Tag: 3 out of 4

On Body and Soul

What comes from Hungary? Some lame jokes, some World War I starters, and that is about all I can think of from my America centrist point of view.

So hey, I was excited for them just for having a film nominated for Best Foreign Film. Dozens of countries every year submit a film and only five are ever chosen, and only one wins. If Hungary has a rich film history, I am unfortunately unaware of it. If I have reviewed a Hungarian film before, then I totally forgot about it (just checked, shit, they had Son of Saul and White God. Totally forgot which country. Good job, Hungary!).

And now they have On Body and Soul. And I am thankful for Netflix for buying this film up so that lame uncultured swine like myself can watch it before the Oscars, and not five months after the fact.

This is the kinky way Hungarians sleep together.

Taking place in some in Hungary, I have to assume, we have a slaughterhouse. They do good work there. Or at least, they kill cows and sell that meat for money. People have jobs, people are not sad.

Endre (Géza Morcsányi) is the CFO of the place, and is pretty complacent with his life. He is old, he is stagnant, he has a small group of friends. And a new girl starts to work there, much younger. Her name is Mária (Alexandra Borbély) and she is the quality inspector. She checks the cows and makes sure they have the appropriate grade rankings based on, you know, cow stuff.

Endre tries to talk to her, but she is off putting. Mária is very autistic, including a perfect memory and loves precision, so she makes some people upset when she is giving cows a lower grade than normal for technically correct reasons.

After an event occurs at the shop, a psychiatrist (Réka Tenki) is brought in to ask everyone questions to determine who the most likely culprit is. She is the first to find out that Endre and Mária are sharing a dream, where they are deer in a wintry forest. This connection is brought up to them, and it is up to them to figure out what to do with this knowledge, if anything.

You know, just being a deer, doing deer stuff.

On Body and Soul was a very touching film. Not physically touching, given how much Mária hated physical contact (note: I really enjoyed the mashed potatoes imagery). Just emotionally touching. Two lost souls who are very different, who find each other in an extraordinary way.

Not that I am implying there is a happy ending, just that technically, they find each other.

The Endre character is interesting in that he is supposed to be a normalish guy. A guy who has just been around for a loooong time and now is just drifting peacefully into retirement or death or something. I found at various points in the film that I hated him and found him endearing.

Mária is the real star though, and of course, Borbély. This is not some ¨hey look at the weirdo, being all autistic¨ sort of film, and it does not feel like it is making fun of people on the spectrum. We get to see her with a lot of struggles and a lot of pain. Seriously, a ton of pain. We get to see her grow, or attempt to grow, as she determines if she even can try to love another person.

There are some gross moments, there are some graphic moments (it is a slaughterhouse after all). But in the end, I still really enjoyed it the same.

3 out of 4.

Roman J. Israel, Esq.

Director Dan Gilroy did something amazing a few years back. He directed for the first time a feature length film. That film was Nightcrawler. And Nightcrawler was bananas good. I am disappointed I did not see it in theaters and I am disappointed it did not win things.

He quickly became a director to watch out for.

This last year, Roman J. Israel, Esq. came out with little fanfair. Very little advertisement, was barely on screens. I did not feel like watching it because of the mixed reviews and figured I could just wait until it was on DVD. Then it had to go and get nominated for an Oscar.

Just one Oscar mind you, an acting one. And it makes sense, because the star who was nominated has been nominated plenty of times, the Academy loves him, even on roles that do not warrant awards. That is when I found out who the director was, once again, kicking myself for not seeing it earlier in theaters.

All good now. It is out, it has been seen, and it is not as good as Nightcrawler.

But it is certainly more funky.

Roman J. Israel, Esq (Denzel Washington), is a lawyer. He doesn´t go into the court room to grandstand and holler. He is a guy who works in the office. William Jackson is his partner. Jackson handles the courtroom drama and is a professor. Israel handles the memos, gets the ideas, writes the briefs. He is really good at that.

You see, Israel is probably autistic, has a perfect memory of law codes and knows what argument to make and what precedents exist. He just cannot deal with people for the most part. When he sees an injustice he has to comment on it and explain it, which can cause him ire with other workers and judges.

And then Jackson suffers a heart attack, has a coma, and leaves a lot in question. Israel starts to working the cases, not looking for deals and not wanting to delay things further. But Jackson´s daughter becomes the owner of his estate and is looking to liquidate everything, knowing Israel cannot do it on his own.

This brings Israel to a real firm, run by George Pierce (Colin Farrell), who is maybe a good guy, maybe not. Either way, it is change. Change is hard. Change can do a lot to man. It can even make a man go against his morals, thinking his life has lead him to the bottom. It can make a man go against everything he has fought for, just for a quick payout. It can lead to a man becoming his own worst enemy.

Also starring Carmen Ejogo and Amari Cheatom.

And perhaps, binders of women? Hmm?

Gilroy probably starts his movie ideas thinking of a character who is very passionate about something. In Nightcrawler, that passion is being a sociopath who will do anything to get to the top. In Roman J. Israel Esq., we have someone who has a perfect memory and is autistic who is afraid of coming out of the shadows. He wants to fight for human rights and for equality, but he always had to help other people do the talking for him. An extremely moral man who when put up against tragic events, unfortunately, turned into an immoral man.

An interesting character study and a relatively fun character. It is definitely something different for Washington, who never once felt like a badass in this film. A great surprise for all of us.

I think the biggest problems with this film come from the ending. It brought a great twist of events to us and it just did not seem to follow through. I thought it was ramping up to turn into an almost completely different genre, but instead it petered out. If this was based on true events it could be a fun movie as there is at least some conclusions after the fact that we can see. But to bring about these ground breaking ideas and then do nothing with them? The film just runs out of steam.

Again, Washington is totally find in this movie. I can see why it was nominated, while also still wanting to give nominations to several other actors above him.

The film is better than I imagined it could be, but several parts will easily turn other watchers off and possibly lower their overall opinion accordingly.

3 out of 4.

Early Man

By all means, tell me that the movie is done by the people who did Wallace and Gromit. Yes I will watch it every time. I won’t always like it, but I respect it enough to give it the shot it deserves. It’s very weird, very British shot.

So why not Early Man, which is going to combine cave man jokes with very British football jokes. Ones I probably wont even fully understand.

And the best news about it is that the cast only has 3 or 4 recognizable names. They are giving roles to actual voice actors, instead of just laying us down with 40 celebrities, some which probably would have only had five or so lines.

Lava is always a nice bonus, in any movie, regardless of context.

A long time ago, dinosaurs! Also this movie is saying cave people. Let’s let it slide. Meteor wipes them all out, not the people somehow. They find the hot meteor left over that created a giant valley, where it is really hot, so they decide to kick it to each other. They invent the game of football, get really happy, and live their lives in the valley.

Now, some time later, we can meet our new crew of cave people. They don’t know soccer anymore, they are relatively stupid as well. Dug (Eddie Redmayne) is young and a thinker, but the rest of the crew are content. They are content until some mammoths with armor come trampling in, as the rest of the world has decided to stop by and say hello. They are stone age cave people meeting for the first time a bronze age civilization, who is intent on mining out their secret valley for minerals, and letting them die.

Thanks to Dug who infiltrates their society, he learns that they play this game of football on the grand, coliseum like scale. This is their main religion! The only way they can probably get out of their jam and get their home back is by challenging their champions to a game. Dug saw these football paintings on their walls, but they never knew what it meant. But if their ancestors played the game, then they probably can figure it out as well!

Also starring Tom Hiddleston, Maisie Williams, Timothy Spall, Richard Ayoade, Miriam Margolyes, Nick Park, Rob Brydon, Johnny Vegas, Selina Griffiths, Simon Greenall, Gina Yashere, and Kayvan Novak.

With that much armor, this thing looks a lot more like…football, than football.

Early Man is one of those basic “ragtag team of misfits pull together to do a sport thing better than professionals, due to teamwork, friendship, and shenanigans!” You know the kind. Despite being the type of thing that we have seen before, Early Man still manages to bring something new to the table.

It has a lot of tiny jokes throughout, a lot of puns they worked towards. And yes, there are some modern British football jokes that mostly would have flown over my head. But I got one or two.

The characters are likable. The caveman crew has a lot of complete characters, who have their individual good jokes or moments to shine. I don’t feel like we only have a few supporting people. The whole crew got to feel supporting, always a great thing in a movie like this.

This is not going to be a game changing animated film. But it is still really well done, at points clever, and tells a fun story. Hell, even the final soccer match seems to deviate away from the norm for these sorts of things. Still some surprised out there for everyone.

3 out of 4.

Strong Island

Strong Island came out on Netflix sometime in 2017 and honestly, I never noticed it. I never would have noticed it unless it was nominated for an Oscar.

This one was a big surprise to me that it was nominated, as I expected a few other bigger titles in the documentary world to get praise. Netflix is no new girl to the Oscar world when it comes to documentaries, as I feel they have gotten 2 or so the last few years. Documentaries can really thrive in the Netflix world.

But still, I never would have even heard of it without this sudden announcement, which beings my surprise. About a murder, a small murder that only affects the family involved. No one famous, no big news articles, nothing. However, it obviously affected those in the family a shit ton. It basically destroyed their family at the injustice they found in the criminal justice system. In their neighbors, in their community, and in all of America.

Yes, time for you to get some sad feels.

Yance Ford‘s older brother was murdered outside of their home, due to an argument between their family and an auto shop. An accident occurred, it was not the Ford’s fault, and the other family offered to fix up the car for free as long as it was not reported to the authorities.

The auto shop took a long, long time though. It started to anger people, it started to piss them off. The auto shop was a white family, and the Ford family was black, new to the Long Island community in one of their newly built black areas, for fake diversity.

And the white man took a shot at Yance’s brother, as a threat to his life, killing him. The cops didn’t arrest him on the spot, they said it would have to go to trial, and the family had to wait for the trial to come. Just waiting. No way they would be ignored. Except first a grand jury had to indict, and the grand jury did not indict the culprit, not enough evidence, thinking it was self defense, blah blah blah. And you know they were white.

This is Ford’s journey, decades later, trying to get to the bottom of it. Trying to talk to the prosecutors, the legal team, find out what the hell happened, why they called it self defense, what lies were told to let her brother’s murderer go free.

And just how her family felt about the whole thing.

Strong Island is a powerful and a personal story. It is one that takes awhile to really kick off, but ends with tears. It is just one of the many stories out there about injustice against black families across the year that are ignored and swept under the rug because racism totally ended in the 1960’s.

It is the type of documentary one should be able to watch and realize that if it happened to this one, technically insignificant family, it had to have happened to a lot more just because they could get away with it.

These are the stories that need to come out for people to realize just how little has progressed over they ears, and I can both hope that more of these do come out, and also wish that they don’t because I can’t imagine that amount of injustice.

3 out of 4.


Urine has always been an attention grabbing headline. Whether it relates to the president peeing in some sexual act in Russia, or R. Kelly peeing on a fan who isn’t at the age of consent to be peed on.

People love hearing pee stories, because people generally love peeing, it makes sense.

But people were quite upset at Lance Armstrong when his pee story hit the news. Everything was a lie, nothing was sacred, and all of those drug tests he passed could not detect his doping problems. Fuck.

What now? Are all professional dopers just waiting to get caught? (Yes). And should we care? (Eh, maybe not?). Bryan Fogel, who you definitely do not know, is an amateur bicyclist who went and did a big hard race in France that lasted only a short amount of days. His goal was to top 100 and he ended up in the top 20, but he was playing against basic machines. People who should have been pro.

So he wanted to find out if he could beat the drug tests, if he should take steroids since “Everyone does it” and if it was known out there how to do it. He didn’t call it Icarus for that reason, but for the other reasons that will maybe be made apparent.

It took him some time to find someone to help him, but eventually he found Dr. Grigory Rodchenkov, a Russian scientist. He was very interested in doing tests with Fogel, telling him exactly what to do, when to pee, and how they might try and beat the system. And then, a lot more started to happen.

Look at all this urine! Hooray science!

You see, Dr. Rodchenkov was in charge of the Russian center for testing for drugs for their athletes. He had a long storied career, working around the world, and he was in charge in Russia for a bit now. And it was coming out, rumors, that the entire Russian Olympic program was doping, sponsored by the Russian government. Oh shit!

This is news that would affect the 2016 Olympics! And other programs. But it didn’t happen, and Rodchenkov was feeling breathes down his back in Russia. So he got out of town, joined Fogel in America, to go into basic hiding. He then told his story to the New York Times and the FBI. And the rest is history.

Just kidding, the rest is still getting started, what with the Russian ban in the 2018 Winter Olympics and all.

Fuck! I love the Olympics, and it is crazy that something like this can actually come to the forefront after all these years. I am talking decades, especially when there was talk of them doing it when they were the USSR. All of my pop culture knowledge has brought me to this moment and it just makes since. We had to know it from Rocky IV, right?

This is one of those documentaries that just feels so lucky. Fogel started it with one purpose, and it grew into something so much larger. It is just so goddamn lucky. It starts off strong with good ideas, and builds into something so complex and politically wonderful. In fact, we need an Icarus 2 in some years just to see what came of everything. Solid documentary, overall.

3 out of 4.

Abacus: Small Enough To Jail

When America shit itself economically, back in 2008, I didn’t know a whole lot about money. I knew I didn’t have a lot of it, and I wanted more. Ten years ago me and current me are very similar in that regard.

I knew that the banks were bailed out, that people were angry about this, that people occupied Wall Street, and eventually I got to see The Big Short. The Big Short was, at the time, my favorite film of that year, but since then it has been surpassed by Steve Jobs.

But I still only knew a little bit, just what some movies told me. I did learn enough from the movie to give me the buzz words and sort of explain what everyone was doing to cause it.

That leads us to Abacus: Small Enough To Jail.

Shit, all those boxes, he must be hiding something. A ton of tiny somethings.

Abacus was a small bank located in Chinatown in NYC. It had a staff of Chinese Americans, it served the local Chinese community and little else. They didn’t bar other people, but other people just generally didn’t come to them for banking needs.

The founder made it to be able to help members of his community, by providing them loans to start their businesses. These businesses would strengthen their community, increase everyone’s revenue, and bring the bank revenue as well. A win win win. However, at one point they found out that one of their employees had been lying on loan forms for mortgages in order to get loans out to people.

So the bank fired him, wiped their hands clean of the situation. It wasn’t until later, during the financial crisis, when anyone cared. That employee became an informant, and Abacus was brought to court. In fact, they were seemingly trying to blame the entire financial crisis on what a few of their employees were doing!

Needless to say, this documentary is about their trials, the trial itself, and how the government tried to make an example of these Chinese Americans, and perhaps why they were made the target.

Overall, it is a wonderful story, and one that folds out very nicely on the camera. It has some legal drama, some race drama, a lot to make a good, and possibly tragic story. I didn’t know how it would end, but it captivated me the whole way.

It did feel a bit “made for TV special” at times, so an increased in production value would have made it bigger. I have to assume when it was made it was not sure how big this story would blow up or what it would mean for America.

Definitely a story worthy of being told as a documentary and one that is worth a watch.

3 out of 4.


I know we have all thought about it in our lives. It would be sweet to kind of just, lay around all day, not having to stand up to shower, or do chores, or work, or take care of the kids or pets, or adult at all. It would be swell!

You would be able to stand up or move if you wanted to of course. You would just limit it for being lazy for a good few hours or days. And then sure, back to normal.

But what if you were on bed arrest basically, for most of your life. Your legs were not broken, your nerves work, but you are just so damn weak your body cannot support you. Not only that, but you were always tired, it hurt to lift really any body part, and your entire survival was based on the kindness of others who took care of your basic needs. Worst of all, this condition is hard to detect from regular doctors through regular methods. In fact, a lot of them might say it is entirely in the patient’s head and they will get over it eventually, even if they have to force them.

That would be the life for individuals who suffer from Chronic Fatigue Syndrome, of which their story is not generally known. And of course, that is why this documentary, Unrest, exists.

This just looks like a great Sunday morning, to be honest.

Jennifer Brea used to be a go-getter, a mountain hiker individual, who married a husband with similar issues. Then one day, she got a lot more tired. She couldn’t be as active as she once was. Standing started to get hard, and she would rather roll or crawl along the floor. At some point, she decided to start filming her life in order to tell a story about her condition, which again, doctors were very unhelpful.

In this documentary, we see Brea become more and more bed only, as she struggles with her relationship with her husband (where Brea feels terrible and like a burden), while she discovers more about CFS and the people who suffer from it. We get first hand accounts from individuals and interviews, including a mother who did have a husband who left her, leaving her daughters to take care of her (and one of her daughters gaining CFS as well). And another girl who has spent most of her life now in a bed, getting CFS at a young age.

These are extremely sad stories, as long as you are paying attention, it will break your damn heart. While at the same time, you can see the hope in these individuals, who clearly don’t like their position, but still feel positive that they are loved, that they can love, and that one day they might be back on their feet again.

Admittedly, the purpose of this documentary is just to raise awareness. It is certainly something I never knew about and would have easily just brushed it off as something that sounds made up (which makes the whole thing harder on the individuals). On those levels it fully succeeds.

Personally it took me a long time to really get invested into it, and for documentaries that can be really hard on viewers. If someone just scrolling isn’t hooked early on, they will likely pass it to go onto a different one. I’d have liked more information on current curing efforts (which I know are small) and their protest/march/demonstration, which ended up being a very powerful moment. Or hell, just more personal stories, because that is where the tears come from.

3 out of 4.

Women Who Kill

Women Who Kill is another indie film I would have never seen if, let alone heard about, if it wasn’t for the Spirit Awards. This is only a cool thing to say if I ended up liking the film, and so hey, good news, yay Spirit Awards!

There are a lot of interesting things to say about the film, most of which I will say at the end, but probably one of the best aspects of the movie are how many women characters are in it. I would say there are only two guys who have speaking roles in the whole film that matter to the story in a slight amount. Basically this is a film directed, written by, produced by, and starring a woman, about women who like killer women.

For those of you who like women a lot, you will probably like Women Who Kill.

On the other hand, if you like women, maybe you don’t like them killing?

Lesbians. Podcasters. Stereotypes. Morgan (Ingrid Jungermann) and Jean (Ann Carr) run a podcast show called, Women Who Kill. It is specifically about serial killers, who happen to be women, and that is it. Because Morgan and Jean are fascinated by serial killers, want to talk about them, want to go super in depth about them, and people love hearing about them.

Unrealistically, they are sort of famous for this podcast and are recognized on the street by people who love their podcast. A rarity, given that podcast is rarely visual, but hey, lets run with this fantasy.

Morgan and Jean used to be lovers, but ended it after sometime and still maintained their working relationship. Jean has moved on and is dating a man now, but Morgan is alone. Heck, another of Morgan’s exes is currently about to get married too. Everyone is happy. And then Morgan meets Simone (Sheila Vand). At the local farm/store co-op that Morgan works at (more stereotypes). She is hot and into Morgan, which is great. They hit it off, but still, Simone is a bit weird and it is hard to figure out why.

That is, until Jean puts the idea in her head. Maybe Simone is a serial killer. Maybe she is the daughter of a serial killer and is continuing her mom’s path. And maybe she wants to kill Morgan, as an ultimate meta prize and is waiting for the opportunity to strike. Or it could all be coincidences!

Also starring Annette O’Toole, Deborah Rush, Grace Rex, and Tami Sagher.

On the third hand, if you like women, maybe you do like them kissing other women.

Women Who Kill, early on, quickly found its stride with witty dialogue, funny moments, and likable different characters. It is fun to cheer for Morgan and Jean, making it harder to see their faults when they get to the points of real conflict.

Simone’s character definitely stands out in the world they created, seemingly always shining (or the opposite of shine in some instances), just to pop out. Most of the surroundings just seem dreary, but not Simone, so her entity begs questioning and adds to the mysteriousness.

I thought for sure I would end up loving this movie, but I thought the end started to unravel what started out as a fun clever story. It didn’t follow through too well, and honestly, sort of hated the ending.

But Women Who Kill is a movie that definitely celebrates women. Of the two men roles, one of them is playing a role of house husband who adds nothing to the film and is practically ignored, which is a hilarious role reversal of a serious problem in movies.

Still worth a watch, give these ladies some of your money.

3 out of 4.

Mom and Dad

When I sat down to watch Mom and Dad, I did not know I was sitting down to watch Mom and Dad.

It was a secret screening at the Alamo Drafthouse, apparently everyone there knew what was happening except for about me and five or so others, due to inner circles and all. I learned it was by Brian Taylor, who did the Crank films, Gamer, and the second Ghost Rider.

And believe you and me, if someone had told me before I bought the ticket, before I showed up, if I knew what it was and what it was about, I definitely would not have wanted to come.

A whole film about rich people eating breakfast and arguing?!

Brent (Nicolas Cage) and Kendall Ryan (Selma Blair) have been married and together for decades, so of course they have two kids. Before hand, Brent used to be quite the wild guy. Sowing his seed, driving his muscle car, loud music, athletic and more. Kendall had career aspirations, travel plans and general life goals, but then out came Carly (Anne Winters).

One wasn’t enough, and they waited way too long because they also had Josh (Zackary Arthur) many years later. So much that Carly is a sophomore in high school now, and Josh is confusingly aged. I mean, I guess he isn’t in kindergarten yet, but also, he is clearly like 9 or 10. Odd.

Needless to say, both kids can be buttholes. They have ruined their parents lives by merely existing. The daughter is stereotypically bitchy and hating of her parents, the boy is just super annoying, messy, and ruining his dad’s stuff.

This is a lot of introduction to say, that HOLY SHIT. SOMETHING HAPPENS, A TERRORIST ATTACK, BIOLOGICAL OR TECH, WHO KNOWS. But the instincts that parents have to protect and go to great lengths for their kids, get reversed, so that they only want to kill their kids, at all possible, no regrets at all.

Yep, a lot of family on family death is about to go on.

Also starring Joseph D. Reitman, Lance Henriksen, Olivia Crocicchia, Rachel Melvin, and Robert T. Cunningham.

Mad mad
Nicolas Cage at his cage-iest.

Since the birth of my daughter, parent/kid things in film, heartfelt moments and the like, they have all made me sadder. I cry all the time. When I found out where this movie was going, I was absolutely horrified. I mean, could I handle it? Did I need to get up and leave?

In reality, I only really needed to put my hands in front of my eyes in frightful anticipation only a few times, but especially during the hospital scene. The flashbacks in the film were very helpful, breaking up the very fast pace of the film, to give us some strangely touching scenes with Cage/Blair.

Okay let’s back up. Early in the film, you could tell something very strange and new was happening. The shots were so quick and dynamic, with lens flares, for seemingly regular ordinary things. It really put the viewer on a state of panic early on, even if there was only one bad thing to happen at the start. It helped lead up to the dread and panic that was to come, allowing the viewer to transition nicely into the full on freak out mode.

And let me iterate, I think the idea behind this film is terrible. And terrifying. Extremely fucked up. It took me many months into 2017 before I reached the most fucked up film of that year (mother!), but I can’t imagine anything topping this one, and it is two goddamn weeks into the next year! The reason I am mainly giving it a higher review because it definitely frightened me, it made me feel, and it didn’t get extremely exploitative at the same time.

Oh, some exploitative, sure. Just not extremely exploitative.

3 out of 4.

The Killing of a Sacred Deer

I am frequently reminded that I should be watching more of Yorgos Lanthimos‘s movies. And not just because he is a guy who keeps bringing some out.

My first experience with his film was The Lobster a year ago and it definitely was an experience. I hadn’t seen any of his previous work, but The Lobster was so far out there that I knew this was a director who wanted to do his own thing and not give a shit about what people thought about it. This is the same thought that Terrence Malick must have, but I don’t like his work.

And now he has The Killing of a Sacred Deer, which is wonderful on its own thanks to the trailers. They told me nothing about the movie, but it was visually sexy and clearly different from The Lobster at the same time.

I really should get around to watching Dogtooth, but he has another movie coming out next year, so we will see if it ever happens.

Damn right you eat that spaghetti now. Don’t want it falling out of your pockets later.

Steven Murphy (Colin Farrell) is a really good surgeon. Well, most surgeons are good. I only assume he is good because he is rich, and surgeons are generally rich after they pay off those loans. He has a wife (Nicole Kidman) and two kids (Raffey Cassidy, Sunny Suljic), the typical American household and life. Everything is going so swell.

Steven is also friends with some boy named Martin (Barry Keoghan), who is older than his kids. Martin is a bit slower developmentally, but he lives with his mom only. He had a dad, but the dad died several years ago in a car crash, and Steven has been sort of a mentor to Martin ever since.

But Steven starts to act a bit stranger than normal, and he has already been a strange kid. After introducing Steven to his family, strange events start to occur to his family. A paralyzation affects his son so that he cannot walk and all of the big fancy doctor tests cannot tell them why. That is only the beginning of the problems that affect their family and it seems to have to do with Martin. But why? Why is the big question.

Also starring Alicia Silverstone and Bill Camp.

This might be right after his heart was with a text message.

The Killing of a Sacred Deer is a quiet film with an unsettling plot behind it, that I chose to not fully reveal. Given the choice our main character ends up making it is something ripe for sadness and anger by many viewers. Good, good, let the emotion flow out of us.

I honestly had no idea where the movie was going on, and once the plot gets fully revealed (which is does VERY quickly and seemingly out of nowhere), every moment gets a little bit scarier. Keoghan has one of the more punchable faces I have ever seen in film, true here and in Dunkirk, but it really works with the character they created. He is unnerving, but not in a cartoon villain sort of way. I will say the film didn’t really do enough to explain his actions or his own mental capacity, so it should definitely be dinged for these reasons.

But let’s just say, some shit is up, it affects this family quite unfairly, and we have to watch most of a film as they deal with shit that continually escalates until a final decision is finally reached. After all the build up, the ending itself was pretty shocking when it came to the hows, the whys, and the whos, but it also makes sense in an eerie way. After all, it is an eerie movie about some people with some strange feelings about reality, so it is also fitting.

The Killing of a Sacred Deer is a creepy film with some horrifying moments, but one that could have been better with a lot more backstory and explanation when it comes to a few characters. Less can be more, but I think this film had too much less.

3 out of 4.