Month: July 2013

Turbo is the latest example of a kids movie following a very standard formula. Let’s take some sort of entity and either a) give them an impossible dream (and reach it!), or b) give them some ridiculous flaw (and overcome it!). Like a bird who doesn’t know how to fly. Or a plane that is afraid of heights (and wants to race). Or an overweight comedian who wants to box. Or a snail who wants to race in the Indy 500. Oh wait, that one is Turbo!

Fuck. Let’s get this over with. Turbo (Ryan Reynolds) is a snail! He has big dreams. He wants to go fast, and is the fastest snail he knows. In fact, he just did the yard in 17 minutes, a new personal record. He dreams of entering the Indy 500, thanks to words of advice from his hero Guy Gagne (Bill Hader), who claims that no dream is too big. His brother Chet (Paul Giamatti) thinks his dream is stupid, rightfully so.

Well, eventually Turbo falls into a car engine and gets coated with NOS, transforming his DNA and giving him incredible speed! This also somehow turns him partially into a car, with headlights, radio, rear review lights and stuff. Not sure how that second part happened. Even more eventually, Chet and Turbo find themself caught by Tito (Michael Pena), a down on his luck Taco maker. He works for his older brother (Luis Guzman) and their business is not doing well. Why did Turbo decide to not run away as soon as they were captured? No idea. But he could have.

Luckily, Tito is all into snail racing. Turns out Turbo is stupid fast and he wants to use Turbo to get more business. A very noble cause. So they set off to enter him into the Indy 500, for exposure. Nowadays kids would just make a YouTube video and become famous that way.

Oh yeah, Turbo has his own snail crew to back him up now. There is Whiplash (Samuel L. Jackson), Smoove Move (Snoop Dogg), Burn (Maya Rudolph), Skidmark (Ben Schwartz), and White Shadow (Mike Bell). Of course Ken Jeong voices a tiny Asian nail technician.

This movie is about to get fucked. Seriously. No mercy. Cover your eyes if you don’t like violent imagery.Let’s start with some factual errors. Why? Because they matter to me. I am a Masters Geophysics Student, and the sloppiness bugged me. Basically I am going to be super critical.

Turbo made a big deal about getting a yard in 17 minutes. I know it was a yard, because they showed the measuring stick briefly. However, 36 inches in 17 minutes is really slow. Like, really really slow. That is why I went over to WolframAlpha to convert it. Seriously check the link.

WolframAlpha is so amazing it compared the velocity calculated to the the velocity of a garden snail automatically and it is about 33% the speed of the actual garden snail. Great, we have a snail that is statistically slower than most garden snails. Let’s say that factual error can be ignored, fine. Unfortunately, almost every other point in the movie (pre-genetic manipulation), Turbo and other snails are still shown with greater velocities than his trial. Unless it was important to the plot that is (see: the tomato/lawn mower scene).

Come on now, consistency.

[Editor’s note: Apparently IRL and F1 are different things, but similar vehicles. I just know them as “Not NASCAR”. Point still stands, basically.]
The ending bugged me a lot as well. As it is a car race, it involved a pile up of cars real close to the finish. At this point, Turbo and Guy go into a “foot race” type of situation for the finish like, similar to Talladega Nights.  But according to official Formula 1 racing rules (here and here specifically), none of it would count and the whole thing feels pointless.

Let’s get to the most important part of the movie. This plot is inherently stupid and bad. I didn’t read the full rules for the Formula 1 racing, so I can’t confirm if there is no rule that would disallow a snail. However, the concept behind it can only be described as cheating and a snail would never be allowed to race in such an event. They have very specific standards for the size of the vehicles, type of protection they need, everything you can possibly imagine. The snail’s dimensions do not match a car’s dimensions. For an extreme example, it’d be like using a Ferrari. Or like doping.

At one point during the race, the announcer screams that he can’t believe Turbo is passing a car from below. I am fine with his reaction, because Turbo is basically cheating. But the announcer is surprised instead that he could fit, even though Formula 1 cars have about 4.5 inches of room underneath them, while a garden snail is at most 1.5 inches tall.

If you hadn’t figured out by now, Guy is the villain of this movie, but only because he wants to win the race too. Just like the other 30ish humans in the race, all doing it without cheating.

I laughed I think a total of two times. The laziness of the plot, the laziness of the details, and the laziness of the character development ruined this movie for me. To quote Eleanor Roosevelt. “America is all about speed. Hot, nasty, bad-ass speed.” Turbo would not have lived up to the former First Lady’s opinions on America or Racing.

 

1 out of 4.

Honestly, I was willing to let Sharknado go by the wayside and ignore it forever. Sure, it is one of the most hyped SyFy original B-Movies in a long time, but it was even met with less than average number of watchers. Go figure. Most people just talked about it, very few watched it.

So why am I reviewing Sharknado? In honor of the life of Cory Monteith of course. Made famous by his character Finn on Glee, (and only that), he was an actor who recently died due to alcohol and heroine.

But no, Cory is not in Sharknado. He is now forever associated with the film for a different and worse reason. Case in point, here are his last two tweets before death. (For those who don’t know how to twitter, the bottom tweet is the oldest).

You’re damn right I retweeted them.

Maybe he actually died as a Canadian Government cover-up, as he was able to figure out the Sharknado conspiracy, but I doubt we will ever know for sure.

The vague plot of Sharknado is that a hurricane decides to hit the California coast. Los Angeles is right in its line of fire. The storm is causing sharks to run from it towards to coast, so there are dozens (hundreds) of sharks on the beaches, attacking people in about a foot of water. But when the rain comes, so does flooding, so the sharks are able to get further in land, still running from the storm or whatever. Even going into the sewer system! The sharks are also pissed off, so they will bite and eat anything they get near, except other sharks.

Eventually tornadoes hit LA as well, which pick up the sharks, and then in addition to destroying stuff, they also hurl sharks conveniently at anyone nearby. Well, it takes fifty minutes before there are sharks in a tornado, everything else before that is just flooding or minor wind based.

To add some plot to it, our main character’s name is Fin (Ian Ziering) which is funny now for two reasons. His two friends (Jaason Simmons, Cassie Scerbo) agree to help get to his ex-wives (Tara Reid) house, to protect her and his daughter…while also battling flooding, random sharks, and I guess the weather.

Because once the tornadoes start, clearly they have to find a way to stop the tornado itself. Not just wait it out like people have done for every other tornado in history.

Most of the movie is void of sharknadoes. I guess that is why the images were so hard to find online.

See, there are two types of B-Movies. Because B-Movie generally just means really low budget and they usually are overly campy as well. Still, there are two types. There are the types that are either entertaining through good dialogue or action, and those that are made on purpose to be bad. Those ones that are only enjoyable if you are drinking and making fun of it with friends. The first one is doable, just hasn’t been true recently. Just ask Bruce Campbell.

Sharknado fits into the second category. Seriously. Watching it for actual entertainment on your own is impossible. You will just get mad. It does this on purpose, but most of the best action happens off screen, which just means I am left bored. The danger they have to get through is boring, the dialogue is boring, and there isn’t even that much shark tornado action! The fuck. What if Anaconda had the snake only in the final quarter? You’d be pissed.

So I am pissed at Sharknado. They could have made it ridiculously awesome, but chose not to, because fuck it, low budget movies don’t need to make too much. Just enough. Dumb ass teenagers on the internet are hyping it up, and now there is a sequel. Shit. How can they do a sequel when they didn’t even have enough material for one movie?

0 out of 4.

The Tall Man movie looks like your standard horror creepy film. We got a clear bad guy, the movie is named after him, and he is intimidating looking.

Right? After all, here is the IMDB description.

When her child goes missing, a mother looks to unravel the legend of the Tall Man, an entity who allegedly abducts children.

Alright, yeah, some Tall Man thing steals kids. Creepy.

But it turns out this movie is misleading as fuck. So my plot summary is going to have “spoilers” in it. Know that in advance.

Hey, don’t go running away. Spoilers aren’t the end of the world.

Basically we have a small town that used to be big, but the mine closed, and everything died. People be poor, yo. Also, kids go missing a lot, and never found. Rumors of some Tall Man that takes them away in the night.

Julia (Jessica Biel) is a nurse who lost her husband, the towns doctor, a few years prior. So she lives in a big house with her nurse and her little boy. WHOM GETS TAKEN BY A TALL MAN AND TIES UP THE NURSE.

Thankfully Julia chases him down, she ain’t no weak woman yo, crashes the truck, and tries to save her boy, but still fails.

Here is where the spoilers really begin.

The Tall Man is a woman in disguise, who is stealing her son back, because she claims that son is hers, and he was stolen years earlier. What? Biel is the Tall Man? Only kind of. Maybe there is an organization of people who steal kids from poor homes. Because kids from poor homes grow up to be poor themselves most of the time, and live shitty lives. Just a positive feedback cycle of being poor and lame. So they take the kids and bring them to rich homes for people to raise them better and help the world.

Yes, that is what the movie is really about. Like a third of the way into it you find out that the kid isn’t actually hers. Also there is a girl named Jenny (Jodelle Ferland) in it too. She is kind of important.

Well, at least someone is finally thinking of the children.

Long story short, The Tall Man is a social commentary with a bit of Mystery/Thriller, yet advertised as a horror. None of those genres which are normally known for their big stances on certain social issues.

Poor people stay poor, and rich people can succeed. I guess that is true. It is like a question on a dating site that I used. “Should people with low IQs be allowed to breed?” A lot of people feel pompous and say no, and fuck that. I think they should be able to do whatever the hell they want, especially if it is one of the most basic urges out there.

This movie doesn’t say that poor people shouldn’t be able to keep kids if they can’t get out of their poor situation. No, it lives it up in the air for the viewer to discuss afterwards, or something. But since that is what the movie is about? Even with the final words questioning if it is all worth it, I really think it is implying they are doing the right thing.

That is all sorts of fucked up.

For other aspects, the movie uses surprisingly good cameras to film it all, so it looks pretty good on Blu-Ray. In other news, I really hate the movie calls what happens in it a twist. It is only a twist because of how it was advertised, aka incorrectly. That is just misleading, and that pisses me off. It is like they are ashamed of their own movie.

1 out of 4.

Hey, did you read my review of Quartet? Probably not. Well, long story short, it wasn’t good.

I also noted my confusion over thinking it was a different film, called A Late Quartet. Realizing there were two different films of similar themes and titles around the same time cleared up all my confusion. It totally isn’t my fault I thought they were the same thing, but I will take the blame like a real pseudo-anonymous internet person.

It is dvdsreleasedates.com‘s fault, I swear! I am innocent!

The Fugue Quartet is a pretty big deal. That is two violins, a viola, and a cello, for you music noobs out there. For those music experts, they are also a made up quartet, so don’t go looking for them. They were made decades earlier, and have been kicking ass for a long time.

But poor Peter Mitchell (Christopher Walken), the quartet’s founder and cellist. But he is developing Parkinson’s disease, so his playing days and living days are both soon to be over. After telling the group, certain issues and drama arise, which can break apart the very fabric of the group.

Robert (Philip Seymour Hoffman) and Juliette (Catherine Keener), second violin and viola, met via the group, fell in love, got married, and had a daughter Alexandra (Imogen Poots). Well, Robert is thinking about asking the group if the two violinists can split shift their duties, apparently a big no no in music groups. Even worse, his wife thinking the other dude is better than him.

The other dude being Daniel Lerner (Mark Ivanir) a very talented violinist, who they get to also teach Alexandra some tips while she finishes high school. Unfortunately, he decides to give her a different, extra tip.

Can they find a replacement for Peter? Can love survive the marriage or the strange agely different affair? Can Daniel let Robert play some better violin? WILL THE EARTH CRASH AND BURN FIRST? Why is Wallace Shawn in this movie?!

They are about to perform? MY BODY IS READY!

What happens when you take four incredible actors and make them act in a movie? You get good acting! Okay, I never heard of Mark Ivanir before, but he was just as vital and good in this movie as the other big three.

For Christopher Walken, he is still in tons of movies, but it seems more often than not they are making him play a joke version of his actual self. It gets kind of annoying, and you can tell he isn’t trying too hard. In this film, he gets to play a real role and act, and does it well. He had a very emotional moment near the end in particular.

Philip Seymour Hoffman had to play a man realizing he isn’t the best, and that everyone around him knows it. He doesn’t want to be the best second violinist in the world, he wants to lead the group darn it.

Catherine Keener had an amazing scene with Imogen Poots, mother to daughter, and it was so shockingly realistic, it hurt me so.

This movie lets classical music be the back drop and score, making it a bit fancy. It also created an atmosphere making the viewer feel as if they have known the group their whole lives, instantly knowing everyone personally.

More importantly, it shows the group playing music as well. Quartet didn’t really show the people singing. Obviously the actors didn’t play the songs themselves, but it looked like it. We didn’t just get a big tease for a grand show, and then you know, not get it. Fucking Quartet.

3 out of 4.

Here are some facts about Adam Sandler!

Adam Sandler has never made a sequel to any of his movies before Grown Ups 2. He has been in one sequel before, Deuce Bigalow: European Gigolo, but he wasn’t in the first film, and he obviously didn’t make, direct, or star in it.

Who would have thought that Adam Sandler secretly had some standards? He only works with new(ish) ideas. That is unless his film makes a lot of money, like Grown Ups did.

Okay, that is really just one long fact about Adam Sandler. Sorry if you expected more.

The scene from the trailer where he says “Your car is filthy” is cut out. Disappointment. The movie takes place soon after Grown Ups, except now in a small town! Lenny (Sandler) has moved his family away from Los Angeles for a quieter and simpler life. Long story short, Grown Ups 2 is a day in his and his friends life.

Lenny’s wife (Salma Hayek) wants to discuss having a fourth kid. Marcus (David Spade) just realized he has a son who is visiting him today. Kurt (Chris Rock) wants to celebrate his 20th wedding anniversary, but his wife (Maya Rudolph) forgot. And uhh, Eric (Kevin James) really loves his mother and hides that fact from his wife (Maria Bello)? One of his kids might be dumb? His part doesn’t really have a plot.

There are other characters too. Like Nick Swardson, playing some sort of extremely drugged out bus rider. Or Taylor Lautner, leader of the frat boys, with assistance from Milo Ventimiglia.

Sorry agian, but I think that is the best plot description I can give of this film. Honestly, it feels like it is a skit movie. The plot is basically childish adults hanging out, so most of the scenes are really unrelated. It isn’t set up like a traditional skit movie, like the recent Movie 43, but it feels like it could be a long strange episode of Saturday Night Live. Or a live action Family Guy.

The amount of cameos in this movie only helps that stigma. Here is a big list! There is Colin Quinn, Tim Meadows, Steve Buscemi, Jon Lovitz, Shaquille O’Neal, Steve Austin, Dan Patrick, Aly Michalka, Andy Samberg, Will Forte, and even Paulina Gretzky, daughter of (of course) Wayne Gretzky.

Yet no Rob Schneider. Where the heck did he go from the first movie?

I say some shocking things in this review about Mr. Lautner. Read on to find out! D: D:There is a lot wrong from this movie. All the jokes are extremely low-brow, almost 100% poop and sex jokes. In fact, there were so many sex related jokes that I was surprised this movie was rated PG-13 still.

It just felt bad overall. Yes, I still found some of the scenes humorous, but because it was put together so badly and without any context, it just left a rank taste in my mouth. There might have been ten minutes worth of plot. Maybe.

The CGI was out of place in this movie too. The Moose didn’t look real, nor did the “tire rolling down the hill” scene. It almost felt like a cartoon, in that people were doing things that should have killed them, but they were completely fine afterwards.

The ending itself is lazy humor. I am describing it as slap stick to the extreme, as it ends with all the adults in a literal fist fight with a group of frat boys, and kicking there butt. I do mean all the adults, as in everyone linked to above. The ending of the movie is just a long brawl.

Speaking of the frat boys, Taylor Lautner was literally the best part of this movie, and he had a huge role as the main villain, with tons of dialogue. Yet he wasn’t even listed in the credits? What? Six different frat boys were credited, only two of which had real names, but not the main frat guy.

Just an example why this whole film was a mess. That and the unexplained disappearance of Rob Schneider.

 

1 out of 4.

Giant Robots Fighting Giant Monsters.

That should be a good enough review for this movie.

If you are like me, the first time you heard about Pacific Rim (Trailer) you bounced around with joy. Sure, some of you maybe bounced on the subject matter alone, which is fine. But I was even more excited about the fact that Guillermo del Toro was set to direct the film. Guillermo means quality in Spanish, I am pretty sure. Just examine the last two films he directed! Hellboy II? Pan’s Labyrinth? This guy knows how to tell a story, while also kicking major ass.

Spoilers: These robots are here to fuck shit up. Monster shit. In the year 2025, we are currently in the twelfth year of fighting the Kaiju. Kaiju are larger than life mythical beasts that come from a dimensional portal at the bottom of the Pacific Ocean. The first one to appear took over five days to kill while it rampaged the California coast. The world realized it would have to stop fighting and work together to stop this threat from taking over completely, which started the Jaeger program.

The Jaegers are giant robots equal to the size of the Kaiju that can be deployed to fight the beasts before they cause more harm. Initially they prove to be quite successful, but the Kaiju have started to appear in increasingly shorter intervals, bigger and badder than before.

Raleigh Becket (Charlie Hunnam) used to be a great pilot with his brother. Five years prior, a Kaiju took his brother’s life, so he left the program to become a drifter. Shockingly, the UN is thinking of abandoning their Jaeger program due to the amount of Jaegers that are now getting destroyed. Their idea is to build a giant coastal wall to keep them out (very dumb). With only few months left of funding, Marshall Stacker Pentecost (Idris Elba) brings Raleigh back in to the fold to attempt one last shot at ending this thing once and for all.

Damn, that was a really good plot description. But there are many more people who have important roles in this movie. Rinko Kikuchi is Raleigh’s new partner once he returns to the Jaeger program. Max Martini and Robert Kazinsky play a father/son pilot team who run the fabled Striker Eureka, the fastest Jaeger made. Charlie Day and Burn Gorman are the main two scientists working on solving the Kaiju problem, a biologist and a mathematician respectfully. Finally, Clifton Collins Jr. is the main control room operator for the operation, and Ron Perlman a black market Kaiju flesh dealer.

Spoilers: There is no giant version of this monster unfortunately. If you don’t like the idea of giant robots fighting giant monsters then I really don’t think you will enjoy this movie. Because the movie gives you exactly that, and just a little bit more.

First off, if you are going to see Pacific Rim (Which you should!), you should watch it in 3D. The fight scenes were so incredible, I thought my eyes would melt. The second fight scene in Hong Kong is probably the sexiest thing I have seen in film this year. They were filmed with 3D cameras, so you don’t have to worry about blurriness mucking up the great action.

The Hong Kong fight is actually better than the fight at the climax of the film. Some would consider that to be a big problem, but I can easily forgive it. The final fight gets points for taking place in a different environment from the rest of the film.

I love the casting choices in the film, in that most of the people are not big named stars. This really allowed the viewer to get involved with the story and not get distracted by the eyes of someone like Brad Pitt.

Sure, there are a few weak plot points, and the acting isn’t always top notch, but the stunning visuals, well choreographed fights, and complete bad-assery from start to finish well make up for it. My biggest plot complaints really come from what was NOT said by a few characters. I was disappointed that the movie didn’t delve deeper into some of the ethical implications brought upon by certain actions, but really, that just allows a sequel/prequel to ask those questions later.

Please. Give Guillermo del Toro your money. Go see Pacific Rim.

3 out of 4.

Let’s talk about psychological thrillers based on real life stuff. I only am bringing this up, because guess what, Compliance might mess with your head, and it is totally based on a real story.

Kind of like The Experiment. Except in The Experiment, it was a real psychological test and they fictionalized aspects of it in the movie, and it was still good. In Compliance, it is based off of THIS real life event, and it keeps true to what actually happened. Roughly. I think. Shit, I just read about it again and got all disgusted at it.

Not as disgusted as her face, which looks like someone farted. At a restaurant that is totally not McDonalds but something generically different, it is a busy Friday night. Why are Friday nights busy? Fuck you, that is a dumb question, learn the real world.

Well, they get a phone call from an Officer Daniels (Pat Healy). He says they have a situation at the store, a young blonde girl at the register apparently stole some money from a customer, right out of their purse, so the customer went to the police station to complain. He has the regional manager on the other line, and he needs the manager (Ann Dowd) to take Becky (Dreama Walker) back in the storage room and question her.

Officer Daniels is on the phone the whole time, including when the strip search happens. But it turns out, Officer Daniels isn’t a cop at all, and just some dude prank calling some fast food places to make them do fucked up shit to employees.

What a twisted dude! Bill Camp is also in here as the fiance to the store manager, who might have to take over for her cause it is such a busy Friday night.

This is not sexy. Sure, she is just wearing an apron, but the torture-esque part kind of ruins it. I think reading the story via text gave me a worse emotional reaction than the actual film showing the events. Somehow, I wasn’t able to really get affected by the story when it occurred in front of my eyes.

I am not saying the acting was bad (and it wasn’t great either) because that isn’t necessary. They are just trying to be real people. Because it was close to the actual events, as the film unfolded I found it harder to stay interested.

Basically, whenever they amped up what they had to do to Becky in the room, there was always uncertainty involved, and the phone people didn’t want to do it (yet always did) and it got annoying. They always repeated the instructions starting with “He said I have to…”, which just got ridiculously annoying. I mean, if half the dialogue is hearing the same stuff twice, that gets annoying.

I am pretty sure in real life, especially when the fiance got there, if he was watching her and making her do things for over two hours, eventually he wouldn’t phrase it like that anymore. But we never get to see the really shocking stuff that happens. Only two of them were implied. They spent so much time on the initial get naked and find someone else to watch, it was stalling for no reason.

Overall, it is an okay movie, but didn’t fuck with me psychologically enough for me to love it.

2 out of 4.

I decided to watch Stolen because sometimes I hate my life.

Also, an editor friend told me he heard that it was advertised as “Taken, but with Nicolas Cage!” That seems like a stretch. So then I had to watch it just to be sure. Because surely it wouldn’t be the same plot as Taken, with a title that basically means the same thing. They wouldn’t do that.

Taken, but with a stuffed animal instead of a daughter. Will Montgomery (Cage) is a big time criminal, and he is going to rob a bank at night. Oh yeah. So hot. Too bad the FBI (Danny Huston) are on his trail, and staked out outside of a jewelry store to catch them. Also because they think he is going to rob a jewelry store, not the bank. Clever Montgomery.

So he is off stealing cash with his team Vincent and Hoyt (Josh Lucas, M.C. Gainey) and even a girl, Riley (Malin Akerman).

Well, things go badly. Montgomery gets caught, but he burns the money so they have nothing to pen on him. Eight years later, he is out of prison on parole!

Turns out some of his former team mates are a little upset. So is his daughter, Alison (Sami Gayle). She thinks her dad is an asshole who left her for prison. Whatever that means.

Long story short, one of his former buddies is pissed off that he never got paid that day. So he kidnaps the daughter, has a big plot to get the money back, or you know, he will kill the kid.

Hooray blackmail! Of course that means Montgomery will have to find the money, within half a day, while also avoiding the cops and other people who want him dead.

They are going to have to do a cavity search for that bear. [Holy shit, I didn’t finish this review. I really think I typed it up, but apparently it got lost. Whoops. Here is a quick analysis because I don’t give a fuck anymore.]

Either way, this movie was not entertaining. Yes, another action movie that has fighting, chasing, explosions, and guns. But fails to entertain.

The story is bad, the acting is whatever, and the plot twists are also bad.

My goodness, that man was hideous.

This is nothing like Taken, that is a fact. But maybe if they make a ridiculous sequel to Stolen it will accidentally be good?

1 out of 4.

I might have picked Deadfall solely from the Blu-Ray cover. Not saying that I am judging the whole thing on the cover, just saying that it helped me choose the movie. When there are so many random ass movies to choose from, you can’t just put them in a hat and pick randomly. Stores get mad at you when you do that.

From the cover, it was clear that it was some sort of thriller. A thriller that took place in the snow! Yeah snow! Maybe a quirky Midwest thriller, like Fargo, or Thin Ice, a more recent film that no one watched! Yeah! Well, with a name like DEADFall, it is probably not quirky. Perhaps there will be accents though?

“It’s a nice shooter, don’t cha know?” Liza (Olivia Wilde) and Addison (Eric Bana) are brother and sister and looking pretty luxurious. They are in a limo after all. Which of course crashes on those icy Michigan roads, killing their driver. A state trooper comes to investigate, and Addison shoots him in the head. Whoa!

Turns out these two are on the run from the law. They took part in a casino heist that has gone wrong, and are trying to reach Canada as soon as they can. Kind of difficult now though. After wandering the woods, they reach a fork in the road and agree to split up to reach Canada faster. No, doesn’t make too much sense.

But lets talk about other plot lines. Jay (Charlie Hunnam) just got out of prison, a former boxer, who is mad at his coach for “betraying him”. So he accidentally hurts him bad, so he too goes on the run, thinking he killed him. He just wants to get home for Thanksgiving, really close to the Canadian border, with his parents (Kris Kristofferson, Sissy Spacek).

Finally, we have Hannah (Kate Mara), a young police officer, who also happens to be the daughter of the chief (Treat Williams), who gives her crap and is way too protective. Typical story. So when there is news of a cop killer in the woods, he totally won’t let her help. But will she listen? WILL SHE?

No. Those are not “Fuck me” eyes, because she is looking at her brother. Don’t be gross. Deadfall would have been a better movie without Olivia Wilde. That sounds harsh.

It would have been a better movie without her character. The most interesting plot line in this movie was of course Eric Bana in the woods alone, doing whatever he can to survive the harsh cold, and yeah, it might involve killing some people, and taking a cabin or two hostage. That was great. Having Jay find Liza and them hanging out in a bar all night because the roads are closed?

Whatever. Don’t care.

Which is probably why I found the ending of the film so disappointing. Characters do change in this movie, but too fast, and it doesn’t make sense their actions by the end. I am kind of just left pissed off. Like the ending to Law Abiding Citizen. Except that movie was wickedly awesome up to the ending, while this one kind of pitter pattered around due to the several plot lines, most of which were meh.

The beginning scene in the movie is great though. It pumped me up, just unfortunately went down hill after that.

Also, there totally were accents. But from Bana/Wilde, who were from Georgia. So that was unexpected I guess.

1 out of 4.

Honestly, I don’t know the real name of this movie. Sure, All Superheroes Must Die is the title on the cover. But IMDB really, really, really wants it to be called Vs. Who knows why. Maybe IMDB doesn’t want to let the title go. Maybe it has special value in that title, and just can’t see it drift off into the night.

Whatever the reason, I am going with the better and sexier looking title. I also am only watching this because of seeing The FP. Same guy wrote and directed both, so I am hoping it is a big subtle parody on the whole genre. You know, because director/writers never change genres in film. Right?

Oh, here are all the superheroes, that must die.

Our story begins with four heroes, waking up in a strange place, feeling woozy. They are weak! Stripped of their powers!

We have The Wall (Lee Valmassy), Shadow (Sophie Merkley), Cutthroat (Lucas Till), and Charge (Jason Trost), who still found a way to sport an eye patch in this movie.

They have lost their powers! They are all in some strange abandoned town, with a creepy vibe. Finally, the television pops on and of course it is their Arch Nemesis Rickshaw (James Remar) who wants to play a game with them. Yes, very Saw-esque. Even better if you recognize James Remar as the dad on Dexter.

Either way, he has joined these superheroes together, who have a history, to play a series of games. There are over a hundred townsfolk tied up around the town, with explosives. So if they refuse to play, he will explode and kill everyone. Their only chance is to try and work together, to attempt to pass his tests and save the lives of the innocent.

Unfortunately, sometimes the only way to win, is to die.

Insert nefarious cackle here.

The FP was a strange movie, but I allowed it, given the context, and clearly they were doing a parody. All Superheroes Must Die, however, was not a parody, and it seems they were going for a legitimate, serious movie.

The concept is a good one. No boring back story to lead up to the moment, just drops you right in the games. In fact, it is less than 80 minutes long, so they can literally just tell this one story, make it awesome, and not worry about the consequences.

Unfortunately, despite the short time? We still get a lot of back story in the form of flashbacks. Ugh. Far too much of this movie is bullshit back story, that the rest feels like a waste. Speaking of waste, the villain makes the games seem like such a big deal, with all these mini challenges. Well, it is just three rounds. And they are boring. Bah.

Yeah. A good concept, but unfortunately the entire movie is boring. It could have had a lot more action, much better acting, and just some level of entertaining. Thankfully it didn’t waste too much of my day to get through it.

1 out of 4.