Month: August 2014

In the town of Shenandoah, Pennsylvania, Luis Ramirez was killed.

Luis is a Mexican immigrant, one of the many to move to the small town over the last few years to work in nearby mattress factories. Shenandoah used to be a coal mining town, a lot of European immigrants, but that eventually shut down, so now they are just another small town with low incomes and high school football to get them by.

Oh yeah. High School Football. Like the team who ended up killing Luis Ramirez one night, turning a simple beating of a Mexican into a killing thanks to a few kicks to the head.

Shenandoah captures the town in its aftermath, how they were affected by the racial based beating, how the high school football team started to do after it, and how the court case went down.

I can’t even.

The unfortuante news is, you can probably already figure out where this story goes. Spoilers, there is a some major disappointment and parts of the documentary that will make you swell with anger.

But at the same time, this is a story I have heard before. I have read about it in books and seen documentaries of similar cases where racial injustice happened in small towns around America, and it still happens to this day. Maybe this one is more relevant because it wasn’t in the 1960s or 20th century, but just half a decade ago. But I just couldn’t find myself captivated by it nor did I find it really too shocking.

On top of that, I thought it was a shoddy documentary. It felt poorly put together, full of awkward scenes that didn’t really help tell the story, but was just talking to people in general. I am glad they went to Mexico and talked to the guy’s family about it, but it felt like it was filled with so much useless crap, I didn’t care by the end.

Well, obviously I still cared. And it is good to know that not everything ended so badly (outside of someone losing their life). But this documentary needed a lot more umph in it to make me care about something I have seen again and again.

“Give me a random foreign movie!” I shouted at the Netflix, not fully understanding how technology worked.

Four hours later, when the program still did nothing, I decided to just search and find one on my own. And thus, a review of The Angels’ Share was born!

This one from Scotland. Sure, not really super foreign, in that they are technically speaking English, but I definitely had to turn on the subtitles to fully understand some of these characters.

Get it? Kilts! Foreign movies! A-ha-ha!

Community service seems to be the punishment of choice in Scotland. I can say that, because the beginning of the story introduces us to several different people all receiving several hundred hours of community service for various crimes they have committed and none of them get jail time! Including our…uhh, main character Robbie (Paul Brannigan). Except Robbie maybe should have deserved jail time, for beating up a complete stranger. But his wife Leonie (Siobhan Reilly) is about to give birth, and somehow they argued that his life is undergoing changes and he should be there for the newborn.

Well, Robbie is caught up in a family feud / gang war type of situation. He grew up in a violent world and cannot escape it. Hell, Leonie’s family beat him up when he went to visit his new son, just because of all the trouble he had caused.

But some people give him hope. Like Harry (John Henshaw) their volunteer foreman guy, who helps him out, and tries to reward the crew with good work done, like taking them to a distillery. They soon find out Robbie has a nose for different beverages and a good judge of taste and quality. A very useless talent mostly.

However, maybe alcohol can be the answer to all of his problems? Maybe he can get a real job in the industry? Well, that won’t help too much, because he also has to get out of the area or else he will always be caught up in this violence?

So what is Robbie to do? He needs money fast. So when news of a very rare cask is going up for action, will he succumb to the high monetary gain should he steal it, in order to start his life anew? Or will he, you know, not. Also starring Jasmin Riggins, Gary Maitland, and William Ruane as his community service companions.

Ah, so bottles are under their kilts. Now it all makes sense.

Seriously, how can these people understand each other? Some characters are just so Scottish. Reminded me of Brad Pitt‘s character on Snatch, nationalities aside.

I will say that after watching it, I am a bit disappointed by the level of comedy in this comedy/drama. My hopes were raised pretty high because the first scene had me almost cackling. But then the humor after it was few and far between. It gave me false expectations so early in the movie, I was left with a sour taste in my mouth.

The entire middle felt pretty slow. The ending was interesting however, but not a lot happened at that point.

So, overall, disappointed with the comedy, but the drama had some interesting moments. Because it is Scottish and there is anger, there are some pretty sweet curses thrown about, reminding Americans that our curses are shit in comparison.

I guess it is okay. Not really something I’d watch again after a viewing, but it was a decent way to past the time. Maybe next time I yell at Netflix, it will find me a movie faster.

“What in the fuck is this?” You might all be asking yourselves. “You said you don’t do older movies! You lied to us! We trusted you!” Stop talking in unison readers, that is creepy.

This is a special occasion, much like my Milestone Reviews. I am taking part in a Blog-A-Thon with the theme of 1984. Here is a banner I am supposed to use. .

So yeah, a week long blog-a-thon of only movies from 1984, and I picked C.H.U.D. because I am a winner at heart. C.H.U.D. is a movie I had never seen before, but definitely something I had heard a lot before. The first I heard about it was the summer of 2006. That is when Clerks II came out in theaters, I had to drive an hour with my brother to go see it, and we went at the first possible show time at like, 10 am. We were excited. One line stuck out to me as peculiar that they uttered twice. “Hideous Fucking C.H.U.D.”

I didn’t know what a C.H.U.D. was, but I liked it, and began saying it a lot. I obviously looked into it eventually, started seeing the references in tons of other pop culture things and swore one day I would watch it. Like. Seven years ago. Thankfully, the 1984 Blog-A-Thon happened, and I finally had an outlet for my dreams.

Speaking of dreamy.

New York City. Land of the homeless, large sewer systems, subways, and C.H.U.D.s. What is a C.H.U.D.? Good question. It just might stand for Cannibalistic Humanoid Underground Dweller. You’d be hard pressed to find a better acronym than that one.

No one sees them either, as they only come out of the sewers at night and bring their prey with them. However, there has been an unusual number of reported missing people cases lately. And police captain Bosch (Christopher Curry) is being told to cover it up. Don’t assume murder, just regular missing people running away. Well, he doesn’t really want to anymore. The numbers are getting too large and he has personal stake in it. His wife went missing too.

When he begins to investigate, a soup kitchen owner, A.J. ‘The Reverend’ Shepherd (Daniel Stern) has also noted that the homeless population has been dwindling, including several patrons he knew who slept underground. In fact, some of them are very scared, resorting to stealing weapons from police to fend for their lives. The Reverand is also a former nuclear physicist, or something. That should be noted, because that is awesome.

On the other side of the street, we have George Cooper (John Heard), a famous photographer who took pictures of the homeless in the sewers before and needs new material. His model girlfriend (Kim Greist) and him also get caught up in this C.H.U.D. nonsense, and it will take all four of them working together to stop the madness, find the root of the problem, and prevent the town from being blown up.

Oh hey, John Goodman is in here too as an unnamed cop. That seems relevant.

Speaking of dreamy…again.

Oh man, B-movies! I almost forgot you existed. After all, in modern times, there really isn’t too many B-movies left.

There is the bullshit that SyFy and The Asylum produce, but I would qualify them as C-Movies. They are intentionally made shitty, and are in fact, too shitty. No passion, no heart, just shit does not necessarily make a good time. Sharknado is terrible. The better B-Movies are the ones that were serious about what they were doing but ended up being shitty and amusing, not realizing that they have become a joke. The fact that C.H.U.D. had script controversy between the two male leads and rewrites means that these people wanted to make a real horror drama film.

But special effects. So bad.

While watching it, I did find myself laughing on more than one occasion. The shittyness of the 80s was fully rampart in this film. But at the same time, it had a decent plot. Corrupt government officials, nuclear waste scares, gray area between right and wrong. It wasn’t badly written. Just the make up.

This may be Daniel Stern’s best role after Home Alone (sorry Bushwhacked/Celtic Pride). Was it worth my time? Arguably. I feel better about using the term C.H.U.D. now, so I got that going for me.

It is currently on Netflix, so if you have a spare afternoon, why not?

I chose to watch Step Up: All In before The Hundred Foot Journey. Let that sink in. This is no longer true. I wrote this intro 2.5 weeks ago but then circumstances made it so I couldn’t see this movie for weeks. And I will be damned if I am going to change my intro.

That is because for the most part, I can enjoy a good dance movie. If the music is “Fresh” and the moves are “Dope”, I can be entertained. Especially if it feels a bit original and doesn’t fill it with too much badly acted drama. Hell, I had a whole week or two last year where I watched a bunch of dance movies I missed throughout the last few years, the obscure and straight to DVDs ones.

Step Up: All In is the first dance movie I will have seen since Battlefield America which was so bad and creepy it caused me to nope out of the genre completely. Which is a shame, because I still haven’t seen You Got Served (which I will now save for a Milestone Review).

A literal boxing ring, in case the dance off metaphor wasn’t strong enough for you.

Now that we have left the travesty that was Step Up: Revolution behind in Miami, we can focus on Los Angeles. Wait. Wait a minute. Is that Sean (Ryan Guzman)? Lead star of Step Up: Revolution? What the fuck? And wait, who is that, Eddy (Misha Gabriel Hamilton)? His best friend from the movie? Holy shit, the entire “The Mob”, their dance crew is here. What the fuck. Is this a direct sequel for real? No. This is something more.

The Mob is pissed off at LA, everyone except Sean. They are all broke and poor and returning home. Sean, also broke and poor, doesn’t care, he knows he can survive out here, so he says bad things to his friends and they leave. Sean finds Moose (Adam G. Sevani, who was in every Step Up movie but the first one), gets a job, and hears about this new competition called The Vortex. Lead by pop star Alexxa Brava (Izabella Miko), the best crews around the world will submit videos of them dancing. And then the top blah will go to a competition in Las Vegas, where the grand prize is a 3 year contract to perform there! Woo!

So Sean gets a new crew together, featuring Andie (Briana Evigan, from Step Up 2: The Streets), and a shit load of other people and they enter! But oh no, the rival crew that made fun of them earlier is also there, lead by Jasper (Stephen Stevo Jones) and shit, The Mob made it too.

I guess the real question is, can we really root for Sean who is going to be a dick to literally everyone in this movie, justified or not? Alyson Stoner reprises her role from the first and third movie. There a lot of other people in it, so I will just list them til I get bored.

Stephen Boss, David Shreibman, Mari Koda (Who has been in all the Moose movies), Christopher Scott, Luis Rosado, Facundo Lombard, Chadd Smith, Martin Lombard, Cyrus Spencer.

They fight fire with fire but not really how the saying meant it.

I recognize for the most part that dance movies have basically become a way to showcase the last winners of America’s Best Dance Crew and other similar TV shows. But that main one ended in 2012! Where do they get their talent from now?!

Oh. They get them from their past movies and re use them. What a concept!

First, I am glad to see so much of their effort was into actually trying to make the movies connected, versus a lame cameo here and there. Like most of the time, all the movies outside of the first film are connected. There is the small connection to the first film, but that’s all it is, small.

My problems lie heavily with the plot. The main character is a douche for 85% of the movie. And just because he sees the error by the end, I still don’t have a desire to cheer for him or his team, especially knowing how his character acted in the last film. They broke up almost everyone’s relationship (except for Moose) just to make new ones with this. Who cares if the last movie was mostly about gaining one of those relationships.

And the ending. Oh goodness. Guess what, a team was cheating. So what do they do about it? Cheat harder. Yep, that’s what I meant fighting fire with fire. They don’t rise above it and overcome it normally. No, they just cheat more. Ugh. I can’t even.

Some of the dancing was cool. I didn’t think the final “good guy” dance was actually that much better. Just felt like they were just throwing everything at a wall to see what sticks. Was a clusterfuck of annoyances.

There are better dance movies out there than this one. But at least…one or two characters are cool from this.

I don’t know how people reviewed the movie Sin City when it came out, I just know that Sin City: A Dame To Kill For will be pretty hard to review.

Sin City itself was pretty polarizing. I think overall it was on the positive side of the spectrum for most people (including me). The art style was something very different and took awhile for some people to get used to. It was also pseudo copied with The Spirit, which a lot of people hated (and those people also suck).

But a sequel has long been in development and long been clamored for, as the original came out in 2005. Almost took 10 years to get another installment. It has to live up to a lot of pressure, so I hope it can deliver.

Now with more nakedness than ever before.

Sin City is a land where dreams come true. Assuming your dreams involve corruption, drugs, sex, betrayal, murder, lawlessness, crime, death, and other synonyms. Shit is weak. Shit is weak everywhere.

Marv (Mickey Rourke) is still running around, being a badass. If you like him, good news, he is basically in every plot line.

Like when Johnny (Joseph Gordon-Levitt) comes to town, looking for secretive revenge and wanting to use his elite poker skills to do it. Or when Nancy the never naked Stripper (Jessica Alba) wants to enact revenge on the death of Hartigan (Bruce Willis) from the first film. Or when Dwight (Josh Brolin) has to go an save Ava (Eva Green) from an abusive relationship, taking out an inhuman body guard Manute (Dennis Haysbert).

So, basically Marv is everywhere. Yay continuity?

Also featuring others, like Rosario Dawson and Powers Boothe bringing back their old characters. Or like Jamie Chung, taking over someone else character. And some people in much smaller roles, like Ray Liotta, Christopher Meloni, Jeremy Piven and Christopher Lloyd who is like 150 at this point.

If only there were angels out there for him to help out?

More action! More death! More sex! Is Sin City: A Dame To Kill For a step in the franchise? Or is it just too late?

Hard to say what the reason is, but this movie felt incredibly lack luster for me. Maybe it is because when Sin City first came up, it was before comic book movies really started to amp up their games. Before The Dark Knight before the Marvel films. Because for the most part, this story / set of stories feels very familiar, yet still distant.

Maybe I am annoyed at just how connected they wanted everything to feel? I liked the disjointedness of the first film, just a few short stories and then another.

Maybe it is just the quality of the stories? For what it is worth, there are basically three plot lines. The middle being the longest and most complete, or at least featuring the most characters, but even it dragged by the end. The “first” plot with JG-L didn’t feel interesting, and Alba’s felt not as epic as it was going for.

Maybe it is that the style feels stale after all this time, with the 3D elements never really enhancing it like I had hoped?

Maybe I don’t know. The only thing I know is this movie felt like a great disappointment. But also, maybe I am just getting older.

Whew. Here we go.

I have long thought for the last 6 or so years, basically most of my entire college career, that college sports were weird. I get being a fan of a team if your family went there, or you went there, but any other reason seemed silly to me. All I knew was that it was a huge huge industry that made a lot of money for any number of reasons.

I have also always thought that college athletes were getting shafted. They appear in video games, have jerseys being sold, and make a ton of appearances…but for what? No extra cash.

But I have felt like most people don’t share my belief. Whenever I bring it up, people say that they get free college and that should be enough. Little did I know there was a documentary that shared my point of view, Schooled: The Price of College Sports. Not only did it share my POV, but it also had a whole lot of information to back up its stance, which I lacked.

I understand it is an uncomfortable subject, because it is one of those situations where “it has always been this way” so why change it? Well, if it is bad, it should be changed, tradition be damned.

And how much Duke sucks. I am pretty sure there is a whole hour devoted to that.

But this documentary goes over almost everything. The history of college sports, the history of amateurism in sports and the Olympics, how sponsorships in college sports started, and oh so much more.

This documentary was also kind of hard to watch. Because it also talks about UNC and its Academic scandal with the football team players taking made up classes. That was terrible. It was. I was literally at school during this moment.

It talked about Devon Ramsey, the UNC football player and smart kid who got set up and screwed by the system for a very minor amount of help, despite actually being one of the brightest players. And it sucked knowing that a school I went to had some bad things go on during it, but I know in my heart it is true.

I won’t talk more about the documentary, because it does a very good job of presenting the facts in an easy to understand way. It has a lot of details to back it up, and even features some people who don’t want things to change and disagree with it. It isn’t incredibly biased in that regard.

But hey, it’s on Netflix, and I thought it was great. It also features a lot of Arian Foster, of the Houston Texas. He tells a lot of good stories and he is now one of my favorite players outside of my favorite team.

Vampire movies.

A pretty popular subject subgenre of film, most of them all showing vampires in a different light than the accepted myths. Yes. Twilight is basically to blame for these last 8 or so years. I mean, shit, we even have a Dracula movie coming out later this year, about the “True legend” of Dracula. A misunderstood villain movie! How original. How different.

Then we had Byzantium, a very serious different vampire movie that was praised and I just kind of…could never get in to it. This is all important lead up to say that for Only Lovers Left Alive, I know it is another serious vampire movie. One about love. And I am just afraid I won’t be able to get into this one either.

Which is why it took me about or month or more to watch it!

Maybe I am just afraid I can’t experience true pain, like this clearly emotional vampire here is feeling.

Adam (Tom Hiddleston) has been around for a long time. He is so bored with it all, with humanity (Which he refers to as Zombies), that he has turned into a stay at home recluse. In order to not be bothered, he moved to the most decrepit and abandoned by society place he could find, Detroit, Michigan, to live out his lonely existence. And make music.

His only contact with others is a young rocker lackie, Ian (Anton Yelchin), who gets him things during the day for fat cash and has a clause to not tell people of his whereabouts, and a doctor (Jeffrey Wright), who he visits at night to buy blood from, no questions asked.

And just when he is thinking about ending it all, his wife calls him. Eve (Tilda Swinton) has been living in Tangier. They are still in love, just spending hundreds of years with a person can be a lot. So they do their own travels and discovery a lot. Either way, he convinces her to travel to him, so they can be in love and reminisce and relive the glory days.

But with Eve, her sister Ava (Mia Wasikowska) eventually shows up. She is immature and bad news and what leads to just the beginning of Adam and Eve’s problems.

Also, John Hurt is in here as another, much older vampire, that is a spiritual adviser to Eve.

Ever wonder why one of the blood types is O? Stands for Orgasmic.

My biggest fear was…essentially reached.

Only Lovers Left Alive is not really a bad movie, it is just another movie that I had to struggle to really get in to. It is definitely a slow feeling movie, probably because for people with eternal lifespans, time tends to not be super important.

Only Lovers Left Alive is also a really well acted movie. Both Swinton and Hiddleston are fantastic. They had to convey a lot of their emotions through their actions and it showed. But time and time again has shown me that a well acted movie does not necessarily make a great film. Also, shout out to Yelchin, who I had no idea was playing the rock groupie.

The movie tells a decent story, that is for sure. The pacing just kills me at times, which of course also factors into the entire length of the story. Based on the actual plot points of the film, I wouldn’t expect it to be two hours long. But it lingers.

Does it have to? Does it have to let it linger? Not in my mind, but then I think I am a minority here.

Not a completely unique take on Vampires, as a lot of the traits are still there, but a decent adaptation of them in a modern shitty world society.

Oh hey look, a young adult book about death getting turned into a movie!

When I first saw the trailer to If I Stay, I had two thoughts.

1) The song choice, ugh.

2) Holy shit, did I just watch the entire movie?

That is how I feel after seeing only two minutes. Because in the trailer I got a beginning and a middle and a whole lot of other stuff. The only thing I don’t have is the very end. That is a lot of movie it seems to have spoiled. Unless the event we see takes place like, 20 minutes into the movie, I think I got the entire gist of it already. Fuck you, trailer makers.

Hell, I can even draw a bunch of similarities to the Carrie remake.

Mia’s (Chloe Grace Moretz) life is about to get turned on its head. You know. Because of a car crash. Icy roads can be deadly, especially when two cars crash into each other on them.

Mia finds herself outside of her body, watching the ambulance crew work, a car on fire, people running around. Shit. Is she dead? Is she dying? What in the flying fuck is going on?

Well, since we are here, might as well flash back to the last few years of her life. Finding out how her parents (Mireille Enos, Joshua Leonard) changed since she was a young girl. How they became responsible adults when her younger brother Teddy (Jakob Davies) was born.

And of course, her first and only real love. The sweet rocker Adam (Jamie Blackley), who played the guitar and sang in a band, while Mia is a solo cellist! He likes the punk scene, she likes books and not the punk scene! He likes being alive and she is, well, you know.

With her family all banged up, her relationship in maybe turmoil, and her future uncertain, does she even have a reason to fight back out of the coma?

Also Liana Liberato as her best friend and Stacy Keach and Gabrielle Rose as her grandparents.

Finally. Finalllyyyyy. This is the moment I live for. Seeing a movie that, for all intents and purposes, looks terrible to me from the trailers. And then it being great.

Okay, more than that I love finding a random movie no one has heard of that ends up being amazing. But this is the second main reason I watch all the movies. I never know what might actually be good or bad and finding the good is wonderful.

I thought If I Stay was surprisingly spectacular. Not like, best movie ever spectacular, but really emotional at least. It jerks. It tear jerks hard.

The parents may be the cutest/funniest parents of a high school movie since Easy A. Chloe did really great as the lead role. Jamie Blackley, as the boyfriend, was also surprisingly great. He is one of the main concerns I had after seeing the trailer. But he pulled it off and didn’t look 30 the whole movie.

The movie is told mostly through flashbacks, which explains how the entirety wasn’t spoiled by trailers. After all, most of the trailer events would have had to happen before crash. And they do! Just not before the crash in the film. Still, it does show case a lot more of the cuter moments I would have liked to experience. The ending might surprise some people, but I loved how it ended, giving us everything we needed to know.

If I Stay is the kind of movie I would gladly buy in the future and suggest it for a nice romance cry night in the future. I heard there was a sequel book and when I heard the plot it pissed me off. Do not do a sequel to this movie. It would be shit. Please. Please listen movie makers. Don’t do it.

Cesar Chavez is one of those indie movies that kind of just never came out near where I lived, so I never really got a chance to watch it. It came out on DVD a few weeks ago (or if I delay this review by a few weeks, a month or more ago!) so at that point it just came down to finding a time to throw it up on my website. Only doing five reviews a week has its perks and its disadvantages. It is good that all of my free time isn’t looking for movies or writing reviews, yes. But those two reviews a week less than I am used to means a lot of indie or weird movies that my website is none for is pushed to the side if a week has a lot of big titles coming out.

Oh well. Cesar Chavez. A biographical movie with some subtitles and a comedic actor playing a serious role. My body is ready.

And I am sure they will do everything in their power to make sure they don’t make him look like Hitler.

Cesar Chavez (Michael Pena) is already a polarizing figure in the US. A farm worker in California, during the 1950s to the 1970s he became political, organizing the farm workers of California into labor groups to fight for better rates and conditions.

At this point, most of the farm workers were braceros, temporary workers from Mexico permitted to live in the US to work on these farms. Should they ever stop, they’d be forced back to Mexico. But the conditions were terrible and wages low, so it felt like a form of slavery.

With the help of others, Cesar organized boycotts, marches, and created a labor union, while also encouraging Mexican Americans to register and vote on elections to help swing results towards their side.

And uh, you know, I guess that is all the movie is really about? America Ferrera plays Mrs. Chavez, and Rosario Dawson and Yancey Arias are also on their side. In terms of white people to get in the way / help, we have John Malkovich, Michael Cudlitz, Wes Bentley, and Gabriel Mann.

You can tell he is an activist based on the number of scarves he is wearing.

After watching this pseudo-biopic, I don’t think I have a lot to say about Cesar or the film itself. From what I remember, he went in a hunger strike that lasted a long time, did some marching, and did a nice boycott.

And well, that was it? The movie was kind of short for bio standards, only dealt with a few events and didn’t seem to show many sides to the character. I am sure Cesar was a complicated individual, since everyone is complicated. I just didn’t get any sense of that.

Besides the potential bias issue, I found the movie kind of…boring. I could never really get into it, despite any parallels that may exist in our own time. It lacked an entertainment quality that I would hope to see in a film about an activist. There were a few tense moments only in dealings with anti-protesters.

On top of that? Acting was only okay. Nothing great. One cool scene sticks out from America Ferrera, and the rest is forgettable.

Raise your hand if you never read The Giver?

Since I am writing this before you read this, and it is the internet, I can properly assume no one raised their hand when I asked the question. Seriously. This is one of those books that tends to frequent everyone’s elementary or middle school experience. I know for certain I had to read it twice in middle school thanks to moving in between.

I don’t have an issue with them turning a literary classic into a movie like a lot of weird people do. No. I am just annoyed that this introduces biases to my review. I try my hardest to make sure the movie review only takes the movie into account, not to compare it to the book or whatever. The best way to do this is to rarely read books. Hell, a good friend basically demanded I read Ready Player One, but I knew it was becoming a movie, so I had to decline a few times. But damn middle school. Messing up my biases. At least I didn’t love the book, only thought it was okay.

But turning everyone into a wannabe pirate was probably a good change.

In this future world, the world was ruined by something I think they called The Ruin. Now people live in communities and celebrate samness. They all dress the same, have similar households, age at the same time, all that fun stuff. No one gets extra toys or unique anything. Shit, they all get their bikes at 9 years old.

Jonas (Brenton Thwaites) is about to turn 18, and thus find out what his job is going to be for the rest of his life! He has no idea, because he has never really felt like he liked anything in particular. Well, turns out Jonas is fucking special. He gets to be the new Receiver of Memories! Yay!

Yeah, the job title doesn’t sound as cool as nuclear physicist or body builder, but apparently it is one of the highest jobs of a society. After all, his friends Fiona (Odeya Rush) and Asher (Cameron Monaghan) got stuck with nurturer and drone pilot (Wat) respectfully.

The Receiver of Memories is the only person in a community who knows about the world before hand. Who knows about colors, emotions, war, poverty, hunger, love, happiness, grief, warmth. All of this stuff. And Jonas is going to have to experience this all for the first time and become a member of the council to supply a wisdom that everyone else is secluded from. And the guy who previously had the job (Jeff Bridges)? Well, I guess he is The Giver now.

Also, Meryl Streep is the Chief Elder, Alexander Skarsgard, Katie Holmes and Emma Tremblay make up Jonas’ family unit, and Taylor Swift is also lurking around.

Yep! There she is! For her minute or so of screen time!

For all those book lovers, loving this book is not a good reason to see the movie. That’s right. It is very different from the book. Feel free to complain elsewhere on the internet, for I don’t care.

What I do care about is a movie telling a good story, even if it changes from the source material. And you know what? This one doesn’t.

First off, the film is rushed. The movie is 94 minutes with credits. That means it is under an hour an a half, and it has to spend time building up a world/society, having a character learn everything is wrong, and of course, try to change things. That is definitely not enough time. Some people say this movie was finally made because of the recent success of other dystopian teen movies. They have various qualities that make them a success, but they are all also well over two hours in order to tell a complete story.

A lot of this movie feels half assed, especially from Streep and Holmes. Apparently Bridges was trying to get this movie made for decades and I guess he was the best part, but he was surrounded by crap. On an overall spectrum, I wouldn’t even put his performance as great.

Shit, even the editing was bad. I remember a scene with the sister after dancing, she says a line but her mouth doesn’t move, only smiles. That was super awkward.

Fans of the book will hate this movie because it is different enough from the book. In reality, they should hate this movie because it is a shitty movie.