Day: May 9, 2016

The Boy (2016)

The Boy? Didn’t I already review this one? About the kid who lived with his dad at a motel stop in the mountains who then was all evil and stuff?

Oh, right right right, that was an indie horror movie, so very few people saw it. So it doesn’t matter that two films came out so close together with the same exact name, because the second one was in a lot of theaters and is thus now more well known. The first The Boy I heard wanted to do sequels too. That could be even more potentially confusing if those sequels become popular.

The good news is that the actual movies have virtually nothing in common.

Slap
It’s okay when they beat their kids in this film. It is just a doll!

Greta (Lauren Cohan) needs to get away from her life, so she accepts a job as a nanny in Merrie Old England. She has some stuff she wants to just get away from, and moving to another country for a few months might do the job.

When she gets to the place, she finds it to basically be a mansion and surprised that the tenants are an old couple (Diana Hardcastle, Jim Norton). Like really old. So the fact that they have a kid that needs a nanny seems surprising.

Of course, more surprising is that this kid is actually a porcelain doll. But they say he is unique and have a list of strict rules despite his non-aliveness. And also they are totally leaving like, right away for a vacation. If she has more questions, they have a delivery man, Malcolm (Rupert Evans), who is around from time to time. But as long as she sticks to the rules then everything should be fine.

And you know the doll starts moving around and doing things. Also things go missing. Also Greta gets scared.

Featuring James Russell and Ben Robson as well.

Kiss
Please don’t make love to the doll. I don’t care what the rules say!

I actually went into The Boy knowing nothing at all. No idea it was about a doll that might be alive. I just assumed a creepy little boy being driven by Satan, like most films about kids. But then hey, a doll. Sure. Doll films haven’t had a good track record recently. After all, did you watch Annabelle? I know you didn’t.

The Boy somehow manages to be a horror film that doesn’t want to do a lot of scary scenes. Outside of the last 20 minutes, it feels like a strange drama. We get the doll being in different places! And items getting moved around. And doors getting locked. But never when our leads are watching him, so it is just odd and never scary.

The ending does a nice job of explaining all of the events of the film, but it doesn’t mean the explanation is worth the first hour or so. It is dull and a bit boring. I am glad that it makes sense, it just isn’t an exciting explanation. It unfortunately doesn’t fully explain why everything happened in the film, which is my biggest question after watching it. Instead we get an open ending to a story that should easily have finished already.

The Boy isn’t great, it is barely a horror, and you instead should watch basically anything else.

1 out of 4.

Holidays

Horror anthologies are all of the rage. I probably said that in my last review of a horror anthology, V/H/S: Viral, in October of 2014. Since then there hasn’t really been any horror anthologies. They died really quick.

There was another film called Southbound, but I missed it, so I will just have to wait for the DVD release or around Halloween. Whenever I remember it exists. Other than Southbound, the latest film to match this category is of course Holidays.

Holidays!? Yes, Holidays. A horror anthology with a common theme of several different holidays. Eight to be exact, with a bunch of random directors. That is a low enough number for me to talk about each one quickly!

Bunny!?
So many holidays, you probably can’t even guess what this one is about!

For Valentine’s day, we have a little girl (Madeleine Coghlan), who gets teased by a different girl (Savannah Kennick) because she is a bitch. Our first girl also has a crush on her swimming coach (Rick Peters), who just wants her to be happy and not get picked on.

In St. Patrick’s Day, our Irish teacher (Ruth Bradley), wants to make a new girl (Isolt McCaffrey) smile, so that girl puts a curse on her to give birth to a snake.

For Easter, a little girl (Ava Acres) confuses the Bunny with Jesus, but is also told that no one has ever seen the Easter Bunny before for a pretty scary reason.

In Mother’s Day, we learn about a woman (Sophie Traub) who always gets pregnant after sex, regardless of birth control or condom usage. She is 100% fertile and it is ruining her life, so she goes to a middle of nowhere to people who claim that they can help her, when in reality, they want to just force her to stay.

On the other side for Father’s Day, we have a girl (Jocelin Donahue) who thought her dad (Michael Gross) was dead and gone since she was 11, but when she finds a voice recorder with a message on it, she has to go and investigate.

For Halloween (directed by Kevin Smith), we see a dude (Harley Morenstein) operating a small time cam girl operation, where the girls (Ashley Greene, Olivia Roush, Harley Quinn Smith) decide to get even and put him through the same abuse. You know, just worse.

On Christmas, a guy (Seth Green) goes to great lengths to get the latest VR tech for his son, but when the virtual reality starts to show his inner secrets, he and his wife (Clare Grant) have to cope with them.

Finally, on New Year’s Eve, a man (Andrew Bowen) has been killing a woman on each holiday that he has met while online dating, and now he will complete his collection (Lorenza Izzo). He hopes.

Love
What is love? Baby don’t hurt me.

I spent most of my alloted time just going over 1-2 sentence synopsis’ of each short. I figured I could do that with only eight segments, but I may have been wrong.

Like almost every single horror anthology before it, Holidays is definitely hit or miss. The entire thing is less than two hours so overall it is probably worth a late night viewing.

In particular, I liked the Valentine’s Day, Father’s Day and Halloween shorts the most. New Year’s Eve told a decent story as well.

Christmas felt too short, St. Patrick’s Day was mostly weird, and Easter was also incredibly weird (but mostly just short).

Mother’s Day might have been the longest short story, I didn’t really keep track. It had an interesting premise, but I thought it dulled too much in the middle, despite the also pretty good ending.

Now I am ready for the Horror Anthologies to die. I think they are running out of ideas on how to package them together.

2 out of 4.