Tag: The Martian

Best of the Decade – Part 1 (50-41)

Welcome to my top 50 of the decade list! Every day I will do the next group of 10, according to all of the Staff here at Gorgon Reviews, on what we thought was the best of the decade.

We decided to not include documentaries, as they are much harder to compare, but you will see films represented more than one country at least.

50) The Martian 2015

Why? To me this movie is entirely pro-science in a fun and exciting way. We have smart characters, who solve problems by being smart, despite obstacles in their way. Smartness isn’t played as a joke, it is appreciated, and a lot of care went into making most (not all, that is fine) of this movie at least somewhat realistic.

I have seen this movie usually many times just showing it to my students near the end of the year.

Favorite moment? While the ending is very emotional, I enjoy most when they finally get communication up and running.

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49) Chi-Raq 2015

Why? I want to make some statements with a top 50 list, and not be incredibly boring. This movie rolled a few of my jams up in one. Lyrically spoken, it brings back an Ancient Greek play into modern times, to deal with modern problems, and it is dripping with satire.

It gives new light to a problem. It doesn’t actually offer real solutions, but it is still making great points with its power.

Favorite moment? Samuel L. Jackson laying those smooth lines down as the narrator.

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48) 50/50 2011

Why? Coming out earlier in the decade, this felt like the perfect blend of a comedy/drama for me. I laughed, I cried, and I laughed some more. Joseph Gordon-Levitt really showcased his emotional range and showcased how someone might deal with a surgery that didn’t technically have a favorable outcome. He isn’t in it for the sympathy.

Favorite moment? When his mood shifts right before the surgery. Tears every time.

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47) I, Tonya 2017

Why? I, Tonya does a few things for me. It gives me a very different view of a story that I just had assumptions about (I was 4-5 at the time) and that is likely true about a lot of people. And it also finally let me see Margot Robbie in a different light as an actress that I had never seen before. You know, acting.

Favorite moment? The scenes where Tonya/Jeff’s relationship blossomed into an abuse for all.

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46) Nocturnal Animals 2016

Why? Strangely enough, this movie probably dropped the most out of any film compared to their respective rankings in top of the year lists. For 2016, I had this as my second favorite movie, a harrowing experience I never wanted to experience again.

However, on a rewatch, it is still extremely well acted and an interesting movie, but without the surprising fear elements, it didn’t sustain as much interest.

Favorite moment? It still has to be the highway scene.

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45) August: Orange County 2013

Why? Take an all-star cast of incredible actors, have them act a popular play, and sure enough, we will get emotions and wonderful acting. I hadn’t heard of this play before hand, so it was shock to me when I realized what was going on.

Julia Roberts and Meryl Streep are wonderful together, in that they bring out each other’s worsts.

Favorite moment? Hard to beat the dinner scene as it brings everyone together and everything full front.

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44) The Greatest Showman 2017

Why? Honestly, I loved this movie when I saw it. The worst part about it for me was how short it was (and still is). It was my most anticipated film of 2017, and I knew I was getting a fictionalized story about the real man, but didn’t care. It gave me a sense of fun and wonder that a circus was meant to give its audience, and honestly, as he deceived them, you could argue it was meant to deceive us about the real man.

This would be much higher if it was a little over 2 hours long.

Favorite moment? My favorite song shifts constantly, so at the time of the writing, I will go with The Other Side.

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43) The Witch 2015

Why? I was completely shookith with this film when it came out, appreciating how much the director went for realism in a story dealing with the supernatural. The clothes, the house, the language. Anna Taylor-Joy has started her career off really with this film, escalating her into several other horror/thriller roles.

The introduction of the film started things off very bleak from the beginning, and it was the struggle throughout that made it just that much more horrifying.

Favorite moment? The ending scenes with our goat.

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42) Moana 2016

Why? Our first animated film on the list, and not the last, Moana felt like they finally perfected the “modern Disney Princess” film. Trying to fix the backlash of their older films with problematic narratives.

Tangled and Frozen were obviously stepping stones to get there, but Moana has it all, including a banging soundtrack with only one overall dud in my eye. Looking at you Shiny.

Favorite moment? The ending reveal/victory I didn’t see coming and it still holds up in repeated viewings.

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41) Bodied 2018

Why? Likely to be one of the more controversial films on this whole list, because this damn thing is a controversial film. It has so many elements going on in it that SHOULD lead to it being something we should avoid, that it somehow mashes together to make an uncomfortable masterpiece.

When I rewatched this movie, it still made me captivated, and cringe at all the right moments.

Favorite moment? I am going to say I love/hate the ending.

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Click here for Part 2 (40-31)!
Click here for Part 3 (30-21)!
Click here for Part 4 (20-11)!
Click here for Part 5 (10-1)!

Best Films of 2015

This year, I am doing the best first! Mostly because, miraculously, I have seen everything that might make this list already, decently early. My worst list might be a few weeks, as I have been avoiding some of the worse films for my own sanity.

I had a lot of movies that I really liked this year too. And unlike the worst list, everything on this list I gave a 4 out of 4 too. This is the cream of the crop. As a side note, here are some critically acclaimed movies I did not see yet: Victoria, Son of Saul, The Diary of a Teenage Girl, and The Duke of Burgundy.

Honorable Mentions::The Hateful Eight, Love & Mercy, Everest, It Follows

15) Southpaw

“What is this? This is Southpaw, not Creed! How dare you!” First of all, you have no idea if Creed is going to show up (it isn’t) and second, yeah, I think Southpaw is the better movie.

I should reiterate that since my baby girl was born, my emotions have been all over the place. And so when bad things happen to families with young girls? They can get to me. If there is a long death scene with crying and screaming, I will be right there with it, bawling my eyes out.

To go with it, Jake Gyllenhaal is a great actor and he really gives it his all in this film. The fight scenes are exciting, the drama is tense, and I would say it is definitely the best boxing movie of 2015. Bring it on, haters.

Southpaw

14) Chi-Raq

Speaking of haters, boy golly, Spike Lee sure has a lot of them. I mean, some people have valid reasons. He has done stupid things in the past and has strong opinions based on movies that he may not have ever seen. But just because he may be an opinionated asshole does not mean that he cannot make good films.

Fuck. Everyone knows Lee can make good films. Outside of the recent Oldboy remake, he has had a pretty dang good track record as a director. Chi-Raq is not an exception and is one of the more unique and entertaining films of they year. I love Greek plays, so the idea of doing a modern version of an already scandalous and potentially offensive play is ballsy. Turning most of the films dialogue into poetic rhymes? Ballsy. Making a movie about solving gang violence with sex? Very very ballsy.

Lee has balls. And his balls paid off with Chi-Raq.

Chi-Raq

13) Infinitely Polar Bear

Good news Mark Ruffalo fans! Infinitely Polar Bear is not the only movie on this list with Ruffalo. I will say there is only one more with his cheesy face and he acts the most eccentric in this film.

To me, this movie was about better understanding bipolar disorder, and to watch Ruffalo act his ass off. He was all over the place, but it worked for the film and it was touching and warm. It is one of the first times in a few years where Zoe Saldana didn’t detract from the plot, but actually helped! Given that two of the main stars are teenage and pre-teen girls, the film is able to keep you on the edge of your seat as almost every character has the potentially to suddenly not act as you would expect. Emotions are all over the place and the best part is that it just makes sense.

And fuck, it probably has the best title on this list at least.

Infinitely Polar Bear

12) Mad Max: Fury Road

Let it be known, if I kept to a standard top ten list, Mad Max: Fury Road would have not made it on this list. That sounds like I am reluctant to praise the film, even though I did enjoy it. It is just a film that has been circle jerked on the internet to death, so it can get a tad annoying.

Fury Road is good. The action is intense and barely stops. Tom Hardy gives one of his many amazing acting performances of the year. Charlize Theron does a good job as well.

Top notch visuals and stunts really drive home the insanity of the universe George Miller created.

Mad Max: Fury Road

11) Straight Outta Compton

Straight Outta Compton ends up with the status of being the best musical Biopic of the year. Sorry Love & Mercy, but you were still close.

I think part of the reason I enjoyed this film so much is that I actually learned a lot through it. I had heard some of the songs and band members before, but I didn’t know how they got started or how they got famous outside of the group. I didn’t know about all the arguments or how other famous rappers came into the picture. It was probably the best way a young white person could ever remotely begin to understand any of it.

And you know what else? It almost made me cry. It almost made me cry three times. Which is technically a stark difference to the next film.

Straight Outta Compton

10)Inside Out

Oh Inside Out, how much I love you.

When I saw this in theaters, I cried three whole times. And one of those three times was during the animated short Lava (which won’t be nominated for any awards, what the hell?!). Given its subject matter of emotions, it is so wonder that the film can make people feel so emotional. It appeals to kids and adults, with old movie references and simple slapstick humor. Hell, even one part gets insanely psychological, but the kids would just write the scene off as weird and not miss a beat.

It is important to note that Inside Out is my only animated film on the list, so it is the obvious pick from me to win Best Animated Film. I think it is no contest. Maybe Shaun the Sheep could be an extreme dark horse.

Inside Out

9) Sicario

Oh Sicario, I feel bad for you Sicario.

Sicario is twisted and beautiful. It is well acted and emotion inducing. It is realistic and sad. It is scary and thrilling. It is so much and more. Well, not a comedy.

After watching Sicario, I knew I had seen something special. I knew it would be nominated for Best Cinematography and Best Supporting Actor for Bencio Del Toro. But now, suddenly, there is no award love at all. At the same time, it isn’t even that far down my list.

This was a hard list to compile, and like other films, I found myself surprised at how “low” certain films ranked, this being one of them. But I loved a lot of movies this year, and Sicario may end up being forgotten like the majority of films this year. So sad, but at least it is the highest thriller on my list this year. It is something!

Sicario

8) Me and Earl and the Dying Girl

I first saw Me and Earl and the Dying Girl back in April and I loved the piss out of it. At that point it was my favorite film of the year and it stayed there for months. Like, literally until September when more good movies started coming out.

And yeah, sure, it fell a few spots, but it is still on the list and still in the top ten.

This movie is about quirky people who love movies and full of awkward conversations between teenagers. Your basic indie bread and butter. But it is also funny, well acted, and a bit unexpected. Did I cry? I just might have. That was a long time ago. But it is the type of movie I want to own and put with my other weird films to show how cool and unique I am.

Me and Earl and the Dying Girl

7) The Last Five Years

The addition of The Last Five Years on the list should end up being my most shocking. I don’t know if anyone put this film on their top of the year list, let alone do I know how many reviewers actually saw it. It was released limited on Valentine’s Day with an immediate VOD, and then out to buy only a month or two later. I remember the day it came out the Blu-Ray was only $7, which was a steal! It clearly just was ignored by most of the population.

And 2015 was a terrible year for musicals, but the only two shining stars both featured Anna Kendrick. The other being a sequel, not as good as the first.

I don’t even know where to start with The Last Five Years. It only has really two characters and it is told out of chronological order. The female POV is backwards, the male is forwards. The relationship jumps back and forth from bad to good and you know it won’t end well thanks to the very first song. The music is haunting and not pop musical shit. Choruses exist, but they are rare and change up. Many of the notes get belted and are just hard to sing along with, showing dedication to the words chosen.

After I watched it on my computer, I immediately had to re listen to the whole soundtrack, just to go through the emotions again. This is obviously the only musical on the list this year, and I hope 2016 also has some surprises in store.

The Last Five Years

6) The Martian

Science, science, science!

Let it be known that I feel really bad placing The Martian at only number 6 on this list, given how happy and excited it made me feel. Hell, I read the book right after watching the movie. That is how much I liked this film. Then I did that thing where I remembered I technically love all the films on this list, and that 6th is still pretty damn good. And I couldn’t figure out what films to pull back from the top five. Reality sucks.

But thankfully reality has Matt Damon in it to make everything feel that much better. The Martian is the best pro-science, pro-NASA thing to ever exist since the actual moon landing. Yes, it is a film, but it is a film a lot of people had seen and it is pretty accurate on the science front.

And it is entertaining yeah. It is funny, and scary at points. And they made a Lord of the Rings reference. That is automatically cool points, right?

The Martian

5) Spotlight

I told you Ruffalo fans he’d be back. I hope you weren’t assuming it was Avengers: Age of Ultron.

Spotlight is the front runner to win Best Picture for the Oscars and a slew of other awards. And you know what? It totally deserves all of its praise.

Spotlight isn’t about one person giving the acting performance of a lifetime, it is a group of people coming together to give a real performance about real events. It is informative and lets you realize how hard investigative journalism can be. It shows how every cog is important in the machine. No one will be nominated for anything outside of supporting roles, because not even Michael Keaton is the “true” star. Sure he is the easiest to put in that position, but it definitely feels like something more than one individual.

Spotlight is a wonderful film that decided to get details right and tell the truth. Sure, this was all 14 years ago, but like most scandals, the people really only heard the headlines and not the details and specifics. I won’t be mad if Spotlight wins Best Picture, I just personally found four movies this year to be a bit better.

Spotlight

4) Steve Jobs

Sure, after reading my Spotlight blurb, you might find this and the next few placements a bit strange. After all, unlike Spotlight, they are most known for incredible acting performances. But I’d argue they have more than that, they have the whole package as well. This is true for all movies on the list as I gave them all perfect scores.

But let’s talk about Steve Jobs. No not fucking Jobs, that movie was technically bad despite above average acting from Ashton Kutcher. Steve Jobs features one of two incredible acting performances from Michael Fassbender this year, with the other being Macbeth. Unlike Macbeth, you can actually understand this whole movie and the dialogue is the strong point, not the weak point.

Some people may not like Aaron Sorkin‘s writing style of quick rapid fire banter, but those people just have to accept being wrong. The film is like an orchaestra and a war zone of words, displaying in full glory the asshole that Jobs was to his friends, family, and coworkers. And even though every aspect of this film and almost every camera angle is directed at Fassbender, the supporting actors also give top notch performances, especially Kate Winslet, Seth Rogen, and Jeff Daniels.

This biography, that includes fictionalized events, gets to the hearts of the real people involved and truly showcases human emotion.

Steve Jobs

3) The Revenant

The Revenant is a perfect storm of parts coming together to make a masterpiece.

First of all, the director is of course Alejandro González Iñárritu, who recently won Best Director, Best Original Screenplay, and Best Picture for Birdman. We have Leonardo DiCaprio, always the bridesmaid and never the bride when it comes to winning Best Actor. There is Tom Hardy, who had the acting year of his life, as you saw above and didn’t see above with Legend. And last but not least, Emmanuel Lubezki, who won Best Cinematography the last two years with Birdman and Gravity.

Yeah, they were going for something great. And thankfully, this 2.5 hour epic is something worthy and marvelous, especially on the big screen. Leo does a big part in this and I fully believe he deserves the Best Actor award this year. If not him, then look above at Fassbender. They are the only acceptable winners.

I hope Tom Hardy also gets some love as a support, but that category is stacked this year.

The Revenant is beautiful and a bit awe inspiring at times. It is truly a film created by people who take heart in their craft with every bit and piece working to perfection. It is a movie I worry won’t feel truly as amazing on my TV at home, but that doesn’t mean it isn’t still one of the best of the year.

The Revenant

2) Room

Room is a hard film to describe and praise, but given its surprise position on this list, I guess I have to try.

I originally avoided Room just thinking it’d be some family romance movie from the cover alone. Of course I was wrong. It is a serious drama/thriller. In fact, the subject matter is so strong that those with especially weak hearts and given today’s culture, I am surprised that it wasn’t splattered with trigger warnings before the first scene.

Room features two very strong acting performances, not just from Brie Larson who is totally going to win Best Actress, but also from Jacob Tremblay, who plays the kid.

And since the movie is basically from his point of view, it allows the movie to remain vague on many of the harsher elements. This allows the viewer to fill in the blanks and jump to their own conclusions, without being spoon fed the answers. It assumes the audience is paying attention, which not a lot of films care about.

Room is a hard movie to sit through, but one that is worth it for all the great elements around it.

Room

1) The Big Short

I saw a trailer for The Big Short before Steve Jobs and didn’t care that much. But alas, people told me that it had Oscar buzz and it was supposed to be a big deal, so I reluctantly bought a matinee ticket two days before Christmas to check it out. And I was blown away.

Much like Spotlight, this movie involves a lot of actors working together to do some of their best work. The film’s biggest leads are Christian Bale and Steve Carell, and although they don’t meet in the film at all, their prescense is felt throughout it, especially Carell. It is well acted and based on a true story.

I can’t attest to how true the movie version is, but they call themselves out when they do something bullshitty, so it seems truthful. More importantly though is it takes a real, very confusing event that affected the entire world and did a pretty damn good job trying to explain it. It made me angry and pissed off at banks and was way more effective than what a documentary could have done. The Big Short makes me want to go out and change the world, so it left me with some of the strongest emotions of any film this year.

It might not be the big winner, but this year it is the big winner of my heart and mind.

The Big Short

And there you have it! The best of the best. Did I leave off anything you think should have been up here? Do you disagree with anything at all? Am I the stupidest person ever? Be sure to let me know and yell obscenities while doing it!

Few fun notes:

No super hero films made the list this year.
Only one animated film, last year had two.
Still only one musical like last year.
No straight horrors made the list this year, although there were a few thrillers.
And most likely my top movie this year will not win Best Picture like the last three before it.


The Martian

Everyone knows that James Cameron really loves the ocean. He is stupid rich and just wants to conquer it.

In some ways, I am starting to think that Matt Damon is like a James Cameron-lite. He doesn’t like water, but he is starting to love the shit out of outer space. Three films in three years have featured a Mr. Damon spending time away from Earth. First in Elysium, he went from the slums to the orbit. But you know, he was just there for a little bit. In Interstellar, he was in space for a long..long time. And he was alone!

Think of it like a Three Bears situation. In Elysium he was in space for a small amount of time, in Interstellar it was too long. But maybe in The Martian, Damon will find his “just right” amount of space time. You know, then he can go back to Earth and start doing political things again. Or Boston things. Or maybe, just maybe, fingers crossed, he can go back to voicing Bill the Krill.

Alone
Damon had a lot of time alone to reflect on his career while pretending to be on Mars.

Set somewhere in the future, NASA has successfully put people on Mars! Yay! We rock! Speaking of Rocks, there are a lot of them on Mars. And sometimes there are dangerous rock storms. When a particularly powerful storm begins to develop, Commander Lewis (Jessica Chastain) decides that they need to evacuate the planet. There is a chance their escape rocket could tip over and then they’d be stranded! During the storm though, Matt Watney (Damon), a space botanist, gets hit by some debris and goes flying. All of their suit flashy devices say that his suit has opened and he has to be dead.

So Lewis and the rest of the crew (Michael Pena, Kate Mara, Sebastian Stan, Aksel Hennie) escape Mars to begin their flight home a few weeks ahead of schedule.

But it turns out, against extreme odds, that Matt is actually alive. However, he is now stranded. The mission only was supposed to last about 30 days, and they had made it to 17, so his rations aren’t that plentiful. He has a huge checklist of responsibilities suddenly that are all vital to his survival. He has to figure out how to grow his own food on a desert planet. He has to make sure his equipment doesn’t break, so he doesn’t run out of water or oxygen. He has to figure out a way to communicate with NASA. And of course, he has to figure out how to get himself home. Even though Matt wants to survive, he openly acknowledges his impending doom and realizes that almost everything he does is just prolonging his most likely catastrophic death.

Eventually, obviously, he isn’t 100% alone. Or else it would be an impossibility. Back on Earth, thanks to satellites, they are able to eventually note the differences of the site and realize he must be alive and kicking. This is where I can sneak in all the rest of the actors.

Who is involved in the mission to get him back? Well, of course, the Head of NASA (Jeff Daniels), a different head of NASA type guy (Chiwetel Ejiofor), head of the Mars program (Sean Bean), head…engineer…of the shuttle? (Benedict Wong), an Astrodynamics guy (Donald Glover), head of NASA PR (Kristen Wiig), and Mindy Park (Mackenzie Davis) who controls a satellite. Or something.

Storm
This unfortunate scene reminded me too much of Fantastic Four and now I am undergoing PTSD.

Ridley Scott has been not putting his best foot forward recently. Exodus: Gods and Kings and The Counselor were terrible, and Prometheus had a lot of issues. So I have to go into every new movie of his with a bit of a hesitation.

Thankfully, Scott did not disappoint this time and knocked The Martian out of the park.

The absolute best part of the film is its attention to detail and scientific accuracy. I don’t know how hardcore they went into it, but I will be checking Neil Gegrasse Tyson’s twitter to see if the stars on mars were at least accurate. But everything else is so damn sound and smart. I almost stood up in the middle of the movie to chant U-S-A and show off my Science Boner. That is a bit graphic, but the metaphor is necessary to emphasis how sexy it all was. It isn’t dumbed down and they just go full on smart people talk on the viewer.

After the science, we have to talk about the Damon. Damon plays what has to be the greatest Botanist ever on the silver screen. I don’t know how praise worthy that statement actually is. The writers made him smart, charming, witty and a guy with a morbid sense of humor. He tells jokes to logs where he notes everything he is doing, with the caveat that it probably won’t matter since he will most likely die. And he even got to say “Fuck” twice in the film, despite the PG-13 Rating!

Basically everyone in the cast was great in their roles. Even Stan, Mara, and Hennie, the crew members who people don’t care much about. I want to give special shout outs to Glover, who had a small role but was extremely convincing, and Wong, who was an important side character who for some reason didn’t even make the IMDB credit list.

The film is of course also visually wonderful. Mars, the future Houston space center, outer space, all of it is great. I don’t think 3D added much to the film, and it should be a good experience without it. It isn’t as necessary as Gravity.

Despite how much I liked the film, it only has one issue. There is a sort of epilogue after the events, so you can find out what happened to characters. It seemed off to me. It was also a bit sudden of a tone shift. The previous scene I was almost at the point of tears (You don’t get to know if from happiness or sadness, sorry), but they ended it too quickly for all the emotions to rile up in me. And the last few minutes were just…meh.

Oh well, 99% of a film is still pretty damn awesome.

4 out of 4.