Month: August 2016

Aw yeah, the most patriotic time of the year, where we all get our flags out and scream our dominance at flexibility and water sports and ignore the many sports where we never win. That’s right. Olympics time.

Now, The Bronze came out much earlier in the year, but I knew I had to wait until it was appropriate to review it. Right in the smack damn middle-ish of the Olympics, when we have maybe finished getting out gold medals in gymnastics.

And even more exciting is that The Bronze stars Bernadette from The Big Bang Theory, which of course you would only recognize her from. Outside of some cartoon voice work, I have never seen her in anything else. Oh wait, she was Woman Jogger Yelling at Sydney in I Love You, Man, of course!

This means that The Bronze is her second most famous role now! Too bad it wasn’t third! –

Hope Annabelle Greggory (Melissa Rauch) gave America a lot of Hope and a lot of Greggory. You see, she went to compete in the Olympics as a teenager, their star gymnast, from Amherst, Ohio. And then she got injured during a routine. But you know what she did? She did her next set anyways on the uneven bars, with a hurt ankle and received enough points to still place third. She was everywhere and everyone loved her.

But that was her only time in the big leagues. Now, twenty years later or so, she is still living with her dad (Gary Cole), still wearing her athletic gear and medal, and doing jack shit with her life. She has rode her fame into free food at a local Sbarro and a special parking spot down town, but other than that, no one cares anymore. And then her old coach (Dale Raoul) commits suicide.

Well, according to a letter she sent Hope before ending it all, the coach had been training the young Maggie Townsend (Haley Lu Richardson), completely free, because her mom (Cecily Strong) is single and working alone, struggling to survive. Maggie has a lot of talent and could win it all, and yes, she is from their same small town! Hope doesn’t want Maggie to succeed, because if Maggie does better, the town will forget all about Hope and her gravy train will end. In the letter, it is said that Hope will receive $500,000 if she continues to coach Maggie and get her as far as she can.

Cha-fucking-ching.

Also starring Thomas Middleditch as the local gym owner, shy and shit, and Sebastian Stan as a male gymnast from the same games who actually placed first in his categories.

And let’s be honest, gold comes with a fat cash prize as well.

This is technically the best acting I have seen from Rauch. Of course, her only other character as nerdy occasionally angry hot girl on TBBT doesn’t have a lot of acting involved. Her character was consistent, angry, foul and angry at the world. She was angry for messing up her moment and never getting another moment later (growing boobs messed up her balance and she couldn’t re-qualify). Her character made sense as did most of her actions.

I also enjoyed Middleditch and Richardson in this movie. Middleditch was still playing his nervous self, but he had a much nicer character than normal. Richardson had that teenage girl idol hype going well for her, emotions all over the place, and she looked the part.

Finally, I also feel like I should highlight the scene that gave it the Graphic Nudity part of its rating. It was longer than I expected and all sorts of hilarious (it involved two gymnasts after all!), and yes, body doubles were used.

But throughout the movie I couldn’t help but feel it was lacking. The characters, although consistent, got a little bit dull. We had what seemed like a training montage that lasted forever. It just seems like something that should have had a lot more Olympics and a lot less moping to make a more exciting film overall. But it dragged in areas, and the constant back and forth of the lead definitely got on the nerves.

Good news is, it is definitely entertaining for at least one watch, and the ending doesn’t suck. I said, the ending. Doesn’t. Suck.

I wasn’t always scowling at Suicide Squad. When they first announced it, well, I guess I had to google it just to find out what it was. Villains having to save the day. Sure, alright, cool.

What really made me excited is that Tom Hardy was signed on to play a role in the film! It was stoked. Then he left. Oh, okay. But then they got Jake Gyllenhaal to replace him! Oh shit, yeah! Good going! And then he turned it down as well. Fuck. What in the. Okay okay, then they got Joel Kinnaman, which does nothing for me. But I didn’t get annoyed at the film yet.

No, what really killed me is that during filming there were almost daily “leaks” from the set, or quick glimpses from a random persons twitter, or whatever. Too much hype can really bring down a ship, and I hate a constant bombardment of advertisements. Not only that, but of course we have Jared Leto as his edgy Joker, maybe as the villain, maybe on the team, I have no clue. I just know that he was “method acting” and kept giving all of his cast mates shit, playing pranks and what not, to get into character. Honestly, he sounded like he was being an asshole.

That is what made me frown and choose to ignore the pre-screening. That is why I didn’t want to wait hours just to see it. I knew it would wait. I don’t care how good the trailers for it were, because Man of Steel and Batman vs Superman both had amazing trailers and yet they were disappointments. So that is where I am coming from for this film.

So here is a non asshole character and a non asshole actress, giving someone a new asshole.

The US Government is starting to get scared. What if another Superman shows up, but this time, he isn’t friendly? They need to have a task force to bring them down, preferably some of their own strong people who are under their control. Well, they don’t have any, or at least they don’t have any that they can force to work for them. So Amanda Waller (Viola Davis), vague government official, decides that their team will be made up of criminal metahumans, who they have leverage over and who they can kill without too much of a worry.

So she gathers her team. Like Deadshot (Will Smith), who never misses. Like Killer Croc (Adewale Akinnuoye-Agbaje), who…looks like a human crocodile for some reason. There is El Diablo (Jay Hernandez), a former gang member who can control and make fire, but has since atoned for his crimes. Someone named Captain Boomerang (Jai Courtney) who can…throw a boomerang really good and piss people off? And Harley Quinn (Margot Robbie), who has actually no powers at all and really shouldn’t fit this metahuman role they are crafting.

But that is just one prison. She has the mystical heart of the Enchantress (Cara Delevingne), an ancient being trapped in an archaeologist’s body who has to obey her commands. Her main field officer, Rick Flag (Joel Kinnaman) is in love with her as well. And there is Slipknot (Adam Beach), who can apparently climb anything, where his climbing is metahuman levels or something. Finally, there is Katana (Karen Fukuhara), who wields a sword that captures the soul of those it kills. She isn’t even a baddie, she is just helping out while occasionally avenging her husband’s death.

Either way. Shit quickly goes down right after forming the team, good timing. And they are forced to help out of course to clean up a mess that is basically started thanks to the team forming in the first place. Hooray!

And yeah, Ike Barinholtz plays a dick guard, David Harbour a random government official, and some Jared Leto Joker nonsense.

And drinking on the job, I guess that is Boomerang’s other power.

Suicide Squad ended up being a mess of a movie, from beginning to end. The characters, the plot, the pacing, all come together beautifully to make this disaster of a film.

They explain that the Suicide Squad is set up to stop a Superman like being from dominating the world and battling him with other superhumans. Sure, fine. Now explain why Harley Quinn, described entirely as a wild card, on the team? Why is Captain Boomerang? The only ones that seem to have any amount of actual power and ability are the Enchantress, whom yes, is the main villain, and El Diablo, who barely uses his powers. Deadshot and Katana have some sort of powers or gadgets that make them above average, and Killer Croc is basically a mutant, but they are all just really good fighters. And what in the fuck, Slipknot? Can climb anything? Not even power based, but using gadgets? A complete waste of a character and has no purpose in this film (and the filmmakers must have known that).

Harley Quinn is actually in this film just so we can have a Joker connection. When I say “for whatever reason,” the reason ends up being so the writers can move the plot forward without thinking things through. She is there just to be chaos and her character has no point. Sure she is a scene stealer, because they give her the camera time and the personality. And she magically has a cell phone so that the Joker can intervene as well, how helpful.

Katana is an interesting character. The Enchantress should have been an interesting character. El Diablo was an interesting as fuck character. Captain Boomerang was very amusing and should have been able to do something in this movie to not feel so pointless. But these characters are not expanded upon enough, because it is not actually an ensemble film. It is all Deadshot, Harley Quinn, and Amanda Waller.

I picked these three as my pictures as the more interesting characters who didn’t have a lot of time to be important.

So the pacing is also whack. Bad things start happening in Midway City (certainly not New York City). Big portals, scary stuff, mass death. And we find out before they get to the big baddie that it has been three days since it has started. Three days! So little fucks given from anyone in the world, including The Flash and Batman, which are established characters in this film and movie universe.

When they show up and finally confront our villain, oh hey, their spell had just finished and now the world can be destroyed. Your timing is terrible, unless they decided to just wait to finish it until their loved ones were all dead first.

There could have been a good movie in Suicide Squad. It needed to not have earth ending events though, given the people we know who could have saved the day. It needed small scale disasters that actually made sense for the team to accomplish. It needed to not have such a messy plot and so many unnecessary flash backs. And it certainly didn’t need repeat what BvS ended up doing. Killing off a character and ending it with a just kidding. Two films in a row in the same universe? That is far worse than Marvel.

SquareEnix has made questionable decisions regarding the Final Fantasy series since SquareEnix became SquareEnix. Square Soft was good, SquareEnix is bad. Having a Final Fantasy X-2, prequel games, MMOs (which have been at least somewhat successful), and turning their games into something that is no longer enjoyable. Final Fantasy XIII wasn’t a good game and was a bad Final Fantasy game. Having two sequels was even more confusing.

This leads us to Final Fantasy XV, which I am pretty sure was supposed to be a game called Final Fantasy Versus, which I first heard was supposed to be like Kingdom Hearts, but without Disney. Fantastic. Anyways, lot of delays, and we have the game now. But for some reason, they wanted to go all out with this release. They have a prequel, special demos, a VR game, and more. But also a goddamn movie. A movie! A movie that takes place at the same time as the game, about different events, with real Hollywood actors getting released in theaters.

I was shocked when I heard about Kingsglaive. I figured I would just not bother with Final Fantasy XV at all, too many parts, too complicated. And surprisingly they thought their movie was good enough to give to critics. Huh. I did not see that coming. Look, I love Advent Children, but most of that comes from FF7 Nostalgia and without it one might not like it. So, I am skeptical going in, but impressed with their confidence.

And of course impressed with their level of CGI detail.

This film takes on the planet of Eos which has a lot of nations that each used to have a powerful crystal, but now only one remains. The kingdom of Lucis has a crystal and they have used it to create a powerful barrier to protect the city and citizens. Another kingdom, Niflheim, has been warring the countryside and attempting to take down Lucas to get the crystal and become the top kingdom.

Final Fantasy XV is about a Prince of Lucis named Noctis, who is not in this movie. He apparently leaves the kingdom to do a video game’s worth of quests. Instead, Kingsglaive is about the King Regis Lucis Caelum (Sean Bean), and his personal body guard of soldiers. These soldiers are all outsiders not from the kingdom and have been granted magical powers to help defend the crystal and yes, they are called the Kingsglaive.

The best soldier is Nyx Ulric (Aaron Paul), a guy who protects his teammates and defies orders to do what is right. He is awesome at killing the Niflheimers (might not be the right term) and the monsters that also attack the city. But because they are still losing, the King is going to sign a peace treaty and give up some territory to protect the main city. But, but but…that territory is where these soldiers come from! Ugh!

Also involved is a princess, Lunafreya (Lena Headey), from Niflheim, who is meant to marry Noctis as part of the peace agreement. Of course, Noctis isn’t here, so she does other things in the movie. Anyways, war, fighting, death, more death, and politics. Featuring the voice work also of Liam Mulvey, Andrea Tivadar, Greg Blackford, Edward Saxby, and Adrian Bouchet.

It was surprisingly hard to find good fight scene pictures, so here is a boring one of the princess sitting down.

After playing the special FFXV demo, I sort of lost interest in playing the game. It wasn’t fun, it was weird, and it didn’t feel like Final Fantasy. With Kingsglaive, we get a movie set in a beautiful, but extremely unappealing world. The mix of fantasy and technology in here is dreadfully boring and unoriginal. It feels like just a futuristic society that anyone can think of, with like, 5% fantasy elements. It is extraordinarily unimaginative and it lacks excitement. Add in the extremely realistic modern day cars and one wonders what the hell were these world designers thinking.

The CGI is wonderful, sure. The motion capture was well done. The action scenes were a delight to see, very entertaining, and for some reason the images they released to highlight the film are mostly just close ups of characters.

This film is extremely WEAK in plot. First you have to be able to figure out what the hell is going on. With such elaborate character names, similar looking characters, and a lot of backstory thrown at you in the intro, it is easy to get lost and stay lost. Reading the plot outlines on wikipedia and a final fantasy pedia after the fact still really didn’t do me a lot of help.

The creators of course say that this movie can be enjoyed without the game and vice versa, but holy shit, I really have no idea what I watched. For the average movie goer, they will be scratching their head in confusion throughout. Sure, it looks well made, but it is unintelligible. Sure, the CGI is great, but the world isn’t even pretty or full of magic and wonder.

SquareEnix still has no idea what they are doing. Their games get less and less fantasy and this movie is a colossal waste of time. I mean, unless I have played the game, then it might seem better.

Oh no, a remake!

Wait, this is a Disney movie being remade by Disney? Oh, those are fine. Carry on.

One might wonder why Pete’s Dragon needed a remake. Well, nothing needs a remake, the director just really wanted to do it, so Disney said yeah, sure, why not. Do I care about the original film? No, not at all, no one really does anymore. It makes since to reimagine it.

It should be noted that I have lapses in pop culture knowledge occasionally. Like when I recently realized that Pete’s Dragon and Puff the Magic Dragon were completely different entities and forms of media. Shit, I felt stupid.

Not as stupid as this family when they realize that a dragon will kill you, regardless of its Puff or Pete status.

Pete (Oakes Fegley) is a chipper five year old kid, going on an adventure with his parents in the middle of nowhere Pacific Northwest woods! And yeah, a car accident occurs, leaving Pete with some dead parents and himself completely alone, possibly for hundreds of miles! Well, not completely alone, there are some friendly hungry wolves nearby. Uh oh! Thankfully something big, green, furry and with wings shows up to help him out.

Now, six years later, Pete is still successfully living in the woods with this magical creature that can turn invisible, that he has named Elliot. But it has been long enough. Time to accidentally have Pete meet some other strangers.

Namely, a bunch of loggers have been in the area and are about to hit their turf. It is run by Jack (Wes Bentley) and his brother Gavin (Karl Urban). Jack is also married to or dating Grace (Bryce Dallas Howard), a park ranger. Grace’s dad (Robert Redford) claims to have seen a dragon in his youth and the only one to have seen it in the area, despite the many stories. Together, Jack and Grace also have a child, Natalie (Oona Laurence). I can’t tell if it is from both of them though. I will conclude that it is Jack’s child and Grace is the step-mom or soon to be step-mom.

And that is all the important characters! Once Pete gets discovered, it is only a matter of time before they find Elliot as well. Greed and more put his life on danger. Oh hamburgers, why couldn’t they just leave the poor kid in the alone, without a family? Also starring Isiah Whitlock Jr. as the sheriff of the small town.

Part dog, part dragon, part cuddly heaven dream.

The movie began like a lot of films, with some sweet parental death. Always good to get sad really early on into a movie. Grace’s mom is also dead before this film, and if she isn’t actually the mother of Natalie, then shit, that might be four dead parents in a single movie. Disney films have always loved killing moms or dads in films, but rarely for so many individuals. (Except for The Lion King. Because you know when Mufasa died, he was the dad of every cub in that pack).

Overall, huge swaths of the film are pretty void of dialogue. Letting music and atmosphere fill the screen instead to really turn this film into an adventure. In one way, that raises the film up into an adventure for the audience as well. On the other hand, the beginning third of the film will begin to drag for the younger viewers. The older film had cutting edge animation for the dragon and songs to keep everyone happy. This one has a much more serious tone and anyone under 8 might find themselves getting distracted and bored.

When examining the plot, it is actually incredibly basic and nothing we haven’t seen before. It hits a lot of cliches that happen in wild child meets stable family films. And throughout the film, a few humans feel a bit too cartoony as well. Urban’s character is straight up 2-dimensional until his very last scene, but it comes off as too little too late. Howard’s character is trying to hard to give off this earnest caring individual that she almost feels so passive of a person throughout. I almost feel like she could have been missing completely and the movie would still make sense. Like her character exists purely as a link between the children and Redford’s character.

Laurence did a great job, continuing her successful streak from Southpaw, and I was equally impressed with Fegley. Both the young stars had so much imagination and wonder in their eyes, it is contagious.

Finally, the animation for the dragon was spectacular. He looked and felt believable. A little dog like, but that was intentional. He is a wonderful design made by a lot of spectacular people. Completely, fantastic, dragon.

Overall, Pete’s Dragon is only an okay movie because there isn’t really a lot going on plot wise. A basic story, with an obvious conclusion. But it is full of whimsy at points and a wonderful dragon design. It is worth a watch, but maybe not a day one buy.

I haven’t talked a long time about the last spirit awards. You know, the independent film awards that takes place the day before the Oscars? Where most of the winners are actually movies up for Oscars as well?

I tried to watch a lot of them, but after the awards, yeah, I cared less. But I really wanted to see (T)error, one of the films up for Best Documentary. Title wise, it looked interesting, but I just had no way of seeing it. Thankfully, end of June Netflix added it to its roster. And yes, it took me a whole month still to watch and review it, but that is because I was hit with an influx of documentaries in theaters that sent me screeners.

Needless to say, when I finally made time to watch it, I was very excited. I didn’t even try to write another review during it. Hell, I didn’t even multi task and watch the Olympics during it. Just me and a documentary, full screen, subtitles up just in case, ready.

And also, just to be clear, about 20 minutes into it, I thought about stopping it for the night and reading instead. But I will get into that with more detail later.

Just what is (T)error about? Well the filmmakers were friends with Saeed Torres, and eventually, they found out that one of his jobs was actually as an FBI informant. He was a Muslim in real life and was very devout, but he also infiltrated specific Muslim sects in America when they needed him, to get information on suspected terrorists. Well, Saeed was thinking about finally stopping this job, he was tired of it. So sure, he let them film his perceived last “mission” and he didn’t tell the FBI he was going to do it.

This isn’t the face of terrorism, this is just a troll on the internet. Come on, FBI.

The man above is Khalifah al-Akili, American born, raised Protestant, and later turned Muslim and got really into it. Sure, he might have gotten a bit to into the Jihad side of it. He had a lot of books on guerrilla warfare, military tactics, and more, but was he a terrorist? Was he going to attack America?

That is what Saeed, or Shariff (his undercover name) had to find out. That meant moving into his community, going to his mosque, befriending him, and yeah, eventually finding out how serious he was about the whole thing. While the FBI prodded Saeed along, making him ask more and more invasive questions while also making harsher and more direct suggestions to Khalifah.

And well, I won’t go into any more of it. Because things started to get really crazy. Or upsetting. And shocking. And it went to 11 and at that point, yes, then I could no longer look away.

Like I suggested early, the documentary started off slow. And yes, it was one of my biggest issues with it and enough to knock it a point down the rating. It started out excited, but got bored with the early aspects of him heading to find Khalifah, with his past history, etc. But god damn did it get really good. Like, really really good. Like, more people should see this damn documentary.

We got shady government actions and more folks. If you are one of the people who binged Making a Murderer, you would love this documentary as well. It goes places I didn’t think possible, while maintaining its credibility as non involved documentary people. Sort of.

And yet, I almost stopped it earlier on to go read.

I have never read or heard The Little Prince book before, but that because I had an empty childhood. Just kidding, I had Pokemon and that was enough for me.

I did, however, play a board game The Little Prince: Make Me A Planet before though. Only once. And like, three years ago. But it apparently stuck with me, so that many elements present in the game I was able to remember and notice in the actual film version of The Little Prince.

But let’s get to the issue. This took way too long to get released in America. It was released in the summer of 2015 last summer in France! Agh! Not America! It was supposed to be released by Paramount in March in America, but a week before release they suddenly decided to drop it from their schedule as well. No news on distribution or eventually released. Sometime later, the pros at Netflix said they would handle it and gave it a nice worldwide release, finally in America and other countries. All hail Netflix, bringer of tales, singer of stories.

They took one long look at the script and declared the crazy old writer to be a genius!

As you would have guessed from the title, The Little Prince is a story about a girl. The Little Girl (Mackenzie Foy) is being pressured by her mom (Rachel McAdams) to get into a very good school for kids. The interview does not go well, so they decide to move into a house in the school’s neighborhood, getting in by proxy. The girl’s whole life is scheduled by the mom, to ensure future academic and financial success.

The reason they were able to get the house is because it was next to a shoddy house. In the house lived an old man, an aviator (Jeff Bridges). He was constantly fiddling with his plane and making a racket. Eventually The girl goes and talks to him, finds out he also is an artist. Over time, he tells her the story of his encounter with The Little Prince (Riley Osborne), a boy who lived on a planet barely big enough for a single person.

The aviator learns of his travels around the galaxy, learns some life lessons and so on. And you know what? The little girl is going to learn some lessons of her own.

Also featuring the voice work of Marion Cotillard, Paul Rudd, James Franco, Benicio Del Toro, Ricky Gervais, Bud Cort, Paul Giamatti, and Albert Brooks.

“Trust me little girl, I’ve got a beard!”

The Little Prince was unlike most other animated films. Yes, it is accessible to families and kids of all ages, but it seems like something an adult would learn more from than their kids. We have a story within a story, where the inner story is the normal The Little Prince story. The added elements of the overworked girl are completely original and the entire last third act is all about her and her own adventure.

I was worried that it would be too complex for kids but a 5 and 6 year old seemed to enjoy it throughout, despite the slower beginning. The layered stories kept me interested, but the ending wasn’t as good as the beginning and middle.

The animation was different for the different story parts as well, with the animation for The Little Prince segment being unique and fantastic. The rest of the animation is pretty standard CGI and a bit uninspiring. It makes sense for the animation to be different, but one would hope that the animation for the majority of the film was just standard.

The Little Prince is still worth your time, although book elitists may get annoyed at the extra material. My only real annoyance was that the new material wasn’t as interesting in the very end and that the animation was a bit uninspiring in an otherwise inspiring story.

I am a huge fan of The Purge series. Or at least the first one, which I still think is the best, and The Purge: Anarchy. And The Purge: Election Year didn’t live up to the first two for me.

Anyways, because of this I was actually excited to see Meet The Blacks. It had virtually no advertisements, opened in only a little over a thousand theaters, and I think quickly left them. And now it is out on DVD and again, no one really knew anything about it.

I also would have ignored it, but someone else let me know that it existed and was actually a spoof on The Purge films. Shit, The Purge came out in 2013. How did it take three years for them to come out with a spoof film? It is just about the first film too, so just seems weird for such a delay.

And here is clearly a scene from the ending of the movie. Spoiler?!

Carl Black (Mike Epps) just wants to make a better life for his family. Sure, they have been living in the wrong part of Chicago, he has been super in the drug game and been a real dick, but he just wants what is best for them. So when famed criminal, Key Flo (Charlie Murphy) is getting sent to prison for a few years, Carl grabs a shit ton of his cash and moves his family out of Chicago.

His family involves his new wife, Lorena (Zulay Henao) who is notably white, his daughter (Bresha Webb), his son who pretends to be a vampire (Alex Henderson) and cousin (Lil Duval). He gets them a sweet crib in Beverly Hills, a gated community, basically all rich white people.

And they are there right before The Annual Purge. Carl says rich people don’t do the purge, so they don’t have to worry. But they have made enough enemies in life to come halfway around the country to kill them. Let alone the racist old white people who don’t like their new neighbors.

Now they just have to survive the night and each other. Starring Gary Owen and George Lopez as President El Bama.

Whatever joke I made for this pic in The Purge, you should assume I said it here as well.

I went into this movie expecting a bad movie, but I honestly still expected to be better than what I was given.

Most parody films have sucked, a lot, in the recent years. They do bottom of the barrel jokes. They make references and think references to film and pop culture are good enough when it comes to humor. Meet The Blacks couldn’t even do that much.

For a 90 minute film, it dragged and dragged to set up the family and their situation. So much that the actual purge didn’t begin until about 43 minutes in, basically halfway. Shit.

And the purge part also dragged. They had a lot of different people coming after them it turns out, so each character had its own scare and introduction, story of why they were mad at Carl Black, and then altercation. It didn’t flow well at all. The film became just more and more ridiculous people looking for more petty revenge.

Damn was it boring. Damn did it suck. Damn did it no make me laugh at all once. At least Fifty Shades of Black, also out this year, made me laugh occasionally. This one has unlikable characters, unnecessary amounts of backstory and talking filler.

A good movie can make dialogue work. This dialogue just felt like they were stalling. It was a low budget film not getting a lot out of its budget.

Reviewing films when they come out on DVD isn’t bad, it is expected for at least a third of all releases!

But like usual, the movie I am reviewing way later is a comedy. Keanu. Why did I not see it in theaters? I dunno, probably just lazy at that point. I also have never watched the sketch show Key and Peele, just random scenes on YouTube, so I wasn’t interested in some strange cat movie sketch.

I also didn’t even know if the cat talked. I think it does. Or did I get it confused with Nine Lives? Also, maybe both are talking cats? This one with Keanu Reeves as the voice, right?

Yeah, he has those rascally Reeves eyes, that’s for sure.

Clarence Goobril (Keegan-Michael Key) and Rell Williams (Jordan Peele) are two boring, regular, dudes. Clarence is married, wife (Nia Long) and kids, drives a minivan. Rell is heartbroken, because he was just dumped. But then he finds a kitten. Not just any kitten, the cutest kitten in the world.

Now, later, Rell is back to work, inspired, and Clarence is about to have some days to himself. Tim for some bro time! That means watching a movie! However, when they get back home, Rell’s house was broken into, smashed up, and Keanu the kitten was stolen! They find out from the local drug dealer (Will Forte) that it was most likely Chedder (Method Man) and his gang, looking for his house. Shit.

So it is simple. They have to get the cat back, and they have to infiltrate his club. They just have pretend to be thugs, pretend to be tough and just try and buy the kitten back. That way no one gets hurt, especially them. But then they get confused with some real badass people from Allentown and have to instead help the crew sell some drugs to earn the kitten. Can’t be too hard, non educated people do it all the time!

Starring Tiffany Haddish, Darrel Britt-Gibson, Jason Mitchell, Jamar Malachi Neighbors, Luis Guzman, Rob Huebel, and Anna Faris.

Running and shooting at the same time in plaid is the first skill a gangster learns.

I honestly didn’t care about Keanu when it came out. And yes, I was surprised at how much I enjoyed it.

Peele and Key do awkward right. They wear that uncomfortable atmosphere on their face and run with it. This is full of overacting on their parts, but it also fits their characters just trying not to die, while also believing themselves to be larger than life individuals.

The movie opened up slow, but once they were in the club it really hit its stride. The voices, the backstory, the names, all gold. The obsession with George Michael and his songs filling the soundtrack were a comedic plus. Back flips, gun shots, celebrity deaths and more. I was just surprised all around.

I also wasn’t a giant fan of the ending. After everything had finished, it petered off a bit too long and the twists weren’t worth it. But Keanu is still full of laughs and a really decent time waster. I might watch even more random clips on YouTube, right now.

Damn it. I knew there was probably going to be a Sharknado 4, I just pretended to live in a world where it wouldn’t happen. Once I knew I was watching this movie, I figured I had to review it too. Which means I am even more disappointed that my Sharknado 3 was written as if I wasn’t actually writing a review. Like the movie was beneath me.

I am disappointed, because that was my first idea when I set off to write this review. Damn it. I am an idea thief, from myself!

Oh well, there are worse things you could be. Like someone who wants to be part of Sharknado 4.

I feel like those nuts are a metaphor for myself.

Despite the third film ending with April Shepard (Tara Reid) potentially dying, we don’t get to find out right away. Apparently there was a fan vote to see if she lived or died. And now, this movie takes place five years later, with Fin (Ian Ziering) dealing with his family and no April in his life.

Oh, and since the last movie, no Sharknadoes either. A company, Astro X, has developed technology that lets them use weather science to stop any tornado that begins to form. Their leader Aston Reynolds (Tommy Davidson) is now super rich and famous, and he even made a shark themed Vegas hotel and casino to show how baller he was. Well, now that Fin, his son (Cody Linley), and his son’s fiance (Imani Hakim) are in Vegas to have a wedding, things of course go bad.

Because a sandstorm happens. A big one. Astro X cannot stop a sandstorm. It hits the hotel, sharks happen, they call it a sandnado and everyone loses their minds.

Because in this movie, it isn’t tornadoes getting formed. It is a sandstorm and blizzard and water spout stuff. All of which gain sharks somehow, they don’t even try to explain it well this time. Except these things also gain boulders, lightning, fire, oil, and yes, nuclear bombs, just so people can name them worse and worse names.

Other people in this movie include Masiela Lusha, David Hasselhoff, Gary Busey, and Gilbert Gottfried.

Also pirates! Kids are still into pirates, right?

Fuck me gently with a chainsaw, Heather. As expected, this film was a painful 90 minutes of my life. The plot moves so quickly, nothing important is really ever to develop. The action scenes are shit, the CGI is bad, and the acting is worse.

“But Gorgon Reviews!” someone might wail. “That is the point of this film, to be bad and funny because of it! Entertainment, popcorn fun!” Hey, straw man, go fuck yourself. There is a god damn difference between so bad it is enjoyable, and so bad it is bad. The difference lies in intent.

In the so bad it is good field, the movies that were being made were made by people who truly thought they were making something wonderful. Tommy Wiseau thought he was making a serious, amazing drama with The Room. I do not mean that they are only good if someone is incredibly wrong in their vision. But in these films you have some heart and attempt to make a good product and well, shit goes wrong.

It is the reason why Birdemic is amusing and Birdemic 2 is not. In the sequel, they set off to make a shit film, and you know what, it was a shit film and not worth anyone’s time. If they are so bad, you cannot even appropriately rip on them with your drunk friends, because the films do everything for you already. You cannot be clever about it and you would say the same thing that anyone else watching it would say.

The Sharknado and other recent SyFy terrible movies are basically the physical moving representation of this comic. Fake praise from internet fanboys needs to stop at this point, because damn it, the joke wasn’t good the first time, and now this is the fourth time we have heard it.

Not surprisingly, this will make my worst of the year list. Surprisingly, there are still films that were worse.

“Welcome to It’s a Nutty, Nutty, Nutty World. We’re just nuts about nuts. Crunch nuts with your lunch. Buy them by the bunch. Send them to friends far away to munch.” That is by far my favorite quote from the TV show Daria, and technically, no, it has nothing to do with this documentary.

Because Nuts! isn’t about the kind that you eat as a light snack. Oh no, no, no. We’re talking about testicles. And I am not just talking about human testicles either. That documentary wouldn’t be ballsy enough. No, we are talking about human testicles and goat testicles. Goat testicles that built and industry and caused one man in the early 1900’s to rise above his citizen status and become a master. A master of what? Well, of testicles I guess. But also, technology and electioneering.

But I am getting ahead of myself. John Romulus Brinkley is a self appointed genius and sort of hero of this sort of true biographical documentary. He was raised poor and lived a meager existence, but one day he found himself in Milford, Kansas to start a new life. He opened a decent sized small town clinic, paid well and made everyone healthy and happy.

Then he also experimented with goat testicles. He had the idea to put male goat testicle glands into a human male testicle as a way of curing impotence. And guess what? Guess what? Are you guessing? Apparently that shit worked.

Because the Noble Goat is the healthiest of all mammals and a strong sex drive, just doing a nice transplant can help a man impregnant ladies! And don’t worry, the babies are all human, not strange hybrids. This is where he got his rise to fame.

Of course, absolutely no one in the medical community believed him. They called him a quack, a fraud, a faker, and wanted him to stop. But John Brinkley is a man who was ten foot tall and nothing was going to break his stride.

Or his stare into our souls.

Now, obviously Brinkley is quite an interesting character. But he kept doing the nut stuff. He also invested money in a giant radio antennae, which ended up being one of the biggest in the country at that point. So he also became a big name in the radio. Soon he had the precursor to the FCC also on his door, with the doctors, getting him to stop. So he then decided to run for Governor of the state, after all, people liked him. And he might have won too as a write in candidate, but there was some sketchy stuff there.

Eventually he moved to Texas, changed his radio tower to be a big one in Mexico to avoid US regulations, and developed a formula from goat testicles to cure impotence to not spend so much time in surgery. That’s right, this man, this genius, did so many things and none of you have ever heard about him.

And that is another reason why this documentary is so fascinating. Using archival footage when necessary, and animation at other times, we get to look into the life of a self proclaimed scientific hero, who dabbled successfully in many other aspects of life. The animation with real-ish dialogue from court room scenes and more are fascinating to witness and the voice work really brings out the personality of the characters. The real life historians who are familiar with Brinkley are also featured throughout to give his glimpses into his life.

Overall, this documentary is just so well crafted. Every scene, beginning to end, fully committed to this man’s story and to teach the viewer about someone unique in American history. So many documentaries exist on already incredibly famous people, teaching us only a few useful new facts and claiming to be the best. This is a story that most people would have never heard and actually accomplishes its point to inform the viewer. I loved it. I loved the way it was presented, I loved the topic man, and I loved how it unfolded.

I’m just nuts, about Nuts!