Tag: JK Simmons

When Palm Springs hit Hulu, I will admit, I hadn’t heard of it. I knew nothing going into it either, outside of a few key members of the cast.

I’d like to say that the cast was enough to get me to watch it, but that isn’t true. I literally only watched it because I heard good tidings from others about the story and the acting behind it.

This looked like a very skippable movie. Some sort of Rom Com? Let’s just say that I think going in totally blind is definitely a worthwhile endeavor for this one. I do describe what the movie is about and why it is unique in the plot description below, so feel free to ignore that if you’d rather just run in. This is a good time to just check my rating and decide on those merits alone!

Trust? In swim trunks like these? 

Nyles (Andy Samberg) is at a wedding in Palm Springs, California. His life is aloof, he seems weird, he is wearing non fancy clothes to the wedding His girlfriend (Meredith Hagner) is freaking out about his strange behavior, but he doesn’t care. Nyles has his eyes on on Sarah (Cristin Milioti), the maid of honor. And before he can seal the deal, he gets shot with an arrow by Roy (J.K. Simmons) and that is pretty damn annoying.

After the arrow incident, Nyles crawls towards a mysterious glowing cave with Sarah following, despite his best attempt to get her to leave, and then the next morning, Nyles wakes up to relive the day over again. But this time, so does Sarah.

You see, Nyles has been living this time loop of this wedding he barely cares about for a very, very, long time. Every death, every sleep, no matter what, he goes back to waking up the same bed with his same girlfriend. But now, Sarah is stuck in the loop with him (and so is Roy, which is why he is pissed at Nyles). Well, now at least there are two of them to try and figure out how to get out. Two people who can make the day feel less meaningless. And maybe they can figure out a way out eventually.

Also starring Jena Friedman, Jacqueline Obradors, Dale Dickey, Tongayi Chirisa, June Squibb, Chris Pang, Tyler Hoechlin, Camila Mendes, and Peter Gallagher.

It took them 400 days of shooting to get the beer spray lined up so perfectly. 

So given the genre and type of film it is, why is this one worth the 4 out of 4?

Well, despite it being a famous type of a movie with a really famous and cherished example of the plot line in movie history, it isn’t that overdone yet. I bet you can’t think of more than five examples of that plot line being used (although there are more than five, but not too much more). People just feel it had peaked early. Well, by having two characters go through this plot, it allows a lot more room for growth and potential, because we have more people who are in on the secret.

It is a brilliant idea, and one that I am surprised (as far as I know) not been done before. It lets us get to know our leads as co-stars and not just one person surrounded by the supporting actors. Samberg is his usual self, but maybe a bit more darker with his tone, because he has been at this for awhile and has practically given up. Milioti was a delight, and watching her journey at the beginning all the way through the end, as a strong independent person, to get things fixed, was great. And it featured a cameo from a professor at Rice University who I know, so that was cool too.

Palm Springs is a unique concept on an old plot, and a refreshing take on it all. Add in two fantastic leads and a great moment from Simmons, this is a top tier film for 2020 (given how awkward this year is) and one that should be experienced.

4 out of 4.

Animated films can take a long time to make. It takes years to get all of the CGI right, and pretty. It does not take a lot of time to record dialogue, or figure out the plot (Unless you are The Good Dinosaur). But all the technical work making sure every frame is wonderful and all the characters are as you had hoped. Years and hundreds of people at work.

Technically it only takes years if you care about the final product. That is why we had Planes and Planes: Fire & Rescue less than a year apart. The animators didn’t care.

There was a five year gap between Kung Fu Panda 2 and Kung Fu Panda 3. And you know that is not because the voice actors were too busy for lines. Kung Fu Panda 2 in 2011 was the prettiest film of all the CGI movies. Prettier than Rango and Puss In Boots. If they wanted to not just recipricate the second movie but surpass it, you can bet your ass it would take them years of work.

I am rambling. All I am trying to say is I expect this film to shit rainbows and make my eyes bleed in wonder. A sweet villain would also be delightful.

Creepy and promising! Me likey.

As we know from the end of 2, there is a secret panda village somewhere and Po (Jack Black) doesn’t know about it. He won’t care about it until a mysterious panda, Li (Bryan Cranston) shows up to the valley. He is looking for his lost son. Could it be?! Yes, yes it could be.

Great news! Now Po can show his dad all the cool dragon warrior stuff, and make his Foster Dad, Mr. Ping (James Hong) feel incredibly sad and jealous. Also Master Shifu (Dustin Hoffman) plans on retiring so he can focus on himself and find his Chi to do even better Kung Fu, leaving Po in charge of training the five (Angelina Jolie, Seth Rogen, Lucy Liu, David Cross, Jackie Chan). But he can’t teach.

Even worse? Well, Kai (J.K. Simmons) has escaped from the Spirit Realm! Who? He used to be a friend of Master Oogway (Randall Duk Kim) 500 years ago, even saved his life! But he got jealous of Oogway when he was taught to harness Chi from the mystical Panda village and wanted the power for his own, so he had to be put down in a jealous fury. Well, he eventually figured out how to steal Chi in the spirit realm, defeating all former masters and now he is back to the real world to defeat any and all would be challengers.

Jeez. Now Po has to learn Chi to defeat Kai. But it took Oogway 30 years! And Shifu can’t! Time for Po to go to his homeland. To determine how he can be the most Panda he can be, to learn what he has been missing all his life. To really become the Dragon Warrior.

Also featuring Kate Hudson as a ribbon dancing Panda.

And of course this rhino panda bird metal hybrid warrior! Don’t forget about him!

This part of the review is actually really hard to write. How many times can I say how beautiful this movie is? I don’t want to look in a thesaurus but I believe everything I say about the CGI and art style will just sound repetitive. Gorgeous, detailed, beautiful, wonderful and wunderbar, eye orgasmic. The best part that this Kung Fu movie is animated is they can show amazing fight scenes and nothing gets lost to blur or shaky camera. We can see every punch and kick. Every fantastic movement. And it is awe inspiring. Just like the previous films, the entire thing isn’t just CGI, they have other art styles to show within back stories which give it more traditional feels.

Fuck its so pretty.

Okay. Sorry. I will stop.

Kung Fu Panda 3 is sadly not perfect. A lot of the early film is wasted. Part of the charm of sequels for action films like this is that we don’t have to waste our time with origin stories. But this film has us sit through Po being bad at teaching, then he is has to do the long Panda training. The Panda training in particular, discovering his family and friends, just takes so much time and makes me lose interest in Po. The twists that show up during the village are also quite obvious, so we don’t even get the benefit of a nice shock.

The villain is awesome, although we don’t get to see enough of him doing bad things. The spirit realm was awesome and allowed the film to add more magical components to the franchise. Making “Chi” the big new thing feels a bit strange. I think KFP2 added that he needed Inner Peace and the Chi concept just feels like the same thing again. I don’t want each film to be Po learning something bigger to defeat a new threat. That isn’t original. Although I don’t know if there will be any more films after this one, given the ending.

Oh well. Pretty franchise. Pretty good. Not perfect.

3 out of 4.

Whiplash snuck into theaters way back in October was a limited release and I obviously didn’t get to see it. It left theaters quickly, and I was left on the internet cold and sad. You see, people kept talkin’ ’bout Whiplash. About how good the acting was. What a surprise. How cool it was.

And I was all like “But, but, but, but…I don’t know anything about this movie! :(“. And then they laughed at me of course.

But now I am back, having seen Whiplash, before I compile any sort of top of the year list for myself. It feels good to watch things before awards season. It must be similar to how people feel reading a book before it was even announced that a movie version was going to come out. Pretty intense, I do say.

You can tell you are being intense if you have your mouth open.

Andrew (Miles Teller) is a drummer. He likes to drum, he is in a great music school for bands, and he thinks he is decent. But he is his biggest fan, and who cares what his opinion is.

You see, there is an elite jazz group at his school, led by the legendary Terence Fletcher (J.K. Simmons). Everyone is crisp, always finely tuned, always with the right tempo, and always winning awards.

Andrew wants to be apart of that band, but Fletcher is mysterious and only has surprise auditions in the middle of other classes. And somehow, Andrew is able to win himself a spot.

Fletcher seems nice to him at first, but it turns out he is kind of a hard ass. He yells, he screams, he demands perfection and he can tell who is the best after only a couple of seconds of play. He wants to develop the next great star by forcing people to move out of their comfort zones and become an elite player. He also likes to mind fuck people, which I am sure is very helpful.

(Zany announcer voice) It looks like Andrew should have been careful what he wished for!

Also with Paul Reiser as his dad, Melissa Benoist as his girlfriend (and yes, she was on Glee), and Nate Lang/Austin Stowell as other drummers.

The closed mouth next to the open mouth amplifies the intensity levels.

Intensity is the key word of the review, because getting whiplash is an intense injury. Not as intense as a broken bone or falling off a cliff or anything, but it exists. The film is called whiplash for the feeling and the jazz song which is one of the main two pieces their group ends up playing.

And it is also the only way to describe J.K. Simmons’ character. I could listen to him yelling at teenagers every day of my life. His voice is why he became J. Jonah Jameson and is why this role was made for him.

In fact, I am pretty sure this movie exists entirely to get him an award, because he was a huge asshat and acted his hatass off.

Whiplash on its own is also a very entertaining film. A lot of energy is put into what most people would assume is just a drummer in a jazz band, but the quest for greatness has its costs. Hell, even the cinematography was great. The ending is basically a giant ball of emotion wrapped that is looking to escape, and then does, and hey credits.

Nothing I just said makes any sense. So I should just use the word intense again.

4 out of 4.

Ruining child classics is one of Hollywood’s favorite past times.

But this is not one of those examples. Because Hollywood is not behind this movie, just some low budget independent company. That’s right. The Boxcar Children, a book made in the 1920s and repopularized in the 1940s, it then spawned 159 follow up books and specials. WHAT. More impressively, they are are still making more. Four of them came out this year and a few are scheduled for 2015 already.

Of course, that series after the first book decided to go completely boring and make it a strange good-natured mystery series.

But hey, I read The Boxcar Children in like, second grade. In fact, it is the first legit book I have read. It had zero pictures, something called chapters and I didn’t read like 8 of them in one reading session.

So bring on the kids who do good things and live in the woods.

And who are as happy at winning as that one spelling bee kid.

Four kids. All brothers and sisters. And no parents. Wandering around, sleeping in bakeries, paying for bread with money they presumably earned by helping old ladies cross the street.

We got Henry (Zachary Gordon) 14 and technically the leader because he is oldest. Next is Jessie (Joey King), 12 year old girl, who is the mom figure and thus the cook. She runs things when Henry is out earning change for a living. After that is Violet (Mackenzie Foy) who I have nothing of note to say outside of the color purple and she is kind of weak and useless. But not as weak and useless as Benny (Jadon Sand) who is six and has no redeeming qualities outside of being cared for by others.

They are wandering around because their mom died or something and they don’t want to go to their mean old grandparents home. So they literally ran away, walking from town to town, being runaways with a 6 year old kid.

They are afraid of getting put in orphanages so they run into the woods afraid of some baker couple. And hey look, a box car from a train on an abandoned track for some reason. K. So they live there.

And story. Also with voice talents from Martin Sheen, J.K. Simmons, D.B. Sweeney, and Audrey Wasilewski.

They literally have to drag that kid along it looks like.

And now, my analysis where I talk mostly about how creepy the movie looks.

Man, this animated film is super creepy. Not like, uncanny valley creepy, like it is so close to human just a slight step away. No, it is just creepy because the animation is really really bad. Like, worse than video game bad. Like worse than Hoodwinked Too!. Like beyond terrible. Like before PSX graphics bad. I just don’t get it. The Snow Queen was an independent movie from like Russia and they had better animation than this one.

Watching characters eat or grab things, but having that object floating next to their hand and not holding it. And the animation was especially bad with water. And unfortunately they seem to awkwardly interact with it throughout the movie.

Gah. The animation. Gah gah gah.

The story itself? Well, it follows the book pretty darn closely. That is good for your purists. But it also turns out that the book doesn’t have a whole lot going on for it. It is a pretty boring story. But if you liked and remembered the books, then you might enjoy this not completely shit animated film version of it. But I am disappointed in that a nice live action version is something I might enjoy more. Then it won’t feel so damn creepy.

2 out of 4.

Well, if no one else is going to say it, I will.

I thought the title was better when it was written out as jOBS. It made me laugh and it was cute. Sure, some saw it as disrespectful, but I thought it was funny. Steve Jobs had a sense of humor after all, and this movie isn’t even a full biography.

Now we have the title as Jobs, (Trailer) which is a terrible name for a movie if you try to Google it without any extra words.

Sony is doing their own Steve Jobs movie that is being written by Aaron Sorkin, based on his biography from 2011. It will come out within the next two years, it will probably include his death and it will have a more serious tone.

“Draw me like one of your French Girls…”

The iPod. You probably have one. It helped change the music scene forever. Our story begins with a press conference of its release in 2001, then takes us back a few decades to get a more complete story.

It takes us back to Steve Jobs (Ashton Kutcher) while he is already in college. I mean physically he is in a college, but he is a free spirit and not actively enrolled, despite being a pretty smart dude. After some design classes, we then see him working for Atari. He wants to be innovative, but everyone else just wants to keep the status quo. It turns out, he doesn’t work well with others, so he has to be put on his own projects.

But once his friend Steve Wozniak (Josh Gad) shows him an invention he is working on, his life changes. Woz has made a machine that will display text that you type on a “keyboard” when hooked up to your television. Mind blowing, I know. That way you can see what you are working on, as you work on it.

With an eventual investment from Mike Markkula (Dermot Mulroney), they soon turn their garage corporation start up into a very successful corporation, leading the personal computer craze with the Apple II launch!

They even become a publicly traded company! This becomes bad news when they end up in development hell with the Lisa computer (and eventually the Mac) spending tons of resources and time on a machine that Steve will not release until it is 100% perfect. This leads the board of directors (J.K. Simmons) to get a new CEO for the company, John Sculley (Matthew Modine), the man who invented the Pepsi Challenge.

Jobs tells the story of a man who had a vision, and had a hard time getting that vision to the public. Steve Jobs would walk over anyone to achieve his dreams too, even his friends, because he really isn’t a nice person. The movie basically takes us up to the release of the Mac computer in the late 90s, in their attempt to make it sexy again. and briefly talks about the release of the iPod.

The Woz was later made even more famous thanks to the show Code Monkeys.

Basically, what I learned from this movie is that Steve Jobs could be a real jerk. He ignores his friends who helped get the company off of its feet. He threatens to sue his competition. He refuses to let people who work with him who tend to differ in opinion. He even refuses to believe his daughter is actually his.

He was not a swell guy.

What I dislike most about the movie is how disjointed it all feels. It is not a complete story by a long shot, only focusing on a few major events. By skipping around every few years, we are left to catch up every time the movie skips to another important event.

The ending included an inspirational radio quote by Steve, but it came about pretty suddenly. It was odd that they didn’t even talk about the idea for the iPod, and only mentioned it in the first scene. If they had it in complete chronological order, they could have at least ended it with the iPod scene, which would have provided some sense of closure. Partial biography or not, as a movie, it should have a coherent plot and an ending.

Ashton Kutcher as Steve Jobs did give him a chance to actually act for once and I’d say he did a great job. But the rest of the acting was just okay and overall this didn’t feel like it did a good job of telling me a lot about Steve’s life outside of a few specific events. It didn’t try to find out why he was a jerk to his friends, or where he got his inspiration from. I hope the next movie they make on his life is a bit better, and gives a more complete story.

 

1 out of 4.

Oooh, a quirky movie. Reading the back of the cover, An Invisible Sign looks like it is supposed to be a made up woman version of A Beautiful Mind. I loved A Beautiful Mind, it made me cry, and the twist took me off guard.

Clearly this movie can only bring great things!

WARNING WARNING: QUIRKINESS OVERLOAD.

Mona Gray (Jessica Alba) loves numbers. She is 20 something though, and can’t find a job, because she is so dang weird. By weird, I just mean OCD, but no one else really notices that, they just see her being strange. When she was a kid (Bailee Madison), she had no friends, but had a math teacher (J.K. Simmons) who really got it. She didn’t know how to show her appreciation, and didn’t think he cared, so she egged his car. Typical kid stuff.

Well, he eventually quit and runs a hardware store. Not at all important to my current description.

Now she is a loser because she live with her parents even though she is right out of college. But hey, she can teach elementary school math maybe! I am sure the kids wont make fun of her either.

Alright, okay, this is nothing like A Beautiful Mind. Fine. For some reason a guy likes her (Chris Messina), while her mom (Sonia Braga) is overly stressed, because her father (John Shea) can’t function on his own anymore. There is still hope. One student, one little girl (Sophie Nyweide) might be the same sort of prodigy she was. Can she be the one who saves her life from the mundane?

Yep. Numbers everywhere. Nerd alert folks.

The ending of that description sucked, but I just needed it to stop. Typing out the plot of the movie made me sleepy, and I wanted to be sure it was finished before I got my nap on. Because woo, is this movie boring.

It has some heart to it sure. It has an interesting (ish) concept. But it decides to give it to you while smothering you with the softest pillow known to man.

In addition to that, the ending was completely bonkers. She was not qualified to be a teacher, so couldn’t even handle the one class level that seemed to pay attention to her. In fact, the ending is full of so many bad things, there is no way to like it even if you got past the bore.

Almost also feels like a strange version of Matilda, but from the teachers point of view, and no awesome magic. Or evil people. Or Danny DeVito.

1 out of 4

Dark Skies might have one of the worst trailers I have ever seen, this year and every year. Besides giving away far too much, it looks like a parody of itself. We have a kid who talks funny doing a growl about a sandman, some events that are set up to show potential child abuse, and the “oh face”. Oh my goodness that oh face. Not to mention the look of shock that follows the “oh face.” It has to be a joke, right?

I mean…right?

He has to be faking this whole thing. Come on guys. Right? Come on! Lacy (Keri Russell) and Daniel (Josh Hamilton) are a married couple on the top of the world! Or the opposite of that. Daniel lost his job (that darn economy and all!), and Lacy isn’t doing that great as a real estate agent. The bills are piling up, and now someone keeps breaking into their house and messing up their kitchen. For example, they are stacking all their boxes in elaborate shapes and taking all the pictures from their frames. Alright, I guess that is kind of weird.

If you saw the trailer, how many children do you think they have? I know I just thought it was one, but there is an older son as well! Jesse (Dakota Goyo) is the kid you just found out about, and Sam (Kadan Rockett) is the little brother growling in the trailer. They, too, are experiencing weird things. Strange dreams/drawlings, having street lights go out on them, or even seizures. This all can’t just be a coincidence!

No coincidience, just aliens fucking with them. That definitely explains it better. Heck, they even found a paranormal expert (J.K. Simmons) who knows all about these aliens, who confirms their suspicions. They found him on the internet too, so he must be legitimate.  But can the family still escape this long abduction/testing plan, or is it too late for any of them?

“Watch out bitch! It’s right behind you! Turn around!” – Me in the theaterWell, the initial thought I had after the fact is that the trailer is a bad representation of the movie. Every single ridiculous scene is way better in the actual movie, meaning the trailer just spliced them badly. For shame trailer, for shame.

Dark Skies takes its time to set up the events, perhaps a bit too slow. The beginning of the movie dragged on at a crawl, and I wanted to leave because of that. The youngest kid actor was bad as well, but I guess because he is a kid that is okay?

Despite this, the film did eventually get better. The aliens showed up on actual camera a lot earlier in the film than I would have guessed. The ending is what really sold the film. Instead of the horror feel, it turned into a last stand type situation as the family prepped for the aliens to come and get their abducting on. The last 10 minutes involved scenes that can only be described as some sort of acid trip, and hey, they were a bit scary as well!

Overall the “horror” of the movie was really light, mostly some jump scares and kids doing weird things. Nothing to write home about. The actual last 30 seconds of the film are a bit disappointing, but I do think overall Dark Skies has something to offer to the film watcher, especially if you look at is as a thriller. You just have to wade through a lot of crap to get there.

2 out of 4.

From what I heard, The Words was in production for awhile. Not a pet project by Bradley Cooper, but something he believed in and fought for with the directors to get made and produced. One of those maybe artsy things.

I think that is what happened. Don’t even feel like looking it up. I am just gonna be spreading facts as if they are true. Boo yah.

Hey look, love. Maybe. Or just walking. People can walk right?

The story begins with famous author Clay Hammond (Dennis Quaid) doing some section reading from his new book The Words. People love him, and so does some grad student chick Daniella (Olivia Wilde). Yeah, but that’s enough about that. We get to watch his story!

In which we have another writer, Rory Jansen (Cooper) who is struggling. He has good words, but not the best story for a first time author to get his name out into the world. So it sucks to suck. Sucks also for his dad (J.K. Simmons) who is tired of loaning him money, and his wife Dora (Zoe Saldana) who knows her husband can write good words, just can’t get a book deal.

So they decide to do what every NYC couple who is struggling to survive does. Take a honeymoon to Paris. Fuck the police! They even visit some Ernest Hemingway shop, for inspiration. Turns out Paris has some weird gift shops, without logos or names on them, just things. So Dora spends some of their barely any money on a satchel for her husband. Later, in America, Rory finds a compartment in it with a story! The most beautiful story he has ever read. Everything he felt about his own life displayed in words, and it was magnificent. He couldn’t stop thinking about the words. So he eventually killed his family.

Okay that is a lie. But he does type up the story just to have the feeling of what it is like to write those words. But his wife reads it, cries and stuff, and it is amazing. He can’t even tell her they aren’t his words! But he runs with it, and hey look, everyone loves him as a writer.

Except for an old man (Jeremy Irons). Who tells his own story about a young man (Ben Barnes) and his French lover (Nora Arnezeder) after World War 2. Who wrote a story and lost it. And how he is that man. In case you got lost, that would make that a story, in a story, in a story.

Then you know, potential backlash from this knowledge. But not really. Obviously Rory knew the story wasn’t his, just kind of got swept in it all. But now that he knows the real story, what will happen? But that is a book, so who cares, what about the author and grad student huh?
.

Fucking layers man. Stories and shit.

Did you follow all of that? Well good. Because that is like, 4/5 of the story. Yep.

Technically we don’t even get to see the amazing story everyone talks about. Unless it is just the old guys life as is, and not based on it. But whatever.

This movie is slow, and tries to build up to this big reveal, but you know what? Everything that happens is obvious real quickly in the movie. But they take an incredible slow time to go through it. The old guy telling his story after the War takes forever, and isn’t until the second half either. Yet he tells it as if it isn’t obviously a younger version of himself, for some reason.

Arggh. It was frustrating. Everything kind of felt pretentious. The acting wasn’t really bad, it just also didn’t matter. Get this pointless story out of my movie.

0 out of 4.

Two things I assumed from the tv ads for Contraband when I first saw them in January.

One: With Mark Wahlberg, how does this look like anything but The Italian Job 2?

Two: With a name like Contraband, why does it only remind me of something like Armored?

What’s that? I haven’t reviewed Armored yet? Then never mind. But still. The trailers made it look like some heist movie, similar to point 1. More so just a smuggling movie, and very little stealing going on.

That is real counterfeit money right there.

Mark Wahlberg doesn’t do crime anymore guys. He is clean. But…when his relative gets in some shit with a local thug, he has to do another run. Smuggling is a dangerous situation. If the US Customs office checks the items you have to dump it and usually the sides are okay. But this crazy asshole, Giovanni Ribisi, doesn’t play games like that. He wants the money or the cocaine within two weeks or else his family will pay. Marky Mark doesn’t like that when he is married to Kate Beckinsale, so he agrees to go get the money.

But first, he leaves his friend and former illegal trafficker buddy Ben Foster, to watch over his wife and family.

So he has to get a crew back together, and get on a ship to Panama, captained by germaphobe J.K. Simmons. They mess up some stuff to get themselves time, to try and transport counterfeit money. But thanks to a lack of trust at home and other shit going down, they also have to help another heist happen and possibly take on cocaine and some other merchandise too. But if the customs gets involved again, can they risk dumping the cargo a second time while their loved ones are at home alone?

Never trust a thug who also looks like a rapist.

Ben Fosters character may not be as buddy buddy as you had assumed. But I doubt you assumed that. Look at him. LOOK AT HIM. He is never a straight shooting guy. Not even in X-Men The Last Stand.

I overall found it decently entertaining. About halfway through it I thought I was almost done with the movie though, didn’t expect to have “That much more” “plot” left to it. Mostly a lot of deception. Normally bad people get killed, but in this movies case, they all pretty much get arrested in separate ways.

I don’t like how unrealistic certain things were, such as Kate’s character. She got hit in the head so damn often, and its like nothing phased her. Must have a plate there. I definitely thought certain characters should have been dead, but “somehow” they weren’t and just unconscious or some bullshit.

I will give props to Giovanni Ribisi. Normally thugs are all tough guy, smack you around. But he is small and weaselly, and gave a different element to his fear mongering. I enjoyed that part the most.

2 out of 4.

Jennifer’s Body is listed in the Comedy section at Blockbuster. I think that statement is enough to show how the general public perceives this “supposed to be horror but also kinda not ish” movie.

But this movie is brought to us by the same girl who wrote Juno! It must be good! But if the same level of writing was used in both movies, it is clear what made Juno work was the actors and actresses involved, not the script.

Both movies cater to a different fetish group though.

In Jennifer’s Body, we have two friends, Megan Fox as Jennifer, and Amanda Seyfried as ‘Needy’. Dumb nick name, probably alludes to something. They used to be best friends, from the “sandboxes” of yore, and in high school, they still get along great. You know, despite the huge slutty cheerleader-ness of Jennifer, and the dorky whatever-ness of Needy. Needy has a steady boyfriend though, in Johnny Simmons, and is taking it slow.

But they go to the only bar in town to see some indie band play a gig, named Low Shoulder, with the frontman being played by Adam Brody. I have been told he was trying to imitate the lead singer of The Killers with his performance, but I really couldn’t say! Anyways, a FIRE happens, and a person dies in it at the bar! Next thing Needy knows, Jennifer has disappeared with the band, and has no idea whats going on. Then later she appears at her door, all being creepy and covered in blood!

Egads!

Then some people die in the school, namely boys. Who is doing it? Well, Jennifer is. Because she is some demon now, and only Needy seems to realize it. It is like the girl she used to know, is no longer there, but what has remained is Jennifer’s…body. Oh yeah, if you want to see both JK Simmons in his ugliest and worst role ever, this would be a great thing to pick up.

In a movie that has gore, death, Megan Fox acting, this is still the grossest thing.

So, somehow, according to the writer, this is a movie about women empowerment. But I get absolutely nothing like that. All I see is a movie trying to use T&A to sell tickets/dvds, with a pretty dumb and badly acted plot. Oddly enough, one of the reasons Megan Fox didn’t like working in Transformers is because she thought she was being exploited for her looks. Huh. Then she did this movie? Glad you have your priorities straight.

I need Amanda Seyfried to get out of these dumb teen movies right away. She was funny in Mean Girls, and was one of the stars in Mamma Mia!, but then she did this and Red Riding Hood? Stop it right now Amanda.

I have also heard this referred to as “Twilight for Boys” in the good way. What?? That would be assuming that guys only care about “hot” looking womens in their movies, nothing more. Clearly this is just offensive to guys (which may be pro women empowerment? Who knows.

1 out of 4.