doesn’t feel like an adult. People treat him like a child, like someone who needs delicate gloves to handle. Sure, he is confined to a chair. He has cerebral palsy. He has epilepsy. A swallowing disorder. Talking is hard and he needs caretakers to function. But that is his life, and he is just trying to live his best life possible. Just because he has caretakers that are both paid by the state, and his parents, doesn’t mean he is less deserving of having a life, or deserves to be treated like a kid.

People suck, let an adult be an adult. That was my main take away from the documentary.

Reviewing a film about someone interviewing people? Okay, I guess there is a little bit more. One of the main reasons this documentary exists is that Sam, being patronized his entire life, feels like he isn’t sure what it means to really be an adult, especially as someone with his condition. He doesn’t feel like one, not just because of how he is treated. Adults are meant to have relationships, to find love, to have sex, to gain jobs, to live alone, and more.

And so Sam seeks out others who have been in his position before, who seem to have figured things out, and just straight up get their advice. He interviews a ton of people, including Maysoon Zayid, Ali Stroker, Keith Jones, and Judith Heumann, who did pass away last year. Sam doesn’t beat around the edge, he asks hard questions and gets some hard answers. And some awkward questions!

I love how realistic this thing keeps things. Sure there are some celebrities and famous people here, and it is probably hard to book them for documentaries, no matter the project. But they felt welcoming, and helpful to the task.

As a documentary, like I noted at the start, this is a slice of life thing. If you don’t want to see about his life, you won’t like the movie. If you know people like Sam, it might not do anything for you. But for a lot of people, it is a great look at people in our country, whom have difficulties with basic things that there shouldn’t need to be difficulties with. The chair does a lot of work, but it doesn’t help if there is no drivable land around the town or sidewalks. A general search for equity is how many people should want our world to grow and be shaped. And this documentary does a good job of making some great points.

3 out of 4.

We Can Be Heroes was watched as part of the Seattle International Film Festival 2024! It had its showing on Tuesday, May 14th as part of the festival, and it was the Seattle premiere of this film!

See, I could go straight into making a reference to the David Bowie song. That is what the movie is referencing, right? Right? But we also had a film just a few years ago come out with the same title. You know, the strange sequel to The Adventures of Lavagirl and Shark Boy? A bout a bunch of kids of heroes, having to save the day because all of their parent heroes get trapped.

And that is sort of what this documentary is about too! But presumably these kids in questions are just the offspring of regular normal people. Maybe nerds! Maybe not. (Probably nerds). And these kids, these outcasts, if you will (I wouldn’t that is mean), meet up at a camp in the state of New York over the summer, where they get to create characters that they would rather be, with their own rich backstory, costumes and moves. And work together to tell an overall giant story, where they are able to live action role play together. That is right. LARPing. This is a documentary about a LARPing camp for kids.

There are quite a few kids in this documentary that get to have a small focus on them, but really our focus is on three kids in particular. We have Cloud, who loves to sword fight and is excited for her first time to go to this camp, even though she is on the younger end of the age range. She wants to fight, make a name for herself, try out the dark side, and make sure she leaves her impact on the camp.

We have Dexter, who is every stereotype notable for a kid who might go to this camp, including a slower droll and neurodivergence, but who has a strong fantasy mindset. He also is afraid of getting ticks on him, and is hoping on his return to camp his crush from the previous year returns, so he might even get to exchange numbers with her.

And finally we have Abby who is on her final year at camp. She is about to age out, and go to college, and is excited about doing something special. Another thing that has happened to her recently is she was diagnosed with a disease (I forgot which one), and she has a feeding tube that she has to carry around with her and a backpack, almost all the time. And she has the fear of real actual death, and almost couldn’t go to camp, but they found a way to make it work.

These three, along with many others who are going to discover they have bigger talents than they once knew, with oration, creativity, and finding harmony with other kids.

The kid with the horns is really holding this whole thing together.

I want to go to a LARPing camp. I imagine anyone reading this wants to go to a LARPing camp. That sounds great. Is there an adult one, or do I just need to help organize LARPing events in my community. I hate organizing…

Anyways, this documentary is of course a documentary, but they also go out of their way to tell the fictional story that is created by these kids. The camera changes aspect ratio, gets very crisp, when all of the kids are in character running around. And you get to live their experience with them. It makes what they are doing seem very badass. Probably significantly more badass than it was in reality. And it was a cool nifty feature they added to the story, to make it a more fun experience.

For our three kids, I was immediately annoyed with Cloud (although my kids liked her), and did feel justified in that way based on events of the documentary, although all of them would be defended. That is *fine*. Dexter was especially nerdy and awkward, and I am glad that the documentary didn’t show his crush at all or try to shame her in anyway for not being swept off her feet over his awkwardness.

The real stars of the documentary was of course, Abby, and also secondly another girl(I think it was Miranda, who wanted to just be a princess for once). What can we say. Uplifting people with strong personalities make documentaries good. In fact, what I think this documentary really needed the most was just a stronger focus on MORE of the people at the camp. For a few people, we returned to them a few times throughout to see where they grew and what happened for them, but it was just snippets. We could have easily fit 4-6 stars in this documentary, and lessened the main three a tad bit, to give us a bigger range of kids.

Overall, hooray for LARP camps, and a documentary that decided to showcase them in a totally on point and creative way.

3 out of 4.

Gloria! was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the North American premiere of this film! You can see my interview with Margherita Vicario, the director/writer, here! 

Let’s talk about Gloria. Well, Gloria isn’t a character, so we can’t. It is however a common name/word used in religious songs, especially in Italian. You know, Gloria in Excelsis Deo? It means Glory really, but Gloria is also a nice name.

Instead we will talk about Lucia (Carlotta Gamba), who is at a school for choir music training, somewhere in Italy, in the 18th century. Like a lot of girls brought to the school, she was an orphan and so it is also an orphanage, bringing these girls to devout religion but also providing them food, shelter, and a service they can give back to their community. Lucia is also mute! That doesn’t really affect her hearing at all though, so she can still play instruments, she just cannot sing.

Oh, let me reiterate. Lucia can HEAR really well. In fact, she can imagine music all around her, in the everyday mendacity of life. Mr. Music would be so impressed. She also knows music can better than how it is currently presented, slow and dead. It can be upbeat, it can be fresh, it can have many different instruments providing different elements, and yes, even the human voice can be used to greater lengths.

But she is a woman, in a man’s world, and because this is holy music, it has to be done a SPECIFIC way. But with an upcoming visit by the Pope, yes, THE Pope, she thinks it is time to rebel, to spread new music, and to present to his greatest holiness what music could really be like.

Also starring Maria Vittoria Dallasta, Galatéa Bellugi, Veronica Lucchesi, Sara Mafodda, Paolo Rossi, and Elio.

Get up loser, we are going to pop-ify these sounds. Gloria is such a cute movie! Rahhh! And I just need that to be known.

It looks amazing, from the costumes, the set, and the cameras used. It is portraying a dull religious school, but we can still see color when its needed, even in the darkest of moments for the characters, who are going to fight to overcome whats shackling them down. Overcome what? We are going to fight the patriarchy! And hell, even fight the papacy too! Men telling women what to do, how to think, what is right and wrong, its gone now! Let them live their lives!

Okay, yes, this is a work of fiction, and Lucia herself is not based on a person from history. And it is very unlikely that the sort of songs made in this movie, would have been made 3 to 400 years ago. But that is okay, because the point really is that these women were creative, and were not able to express their creativity. And apparently, thanks to some Napoleon nonsense at some point, works that were created by these women composers became lost. At the end we find out this film is dedicated to those women, who likely had a voice, but it was silenced at some point and aren’t people in the history books as a result.

That is a good enough cause for me.

Like I said, it is a very great looking film. But also, it is just fun. It is a good time to be had, while shining light on a real unspoken part of history. It is silly, it is modern, but the cast of characters feel distinct enough and well. They just want to have fun.

Gloria! is fun.

3 out of 4.

The Quiet Maid was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Ana (Paula Grimaldo) is a Colombian who finds herself in Spain! She is here to work as a maid, to earn more money, because her sister is going to go to medical school, but they need money for it. She finds a family who needs maid services, and can sponsor her living in the country.

They promised that soon, in September, they will work on getting her the papers she needs to be a permanent citizen, which would mean a higher salary, and an ability to make more money. But first, the whole month of August, she is with this same family in their big vacation home. They need her there every day, 7 days in a row, none off, and if she does will during their vacation, she will be given a lot more time off and money with the family back at their regular home.

But, of course, this family is a bunch of rich fuckers. The dad doesn’t trust her. She is constnatly talked about like she isn’t there from the son’s horndog friends. She can’t go out and have fun ever, like Gisela (Nany Tovar), a fellow Colombian maid from a different house nearby. Gisela pushes her to date, to dance, and more, but Ana knows one wrong move, she could be fired, and sent back out of the country.

The family sucks though, and eventually Ana will realize that they are not going to necessarily keep their words. So she is going to have to make her own way through this month, for herself, and for her family back at home.

Also starring Ariadna Gil, Luis Bermejo, Pol Hermoso, and Violeta Rodríguez.

Sometimes you need a break to just play with your pussy.

Yes, this is another fuck the rich movie. But this one does it the best, of ones I have seen so far at SIFF. A bit satirical at times, and a little bit over the top. Certainly a potentially strong pro-woman message about a woman doing things her way, and accomplishing despite men and spiteful women trying to break her.

According to the trivia, this is the first European film to be fully funded by NFTs. Which is something I really hate to hear, and it makes sense a few of the plot elements in retrospect. I won’t let that take away anything from the actual movie, but NFT’s just feel scammy to me, so I wonder if anyone got scammed as a result of the making of this film. That would drive me nuts.

Grimaldo as the lead does a lot with a little. After all, she is *quiet*, not loud. She is an observer, and makes plans in case things blow up. She speaks up for herself when she realizes that these papers can likely never come, but is also forced into many uncomfortable situations thanks to the nature of her job. She can’t really say “No” a lot for reasonable tasks that would fall under her umbrella, and if she agreed to be with them every day, she has to be with them in their good and their bad moments.

I think this film is a bit funny, despite the drama and serious moments. A good tale of gleeful revenge and perseverance by the end. We are all Ana at points, and its good to see when good people come up on top.

3 out of 4.

Seagrass was watched as part of the Seattle International Film Festival 2024! It had its showing on Monday, May 13th as part of the festival, and it was the Seattle premiere of this film! You can check out my interview with director, Meredith Hama-Brown, here!

Judith (Ally Maki) and Steve (Luke Roberts) are going through something. Judith is a Japanese Canadian, and Steve is “White Canadian”, and being an interracial couple comes with a lot of difficulties other couples never have to face or talk about. But they are now working on couples therapy. The one they picked is actually many days long and a vacation spot, with other couples. A nice destination to air out their issues and work together to find their love again. In a beautiful area!

And this is one that is for the whole family. They have two kids (Remy Marthaller, Nyha Huang Breitkreuz), who also have their own problems growing up, being of mixed ethnicities, and their identity. But on this vacation is an area with a lot of kids, and kids activities, so they have plenty to do and fun to be had, while their parents are having a bit less fun.

The catalyst for this story is that Judith’s mom died recently, and Judith has been in a funk ever sense. Hopefully they can work on their issues. Hopefully the last decade wasn’t a waste. Or was it?

Also starring Sarah Gadon and Chris Pang, as another Asian/White couple at the resort, with their genders swapped from our two leads. Although notably, the man is Chinese Canadian, not Japanese.

Scenic cool cave shot but don’t worry, the cave MATTERS. Seagrass is a film that is one step away from being a thriller, purely for tense moments in their drama. Honestly, I wondered if this might turn into a murder story. Or a ghost story. Or something. I was a bit scared at times, as they really ramped certain events at the end. And the camera work. The camera really liked to linger, or do some far away shots, and it had me wondering if something was going to pop out and the genre was going to switch.

I think that can all be attributed to the wonderful acting and script for this story. While its not as tense as films that make you clench early on and never let go, it gives subtle hints of a potential ending disaster, and you never know if this is going to be the time for a boiling over point.

Maki does a lot of great work here specifically. Roberts is a good standard dull white guy, who isn’t unable to understand view points outside of his own. But Maki has to put in the full range here. And she is wonderful for it.

I didn’t know exactly where Seagrass was going with its story by the end, but it chose a very nice path, with some powerful final words. I am also glad that the 1994 Vancouver Hockey riots were a part of the story as well. Always important to include those into movies, if at all possible.

3 out of 4.

Admissions Granted was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this documentary!

Getting into college can be hard! After all, before you can even qualify, it takes most people at least 12 years to finish high school first. That is a big time commitment. If you don’t do it early on, who knows, you might run out of time. But finishing high school isn’t the only thing you have to do. You also have to take extra tests to show you are smart. You have to stand out, so might need to show you volunteered. Or participated in clubs. Or excelled in the arts. Or had hobbies. Or might need to be a great writer. Who knows!

But then colleges have to pick you. And they look at all these standards. And if they are public a certain percentage need to be in state. They need to make sure they have a diverse student body, and diversity can mean a lot of things. Now for one group of students, who had high marks, perfect scores, and extracurriculars, they had their eyes set on Harvard, and got denied. Now these students, realizing a lot of them were Asian American, founded the “Students for Fair Admissions” (SFFA) group, and decided to sue Harvard, for not including them because of their race. Using affirmative action AGAINST them.

This lead to bigger law suits, and multiple attempts, and eventually UNC got grouped together with it as well, for a lawsuit that would go against the Supreme Court, and threaten to end Affirmative Action forever.

This case was a good poster child for race war.

Now, this case did happen literally summer of 2023. So you might already know the result. If you care about this, you knew the result. But this let you know a lot of the players involved, and hear both sides talk passionately. And how many years this took, waiting for a majority supreme court to be Conservative. At this same time, there is talk of groups being used for alternative purposes. And using the people, even if they don’t care about them, because they just want Affirmative Action to go away.

And this documentary goes into SO MUCH DETAIL. Like, yes, they both sides the argument. And that both sides have legitimate points of view, but not always the full story. For example, just having the best test grades does not mean one is going to be picked for college. There are so many factors involved, and the school is painting a giant picture, that there is something more, and SHOULD be something more. Similar to how the best person who applies for the job might not always get it. Because building diverse groups with different backgrounds and talents makes sense, you don’t want a team of all clones.

This is a frustrating thing, because there is clearly a right side, but the other side has valid points, and it doesn’t mean the absolute destruction of a program. It just means more clarity and changes are needed. But wildly enough with this documentary, there was a line or two at the very end, about asking some deep, deep questions about Harvard and their resources in general, that is such a mind blowing statement, I want a documentary purely on that.

In the end, Harvard isn’t the end all be all of places that must exist. There are so many good places, it shouldn’t be on a pedestal. I love how fair this documentary felt. No one was a bad guy. Well, one lawyer clearly was. But outside of that, people were people, even when yelling in each others faces protest chants outside the Supreme Court.

3 out of 4.

Fish War was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 11th as part of the festival, and it was the World premiere of this documentary! You can see my interview of two of the directors here! 

Ah yes, wars over animals. They happen a lot in the Pacific North West. For example, may I inform you about the 1859 Pig War on the San Juan Island in Washington? When the United Kingdom and United States were trying to figure out how to split the land between Washington and Canada, the islands became a touchy subject. Both armies landed on San Juan and a pig was killed and they stayed there until eventually, the US got to keep those island groupings.

See? Lot of animal wars. Now, Fish War is a documentary mostly about events that took place a hundred plus years after the very small Pig War, but it unfortunately started before that. It started with the United States pushing around the native tribes and forcing them to sign treaties, often with wars and suffering involved. Things were forced and one sided. But the indigenous populations of Washington decided to sign a treaty on their own terms, before all of that, and they fought for specific rights. One of the biggest, was their right to still live and fish in the Puget Sound, of which it was said to be equal with the others that now lived there as well. A 50/50 split of the fishing in the sound.

But, in the early 1970’s, laws had made it illegal for the Native Americans to fish where they always had. So they kept doing it, kept getting arrested, and soon the split ended up being about 2/98%, not in their favor at all. The literal white man was taking all of the fish, and ignoring the treaty. So they decided to sue the State of Washington, the language was clear. And sure enough, the judges agreed with the tribes. The fishers of Washington were illegally over fishing the areas, and needed to limit their supplies greatly.

Unfortunately, a lawsuit win apparently isn’t enough. People ignored it. People got mad. People tried to be violent. The Attorney General of Washington made it his mission to get it overruled, and it kept going to the court for decades after, making the tribes constantly battle for what they had always deserved. You don’t always get the state of Washington to be the bad guy in stories, so it is very interesting when that shows up.

And you know what? They should have higher than 50% too. Fish War was not just a fascinating look at recent history in the Pacific North West, but it was a fascinating look at things that are still happening right now. Because overfishing and destroying of the salmons habitat have also occurred, and the legal system has consistently ruled that their rights are worth protecting, and if there are no fish at all, then the treaty is broken, so the ecosystems all must be protected as well. If you are an environmentalist, or care about Native American rights, this is a story for you.

Honestly, hearing this one old lady remember stories from the 70’s, how they got away with their civil disobedience and continued to fight for their rights filled me with wonder. She was so giddy at being able to stick it to the man, and knowing she was on the right side of history. These personal stories of people who just fifty years ago were fighting the good fight, and their fathers and mothers, and have to continue to fight this thing is absolutely mind boggling. Like, when will the United States stop harassing Native Americans? Based on the number of documentaries and stories I have seen lately, the answer is not fucking soon enough.

I always wonder what I would do in other people’s shoes during moments like these, and I can’t help but feel I would be a coward and run. So it is important to learn about and honor these local heroes. If we can learn lessons from them, we can learn that a regular person can be the change needed for the world, and it might help more people get involved.

I am happy Fish War is getting its World Premiere in this area, because it is solely about this area, and as a younger individual, it is something I never would have known without it. There is always so much more in the world going on, before we were around, and there will be a lot after it as well. We can only hope that we spend our time fighting for what is right, and helping others, so that many future generations can have the same benefits.

3 out of 4.

Tim Travers and the Time Traveler’s Paradox was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 10th as part of the festival, and it was the Seattle premiere of this film! You can see my interview with the director/writer and star here!

Tim Travers (Samuel Dunning) is a smart guy, a scientist, and a bit of an asshat. Oh, sounds like someone you know I am sure. He also seemingly has invented time travel on his own. He was able to go back in one time and see his past self. His past self didn’t expect that though. So Tim killed him.

Why would Tim do that? Because everyone knows about the famous time traveling paradox. About what would happen if you go back in time to kill yourself, or kill your grandpa. It is impossible. It doesn’t fathom or make sense. But Tim was about to do that. So WHAT is really going on here, and how did things break?

So while this is happening, another Tim comes back from the future, and the killings continue. They do until they don’t! Meaning, eventually, we get multiple Tim’s, all pondering and confused as to what is going on, and what does it mean for the science community. What can they do with this machine, can they make it better, and can they become GODS? Okay, no one is going to become a god.

But also during this time, a lot of them like to get drinks at the local bar. And there is some dating stuff happening with Delilah (Felicia Day), who certainly doesn’t believe a poop of this story.

Also starring Joel McHale, Danny Trejo, Keith David, Jeff Hilliard, Nicole Murray, and Stimson Snead.

Tim, Tim, Tim, and Tim. What can you say about a new time travel movie, when we have so many excellent ones out there? Because a time travel movie has to be able to stand on its own. It has to have new ideas, that aren’t too abstract or confusing. Well, they could be abstract or confusing if they leave fully into it. You know, like Primer. That one is famous for being so hard to get, while actually doing a great factual job at what it accomplished. Once you are able to map it out.

Tim Travers decides to launch itself more into the sillier aspects of time travel. Like, I got it for awhile. And then I stopped getting it. Then I stopped caring about getting it, and just focused on the strange story. If this thing IS actually based on some sort of time travel logic, and isn’t just shenanigans, I couldn’t tell you. I would be very impressed if it was! (But I think its just shenanigans, and I won’t hold it against them. But if you demand your time travel stories to be consistent with their rules, this one might not be it!)

As for the movie, Dunning is a strong lead for a indie picture like this. Whenever you have to play multiple people, I assume it has to be very tricky, especially if they all start to gain quirks and differences. And you know, acting as if someone is near you, but they aren’t, because you have to be spliced in later as the other part. Times uhhh, a large number. So for at least a movie of this size and budget it, he absolutely nailed it. Now, I don’t watch Doctor Who, nor do I want to, but he gives what I assume to be David Tennant Doctor Who vibes.

Again, this story is VERY silly. And its all over the place. And it has a strange amount of cameos that you would never have guessed, assuming you didn’t read my plot summary up above. It has heart, and some science behind it, which is more than a lot of films, so it becomes worht the time.

3 out of 4.

Waapake (Tomorrow) was watched as part of Cascadia International Women’s Film Festival 2024! It had its U.S. Premiere on Thursday, April 25th as part of the festival.

In case you did not know, there used to be a policy in the United States, as part of the treaty signings, that indigenous communities would agree to have their children be assimilated into United States “culture” through their schools. Notably, this was ALSO TRUE IN CANADA. In fact, this documentary is dealing with Canadian indigenous families. Of course, as part of these signed treaties, the sides were never on equal grounds, and these native groups were almost always forced to do it, or else. But even then, it is doubtful that those communities understood exactly what that clause would mean.

Which was of course, children being taken from their homes, and often sent to boarding schools. Not just any boarding schools, ones often FAR from where they actually lived. Schools that had little to no accountability and were seemingly encouraged to belittle and even beat these kids into conformity. To make it so that these kids would only have this new countries culture, whatever that means. A lot of students who were taken were changed alright, and generally for the worse. Depression, drug addictions, anxiety, and even suicide were common. They were put into situations away from their families and had no support system.

This documentary is about those people, a little bit. But even more notable, it is about the generation of people that came after. So the people interviewed for this piece are sons, daughters, and grandsons/granddaughters of survivors from these schools. About how their older relative has been negatively harmed, how it has affected their current lives, and more importantly, how they can potentially heal from this to have a stronger tomorrow.

This is how you can know it was made in Canada, by the way.

It is hard to talk about this just on the Canadian level, because we know these sorts of things happened in the US as well. But Canada has been more in the news for it lately, given they had various burial sites found outside of some of these schools, with many dozens of bodies, all in a large unmarked grade. A lot of shady shit happened at these schools. Awful things. Abuse. More. But as the documentary put it, generational trauma is an important thing to acknowledge and point out, but generational healing can also occur.

This is not to wash away the crimes of the past. But that is why this documentary brought in the various stories, of the offspring of survivors, to note their similar upbringings and the negative harms that came out of it. But it is very uplifting at the same time, with their statements about how they will make sure they fix certain issues, so that their own children do not have to go through it again. They want to break the cycle, and part of that comes through talking about it.

WaaPaKe is a powerful documentary, a stronger documentary if you go in already know about the schooling atrocities for indigenous groups in the past. It is also stronger knowing this was made by a Canadian native, involving her own story, her families, and others to put this piece together. After all, these stories are horrifying, but often still the human, personal element, can be missing. These types of documentaries make it more personal, and really puts the important aspects out there.

3 out of 4.