Why? Besides being a solid A+ on the naming department, the title gives you everything you need to know about it. A movie dealing with teens dealing with death, the awkwardness of friendship and love in general, and how one can face the inevitable.
The Nick Offerman and love of movies in it doesn’t hurt it either.
Why? Partially picked because of how few people know about this film, Aftershock is one of the first lesser known films I watched that had a great emotional impact on me, and that was when I was still only 21 or so! The hard choice a mother faces can be seen as an allegory to the One-Child policy that China already had.
And the fact that we get to see so much of the events after the earthquake (you know, the Aftershocks) and how it affected so many lives is just heartbreaking.
Favorite moment? Hard to beat the initial earthquake scene.
Why? Life of Pi, like The Martian, ends up being one of my go-to movies to show the youth of the world as a teacher when we have time, except I try to say it relates to math because of Pi. Life of Pi changed the way CGI worked in films forever, winning plenty of awards along the way because of how aesthetically beautiful it was.
It deals with a lot of hard topics in a way that those young and old can relate to.
Why? My first film from this year on the list (which was very hard to place in the decade, mind you) feels like a reminder that Sandler knows what the hell he is doing with the acting game, he just chooses to phone it in for easy paychecks. This film is an uncomfortable two hours, of people making bad and risky decisions for a payoff that may or may not be worth it.
It is excruciating in all the right ways, and a tense experience that is really hard to create.
Why? My second animated film on this list, Inside Out hit me like a bag of trucks. First of all, it was led with Lava, which as a short made me cry by itself. But the journey of “emotions having emotions” through the guise of a pre-teen girl was its own a tear-filled experience, at least twice in theaters, and usually again when I watch it on my own or with my family.
It is a wonderfully weird concept, that sure, doesn’t make a lot of sense with scrutiny (see: many Pixar films), but a ride worth taking nonetheless.
Why? What’s this? My number 1 film of 2015 already on the list? That is okay. The Big Short is still wonderful, done in an exciting and informative way, and made me generally smarter about things I didn’t understand well. Hell, it still has good rewatchability. Just maybe that we are farther from the crisis in general, and there are other movies on the subject I like more (spoilers for this list), this felt like a good spot to land.
Adam McKay‘s heel-turn into Oscar nominated films was a shocker and a welcome one at that.
Favorite moment? The celebrity cameos to explain terminology.
Why? After working on a whole lot of skits, Jordan Peele realized he knew what was missing in the world, and he gave us Get Out. With Us being good (and not as good), he has cemented himself fully as someone to watch. A lot of films in the late 2010’s deal with racial tensions in America, but almost none as creatively do it as with Get Out, in the guise of a regular horror and creepy film.
It fuses the truth, with horror and comedy to get people in the doors and more importantly, get people talking.
Why? Before Midnight is the first sequel on this list, and after examining the whole thing, there are only 2, maybe 2 and a half films that are sequels. So this is definitely the only end of a trilogy! The raw emotions that Linklater let these two do, just to talk, about love, and fear, and sadness, and hope. It is inspiring on its own. Add to the difficulty of creating the trilogy in sort of real time with 9 year gaps lets us come back to a couple we adore and want to succeed and cheer for.
There is a chance of a forth film in 2022, but as for now Linklater hasn’t told us anything.
Why? Prisoners is a movie I went in with no expectations, only a trailer, as I didn’t know who Denis Villeneuve was. Turns out, he is a director I love and is featured many times on this list. This is one of those films that really showed me for the first time how good of an actor Gyllenhaal and Dano really are. Already had my assumptions about Jackman.
A long, mystery, dealing with moral ambiguity and a terrifying conclusion. Prisoners changed the way I saw cinema for the next few years.
Why? Marriage Story deals with a topic we don’t talk a lot about in films. Divorce! Getting married is easy, keeping it and ending it is harder. Two PHENOMENAL performances from Johansson and Driver, this is done in such a way that there are not too many overall scenes, but it is overall very awkward and sad.
I haven’t reseen the movie, but I have gone out of my way to rewatch various parts and I am able to with ease already knowing the full context. This will be a hard movie for me to rewatch and sit through beginning to end, but definitely one that warrants it at some point in the future.