The Grinch

The Grinch would be the biggest Dr. Seuss effect on society if it wasn’t for that feline that wore head accessories.

Speaking of the Cat of the Hat, I have still never seen that live action movie. But it was supposedly terrible, so bad that that the Seuss family said no more live action films. Just animated. Which means that eventually we got to have The Lorax from Illumination Entertainment, a company normally on my shitlist, because they make shit to average films.

And despite seemingly having any Seuss thing to work with, they figured they could just do The Grinch again. Why? I don’t know. We have a successful animated 2D version, and a successful 3D live action version, so I guess we need another version, this time animated and 3D.

If it was a better company, I would be annoyed because they could have decided to do One Fish, Two Fish, Red Fish, Blue Fish instead. Maybe Tim Burton will tackle that one after Dumbo.

Snowman
One way to ruin Christmas is to teach the local youth about jerking someone else off.

Oh yeah, this is the section where I talk about the plot of The Grinch.

So uhhh, there is this place called Whoville, where all these Whooligans live in splendor and wonder. They are overtly happy and cheerful, and for whatever reason, they all enjoy the shit out of Christmas. Decorations, noise, presents, togetherness, food, you name it. Christmas is number one. Celebrations all month long.

But someone doesn’t love Christmas. No, he hates it. The Grinch (Benedict Cumberbatch) lives in a mountain outside of Whoville, alone and bitter, with his dog, Max. He just wants to be left alone, but he has to visit Whoville to buy food occasionally. Normally he hides up all December to avoid the festivities.

This year, however, he has to return and get involved. Because they are putting everything bigger, 3 times bigger at least, and that he cannot stand. He must steal this Christmas from them, to make them feel as sad as he does all the time. That will show those Whos who’s boss.

Also featuring Angela Lansbury, Cameron Seely, Kenan Thompson, Rashida Jones, and Pharrell Williams at the narrator.

Santa
That’s not Santa! Santa Claus is a black man!

There is only really one major point I want to harp on, so I will get to the quicker stuff first. The Grinch doesn’t seem mean, just sad and lame. The film felt too long, and featured what turned out to be an unnecessary reindeer plot to pad the time. And the backstory they gave to him paints the city of Whoville as a terrible place to be with a bunch of assholes, and also sort of makes his behavior completely justifiable. Great.

However, besides all of that, I have a question. Do you think the Whos in Whoville worship Jesus or believe in any sort of god? Because in the last two movies and the book, they have not made any references to Jesus or religion. They celebrate Christmas like Americans, the secular ones at least. Presents, Santa, food, and togetherness.

There are no mangers in Whoville! This is not Earth at all, it is its own planet or city or entity. Shit, maybe it is on a snowflake.

But not in this movie. The first sign was when a choir was singing “God Rest Ye Merry Gentlemen” in what was definitely a minute long and silly scene. It took me out of the movie. They had Angels on trees, which isn’t as bad. But then even later, there was a singing of Silent Night, another very religious song.

These movie makers are so out of touch with the material, that they are getting their own potential Christmas traditions mixed up with Whoville Christmas traditions and that is a problem.

Come on, you know it is true. A fundamental breakdown of this magnitude is either agenda driven, or a lack of intelligence, neither of which should be celebrated.

1 out of 4.

Bohemian Rhapsody

Right off the bat, I will say I was not looking forward to Bohemian Rhapsody. The song is fine. And I love Queen! I have very fond memories growing up, watching Wayne’s World and hearing Queen’s greatest hits. My family owned two VHS tapes collecting their music videos. I saw them all the time. I really enjoyed I Want To Break Free because the men were dressed like ladies with facial hair, but the instrumental part freaked me out.

Hey. I was a kid.

But why don’t I care about this film? Because production woes made me indifferent. I was in love with the idea of Sacha Baron Cohen playing Freddie Mercury, it was perfect, and he could sing!

Production woes! Cohen left! Creative differences! The band wanted a feel good movie about the band and PG-13, the actor wanted the real story, the R rated stuff, the Oscar winning Mercury stuff. And eventually we now got this movie. Let’s not forget that the director, Bryan Singer, probable diddler of young male talent in Hollywood, was kicked off the project when it was almost done, and they had to finish it without him.

Even the well edited trailer did nothing to me. I got to hear so many Queen songs in under 3 minutes. With Mercury singing. Is this whole thing going to be a film with Queen songs just spliced on top? Fuck. On my films, even my biopics, I want the actors do the singing, at least in a studio. I don’t need to see Remi Malek doing an air band performance for a few hours.

Mercury
And aerobics!

In the 1970’s, times were changing. Disco wasn’t yet in a full swing, but people still liked music, and still had dreams. Like a young Farrokh Bulsara (Rami Malek), who later would change his name to Freddie Mercury. He didn’t want a normal job at an airport, he wanted to sing in a band. And he just so happened on a band who just lost their main singer. That is where he met Brian May (Gwilym Lee) and Roger Taylor (Ben Hardy). A guitarist and a drummer. They didn’t want him, due to his teeth and look, but his talent did not lie. They eventually found a bassist in John Deacon (Joseph Mazzello) and the rest was history!

Oh, and some more things happened. Not an instant success, but honestly, it didn’t seem to take long either.

They were a band who worked together and competed together. To get songs on albums, to try new things, to go into places they had not gone before. Especially true for Mercury, who found himself eventually with men, despite being married with his long term love, Mary Austin (Lucy Boynton) and with kids.

There were a lot of influences on their music and on their lives. Roadies, managers, other lovers, groupies, fans, and what not. And of course, eventually the story ends in tragedy, but not before one of the best live concerts televised around the world.

Starring Aidan Gillen, Allen Leech, Tom Hollander, Mike Myers, and Aaron McCusker.

Band
They definitely look cooler in this picture. Too cool. Ice cold.

Behold, for I am disappoint.

People will praise this movie for several reasons, and these are things you should be leary about. The number one aspect being nostalgia. Hey, they like Queen, so a movie with Queen songs is alright. Just having music that you expect to hear inside of it is not a reason for something to be automatically good. Queen music is expected.

Malek’s performance is praised because he gets to prance about on stage like no fucks are given, with some big facial expressions. But you know what he didn’t do? Sing. I think maybe once, or twice in this movie he actually had to sing, and when he did it was all very little. Basically all of it is just actually Mercury singing and again, if I wanted to hear Freddie Mercury sing, I have YouTube and CDs for that. Is it weird to have a double standard when it comes to performances? I want my actors if they are playing singers to actually sing, but of course I wouldn’t care if an actor is actually playing piano, guitar, or drums, although it can surely help make things authentic.

Honestly, one of my favorite aspects of the film ended up being the other members of Queen. I just loved that these members looked so much like their counterparts, who I recognize from seeing their music videos over and over again. They all also had their own personalities and traits, consistently through the film. I guess it is easy to get them right when the real figures are alive and backing the film. They weren’t outstanding acting performances or taking away from Mercury, but they felt like real people and that was a good change.

The way they chose to portray actual events in the film is really what bugged me. Honestly, it took way too long to have Mercury come out as gay in the film. They had hints about it, like stupid teases. Sure, being gay at that time was way more frowned upon, but as modern viewers, there is no need to keep such an obvious and important focal point hidden. And honestly, about 3/4 of the way through the movie, I was wondering if they would even say the word AIDS in the movie. I almost thought they wouldn’t mention it at all (they did). But they did it first through a weird news cast that Mercury happened to see. And the scene where he went to the hospital and was tested was just so…odd looking. It ended with a fan singing at him, and felt way too much like an awkward TV PSA about…drugs or anything really. It didn’t feel impactful, it felt awkward.

Biopics often have moments where they have people who doubt their talent who later are shown regretting it and being angry. These scenes are ALWAYS bad, and seem petty and unnecessary. But they really went full out with it in this movie. First, they had Mike Myers as the character in question. They made him say a line about how teenagers would never be banging their head to Bohemian Rhapsody, obviously referring to the scene in Wayne’s World decades later. We get to see him angry in his office later in the movie, because why not. Also during the Bohemian Rhapsody scene, it decided to have news/review quotes fly through the screen about how it was a bad song and destined for nothing.

Like, was the entire point of this movie actually to just rub it in some critics faces that people ended up liking Bohemian Rhapsody? Enough to name the Queen biopic after the song (which feels unoriginal and uninspired), just to prove that people like it.

The whole thing is incredibly average and standard as a biopic. This feels like a disservice to a band that was anything but average and standard. And because of that, I disliked it even more. This movie played it safe and boring. I, for one, will be ready for the better film in twenty years.

1 out of 4.

The Sisters Brothers

When is the last time we got a good western?

Oh, you mean like, every year over the last decade? Hells yeah.

Since Westerns went out of style, we get a lot less of them, and they end up being a lot higher quality. Not when we were oversaturated with the westerns decades ago. They were like the superhero movies of their time.

Needless to say, this year we already had a western Damsel, that I for sure did not see. But I saw The Sisters Brothers, which has a chance to be the western of 2018. And if not, then sure, Damsel.

Gyllenhaal
Damsel probably doesn’t have a bearded Gyllenhaal though, sooooo…

Set somewhere in the 1800’s, the brothers Eli (John C. Reilly) and Christian Sisters (Joaquin Phoenix) are good at killing and a bit proud of it. They can take out a whole group and walk away unscathed. Some say it is thanks to their dad being a straight up killer madman as well. And some people say…well, they only say that one thing.

They work for The Commodore, a man who runs a large area with his wealth and outlaws. If someone steals or messes with him, they end up dead. And now the brothers have to try and catch up with a prospector (Riz Ahmed) who stole something from the Commodore. Trying to catch up to someone before they make it many states away can be quite the burden, especially if they don’t exactly know where he will be.

Thankfully, another worker of The Commodore, John Morris (Jake Gyllenhaal), has been following the prospector and keeping notes along the way for the brothers to follow. He is a writer, not a killer, so he couldn’t do anything that could cause a person that much pain. Even though it would make things simpler.

But when the prospector and the author start to develop a friendship, with dreams of making it big, then anything can change.

Also starring Carol Kane, Rebecca Root, and Rutger Hauer.

Brothers
“If there is a place you need to go, I’m the one you need to know, I’m the map!”

Let me just say, before I get really into the movie, that this film had the most infuriating credits intro I have ever seen. Apparently a lot of companies were behind this one, and so they had to show them all at the start, you know, for legal reasons. And it started with one at the bottom of the screen in a strange shimmer color font.Then the next one appeared directly on top of it. And so on. And some lines had more than one group. Overall, it was 7 rows of words stacked on top of each other, filling in the black screen, and for whatever reason, it made me angry.

Making me read down to up? Just filling things up and not fading anything away? I was mad.

And the film really didn’t make me happy. It is not a comedy or anything, a serious drama, with the occasional jokes. About two brothers, overall, who are good at killing people and have to go around killing a lot of people. And it is also a lot about the prospector and Gyllenhaal’s character.

The Sisters Brothers is about a few characters. It is definitely not about the story. The plot is pretty poor. It feels really long and drawn out, not to showcase great shots, because the shots are just okay. The acting is decent, it has some moments that are cool to see. But we also have night scenes with not great lighting, because they are going for realistic, and that is a shame if those things are big events, like the introduction or when main characters get hurt.

I was disappointed with The Sisters Brothers. This is not a knock on Reilly, Phoenix, Gyllenhaal, or Ahmed, who all acted wonderfully. But the film put me to sleep and felt like it was going nowhere fast.

1 out of 4.

The House with a Clock in Its Walls

Apparently The House with a Clock in its Walls was a book. I haven’t heard of it. The author really loves it, and made a whole bunch about these people. Studios be trying to get all pseudo famous books into movies, because the scripts are halfway made and have a following.

I don’t know it, nor do I care. This title is unforgivably awful. At no point does this scream out sexy, fun, or cool. It sounds god awful. This is about magic? This is the least magical sounding title of a movie ever.

How anyone saw this title and wanted to read the book is beyond me, but at no point is this one I would want to watch without being a reviewer. This is a film that I would skip on principle alone.

Goggles
Why the fuck is this kid wearing goggles? To show he is whimsical?

Lewis Barnavelt (Owen Vaccaro) just lots his parents, in some sort of car accident. Now he has to move to some place in Michigan, to live with his Uncle John (Jack Black), an eccentric man that his family never talked about and whom he never met. for many wonderful reasons. He lives in a mansion. It is weird, and decorated with Jack O’Lanterns.

And shit, inside the house things move around and are a bit spooky. Why? Well, his Uncle is reluctant to tell, so we have to let things be a mystery for a while. Maybe he is a murderer, and he will kill Louis one day.

There is also a purple loving neighbor, Florence Zimmerman (Cate Blanchett), no relation to the Florida vigilante, who is hanging around, also involve in some sort of shenanigans.

Alright, okay, they are warlocks and witches. Not bad ones, not necessarily good either, but certainly not evil. And Louis is showing promise so, shoot, he can be one too.

No, this is not The Sorcerer’s Apprentice. This is the Warlock’s apprentice, damn it.

Also starring, Kyle MacLachlan, Renée Elise Goldsberry, Colleen Camp, Sunny Suljic, Lorenzza Izzo, and Vanessa Anne Williams.

Old people
“Hey, we’re cool, we’re hip, we know magic!”

To be honest, it has been a good while since I fell asleep during a movie in the theaters. The last one was probably Deadpool 2, I know, how dare I do that thing.

Well, when a movie is boring, its boring. I know I missed full scenes, because they referred back to them later in the movie. “What cemetary scene? A blood what?” I think to myself. Oh well, not important. Because of how slow the film decided to start, really going hard after that old time asthetic, we had to watch character development scenes that really don’t move the story forward.

At no point would I say are the school plot points really useful for this story. People don’t like him because he is new. Normal stuff. People don’t like him for being a nerd? Hard to say. Really, they don’t like him for wearing goddamn goggles. Take that shit off your head. Which another character even points off, but nah, need those goggles on.

The school scenes are all just to set up future movies that probably won’t happen. Even the normal plot line of finding a friend didn’t work out, defying no tropes along the way.

The movie feels overly polished and CGI heavy when we get to the magic aspects. The ending isn’t fun or exciting. It mostly feels like convenient moments after convenient moments to get to what they eventually call an ending.

Eli Roth tried to do a family film. I shouldn’t be too surprised at the low ranking, since he has been disappointing me with his R rated endeavors recently as well.

1 out of 4.

The Predator

I don’t think I saw the first Predator movie, nor did I see the next one. I did see both Alien vs Predator films though, and of course, Predators, from a handful of years ago.

I think I would enjoy the first Predator movie, it sounds like it is really well made and will have high levels of tension, especially in the end. I will put it on my list. I still know roughly the events of these films, because hey, geek and movie culture.

But to continue the string of very nondescript movie titles. this one is going to be called The Predator, because I guess there is only going to be one. That is some Highlander stealing shit right there. And since it is directed by Shane Black, I can only assume that it will take place during Christmas.

Pred1
Time to hang up the people stockings.

Let’s all head to Mexico! Where there are drug deals, of course! Quinn McKenna (Boyd Holbrook) is an asshole, but he is our asshole. He is also a good soldier and sniper. Sure it basically cost him his marriage, being all soldier-y and out a lot, but he is still a good soldier. And during a mission, a space ship crashes nearby with a scary creature with invisible capabilities.

So he does what any hard working American would do in that case. He steals some of the monster’s equipment and mails it to his P.O. Box at his home city. Thanks to plot though, they go to his home, so his young autistic son (Jacob Tremblay) can find it and mess with alien stuff.

Through other plot, the alien gets captured by secret space force people. We got a real mean dickhead (Sterling K. Brown, who seems to be getting younger in his roles) who wants to unlock their potential. We got an alien biologist (Olivia Munn) who is surprisingly good at shooting things with various weapons. Hell, we have a whole bus load of “crazy” PTSD soldiers that they are hiding away who are going to be dealing with this thing.

But most importantly, this will end up taking place over Halloween. Damn Shane Black, way to trick us.

Also starring Yvonne Strahovski, Trevante Rhodes, Thomas Jane, Keegan-Michael Key, Jake Busey, Augusto Aguilera, and Alfie Allen.

Pred2
Well I guess instead of hanging stockings, they are just hanging Halloween decorations. Makes more sense.

The Predator is basically a trash movie. A movie that feels like an incredible waste of time, and did not live up to any of the expectations that I went in with. And honestly, I didn’t have many.

People tried to talk about what the trailer implied, but I didn’t see it, so I didn’t know where they were coming from. Instead, I just know it is a crap film. Why? Well, this film is basically a comedy. It is very much almost a slapstick comedy. Because we have this group of men with zany personalities (because of mental disturbances) they all have quips and one liners. This means everyone, starting with the guy who is supposed to be the joke maker, all the way down to the more serious characters. It is like they wanted to make The Avengers, but you know, PTSD army folks.

Gosh, the humor was so annoying. At no point could a viewer feel threatened or scared by the predators. When everything is a goddamn joke, it is hard for anything to really draw the viewer in. Tense moments are wasted by jokes and by extremely bad cut jobs. This film moves all over the place, and it is hard to judge how time works. We quickly go from a night scene to an early morning scene, a literal night and day difference, in the final action sequences. If there were a lot of practical effects (/people in suits) it is wasted by the other CGI effects. The kills aren’t too great. And the predator v predator fight is not worth any amount of hype.

AND HOW THE HELL ARE THEY GOING TO HAVE A FILM CALLED THE PREDATOR WITH MORE THAN ONE PREDATOR.

This cannot be the movie people were hoping to get. Somewhere a better film might exist, but really, it needs a plot upheaval and most of it to be re-shot with a different cast. Yeah, we just need a different movie.

1 out of 4.

The King

If you are a person, you are supposed to love Elvis. That is the rules. That is the rules I heard growing up again.

He was called The King of Rock and Roll, because people went nuts for him. His moves, his words, his sex aura. He was a musician famous across the world despite only playing in America. He was in the army for a couple of years. He was an actor for a long time after that as well. And eventually, he died, and then fat people in suits pretended to be him for decades after that.

I don’t have any strong feelings about Elvis. I knew the famous songs growing up but didn’t care for it. Just like I didn’t care for The Beatles. I am too young and carefree to care for the trailblazers. It happens. So I have never been crazy about Elvis, and honestly, wasn’t crazy about this documentary.

What I did know, and have learned in the past, is that Elvis didn’t invent Rock and Roll. It is very apparent, if it wasn’t at the time (it was) that Elvis was just singing and playing music already played and made popular by black people at the time. But because Elvis was white, he was able to make it popular, more acceptable (despite plenty of protests) and it elevated him into superstar status on the shoulders of others.

Of course, this is all information they go through in the documentary too. It is just what I really knew going into the movie, so I was ready and waiting to see how they would treat this subject.

Doc
By having people sit in his old car.

Technically, this documentary as the filmmaker going around with the actual automobile owned by Elvis at one point, and having famous people and musicians sit in it (some of the interviewees include Ethan Hawke, Alec Baldwin, and Chuck D). Some of them are telling his history, some telling how he was perceived, and some just want to get that vibe. But we get to hear them talk, amongst other interviews of people talking.

Despite it being the “point” of the documentary if you describe it in a line, it ended up having very little to do with the overall message and purpose of the documentary. More of it was on just Elvis and his history and life. And, as they make it abundantly clear, it is also a bit about the history of America, how it changed with the times and as it got to where we are now. It has several montage things that lead us to (you guessed it) the presidential election. And the documentary is trying to relate all of this to the life of Elvis.

And well, uhhh. It kind of never really connects for me. It feels like two completely different aspects. The life of Elvis, and then this other stuff, that is not at all gone into tons of detail. It tries to be bigger than it is and just seems to fall flat on my end.

I like that they tried something new, but it has to be a lot more straightforward to drive those bigger and bolder points they were hoping for.

1 out of 4.

Eating Animals

Oh hey, a documentary. One about food, those aren’t common at all.

This one doesn’t even try to hide under a clever punny title about the issues. Eating Animals is straight to the point. It is most likely also going to be anti eating animals. I can’t imagine a documentary that is going to talk about the pros of carnivorism with a title like this.

Oh and it is narrated by Natalie Portman. That helps solidify the point as well.

I wonder at this point how much new information a documentary can have over a topic that has been so beaten to death at this point. But hey maybe.

Eating Animals
I didn’t expect the documentary to get so graphic and watch this man eat this chicken without cutting away for 35 minutes straight.

Needless to say I don’t have a lot to say about this documentary. It doesn’t go out and say animals are unhealthy for human consumption. Instead it is on the impacts on the environment and on the small farmer. It goes after corporations and sure, some animal rights is fair. Really what it wants to say is that if you are going to eat meat to think about where your food comes from. Support more local small time farmers and ones that treat their animals nicely.

I can respect that.

The documentary itself is deeply boring however. It has no pizazz. We have a true story of people getting punished and hurt from their better raising methods. That sucks. It is still boring.

Basically this is a documentary that will change nothing. People who like meat won’t go watching it. People who don’t might watch it and will probably still not eat meat.

Just give me something new in a documentary before making it, okay?

1 out of 4.

Infinity Chamber

Infinity Chamber is a movie you have never heard about before, nor had I when I decided to watch it.

Just a movie, floating around on Netflix, when I wanted to find something potentially interesting and unheard of while cross stitching.

Indie science fiction movies, especially ones dealing with far reaching topics, have generally been good to me in the past. They can be a lot smarter than the average released film, and go into a lot of weird places. I wanted this one to be weird, so I hoped for the best.

Camera
Haircuts are unfortunately normal. Not. Weird. Enough.

Frank (Christopher Soren Kelly) wakes up and finds himself in a room. A prison. A chamber. It isn’t too small, but there are no windows and no notable doors either. He has a bed, but nothing else to keep him idle.

Oh, there is a big camera in the middle of the room and it talks to him. Its name is Howard (Jesse D. Arrow). He is the warden of this here cell, but it is his first time, so he cannot answer all of Frank’s questions. Questions like, how did he get here? Why is he here in the first place? When can he leave and can he talk to anyone else? Why does Howard know jack shit?

It turns out his cell has other amenities. like drinks and food can be made when requested by Howard. If he needs a toilet or wants to exercise, parts of his cell will open up to help him out. But other than that, he is alone.

Oh, an inexplicably, Frank also sometimes finds himself in a cafe. This cafe is run by a lady (Cassandra Clark), who doesn’t recognize him every time he appears. During every visit however, he is beat up and captured by agents, and hey look, back in the cell.

This is going to be a long sentence for Frank.

Coffee
The coffee has no hidden side effects. Not. Weird. Enough.

This film was a struggle to get through. I had to watch it over multiple days. Early on in the movie I kept passing out (with my wife quickly waking me up) because of how dreadfully slow it was going.

I am not entirely sure what I expected. Maybe just a nice social experiment movie with one person. Maybe something like Cube. Maybe something with some sort of thriller elements.

But nothing was intriguing. I fully understand what happened, or happened enough with reasonable amounts of speculation. I didn’t miss key elements. I did miss a reason to care, however.

I know it is a low budget indie film. But man, that robot sucked. Didn’t even sound scary, all powerful, or robotic really. Felt just like a dude. Twists that occurred seemed obvious. And holy fuck was it boring. Did I say that already?

1 out of 4.

The First Purge

Asking most people, they would tell you that they like The Purge: Anarchy, the most, which was the second film. It was good to see it on a city wide basis, but I am also one of the people who really enjoyed the original Purge movie as well. The Purge: Election Year, however, did nothing really for me. It was obvious what they were doing and going for, but the bad acting in it means it wasn’t as impactful as anyone would have liked.

Unlike previous films, I never saw a trailer for The First Purge, so I am going in relatively blind. I did see the first teaser poster though, which was enough to make me laugh and get a bit excited.

Although let’s be clear. This is a prequel. Prequels are generally fucking stupid, unless they can absolutely answer new information in a different light. And if it doesn’t? Well, then prequels are fucking stupid.

Mask
When did he have the time to make this mask? Did they all agree that masks were cool before it ever happened? Was there a crafting party/meeting?

This time, this takes place right after the New Founding Fathers have taken over the government and elected a president. They said they would help come up with a solution to fix America at any cost, as fast as possible.

And this involves a planned social experiment, for 12 hours, to let most average crimes, including murder, be legal. It will be done as an outlet to let out all the anger and aggression. And it will be done on Staten Island, a place with known borders, to see if it works.

Staten Island has a large poor population, so when the vote happened for their place, they agreed overwhelmingly. People who want to participate are also going to be given $5,000 if they survive the night. The rich can just leave the island before hand, the poor will stay and find this life changing, so of course they will do it.

No one really knows what to expect for the night. A lot of killing? Killing early and then people being satisfied and going home? Just a night of looting and outdoor sex? Who knows!

Well, we will have drones, contact lens cameras, and more reporting on the events around the world.

Starring Y’lan Noel, Lex Scott Davis, Joivan Wade, Mugga, Patch Darragh, Rotimi Paul, Mo McRae, and Marisa Tomei.

Protest
Protesting free money and free crime is an uphill battle.

Remember how we already learned that the purge was really a way to help deal with the undesirables? You know, the poor, the colored, the homeless? A way to lower the resources we needed overall? It was implied in the first film and explicitly shown in the second film?

Yeahh, well, they use that as a sort of plot twist shocking moment in this film. Sure, that would be shocking maybe if The First Purge was the first Purge movie, but it isn’t. It is a prequel, and it is showing us shit we already know.

This film was basically almost a 0 out of 4, due to having no point. But it is hard to not root for Noel’s character, despite being a drug lord kingpin, especially when he becomes John McClane near the end, scaling a tower in his wife beater t-shirt and bag of guns. This film also features a lot more people of color as our leads, which is fantastic. The bad aspects are that it just doesn’t offer really anything new. It is full of surprises that aren’t surprising, a bad local villain, and the cringeist scenes between the scientist and the politician. Which scene? Every. Single. Scene. Between them. Tomei just didn’t even give a fuck in this movie for her limited role.

The First Purge is forgettable and now leaves us in a weird position for this movie. Where does it go from here? Do we now do The Second Purge? Or can we just set up future random purge movies in random locations?

Or does anyone care anymore?

1 out of 4.

The Final Year

I first heard about the documentary The Final Year sometime last year. Politics are getting crazier every day, and the Obama administration feels like forever ago.

From what I understood, it would be looking into the year 2016, not from a year of worrying about primaries and nominations, but specifically on Obama and his goals in that last year. What drove him forward, what was he hoping to accomplish, what did he actually accomplish, and why? His desires to not just be a lame duck and coast his final year.

And it would have behind the scenes access! It would be very fly on the wall candid feeling!

These are mostly assumptions I made in my head it turns out.

It was technically about Obama, sure. But really, it was about the Obama administration foreign policy team, dealing with the world, and what the world was doing to them.

TFY
Oh good, a photo of the four main people, with the most focus on those who had less screen time.

John Kerry was the Secretary of State in the second half of the Obama administration, and he was dealing with foreign policy. We also have Samantha Power and Ben Rhodes. Power was the Ambassador to the United Nations for four years, while was the Deputy National Security Adviser.

Clearly all three of these individuals were in positions to deal with a lot when it came to foreign policy. We get a lot of access to these three during the final year, both from interviews for the documentary, their own scandals, and videos of them doing their normal jobs and responsibilities. Kerry has less screen time than Rhodes/Power but still is definitely a lot more involved than Obama.

And well, I think this one fails to become a great documentary for feeling all over the place. What connects it is just one year and events happening to and from three people. And lets just be clear, this is not an opinion. They are less interesting than Obama. A lot of people are going to go into this expecting a lot of Obama, and they are going to be disappointed.

It also feels a bit sadder overall, knowing that basically everything they set to accomplish and did is being dismantled and finished. It is a dark look at politics in that regard. But still not dark enough to really fully care.

At this point, I wish this documentary came out a whole year earlier, right away, so that we can get the impact fresh in our minds. At this point, it just feels too late.

1 out of 4.

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