Tag: Parody

It is now mid-April, and if that means anything, it means that shitty January movies are finally coming out on DVD. A lot of these January films were not screened for critics, for some reason. I mean, do they not care about press?! (That was sarcasm).

The one January movie I actually wanted to watch was Fifty Shades of Black. Sure, it is a parody film. But I have several reasons for wanting to see this one.

1) Fifty Shades of Grey, the film that is being parodied, was on its own terrible. We are getting a parody of shit, so the parody is likely to call out the shit while doing it.

2) It is a Wayans parody. Say what you will, but his two haunted house parodies are better than the last three Scary Movies combined. They aren’t necessarily great films, but he did put a lot of effort into them and didn’t just phone in his performance.

3) I don’t have a third reason, I just really want to see how bad this thing actually is.

It definitely captures the romance from Grey pretty well.

The story begins with young Hannah (Kali Hawk) going to interview Christian Black (Marlon Wayans), the head of a big company for her university paper. She isn’t a journalist, but her roommate, Kateesha (Jenny Zigrino) is sick, so she goes for her.

She is immediately swept away by his charm and his looks and starts to have feelings for him. Christian begins to take Hannah on dates and he lets her know that he has a secretive side. A play room, where he is a dominant and is looking for a submissive for some sex play.

Of course Hannah isn’t really into that, nor is she into contracts. But she still wants the sex, no matter how quick and uneventful it is. And hey, if he wants to smack her butt a few times, whatever. But when she starts to fall in love, that is where their relationship begins to fall apart. And basically I wrote the actual plot of Fifty Shades of Grey just now.

Kate Miner is the assistant, Mike Epps is Hannah’s father, with Fred Willard and Jane Seymour playing Christian’s adoptive parents, Affion Crockett his brother and Irene Choi his sister. Also Andrew Bachelor as Hannah’s best male friend, and Florence Henderson as…well, a rather weird cameo.

No, Marlon is not acting those abs. Those are the real and you are now pregnant.

If I could draw one conclusion from watching both the real and the parody movie, I can determine that they are equally bad. Grey is telling a stupid story and Black is telling a worse version of the story with the occasionally funny joke.

That is right. Fifty Shades of Black made me laugh occasionally. It was actually the movie’s goal too, unlike the times I laughed during Grey. It had some funny moments, with sometimes subtle jokes. And it made fun of the bad writing of the Grey book and some of the nonsensical parts of the film, which is what a parody is supposed to do. Of course, Black also went overboard, over and over again. For every actual funny joke there are 10 jokes that fall flat. Either from poor delivery, poor effort, or by over acting the scenes to extremes.

This film is somehow the polar opposite of Grey. In Grey, you see a lot of naked women and no penis, and in this movie, no naked women at all, but at least three fake penises. Life is weird. I just want a movie that can unite the genitalia under one film equally, and not be stingy on either side.

Wayons still put a lot of effort into this movie, although some of the physical comedy aspects were now given to other cast members. I think this film would have benefited by cutting out Crockett’s role completely, along with Zigrino. Their jokes were the bottom of the very full barrel and went on for too long.

The funniest thing? This parody actually has a better ending. It doesn’t end on a forced cliff hanger. It completes a story and doesn’t blue ball the audience. Fuck you, Fifty Shades of Grey.

1 out of 4.

I don’t think we need a fucking introduction for Sharknado 3: Oh Hell No!

But if I did, I would probably just point you towards Sharknado, Sharknado 2: The Second One, and remake the same joke about Cory Monteith’s last two tweets.

That is, if I was doing an intro, of course.

If this review had pictures, I’d maybe make a joke about patriotic violence here.

Now that LA and NYC have been filled with disaster, Fin Shepard (Ian Ziering) finds himself in the nation’s capital to receive a biggest honor a civilian can have from the POTUS (Mark Cuban) himself! Big deal! Then a sharknado happens of course. Don’t worry, we don’t have anything super drastic happen, like the president dying. Because Fin is there and he can protect the president!

But DC was just the start. Sharknados are starting to pop up all down the east coast, as a big…storm…thing begins to develop. Out of nowhere! So Fin has to get down to Orlando, where his wife, April, (Tara Reid), daughter (Ryan Newman), and mother-in-law (Bo Derek) are at for vacation. April is of course now pregnant, because that makes action movies more fun. Because if Fin doesn’t get down to Florida, clearly they won’t be able to survive on their own.

Thankfully, Fin runs into Nova (Cassie Scerbo) from the first film! She is with some dude, Lucas (Frankie Muniz), in a super armored RV, tracking where the storms will appear so they can fuck them up. Now he has a way to get down south.

Flashforward a bit, the only way they are going to stop the giant storm wall about to take out all of the East coast, involves going into space. That is how serious this film gets. And David Hasselhoff plays Fin’s father, an astronaut, which for some reason April also goes, regardless of her pregnancy.

There is also Blair Fowler, Jack Griffo, and Chris Jericho with notable smaller roles. And like, one fucking scene with Mark McGrath, the best part of the second movie.

Frankie Muniz should have been my McGrath in this movie. But he also was barely in it. 🙁

I feel annoyed at SyFy channel. They are intentionally making half-assed bad movies to achieve some sort of cult status. They have made tons of these, and unfortunately, for whatever reason, the Sharknado franchise has reached cult status. Probably due to good PR, I am guessing. But the franchise is not in the so bad it is good category, it is literally just in the so bad it is bad area. I feel like they don’t put effort into their film, so why should I put effort into the review?

This movie is not good. It doesn’t have amusing parts. It just has a lot of cheap parts. Clearly low budget for the sake of laughs, but it is just more of the same. “But wait, this one goes into outer space and terrorizes multiple locations!” Yeah. It does. New doesn’t make it a positive.

The only remotely interesting aspect is the death of Munez. And it was too ridiculous and nonsensical. So at the same time, even that is a disappointment.

And fuck. They of course confirmed the fourth one. Which includes whether or not a character will die at the start of it from the “cliffhanger” ending. So the internet will of course kill them off. And when it comes out, a month or two later I will end up writing what I hope is an even more half-assed review to match their franchise effort.

0 out of 4.

Although the circumstances are quite rare, every once in awhile I review a made for TV movie. The last few I did include Mr. Hockey: The Gordie Howe Story and Liz & Dick. The former I did as an accident, as I actually thought it was a documentary going into it. The latter I did only because it stared Lindsay Lohan as Liz Taylor, which just sounded hilariously bad so I had to give it a gander.

I generally avoid them if possible, because one of the best insults I can give a poor quality movie is comparing it to a made for TV movie. Their budget is lower, they usually have a shorter production window, and the tend to feature overacting and bad editing. After all, if it is on TV, you can’t show or say a lot of things to keep the rating down. If you wanted to be even more insulting you would refer to something as worse than a Lifetime TV movie, often considered to be bottom of the barrel, along with Hallmark films.

So why am I knowingly reviewing A Deadly Adoption, a few days after airing for the first time on Lifetime?

Well, that is because they are adding all the bells and whistles for this movie! They are celebrating 20 years of Lifetime movies, of overly sappy movies about women getting hurt, by making a parody film of their own films. It takes a lot of gumption to see you are a laughing stock and decide to run with it.

Speaking of gumption: facial hair.

Life is wonderful for the Benson clan. Robert (Will Ferrell) is a successful author and kicking butt, Sarah (Kristen Wiig) is pregnant and going to start selling organic vegetables to other cool kids, and their daughter Sully (Alyvia Alyn Lind) is well, a child. Everything is like a 1950’s white American suburb home, until Sarah falls off the dock and starts to drown in the water. Sure, her heroic husband saves her, but they lose something else in the process. The pregnancy is terminated. Oh noes!

Now, five years later, things are different. Robert still writes, but he is afraid of boats and leaving home. Sarah has her successful shop, but is sad that her husband won’t get over it. And Sully is older, but still a little girl and who cares. But they decide they should adopt a child, that might help everything! After a lot of searching, they find Bridget (Jessica Lowndes), who is pregnant and looking for a kind family to take in her child. However, she is living in a shelter and doesn’t have a lot of money. So they decide to bring her in until the baby comes out letting her stay in the guest room.

Everyone is happy! Unless. Of course. Bridget is not the nice girl she appears to be.

Also with some dudes, Jake Weary and Bryan Safi. They are not pregnant nor are they adopting.

Now where they pregnant and adopting, which is a rare but probably real category of people.

If there is anything the last 15 years of terrible movies have taught us, it is that the parody film is a hard movie to get right. It is very easy to make a movie full of references to popular culture while none of it is remotely funny. You know those films, so I won’t talk about them. But then there are very good unique parodies that are also celebrating the genre they are mimicking, so you can tell there is real heart behind the content.

A Deadly Adoption ends up being a mix of both. No, it is not full of pop culture references, thankfully. But it also doesn’t go to the extremes necessary to drive its point home. It is definitely aware of itself, and things are over acted with scenes overly dramatic. But it still lacks a huge amount of humor, despite its attempts. Outside of the intro and the last ten minutes, most of the film dragged on. Because it is a parody, it can be hard to differentiate between what is bad and what is supposed to be bad, to be funny. For the most part, the jokes just didn’t land.

Again, I will note the beginning and ending were fantastic though. They just didn’t know how to make the middle live up to its ends. The film would have been funnier if it was more outwardly aware of itself, instead of giving for all intents and purposes, an actual lifetime movie.

2 out of 4.

“This sounds like a porno.”

That is what the man at the video rental store told me. I agreed. Didn’t even think of that somehow.

I think this is the fifth film I have reviewed that begins with “Para.”

Strangely enough, I didn’t really love any of the first four either. Science tells me that trend will continue with Paranormal Whacktivity.

Yep, we got another damn spoof here.

This is a spoof on Paranormal Activity. One of many, yes, this is just another one.

But this couple is having problems being intimate. And that is mostly because of the demon haunting the house pleasuring the wife, Kasey (Sasha Formoso) at night. The guy, Michael (William Patrick Riley) is a dumb ass, video taping every thing, wanting to make a movie.

It then spends a lot of time trying to spoof other things. Like Ghostbusters, Avatar and there is a line by line remake of a scene from Superbad, just randomly thrown into the middle. The fuck? None of these are even like, modern horrors. Many of these are years late. Was this made in 2009 and considered fresh but hidden for a few years?

I will spoil this. They trick the demon into falling in love with another chick after a big house party, and he leaves them alone. That is also because our main girl has decided to stay with her husband, awww. How sweet.

They look like they are still joking around, even when they scream.

The demon is of course a midget. Because why not.

This was meant to be a comedy. A sexy comedy. But definitely a comedy. Unfortunately they forgot the laughs. They also made the mistake a lot of movies do. Just because a plot point is about sex (or lack thereof), it does not make it sexy. Having a bunch of random attractive doesn’t make it sexy on its own. Heck, this movie I think barely even earns its R rating. I guess it was given to the movie for like, two topless scenes? But it is a pretty weak R besides that.

Parody movies can be done well, and this is an example of one that was done really really badly.

If I could erase this movie from my mind, I would. I’d watch a movie that isn’t even cleverly titled called Paranormal Parody.

Heck, I’d almost rather watch 30 Nights Of Paranormal Activity with the Devil Inside the Girl with the Dragon Tattoo than this again. Okay, not that desperate. I don’t think I could even touch that movie without forever becoming jaded and insecure.

Back to Paranormal Whacktivity. Don’t watch it. Shit’s bad. It maybe could have been good. But it is bad. Hell, the woman on the cover isn’t even in the movie. Fuck all of that.

0 out of 4.

Machete started out as a fake trailer in front of the Grindhouse movies, Death Proof and Planet Terror. Robert Rodriguez decided that the fake trailer needed to be made into a real movie and Machete was born! A movie that was made on purpose to be bad, it had plenty of potential, but to me just felt boring. I wasn’t impressed.

I basically forgot about the franchise until they announced both a sequel and a third film coming down the pipelines. The sequel, Machete Kills just hit theaters, but the third film really caught my eye thanks to its title of  Machete Kills Again…In Space. With a name like that, this franchise can’t be that bad!

Yeah, it looks like he is about to kill it here.

After the death of his partner (Jessica Alba), Machete (Danny Trejo) finds himself at the wrong end of the law, blamed again for a murder he did not commit. To get out of the jam, the President of the United States (Charlie Sheen / Carlos Estivez) has asked him to go on a suicide mission into Mexico. His mission? To stop revolutionary/mad man Mendez (Academy Award Nominated Demian Bichir) from sending a nuke straight to Washington DC.

Sure, a simple enough mission, but there are a lot of factors that stand in his way. Million dollar bounties, crazed heart monitors, multiple personality disorders, priests seeking redemption, a hitman called El Camaleon, brothels, space scientists that know the future, a madam with a grudge, former friends, and clones stand between him and his goal.

There are so many celebrities, trying to list them all would be insane, but I will do it anyways. Telling you their role in the film almost seems like a disservice, and plus, you probably wouldn’t believe me. The movie includes Mel Gibson, Amber Heard, Michelle Rodriguez, Sofia Vergara, Lady Gaga, Antonio Banderas, Walton Goggins, Cuba Gooding Jr., Alexa Vega, and Vanessa Hudgens!

One of the best “jokes” in this movie is having Alexa Vega in close to nothing. Since he worked with her on Spy Kids 12 years ago.

As I mentioned before, Machete was trying to make a good/entertaining “bad movie,” in honor of all the poor quality B-movies of the 70s/80s. It is pretty hard film type to make correctly, the last one I really enjoyed being Black Dynamite. The first film had a lot of appropriate jokes for genre, but the overall plot and tone bored the crap out of me.

Machete Kills corrects these mistakes and more. First off, it was actually entertaining. Over the top action from start to finish and nonsensical plot lines that will cause you to stare at the screen in confusion. Normally that would sound terrible, unless terrible was the goal, in which case it sounds great! Machete Kills put a lot more detail into purposefully editing the film in a sloppy way to increase its humor potential. The film has a rampant disrespect for obeying the natural laws of our reality: where a broken car can drift 500 miles in mere hours, and where several days can pass in only 20 minutes.

Most of the jokes are smaller references or in the background, outside of the absurd characters themselves. Despite how outrageous everything is, the characters themselves for the most part are incredibly serious. After all, their lives are on the line. The movie sports a lot of death and violence, which is all packaged in creative ways.

Machete Kills improved a lot from the first film, but I think it still has a lot of untapped potential that it just hasn’t reached yet. Assuming the third film actually gets made, it might finally cross into the “So Bad, It’s Amazing!” territory that the series is striving for. As for now, it is not a must watch, but more of a watch eventually (maybe) type of movie.

2 out of 4.

The FP was the third movie added to my Apocalypse Week, after the This Is The End and Rapture-Palooza. Before I describe it, you will want to know how I found out existed.

The main character from this movie, JTRO, was actually in This Is The End, as a cannibal near the end. Same costume, random as fuck cameo that most people won’t get from this vague vague movie. Yep.

But here is how I was introduced to the movie, through the IMDB description.

In a post apocalyptic future, two rival gangs fight for control of Frazier Park by playing “Beat Beat Revelation”, a deadly version of Dance, Dance, Revolution(TM).

“What? Don’t be a playa’ hata’, we just want to dance!” Right now you are probably thinking “Nope. No Way. No way at all. This is fake.” Too bad. This is 100% real and happening. And also a parody. Need more proof. Look below.

No words needed. Yep, they are dancing alright. But what makes it deadly? Nothing. From what I could tell. I thought the loser would get killed or something, but no, they just dance for street cred.

Well, when the two gangs are fighting, BTRO (Brandon Barrera, who looks a lot like Josh Radnor in that first picture.) is going against the other teams leader L Dubba E (Lee Valmassey). Unfortunately, during an extremely challenging song, BTRO finds himself losing and eventually dies.

How? I dunno. Heart attack or something. But his younger brother, JTRO (Jason Trost) is completely miserable after this battle, so he swears off the gang and runs off on his own, never to dance again. OH NO!

Well, years later, Frazier Park is in ruin. The other gang has won and it sucks. After a series of big speeches from KCDC (Art Hsu), he comes back to the fray, earns some more street cred, and challenges L Dubba E for the title again.

Also he has an eyepatch. For some reason. I feel like I should mention more names of people in this movie. Like Stacy. Okay. That isn’t weird. How bout Beat Box Busta Bill, Sugga Nigga, and Stacy’s Dad. Damn that last one is weird.

Either way, this movie is completely ridiculous, as expected. But it wasn’t ridiculous enough. It is clearly a parody, everything is over the top, the dialogue is ridiculous, it cannot be meant to be taken seriously, so I won’t.

But seriously, where is my deadly DDR game? They only danced a few times in this game, and it all looked tame as shit. I wanted more extreme.

Maybe that was the parody part. Making me wish it was better? Either way, I can’t give it an amazing review. Just because the movie was a lot tamer than I would have hoped.

2 out of 4.

Dy-na-mite! Dy-na-mite!

Theme music, everyone wants some, but no one has any. Unless that someone is Black Dynamite. Originally recommended from my brother, I think I was given an illegal copy of this movie to watch. Shocking I know. But I never watched it. But when I was at a store later and saw it for only $7.50, I figured I’d just grab it and watch that version, easing my conscious. Hopefully yours are now eased as well.

If anything this film taught me the term “blaxploitation”.

Black Dy-na-mite! (Michael Jai White) is a bad ass motherfucker, who kicks ass, takes name, and takes the women as well. He is a former Vietnam veteran, and CIA agent, but left because e was too amazing. But when his brother Jimmy gets killed through mysterious means, e gets back into the game to find out the culprit. He is re-recruited into the CIA by O’Leary (Kevin Chapman) so he doesn’t go on an unsupervised rampage.

Eventually Black Dynamite is able to team up with some local gang leaders to “take back the streets”. Once they realize local orphans are hooked on heroin, he vows to clean up the drugs and anyone who pushes them. Part of his posse includes Cream Corn (Tommy Davidson) and Bull Horn (Byron Minns). Not to mention other characters who help briefly, such as Osiris (Obba Babatunde) and Tasty Freeze (Arsenio Hall).

During his mission and investigation, he also runs into Gloria (Salli Richardson-Whitfield), a political activist who wants to make the city better, get good politicians, and get the kids off of drugs. The classiest woman he has ever met, basically.

But who is supplying the heroin to the kids on the streets? Why is The Man being so secretive about Jimmy’s death? Just where is Kung Fu Island? How does Anaconda Malt Liquor make you “Ooooh!”?

These guys are “Meaner than two fat motherfuckers wrestling over pork chops and greens, can you dig it?”

So what makes this movie good? The answer is pretty much everything. Spoofs are a hard genre to pull off, because preferably behind it all is a level of intelligence or wit, and not just the characters being spoofed doing fart jokes or just slapstick. This movie parodies a lot of quick movies from the 70s and 80s, with a powerful black character, bad acting, bad editing, over styled color schemes, and super hip lingo. A Shaft-like movie, if you care.

The filmmakers pay incredible amounts of attention to detail, at the elements that make it seem like they weren’t paying attention. Everything is intentional in the movie, and its awesome. From badly edited scenes (a fight scene that is redone but shows both takes, obvious differences in a characters face during a dialogue from cutting back and forth), to the cheesy dialogue, to the fight scenes and ridiculous plot, to the most ridiculous Jeff Goldbloom-esque word association game to find out the clue.

Michael Jai White obviously kicks a lot of ass, which is a general theme of movies he helps direct/write. The movie was successful enough to spawn a cartoon of the same name, which I haven’t seen yet, but can’t wait to watch. You don’t have to be a fan of the genre of films to enjoy this movie, I can’t say I’ve seen any of them myself. But still, this is a great film to watch with others and enjoy the finer things of life in the 70s.

4 out of 4.