Category: Festivals

Killing Romance was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 18th as part of the festival, and it was the Seattle premiere of this film!

First, Hwang Yeo-Rae (Lee Ha-nee) gets famous! A viral person, a superstar singer, and an actress, and she is everywhere. She rises so fast, she gets put in the lead of the most expensive film of all time, and it is a dud. Her acting falls flat, she is a laughing stock. Sure, people love her for this, but she thinks this is a tragedy and her life is over.

Then she meets Jonathan Na (Lee Sun-kyun), a very rich, powerful man, who helps her out of a jam, and seems to like her. Perfect. They live away from Korea for so many years, and eventually return, Hwang now a house wife, with the world forgotten about her.

But then she meets Kim Beom-Woo (Gong Myoung). No, this is not a love thing. This is just a guy who happens to be a super fan of her work. Apparently there is a lot of them ou there. Kim is stuck in a house hold where he cannot pass the college entrance exam, and cannot go to Seoul University like everyone else in his family has ever done. He is a disappointment. But he is able to get a script to Hwang when the couple moves next door.

A script? For a musical? Can this be Hwang’s next big break? Well, no, because Jonathan says no. He cancels the whole thing. He is powerful. He is strong. He is rich. He is controlling over Hwang. He can get people killed. Hwang realizes she needs out of this relationship, it is toxic. But to do that, either Jonathan will have to die, or she will have to kill herself.

Also starring Bae Yoo-ram, Pierce Conran, and Shim Dal-gi.

Gosh, I am already in love with this guy myself. I need to of course start this section talking about Lee Sun-kyun, who tragically passed away in December. I won’t go more into the story and circumstances of his death, but they were very tragic from almost every standpoint. He was famously known as the rich dad in the Parasite movie from a few years ago. I don’t know if this is his last movie, but it is certainly now one of the last ones. And it is tragic that this is a movie where the main plotline is to actually try and kill his character.

And he destroyed this role as the toxic mean husband.

Killing Romance is certainly a movie that is indescribable in many ways. It is a BIZARRE film. It is wacky. It is strange. It is an experience.

I think the offput nature of the film, the switching aspect ratios, the switching of quality, the terrible background scenes, the zany nature of Jonathan’s character, are all just certain features that highlight the absurdity of cinema. I know this isn’t a negative of Korean cinema or anything like that. This is just a movie that wants to do its own thing, and is unapologetic in the process.

Is Killing Romance itself a good film? Honestly, hard to tell. I did enjoy my watch overall, and I appreciated the creative output. And again, if this one is Sun-kyun’s swan song, it was certainly a cherry on top.

2 out of 4.

Tenement was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the North American premiere of this film!

Sorya (Thanet Thorn) is a Japanese-Cambodia woman and a Manga artist, who has already hit a wall in life. She likes what she does, but it isn’t challenge, and she wants to make a horror manga. Also, her mom died. That is important. Because of the death, and wanting to make the book, Sorya wants to go back to her ancestral home in Cambodia, to the same apartment complex where her mom used to live, to help for inspiration, and her own life in general.

And heck, this place is a dumb. People seem friendly, but you can tell it has not been maintained in any level, and its just rubble. Her boyfriend Daichi (Yoshihiko Hosoda) joins her on this adventure, and she is also able to meet her Aunt Mao (Sveng Socheata), who still lives there. This surely will be a great place for inspiration.

Unfortunately, they didn’t know how apt the horror would be. With basically cults running around and rituals, it turns out their stay here as tenants might not be that long.

Also starring Sahrah Pich Manika, Rous Mony, and Touch Narady.

Exactly what I like waking up to see. All of my neighbors with candles watching me, for protection. Tenement feels almost meta in a sense. The lead couple wants to go to this complex, specifically to get a horror feel, and of course that is what they get. They get weirdly terrorized in their sleep. They have creepy kids singing songs. They get to worry if everything is just a dream.

But all of these elements just felt like regular horror staples. It was interesting that they were so up front with the horror aspects at the start. They didn’t keep things in the dark and rely entirely on jump scares or anything like that. It just failed to capture me at all on the story. It was boring, with a few interesting scenes thrown in. And, I can also say that I didn’t like the ending that much.

Now, there can be a lot more to this story that I am unaware of. Like Cambodian history, or the area, and that all might have deeper meanings, but I am just a lost American, looking for scares, and getting a movie that felt disappointing in that aspect.

Oh well. Might still be worth a watch for the visuals, but my overall disappointment in the matter is what judged this rating.

1 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.

Resynator was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

You can trip on my Synthesizer, electronic world for every boy and every girl.

The synthesizer is probably the best new instrument since…I don’t know? What was the last instrument invented after all the drums, brass, woodwinds, strings came out hundreds and hundreds of years ago? The accordion? Who knows. But the synthesizer helped transform music, and how to play music, and gave me a lot of danceable tracks and I appreciate it.

Now, for Alison Tavel, the director and theoretical subject of this documentary, she grew up hearing that her dad invented the synthesizer, and worked with all of these famous people. Her dad whom she never met, because he died when she was just ten weeks old in a car accident. She never knew what to believe, figured a lot of it was just weird lies, and never questioned it. But now that she is in her mid 20s, she wanted to know the truth, and unpacked his creation packed away in a box in their attic, the Resynator.

And this documentary is about that journey. The journey to find out what the Resynator was, why it isn’t famous, what could it do, does it still work, and what happened with her father. And you know, of course, learn a little bit more about herself along the way.

This is when she realized she shouldn’t have lost the user manual. As like any good documentary, Alison is going to find out some harsh things about her dad. Things her mom kept from her, because it wasn’t relevant. But things that were also great and accurate about things he did and accomplish.

And in the journey, she wants the good and the bad, she finds out what stories were tall truths and which ones were mostly correct. That’s how we get sections of this documentary with people like Peter Gabriel, who was said to have bought three Resynators, and he is able to confirm the accuracy of the story and be a nice win.

This is a feel good documentary overall, of a woman discovering herself, and coming to terms with things that were kept from her for good reason. And that is a fine idea for a documentary.

But real life can mimic other things, and sure enough, this just feels like a story I have heard over and over again in terms of documentaries. Someone going off to discover the truth about a relative, who died when they were young, and not liking the overall picture they find. For some reason, they also put this on camera for us all to see. It is a very common type of documentary. And Resynator, with some cool information on a synthesizer machine that did not get to the mainstream as many thought it might, was interesting for sure. And unfortunately the rest is just more of the same.

This is all very strange to say for documentary since it isn’t fiction, but like I said, see enough of these things and you can see the commonalities. Oh well. Plenty of people will watch this documentary and probably love it! So if the topic sounds interesting, it certainly will deliver on that front.

2 out of 4.

The Ride Ahead was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 11th as part of the festival, and it was the Seattle premiere of this film! You can see my interview with the codirectors, here! 

Documentaries that are slices of life feature can go so many ways. They can be dreadfully boring. They can be insightful. They can make you grow as a person. What happens with them really is more so up to the viewer. The documentary is saying here I am, this is me, take it or leave it. And then the viewer has to take it, or leave it.

Sometimes the slice of life has a greater message like. Hey. Be good to people. Or. Hey. Treat me like a person. Quite reasonable asks.

The Ride Ahead is about Samuel, who at the time of the documentary is 21, and adult, and he doesn’t feel like an adult. People treat him like a child, like someone who needs delicate gloves to handle. Sure, he is confined to a chair. He has cerebral palsy. He has epilepsy. A swallowing disorder. Talking is hard and he needs caretakers to function. But that is his life, and he is just trying to live his best life possible. Just because he has caretakers that are both paid by the state, and his parents, doesn’t mean he is less deserving of having a life, or deserves to be treated like a kid.

People suck, let an adult be an adult. That was my main take away from the documentary.

Reviewing a film about someone interviewing people? Okay, I guess there is a little bit more. One of the main reasons this documentary exists is that Sam, being patronized his entire life, feels like he isn’t sure what it means to really be an adult, especially as someone with his condition. He doesn’t feel like one, not just because of how he is treated. Adults are meant to have relationships, to find love, to have sex, to gain jobs, to live alone, and more.

And so Sam seeks out others who have been in his position before, who seem to have figured things out, and just straight up get their advice. He interviews a ton of people, including Maysoon Zayid, Ali Stroker, Keith Jones, and Judith Heumann, who did pass away last year. Sam doesn’t beat around the edge, he asks hard questions and gets some hard answers. And some awkward questions!

I love how realistic this thing keeps things. Sure there are some celebrities and famous people here, and it is probably hard to book them for documentaries, no matter the project. But they felt welcoming, and helpful to the task.

As a documentary, like I noted at the start, this is a slice of life thing. If you don’t want to see about his life, you won’t like the movie. If you know people like Sam, it might not do anything for you. But for a lot of people, it is a great look at people in our country, whom have difficulties with basic things that there shouldn’t need to be difficulties with. The chair does a lot of work, but it doesn’t help if there is no drivable land around the town or sidewalks. A general search for equity is how many people should want our world to grow and be shaped. And this documentary does a good job of making some great points.

3 out of 4.

We Can Be Heroes was watched as part of the Seattle International Film Festival 2024! It had its showing on Tuesday, May 14th as part of the festival, and it was the Seattle premiere of this film!

See, I could go straight into making a reference to the David Bowie song. That is what the movie is referencing, right? Right? But we also had a film just a few years ago come out with the same title. You know, the strange sequel to The Adventures of Lavagirl and Shark Boy? A bout a bunch of kids of heroes, having to save the day because all of their parent heroes get trapped.

And that is sort of what this documentary is about too! But presumably these kids in questions are just the offspring of regular normal people. Maybe nerds! Maybe not. (Probably nerds). And these kids, these outcasts, if you will (I wouldn’t that is mean), meet up at a camp in the state of New York over the summer, where they get to create characters that they would rather be, with their own rich backstory, costumes and moves. And work together to tell an overall giant story, where they are able to live action role play together. That is right. LARPing. This is a documentary about a LARPing camp for kids.

There are quite a few kids in this documentary that get to have a small focus on them, but really our focus is on three kids in particular. We have Cloud, who loves to sword fight and is excited for her first time to go to this camp, even though she is on the younger end of the age range. She wants to fight, make a name for herself, try out the dark side, and make sure she leaves her impact on the camp.

We have Dexter, who is every stereotype notable for a kid who might go to this camp, including a slower droll and neurodivergence, but who has a strong fantasy mindset. He also is afraid of getting ticks on him, and is hoping on his return to camp his crush from the previous year returns, so he might even get to exchange numbers with her.

And finally we have Abby who is on her final year at camp. She is about to age out, and go to college, and is excited about doing something special. Another thing that has happened to her recently is she was diagnosed with a disease (I forgot which one), and she has a feeding tube that she has to carry around with her and a backpack, almost all the time. And she has the fear of real actual death, and almost couldn’t go to camp, but they found a way to make it work.

These three, along with many others who are going to discover they have bigger talents than they once knew, with oration, creativity, and finding harmony with other kids.

The kid with the horns is really holding this whole thing together.

I want to go to a LARPing camp. I imagine anyone reading this wants to go to a LARPing camp. That sounds great. Is there an adult one, or do I just need to help organize LARPing events in my community. I hate organizing…

Anyways, this documentary is of course a documentary, but they also go out of their way to tell the fictional story that is created by these kids. The camera changes aspect ratio, gets very crisp, when all of the kids are in character running around. And you get to live their experience with them. It makes what they are doing seem very badass. Probably significantly more badass than it was in reality. And it was a cool nifty feature they added to the story, to make it a more fun experience.

For our three kids, I was immediately annoyed with Cloud (although my kids liked her), and did feel justified in that way based on events of the documentary, although all of them would be defended. That is *fine*. Dexter was especially nerdy and awkward, and I am glad that the documentary didn’t show his crush at all or try to shame her in anyway for not being swept off her feet over his awkwardness.

The real stars of the documentary was of course, Abby, and also secondly another girl(I think it was Miranda, who wanted to just be a princess for once). What can we say. Uplifting people with strong personalities make documentaries good. In fact, what I think this documentary really needed the most was just a stronger focus on MORE of the people at the camp. For a few people, we returned to them a few times throughout to see where they grew and what happened for them, but it was just snippets. We could have easily fit 4-6 stars in this documentary, and lessened the main three a tad bit, to give us a bigger range of kids.

Overall, hooray for LARP camps, and a documentary that decided to showcase them in a totally on point and creative way.

3 out of 4.

Gloria! was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the North American premiere of this film! You can see my interview with Margherita Vicario, the director/writer, here! 

Let’s talk about Gloria. Well, Gloria isn’t a character, so we can’t. It is however a common name/word used in religious songs, especially in Italian. You know, Gloria in Excelsis Deo? It means Glory really, but Gloria is also a nice name.

Instead we will talk about Lucia (Carlotta Gamba), who is at a school for choir music training, somewhere in Italy, in the 18th century. Like a lot of girls brought to the school, she was an orphan and so it is also an orphanage, bringing these girls to devout religion but also providing them food, shelter, and a service they can give back to their community. Lucia is also mute! That doesn’t really affect her hearing at all though, so she can still play instruments, she just cannot sing.

Oh, let me reiterate. Lucia can HEAR really well. In fact, she can imagine music all around her, in the everyday mendacity of life. Mr. Music would be so impressed. She also knows music can better than how it is currently presented, slow and dead. It can be upbeat, it can be fresh, it can have many different instruments providing different elements, and yes, even the human voice can be used to greater lengths.

But she is a woman, in a man’s world, and because this is holy music, it has to be done a SPECIFIC way. But with an upcoming visit by the Pope, yes, THE Pope, she thinks it is time to rebel, to spread new music, and to present to his greatest holiness what music could really be like.

Also starring Maria Vittoria Dallasta, Galatéa Bellugi, Veronica Lucchesi, Sara Mafodda, Paolo Rossi, and Elio.

Get up loser, we are going to pop-ify these sounds. Gloria is such a cute movie! Rahhh! And I just need that to be known.

It looks amazing, from the costumes, the set, and the cameras used. It is portraying a dull religious school, but we can still see color when its needed, even in the darkest of moments for the characters, who are going to fight to overcome whats shackling them down. Overcome what? We are going to fight the patriarchy! And hell, even fight the papacy too! Men telling women what to do, how to think, what is right and wrong, its gone now! Let them live their lives!

Okay, yes, this is a work of fiction, and Lucia herself is not based on a person from history. And it is very unlikely that the sort of songs made in this movie, would have been made 3 to 400 years ago. But that is okay, because the point really is that these women were creative, and were not able to express their creativity. And apparently, thanks to some Napoleon nonsense at some point, works that were created by these women composers became lost. At the end we find out this film is dedicated to those women, who likely had a voice, but it was silenced at some point and aren’t people in the history books as a result.

That is a good enough cause for me.

Like I said, it is a very great looking film. But also, it is just fun. It is a good time to be had, while shining light on a real unspoken part of history. It is silly, it is modern, but the cast of characters feel distinct enough and well. They just want to have fun.

Gloria! is fun.

3 out of 4.

Excursion was watched as part of the Seattle International Film Festival 2024! It had its showing on Tuesday, May 14th as part of the festival, and it was the Seattle premiere of this film!

Iman (Asja Zara Lagumdzija) is just a girl, trying to do her best in upper middle school, whatever grade that is officially I am not sure. Just the last one of the middle school in that country. Every year the kids get to go on an excursion to another country or area, and it is a long process to figure out. They have parental involvement, a lot of politics, and a lot of worries about the price. Because sure, they could go somewhere fancy, but if the whole class cant go because its too expensive, then maybe it shouldn’t be a trip.

They mostly want to go to Italy, despite the fact that it is expensive. They are worried about going to a poorer country and getting taken advantage of, or in trouble.

But back to Iman. She is a smart girl, she studies and gets As, and helps her bestie cheat. What a friend. During a game of truth or dare, she agrees with a question that, according to another boy, they had sex. Yes of course this is true. Shocking to everyone. But it is true! This lie of course, has to be believed, so it leads to more and more lies, making things more uncomfortable, until the obvious starts to spill over.

Also starring Maja Izetbegovic, Izudin Bajrovic, Mediha Musliovic, and Nadja Spaho.

Just kids lying and being kids I guess. Excursion is a very tame film. Fun fact, by the end, you won’t see the excursion happen. That isn’t like half of the film, it is zero of the film. But the discussion of said trip is a large portion of the plot, usually involved with just parents and teachers, but it pads this movies run time. It is barely over 90 minutes, and it really needs that padding.

The films other plot, about Iman’s lies are just…disappointing. This giant blow up never really occurs either. People hear the rumors and spread them as kids. There was talk of an abortion occurring. Some of the teachers also become aware of it. But nothing ever really boils over into the “this is too much” area of the film that one hopes this would build up to!

In fact, this is an independent film that really feels like it had the idea for the story, but not the idea on how to end said story. Too much is left unresolved, and this overall just feels like a bigger waste of my time. The story is unexciting, and neither of the main plot points are resolved. It was just a small look into the life of this group of kids. And sure, films like that exist. But it is wild how many independent films just decide they can end it suddenly and say that is what they were going for. At some point, you have to call it out, and that is what I am doing for Excursion here.

A waste of time, a story that doesn’t live up to its plot outline, or its title.

1 out of 4.

The Quiet Maid was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Ana (Paula Grimaldo) is a Colombian who finds herself in Spain! She is here to work as a maid, to earn more money, because her sister is going to go to medical school, but they need money for it. She finds a family who needs maid services, and can sponsor her living in the country.

They promised that soon, in September, they will work on getting her the papers she needs to be a permanent citizen, which would mean a higher salary, and an ability to make more money. But first, the whole month of August, she is with this same family in their big vacation home. They need her there every day, 7 days in a row, none off, and if she does will during their vacation, she will be given a lot more time off and money with the family back at their regular home.

But, of course, this family is a bunch of rich fuckers. The dad doesn’t trust her. She is constnatly talked about like she isn’t there from the son’s horndog friends. She can’t go out and have fun ever, like Gisela (Nany Tovar), a fellow Colombian maid from a different house nearby. Gisela pushes her to date, to dance, and more, but Ana knows one wrong move, she could be fired, and sent back out of the country.

The family sucks though, and eventually Ana will realize that they are not going to necessarily keep their words. So she is going to have to make her own way through this month, for herself, and for her family back at home.

Also starring Ariadna Gil, Luis Bermejo, Pol Hermoso, and Violeta Rodríguez.

Sometimes you need a break to just play with your pussy.

Yes, this is another fuck the rich movie. But this one does it the best, of ones I have seen so far at SIFF. A bit satirical at times, and a little bit over the top. Certainly a potentially strong pro-woman message about a woman doing things her way, and accomplishing despite men and spiteful women trying to break her.

According to the trivia, this is the first European film to be fully funded by NFTs. Which is something I really hate to hear, and it makes sense a few of the plot elements in retrospect. I won’t let that take away anything from the actual movie, but NFT’s just feel scammy to me, so I wonder if anyone got scammed as a result of the making of this film. That would drive me nuts.

Grimaldo as the lead does a lot with a little. After all, she is *quiet*, not loud. She is an observer, and makes plans in case things blow up. She speaks up for herself when she realizes that these papers can likely never come, but is also forced into many uncomfortable situations thanks to the nature of her job. She can’t really say “No” a lot for reasonable tasks that would fall under her umbrella, and if she agreed to be with them every day, she has to be with them in their good and their bad moments.

I think this film is a bit funny, despite the drama and serious moments. A good tale of gleeful revenge and perseverance by the end. We are all Ana at points, and its good to see when good people come up on top.

3 out of 4.

Seagrass was watched as part of the Seattle International Film Festival 2024! It had its showing on Monday, May 13th as part of the festival, and it was the Seattle premiere of this film! You can check out my interview with director, Meredith Hama-Brown, here!

Judith (Ally Maki) and Steve (Luke Roberts) are going through something. Judith is a Japanese Canadian, and Steve is “White Canadian”, and being an interracial couple comes with a lot of difficulties other couples never have to face or talk about. But they are now working on couples therapy. The one they picked is actually many days long and a vacation spot, with other couples. A nice destination to air out their issues and work together to find their love again. In a beautiful area!

And this is one that is for the whole family. They have two kids (Remy Marthaller, Nyha Huang Breitkreuz), who also have their own problems growing up, being of mixed ethnicities, and their identity. But on this vacation is an area with a lot of kids, and kids activities, so they have plenty to do and fun to be had, while their parents are having a bit less fun.

The catalyst for this story is that Judith’s mom died recently, and Judith has been in a funk ever sense. Hopefully they can work on their issues. Hopefully the last decade wasn’t a waste. Or was it?

Also starring Sarah Gadon and Chris Pang, as another Asian/White couple at the resort, with their genders swapped from our two leads. Although notably, the man is Chinese Canadian, not Japanese.

Scenic cool cave shot but don’t worry, the cave MATTERS. Seagrass is a film that is one step away from being a thriller, purely for tense moments in their drama. Honestly, I wondered if this might turn into a murder story. Or a ghost story. Or something. I was a bit scared at times, as they really ramped certain events at the end. And the camera work. The camera really liked to linger, or do some far away shots, and it had me wondering if something was going to pop out and the genre was going to switch.

I think that can all be attributed to the wonderful acting and script for this story. While its not as tense as films that make you clench early on and never let go, it gives subtle hints of a potential ending disaster, and you never know if this is going to be the time for a boiling over point.

Maki does a lot of great work here specifically. Roberts is a good standard dull white guy, who isn’t unable to understand view points outside of his own. But Maki has to put in the full range here. And she is wonderful for it.

I didn’t know exactly where Seagrass was going with its story by the end, but it chose a very nice path, with some powerful final words. I am also glad that the 1994 Vancouver Hockey riots were a part of the story as well. Always important to include those into movies, if at all possible.

3 out of 4.