Tag: Tony Shalhoub

Ooooh, this franchise though. I hate Cars. And I hate Cars 2 more. They are bad movies. Seriously. They are just cash grabs, they have bad morals, they are just complete shit.

And they are worse because they have led us to having Planes and Planes: Fire & Rescue, which incredibly end up being worse than the Cars movies.

So, I definitely have been not looking forward to Cars 3. A franchise that won’t go away, because their toys keep making them money. This movie on its own could be amazing. It could answer some needed questions and be decent on its own right. But nothing it could do could redeem the monstrosity that are those previous four films.

And here is a picture of two cars racing.

Cars racing go go go! Lightning McQueen (Owen Wilson) is still doing that racing thing, still kicking butt, winning most of the time, or at least the top 3 with some of his friends, life is easy and everyone else is a bitch in comparison. But then, there is a rookie in the race, he comes from behind and wins. His name is Jackson Storm (Armie Hammer). Why does he not pass everyone until the last possible moment? Why does no one notice a car with an extremely sleek new design? No idea, but he wins.

And then he keeps winning. Then the race cars start getting replaced by the newer models, because they are faster and better. You know, things that make sense. Lightning finds himself finishing the season in a giant crash and he goes back home to find himself. Can he get back into the grove, being the only “old” race car to join the series once again and prove himself? Maybe.

That would be the point of the movie though, I guess.

Returning for vocals in very limited roles include Larry the Cable Guy, Tony Shalhoub, Bonnie Hunt, John Ratzenberger, and Paul Newman (yes).

But also, you know, new characters. Sterling (Nathan Fillion), the new owner of Lightning’s main sponsor, Cruz Ramirez (Cristela Alonzo), Lightning’s new trainer to get him in shape for the new season, and Smokey (Chris Cooper), the vehicle that trained Doc, along with Lea DeLaria, Kerry Washington, Margo Martindale, and Bob Peterson.

And here is a picture of two cars racing.

Buckle up, buckaroos, because I don’t want to spend too much time talking about why Cars 3 is terrible, but in all likelihood, that is all I will get done.

One of the biggest problems of the Cars universe still glaringly exists for the third time. Where do these cars come from? Are they built in a factory? Is there car sex and car babies born? We know they can be worked on and improved, but only at some point. Given that Smokey’s mentor is still alive, cars also don’t seem to really know how to die outside of Doc, so it is sort of bizarre.

These questions matter because (gasp), newer better racing cars, based off of better designs, meant to go fast and handle corners better, now exist! Why? How? Are some car executives somewhere creating new life forms and taking over, and this is an issue? In Cars 2 the problem was Lemon cars, cars that were basically disabled characters, now it is new cars with a lot of bells and whistles. How dare they come into the world and excel at the one thing they were created to do.

Let me say it again. Our bad guys are new race cars, who are doing really good at racing cars, who were made and designed to race cars and only do that well. They are doing better than Lightning McQueen who, GUESS WHAT, was also designed and built to race cars really good, just decades before then. When Lightning McQueen joined the scene, was he made into a villain for taking out older models from the race world?

No, he was not. So why is it now an issue, when Lightning McQueen helped do the same exact shit in his youth? Because we have seen him in movies we are supposed to halt the natural evolution of a sport (that is designed by a magical car creator or other cars or something), so that he can do what? WIN BASICALLY EVERY TIME! There are 20-30 racers in these race, and these other poor cars apparently never win ever, and we don’t feel bad for them. We are just supposed to feel bad that Lightning is no longer the top of the line. It is not fair for just him, while everyone else just accepts it.

And here is a picture of two cars racing.

Okay, I had to do a whole section to explain why just the even plot and premise for this film is shit. So now let me talk about other issues.

There isn’t really anything in the way of suspense by the end. How it goes is pretty expected, assuming you are paying at least a little bit of attention. However, they decide to let the dumb thing happen by having one of those in film “rule book arguments” when it turns out that what they want to do isn’t against the rules. Usually this is fine, because it is alluded to somewhat earlier in the movie and at least can make sense. But given it is a fictional universe with whatever willy nilly rules, it comes off surprising. It SHOULD be against the rules, it just isn’t because it is convenient to the plot. And this happens twice within the same final race. Not because it is sensical, but because lazy writing.

Thankfully they learned something from Cars 2 and gave us way less Tow Mater, but it is crazy how much of the original characters are just bit parts. I wouldn’t have assumed that Sally is still Lightning’s love interest in this film if he didn’t just once call out that he loved her. They barely interacted and honestly I don’t see Lightning as still being faithful.

Poor Paul Newman died in 2008, and his voice is still being used in this series. Unused audio from the first film existed so they patched it together for some voice stuff in this film, and it just feels downright gross to do that.

Cars 3 is easily the worst Pixar film since Cars 2. Cars 3 does NOT make Cars 2 look like Cars, because Cars 2 is still the worst, beyond worst, Pixar movie by a long shot. And that is technically a positive.

2017 continues to be a below average year for animated films, but Pixar is on a downward slide. Finding Dory wasn’t good, and the The Good Dinosaur was meh. That is three stinkers in a row. They are banking on Coco doing great in November, but it probably will just feel too similar to The Book of Life at this point, so I have no idea what will save them. They are banking on sequels to beloved franchises for the next films after Coco. We just have two sequels though, and will get two more? They need to stop whatever the fuck they are doing, rethink their whole operation, and start getting original quick if they are going to save their standards.

To start things off, I am not sure what this movie is actually called. I am decently sure at the time of this review being written, it was called The Assignment. Which yes, sounds like a sexy college film.

But before it was called Re-Assigment. And it might be changing to Tomboy, it is really hard to tell.

All of the titles make sense once you find out just what this movie is about though, and all of them seem to be various levels of offensive.

The beard is a lie.

Meet Frank Kitchen (Michelle Rodriguez). A famed mercenary killer. Deadly, accurate, sly, and he has a manly beard. He is so manly, we get to see him have sex with a woman Johnnie (Caitlin Gerard)! And she gives him her number for future sexy time, because he is a great lover. Oh we also get to see his penis after he showers. He is not a grower, he is all there always ready. What a dick!

Apparently Frank has made the wrong enemy though. While doing a job for Honest John (Anthony LaPaglia), a gangster, the tables are turn, Frank is captured. And when Frank wakes up, his beard is gone. And his dick. Oh hey, he has breasts and a vagina!

What in darnation!

Turns out Frank killed a guy, and his sister, Dr. Rachel Kay (Sigourney Weaver), a pissed off plastic surgeon, is…well, pissed off. And she does a gender reassignment surgery when Frank gets knocked out. A really great one, can’t see any scars, just perfect female body. And she provides hormones and everything, considering it an experiment.

Well, Frank wants revenge. He just has to deal with his hooters and presumably a now ticking biological clock. Or something. Also featuring Tony Shalhoub, as a psychiatrist, evaluating Kay after the fact.

Frank has to tape those bad boys down, how else could he function?

Wow. Where to begin. Um.

Well, there is a lot of nudity in his film. I cackled early on because of an unnecessary shower scene, generally reserved for females in a movie, but at this point, Rodriguez is a dude. And to flash us his chest and penis, just to show how much of a man he was. After the transition, we had Rodriguez nude a lot, of course in the early confusion, but in several scenes taping her body down to help prepare for a kill. And no, it isn’t even her naked, but a body double for those scenes.

Genitalia aside, the film is told from two narrators. Are doctor, in a straight jacket, talking to a psychiatrist about the events, and a video diary from Kitchen as a woman. So we know immediately that Kitchen will be successful. This is where the how is supposed to be a mystery, but it isn’t. It isn’t like a giant magic trick. It is just someone going and killing a ton of people, no surprises there. Although, she does use her sexuality in ONE scene, to distract a guard. That definitely happened.

Acting is bad, plot is bad, action is bad.

Now, is this movie offensive? Fuck if I know. I am not qualified to answer that question really. On the surface, it definitely sounds offensive. But at he same time, it does show a male-to-female character kicking ass and being consistently the coolest person in the room. And on the other hand, it was a magical forced transition that makes everything seem like a fairy tale.

Yeah, it is probably offensive. But really, I am just offended by how bad it was.

Two years, Michael Bay released Teenage Mutant Ninja Turtles as a nickelodeon presents film, after 4 or 5 years of delay. And now, just two years later, we have a sequel!

Damn it, in my last one, I mentioned how forgettable the movie was. That means I also wanted to forget about it. But how can I forget about a movie if they go and make a sequel?

This time it is called Teenage Mutant Ninja Turtles: Out Of The Shadows. Or, TMNT: OOTS for short. Hmmm. Oots. That kind of, if you stretch it a little bit, sounds like OOZE. And ni the previous set of Turtle films, the sequel was called Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Is that a coincidence?

Based on that screen grab, then HELL NO IT ISN’T!

Set a year after the first film, our turtles are now heroes! Just kidding. Leonardo (Pete Ploszek), Michelangelo (Noel Fisher), Raphael (Alan Ritchson), and Donatello (Jeremy Howard) are still hiding in the shadows with Splinter (Peter Donald Badalamenti II, Tony Shalhoub, yes two people), training and existing.

They let Vernon Fenwick (Will Arnett) take all the glory, and people love him for it. But now…now The Shredder (Brian Tee) is about to break out of prison! In fact, his break out involves teleporting, portals, and a whole lot of foot soldiers. And of course, Baxter Stockman (Tyler Perry), smart scientist who wants to do evil to be famous.

And now they have Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly). And the turtles get Casey Jones (Stephen Amell). Basically a nice fair trade. OH AND KRANG (Brad Garrett) is here to tip the balance for the bad guys!

Eh, yeah, I guess Megan Fox returns as April O’Neal, Brittany Ishibashi is female Shredder assistant ninja, and Laura Linney is a police chief or something. It kind of fluctuates.

AW SHIT, KRANG HYPE FOR REAL.

While writing the plot outline, I couldn’t help but feel that this movie was just more of the same, with like, four more characters. And if it is more of the same, then it is still not too good, and making it crowded could add to the problems.

Like, for instance, Shredder not having any cool fight scenes whatsoever in this movie. And Splinter is in the film, but has maybe six lines and maybe a minute of screen time. Krang is only brought in for two scenes, his introduction early on (that goes too hectic and fast, like it was made for people with short attention spans), and then near the end. The ending scene was actually a bit more entertaining and longer, which is a plus.

But that brings us to all of the fight scenes. Basically every fight scene feels blurry and it requires you to fill in the blanks with what is going on. None of the fights are clear, every single one uses this lazy tactic. The first scenes of the movie involve the turtles running around buildings in NYC at night, and it set the bar for low quality action scenes. Hell, the final fight is actually in daylight, but it is still basically ruined with the CGI.

Yes, I both think Krang was cool in this film, while also disappointed in his big fight. The fight looked fun and creative, but again, they just blurred the whole thing together.

Bebop and Rocksteady were okay. They had more personality than the Secret of the Ooze versions and arguably took up all the screen time from Shredder/Splinter. Fox’s character wasn’t interesting, Casey Jones was only in the hockey mask once (early on, not even for the finale), Arnett was still annoying. Linney’s character was really badly done, but probably didn’t have a lot to work on with the scrip.

And honestly, this is the type of film where you might find yourself scratching your head, confused as to why the characters do certain actions. It seems like the dumb or extra complicated route is always chosen. Leonardo was acted far too strongly in the Asshole category, but the other turtles personalities felt right. Oh, and Perry as Baxter is one of the brighter spots as well. Go figure.

I can’t wait to be disappointed by another of these films in 2-3 years.

I have been waiting years to review this movie. Years! Because as you probably already know, Teenage Mutant Ninja Turtles has been in production hell for years.

It all goes to the time before time, 2010, when Nickelodeon had the rights for TMNT and announced that a Michael Bay company would be in charge, with Bay as a producer. This scared a lot of people.

But nothing was to prepare the fans for March 2012. That is when it was presented that the movie would actually be called just Ninja Turtles and was setting out to change at least half of their origin story. One major point was of course making them Aliens from some Turtle planet. Shredder was also a government agent / alien that could grow blades from his body and a lot of the turtle personality traits were switched around and changed, seemingly unnecessarily.

Fans raged, internet was set on fire, former voice actors wrote nasty letters to Bay and needless to say, production was slowed and delayed. The release of this movie was kept getting pushed back, and that’s why it took almost six years after securing the rights for this movie to be released for the public.

A movie, for all intents and purposes, that should have been pretty easy to churn out.

Just like it should have been pretty easy to act out fainting, one would think.

Thankfully, the story takes place in modern NYC. There is a small gang war happening, where The Foot Clan is running amuck in the town, stealing shit, taking prisoners, being assholes. Basically a giant terrorist organization in NYC and for whatever reason just the local police force is doing something about it.

That and four mutated turtles in their teenage phase who have been trained as ninjas, that is. Leonardo (Pete Ploszek), the leader and Katana user, Donatello (Jeremy Howard), the smart one and Bo Staff wielder, Michelangelo (Noel Fisher), the joker/lover with the Dual Nunchaku, and of course Raphael (Alan Ritchson), the lone wolf and bad-ass with the Sai.

They are attempting to stop the Foot Clan in secret, after being trained by their Sensei Splinter (Danny Woodburn), an Adult Mutant Ninja Rat. And they would have been kept in secret too if it wasn’t for that troubling news reporter April O’Neal (Megan Fox) and her desire to get out of fluff news reporting. She discovers them and gets caught up much deeper into the war than she had wanted, especially since she knows no one will believe her. Not her boss (Whoopi Goldberg) or her camera man (Will Arnett, definitely not playing Casey Jones).

Also featuring non-science science, with a lab company lead by Eric Sachs (William Fichtner) who has a hand in the turtle creation without realizing it. Also featuring Johnny Knoxville and Tony Shalhoub as the voices of Leonardo and Splinter. What? Yes. For whatever reason, those two characters had different voice actors than the people playing them for real. Kind of odd.

Speaking of odd, The Shredder. I have no fucking clue who played him or who voiced him, if they are two different people. The internet seems to be void of that information despite being the big bad villain and all, and in the movie quite a fucking bit.

This face was made by Donatello when he couldn’t find out who was playing Shredder. Not knowing things hurts.

Again, thank goodness the internet rose up and demanded a better film. The turtles themselves are pretty loyal to the source material. Each turtle has his established personality traits and they all shine through nicely. As a team, they also seem to work really well together. Their chemistry was good and one of the better parts in the movie.

In fact, there are quite a few amusing/funny scenes scattered throughout. One “rap” scene in particular was well done (and no, not the Ninja Rap redone or whatever, that is just some bullshit credits thing). I also enjoyed a lot a mini-monologue by Raphael near the end. In terms of fight scenes, the most fleshed out fight scene is the going down the snow mountain one, which has a lot going on. All the fights before that are too dark and shadowy or feature too many quick changes. The final fight scene, with one cool moment, kind of just felt like how I play Soul Calibur. Since no one will get that joke, I ring out people like crazy.

Shredder was mostly in his ridiculous armor and never really showed off his actual skills, so that was annoying. I am mixed on whether or not I liked Splinter. Definitely unique.

A lot of fans are going to find the changes to the origin annoying, I predict. I am fine with the change, even though I like the original because then they can reference Dare Devil more. But it is fine.

Oh yeah. Fox? Not terrible, not great. Disappointed in Arnett’s role. He has a look for a guy that could be Casey Jones if he had longer hair, he just…is annoying in this one. I more or less hate how they look. Going for realism kind of make them just look gross. See the Donatello picture above.

Passable, okay, and maybe eventually forgettable.

I am not going to harp about how Michael Bay is the worst guy since whatever. Yes, he did the Transformer movies, and fucking Pearl Harbor, and he is about to kill the Ninja Turtles, but he has some decent stuff. Like. Independence Day. I love Independence Day!

I am just saying, there is no reason for me to assume Pain & Gain will be bad. The trailer just makes it look…weird. And apparently a true story. Okay, yeah. Sure.

So far, Michael Bay is clearly experimenting with different light refraction techniques. He is growing!

1995. Miami, Florida. Danny Lugo (Mark Wahlberg) is the current main manager at Sun Gym, after serving a short sentence in prison for fraud. He promised his boss (Rob Corddry) that he would triple the membership and get the gym back on the map, and boy did he ever. Through some questionable means, but who cares when you got dat income.

He is great friends with Adrian Doorbal (Anthony Mackie), another former criminal and bodybuilder. But they are both poor and tired of it. Tired of a bunch of assholes, like Victor Kershaw (Tony Shalhoub) who are self made rich men, and think everyone else is a piece of shit. After all, Danny is a doer, not a donter (lessons he learned from Johnny Wu (Ken Jeong)).

Doers do, and so Danny had the simple plan. Kidnap Victor, torture him until he signs away everything and ruins his life completely, then kill him and live the life of luxury. Just need a third man. Like Paul Doyle (Dwayne Johnson). Paul just got out of prison, was a cokehead from NYC, but found Jesus and wants to turn his life around…but he also needs cash.

Simple plan, nothing can go wrong if they have enough can do attitude, muscles/fitness, and positive thinking! Yeahhh… Ed Harris plays a private investigator, and Bar Paly a stripper turned confidant.

Step 1: Identify self to kidnappers. Step 2: ???? Step 3: Profit

Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck. It is not cursing if you take 10 seconds to say it.

Hot damn, this film was awesome. And amazing! And abstract. Abstract? Yes. Totally. I wasn’t just looking for more A words.

Seriously, this film was definitely something special. Who thought Bay had it in him? I was laughing and cringing, often in secession. There is just so much ENERGY in this movie, I’d find it impossible to lost focus at all.

Dwayne Fucking Johnson, I don’t even know you anymore. He acted the fuck out of this film, and was 100% the best part. Not saying Mark Wahlberg wasn’t amazing (because fuck, he was!), he just had to compete with The Rock! The two of them were out of their minds the entire time filming this, and made their characters their bitches. That is the only way to describe it. Literally. No one else has tried. If they did, they used those words.

Just. Aggh! The true story itself is a fascinating one, which is also not as funny as the movie took it out to be. Check it out here, but be warned it is a long read (so…its like reading the book version?). I am not saying the movie made light of the events in the film, because very serious shit went down and they talked about a lot of it. Just still had a more comedic tone overall, while also splashing your face off with shock juice.