Tag: Mortal Engines

Worst Films of 2018

Blah blah blah, worst movies! boo bad movies!

So you know the drill, here are some honorable mentions. Honorable what?

(dis)HONORABLE MENTIONS:

Some of the worst movies of the year that did not make the list include the animated films Peter Rabbit and Sherlock Gnomes. Another documentary that did not make the list was Deadly Deception, Exposing The Dangers Of Vaccine, which only didn’t make it because under 100 people even saw it probably. Also films like The Nun and A-X-L as I haven’t even felt like writing them yet, as they are bad, but not bottom 15 bad.


15) Samson

How bad is Samson? Well, first off, it is the regular amount of bad. That is important to note. Second off, after seeing it, I wanted to make a whole theme week of Christian related films that I had missed. But that felt like torture, and I only ended up having 2 of the 5 films ready.

Then, I forgot to review it. I probably won’t. Let this stand as a review. This is a long film, made to look darker with filters for gritty realism or something, but it is one of the most boring films to try and get through. It is basically torture, similar to the torture that goes through the main character, except this torture is real.

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14) Slenderman

A rushed film, with a lot edited out, and surprise, it makes the list! Trying to make horror films out of extremely modern things, memes, games, whatever always tends to turn out poorly. But why did this one turn out more poorly? It has no real scares and is just a mess.

Because of Joey King. If she is in a movie, that movie is going to be terrible. That has to be the rule at this point. Another of her recent horror films, Wish Upon, also made my worst of the year list. Coincidence? Or Joey King?

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13) Show Dogs

Ah yes, a film with controversy. I saw the trailer for this film a long time ago, months before coming out as part of a market research group, and talked about how much shit this movie would be. And guess what, it was shit.

Grooming kids for sexual abuse aside, even the edited version doesn’t change a whole lot from the movie. We got all the fart jokes, all the poop jokes, all the things that make this seem like a 90’s TV movie and nothing else.

Every part of this film is bad, it has no redeeming qualities, and somehow ended up being the worst movie about dogs this year.

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12) The Darkest Minds

Oh no, Amanda Stenberg, what are you doing? This is a film that came out in August, like a strange wannabe X-men, with terrible plot twists and a ridiculous explanation for…most things. And just a few months later, she came out as the lead in The Hate U Give, which made my best of the year list, and relatively high up.

Such a year of extremes for her. But for this movie, acting wasn’t the problem, just everything about the plot and ending and whatever we want to call between those things.

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11) Fifty Shades Freed

Oh for goodness sake. It is finally over, done with, kaput! Donezo! Outta here!

The trilogy is done, and it ended out how the first few began. Poorly, without plot, with bad acting, and gratuitousness amounts of cuts in montages about boats.

What’s the next terrible franchise to fill this hole? I can only cry and stay up late at night wondering. Of course, they could always make spinoffs or more, probably takes about an hour to throw up one of these scripts.

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10) The Nutcracker And the Four Realms

Ah good, with the final 10, I can include Disney films and feel like a badass.

I honestly can’t imagine how this film even made it out. It must have cost a bundle to make, with the effects, costumes, some high named actors. There are probably some ballet rights it had to afford too. They probably needed to release it assuming it would take a hit at the beginning, but get some nice streaming/tv rights in the future around Christmas time from TBS or something.

This is a film that is hard to follow, because it has a shit plot, and it should really feel bad about its effort.

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9) Teen Titans Go! To The Movies

This movie is legitamately the only one I was mostly shocked to make it on the list. If you showed me posters/trailers whatever for the rest of these, I would have nodded my head “Yeah, I can see that sucking,” and not be shocked.

But a modern animated movie, made by a big studio, about a tv show? Worst of the year? You betcha.

This movie is basically the worst parts of the internet. This is the memes of movies, going for some ultra-meta thing, which really comes off as annoying, over, and over, and over again. Constantly reminding me you aren’t that original, with some fart jokes, is in no way a movie I will ever want to see again.

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8) Blumhouse’s Truth or Dare

I believe this movie was one of the first 0 out of 4’s of the year for 2018. Besides having the unnecessary title, it does a lot wrong with its horror concept. Changing the rules randomly in the movie? That’s lazy. Not explaining why some people can have their turn skipped and it still messes with other people? That’s bad writing.

This film wanted to be the next Final Destination, but the scenarios are so stupid, and it is extremely hard for us to really care about the truths, it just is. They might make people mad, but certainly the viewers too, mad at the screen.

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7) The Kissing Booth

Oh what’s this? A Netflix original film? That’s like picking on the runts of the litter, right? Like the kid with crutches who decided to play dodgeball.

But this film is important to bash and important to bring up. It has terrible relationship goals and highlights them in a positive life. Shit, that man is abusive in training, preventing others from talking to her, solving everything with violence.

Oh, wait, what’s that? The lead is…Joey King?! Twice in one year? Damn, in 2019 are you going for the Turkey?

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6) The Misandrists

How the hell am I going to write about The Misandrists? How the hell did I already write about The Misandrists?

I rarely try to put titles up here that most people would have never heard about, but holy shit, this film is something else. I tried to go in with an open mind, I tried to see it as some cool feminist message. But this is a strange movie, that I could recommend to only one person and that is it.

I mean, the idea is original? That’s a plus?

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5) Hotel Transylvania 3

A lot of animated films have hit trilogy status lately, and most of them are terrible. Cars 3, Despicable Me 3, This one, maybe some more this year, who knows. And this one is really bad.

It didn’t have a good idea for a plot, and spent most of the time…well, being bad. It is just a vehicle for all these actors to act silly, and introduce nothing important to the franchise, and bog us down with the Macarena.

This is the worst animated movie of 2018.

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4) Mortal Engines

Possibly the most ambitious movie on this list, Mortal Engines had Peter Jackson involved! Okay, not really, but his name was attached a bit and some of his money!

Trying to be the next big teenage dystopian film franchise, this went for a story that could only be made by shredding up dollars at actors and CGI artists until something close to competent appeared on the film strip. And even though they shred a lot of money, what we got was still an ugly mess and what should be one of the biggest horror stories when it comes to box office bombs this year.

Not every book needs a movie, nor can every book be a movie. This should have been left entirely on the cutting room floor.

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3) The 15:17 to Paris

Hey, you know what people like? Real stories! You know what else people like? Heroes!

So let’s make a real story about heroes! And since people like heroes, let’s let them play themselves! Save money on actors, get those true accounts, and it will feel authentic.

And that is how The 15:17 to Paris was made. And that is how in a movie that is about a scene that only takes a few minutes to happen, we get to see non-actors pretending they are traveling around Europe and seeing the sights for the first time. Most of this movie is them traveling and getting to the train. What kind of trash do they think we want to watch? Holy shit, just make a documentary, but this is not something that should be okay to produce.

The worst biography, drama, action film of the year.

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2) The Happytime Murders

Speaking of movies that should have never been made (most of this list), we have a movie that COULD have actually been good based on the initial idea, but the execution made it one of the worst. They said they wanted to make an adult movie with muppets. Apparently adult just means have some sex and violence, with a weak plot, and extremely weak jokes.

Adult movies could have had a comedy with some nuance. It could have had a wide variety of humor levels, it could have deal with real issues still. Instead, this adult movie was made for no one except the pre-teens who want to watch things like this to feel edgy. A very small fraction of the Deadpool fan club.

In any normal year, it would have been the worst film of the year, easy, hands down. Instead, it is just the worst comedy, and worst mystery. And worst use of muppets.

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1) Death of a Nation

Okay, okay, if using a Netflix movie was cheating, then this sort of film to end the list is most definitely cheating. If Dinesh D’Souza makes a documentary in a year (which at this point has been every other year), then of course, of course his documentary will probably be the worst thing put together in that year. I think generally he has made this list, and usually near the top if not the top.

But just because something always happens, doesn’t mean that it shouldn’t happen again if it deserves it. There is a joke about Tom Brady in there somewhere.

The documentary is trash, lies, and worst of all, it is repetitive from his previous work. It isn’t even full of new lies, its the same boring old ones and stories that don’t matter in the slightest.

Get this trash out of our universe.

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Thanks for reading! If you disagree with part of this list, let me know. If there is something I missed, let me know (but I probably saw it and reviewed it on this very site!

And as always, I accept hate mail via the post office, email, or tweets.

Mortal Engines

Peter Jackson‘s name is super attached to the project Mortal Engines, despite it not seeming like a project up his ally.

Okay, it is based on a book, and he has done quite a few movies based on books or other sources.

But it also looked like a CGI hellscape of a movie. Practical effects were Jackson’s bread and butter in the early 2000’s, outside of some monkey business. Sure, he Hobbited it that aspect up in the future, but there was some attempts to not make it one big green screen, right? Right?

Well, needless to say, this movie isn’t actually Peter Jackson’s baby. He isn’t the director. He is one producer and one writer of the screenplay. He is just a big name and probably involved himself very little in the project. Whew. That was a close one. Can’t have too many duds in a row, or else no one cares about your past.

Spyglass
This is our main character trying to find Robert De Niro‘s dignity for similar reasons.

Mortal Engines takes place some 200-300 years in the future. Instead of sleek future design, we had to go a bit dystopian, and a bit steam punk. Of course some resource concerns exist, and apparently that lead to bigger and badder weapons, which wiped out a lot of technology. Now that is a thing of the past. And instead of resorting back to a feudal farming society, they realized that having a farm is lame, and they needed to be more nomadic. And when you are a nomad but the Earth is too big to wander, you just gotta take your whole house with you. And city.

And uhh, we have cities with giant wheels now, moving across the landscape, in search of places to temporarily settle, to get more resources and then, move, or whatever. And the bigger the city, the more resources they need, so they can’t just like, sit still and gather up enough to move. So instead, they invest in bigger stronger wheels and straight up try to “Eat” smaller community city/town/buildings. They can convert the people into new workers and citizens, and tear up the building material to burn into fuel.

Okay, so this is terribly inefficient. These predator cities can’t possibly survive like this unless they are munching up settlements all of the time. And these settlements are sparse. There are some settlements that don’t move, but they are behind a large wall in a pass, separating let’s say Europe and Asia, with big boom makers, so they can’t get close. Or can they…

Anyways, most of this plot is world building, because that is really the most important aspect, trying to figure out what the hell is going on.

In terms of plot, we have Hester Shaw (Hera Hilmar) trying to kill famed London Energy Guru Thaddeus Valentine (Hugo Weaving). Why? Revenge. Sweet. Sexy. Revenge.

Also starring Colin Salmon, Jihae, Leila George, Patrick Malahide, Robert Sheehan, Ronan Raftery, and Stephen Lang.

Terminator
“Excuse me, did you forget to drop me off in the 1960’s on your way to the future?”

Absolute garbage. That is a nice way of putting Mortal Engines. A CGI slugfest of nonsense.

Mortal Engines is what happens when you take all of the good to excellent parts of the last decade of teenage dystopian films, then throw them out the window, filling the gaps with terrible B- or C-movie plot, bad acting lines, no worries about making sense, and even more terrible plot lines. It is like the creators of Sharknado saw a book, bought its rights, and then realized Sharknado might be actually more plausible so didn’t try to make sure this movie made sense. It is what happens when you live in a green life, with a green house, green car, green girlfriend too, and then it is totally a good idea to have probably no real sets at all in your movie. It is what happens when you assume to be a success, you just need some ridiculous premise and it will make people thing you are edgy, fun, and new.

I can’t talk enough about how much of a dread this movie ended up being. At over two hours in length, it certainly had a never ending feeling and my mind certainly believed it was three hours plus. It had the nerve to both feel not fully fleshed out/rushed, and yet too long. At no point can people derive an emotional connection with these characters, as so much of the plot needs to be told in needlessly polished flashbacks from our main character. Thousands of people die in this movie, and there is barely ever a thought about them. Characters only show up at the perfect time because of poor writing, without any chance of appearing natural.

Mortal Engines has no redeeming qualities, and when you try to analyze aspects of the plot or story, it will either break apart or just completely get even more confusing. I assume this is a series, and more books/movies will maybe clear some things up. Unfortunately, that doesn’t work well with a standalone movie (Which had no sign of a sequel set up either).

And what in the flying fuck is up with the Shrike robot? I barely understand how they even exist, and just have to accept their near god level power. And it mostly implies it is a bad guy, despite clearly doing a good thing, until the very end when we are supposed to suddenly flip our switches and feel sad? The graphics and voice behind him were also, seemingly, left behind somewhere.

I spent most of the time with this movie trying to fight off sleep, and writing down lines that were delivered extra terrible/cheesy. That, and counting down the minutes until I could get out of the theater and try to put this movie behind me.

0 out of 4.