Tag: Whiplash

Best of the Decade – Part 3 (30-21)

30) The Favourite 2018

Why? While not my favorite movie of the decade, this is my favorite of Yorgos Lanthimos, whom was doing really good in the last few years of the decade. A women centric cast, that is a bit absurd, while having some historical truth, it led to a lot of comedic gold moments that could only happen with a great script and great actresses to carry it all out.

Also, the camera work in this film was atypical, and a bit inspiring.

Favorite moment? Don’t look at me.

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29) Spider-Man: Into the Spider-Verse 2018

Why? This is my “half” sequel on the list. Technically standalone, but also one of the realities is totally the Sam Raimi Spider-Man films, so it takes place after them. Spider-Verse is on this list as my third (and not yet highest) rated animated film because of how blown away I was with the art style.

It offered something unlike any other animated film of that year or recent years, keeping it still feeling like a comic movie, and with stunning fight scenes and humor throughout.

Favorite moment? Alright, let’s start at the beginning.

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28) Sing Street 2016

Why? This is a film I expected almost nothing out of, and should have realized it was something special. The third music centered film by John Carney feels very personal and ends up being more than a strange pre-teen romance film.

It also deals with a strong relationship with brothers and how those older can pave the way for their siblings, taking on more burdens that the younger ones would never realize. And hey, the music is fun too.

Favorite moment? Basically every scene with Jack Reynor.

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27) 12 Years A Slave 2013

Why? 2013 called, it wants its number one movie back. 12 Years A Slave is a hard movie to get through. Torture, near death, and obviously enslavement does not equate to a movie you want to see over and over. Hell, I knew it would take me awhile to rewatch it after I saw it in theaters, and only rewatched it for this list finally, never really getting in that mood again.

Well acted, a terrifying real story, but one that is something I will rarely ever see again in my life.

Favorite moment? Favorite is a bad word here, but the “hanging” scene is the most powerful and shocking.

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26) Hereditary 2018

Why? I do believe Toni Collette was robbed for he performance in this film, and not given anywhere close to enough credit as she deserved. I knew she was a great actress, and this film really cemented it in my mind. A demented film overall, one that builds the fears inside of you overtime and masterfully at that.

Very few “jump” scares but instead an overall sense of dread and wondering how could things get worse or scarier. This is my favorite horror film of the decade. 

Favorite moment? Dinner time.

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25) Whiplash 2014

Why? I don’t know if I need a long paragraph for this one? J. K. Fucking Simmons. There. That’s why.

Favorite moment? Tempo changes.

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24) Kubo and the Two Strings 2016

Why? Kubo is an animated film that tried to give me something I hadn’t seen before. Laika has been pushing the boundaries of their stop-motion films a lot over this decade, and I don’t think anything came out as fresh and stunning as Kubo. Combining characters both big and small, we got a fresh lead with an interesting story, and hell, some scary villains to boot.

It still felt like a good film for the family, despite its darker elements. Honestly, the only thing I hated were the names of the sidekicks. This is my favorite animated film of the decade. 

Favorite moment? The magic origami.

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23) Birdman or (The Unexpected Virtue of Ignorance) 2014

Why? Another top film of its year that is getting surpassed by others, I will still attest that Birdman is a wonderful film, start to finish, really no faults. I love everything about it, from the meta casting choices, to the long takes and monologues, to the play within a play. The catchy drum beat that wraps up most of the film keeps it moving and on the edge.

It is a great movie and will be celebrated for a long time.

Favorite moment? Edward Norton.

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22) Gone Girl 2014

Why? Gone Girl is a thriller where the twist is revealed much earlier on than most thrillers. Hell, the twist turns it into almost a completely different movie, and makes it go places that would be very hard to predict. Affleck is wonderful as the distant husband, but Pike really gives a haunting performance, which elevated far past anything I’ve seen her do before. Mostly TV shows, notably.

Because the twist is so early on, it is still a movie worth watching over and over.

Favorite moment? What happened to Amy.

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21) Mad Max: Fury Road 2015

Why? Ah! Many people picked this their top of that year and top of the decade, and I will admit, this is an over the top film unlike almost anything else. The stunt work, the practical effects, the gruesome moments. It is definitely a story that doesn’t hold a lot of equals. And I can acknowledge all of it, and still want more from the actors and plot.

This is the only other sequel on the whole list, which is interesting as this one works very well as a standalone and just uses 1 character.

Favorite moment? The race back.

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Click here for Part 1 (50-41)!
Click here for Part 2 (40-31)!
Click here for Part 4 (20-11)!
Click here for Part 5 (10-1)!

Whiplash

Whiplash snuck into theaters way back in October was a limited release and I obviously didn’t get to see it. It left theaters quickly, and I was left on the internet cold and sad. You see, people kept talkin’ ’bout Whiplash. About how good the acting was. What a surprise. How cool it was.

And I was all like “But, but, but, but…I don’t know anything about this movie! :(“. And then they laughed at me of course.

But now I am back, having seen Whiplash, before I compile any sort of top of the year list for myself. It feels good to watch things before awards season. It must be similar to how people feel reading a book before it was even announced that a movie version was going to come out. Pretty intense, I do say.

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You can tell you are being intense if you have your mouth open.

Andrew (Miles Teller) is a drummer. He likes to drum, he is in a great music school for bands, and he thinks he is decent. But he is his biggest fan, and who cares what his opinion is.

You see, there is an elite jazz group at his school, led by the legendary Terence Fletcher (J.K. Simmons). Everyone is crisp, always finely tuned, always with the right tempo, and always winning awards.

Andrew wants to be apart of that band, but Fletcher is mysterious and only has surprise auditions in the middle of other classes. And somehow, Andrew is able to win himself a spot.

Fletcher seems nice to him at first, but it turns out he is kind of a hard ass. He yells, he screams, he demands perfection and he can tell who is the best after only a couple of seconds of play. He wants to develop the next great star by forcing people to move out of their comfort zones and become an elite player. He also likes to mind fuck people, which I am sure is very helpful.

(Zany announcer voice) It looks like Andrew should have been careful what he wished for!

Also with Paul Reiser as his dad, Melissa Benoist as his girlfriend (and yes, she was on Glee), and Nate Lang/Austin Stowell as other drummers.

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The closed mouth next to the open mouth amplifies the intensity levels.

Intensity is the key word of the review, because getting whiplash is an intense injury. Not as intense as a broken bone or falling off a cliff or anything, but it exists. The film is called whiplash for the feeling and the jazz song which is one of the main two pieces their group ends up playing.

And it is also the only way to describe J.K. Simmons’ character. I could listen to him yelling at teenagers every day of my life. His voice is why he became J. Jonah Jameson and is why this role was made for him.

In fact, I am pretty sure this movie exists entirely to get him an award, because he was a huge asshat and acted his hatass off.

Whiplash on its own is also a very entertaining film. A lot of energy is put into what most people would assume is just a drummer in a jazz band, but the quest for greatness has its costs. Hell, even the cinematography was great. The ending is basically a giant ball of emotion wrapped that is looking to escape, and then does, and hey credits.

Nothing I just said makes any sense. So I should just use the word intense again.

4 out of 4.