Tag: Jeff Daniels

The official name for this film is not Allegiant, but The Divergent Series: Allegiant – Part 1, and that is down right terrible for a few reasons.

One, the first movie was called Divergent, not The Divergent Series: Divergent. You knew there would be more movies, you shouldn’t try to change the series names after you have already started.

Two, I didn’t name my review for the second one The Divergent Series: Insurgent, I just did Insurgent like a sane person.

And three, of course they took the third book of a trilogy and split it up. It will make them more money, regardless of how much it hurt the product (see Mockingjay Part 1 and Part 2). But they have absolutely no reason to throw “Part 1” at the end of the title. You know why? Well, the title of the fourth movie isn’t even The Divergent Series: Allegiant – Part 2. It is The Divergent Series: Ascendant. There is no Allegiant – Part 2 officially, even though the fourth and final film is the second half of the Allegiant book.

What a fucking clusterfuck of a titled series.

Thankfully we have teenagers with attitude to save us.

At the end of the first film, I thought out gang was leaving the walled city of Chicago behind, to advance the plot. I was wrong, they just went to the woods outside of Chicago. At the end of the second film, I thought everyone was leaving the walled city of Chicago behind, unified and scared, to advance the plot. I was wrong there too apparently.

Right away, Evelyn (Naomi Watts) now in control, decides it is best for the gates to be sealed and everyone be locked in. Security is ramped up and there to be trials for everyone on the losing side. Mentally at this point, I was about to throw my pen at the screen and walk out. If they don’t ever leave Chicago I will freak out.

Thankfully, I guess, our small crew of characters still wants to break out and see the world. Tris (Shailene Woodley), Four (Theo James), Peter (Miles Teller), Christina (Zoë Kravitz), Caleb (Ansel Elgort), and Tori (Maggie Q). This makes them traitors, so Evelyn has Edgar (Jonny Weston, our wannabe Jai Courtney) to hunt them down.

So what’s on the other side? Well, a lot of desolation. Some war shit happened. Nukes and all. But they are found by the Bureau of Genetic Welfare, a scary sounding company for sure, who let’s them know that Chicago was an experiment and more secrets about the world. I will let them stay secret. It is led by the director (Jeff Daniels), who is happy for Tris being Divergent, because it means their experiment worked!

Tris is now a hero who will save the world, and maybe save the impending war in Chicago. The remaining crew are working surveillance and security for the BGW while she has all the fun.

Returning actors include Octavia Spencer and Daniel Dae Kim. New people are played by Nadia Hilker, Andy Bean, and Bill Skarsgård.

The future is so weird and full of fucking CGI.

I have a lot of problems with this film and I have to get specific to let you know some of the things that really irked me. So there will be spoilers, arrr. But here is what it has to boil down to: the writers. No, I don’t mean Veronica Roth, the writer of the book. I don’t plan on ever reading them, but I have heard the final book is terrible. So maybe the studio agreed, because they hired three people to write the screen play, Bill Collage, Adam Cooper, and Noah Oppenheim. The first two co-wrote The Transporter Refueled (sigh, with Luc Besson) and Exodus: Gods and Kings among other things, and Oppenheim was one of three people on The Maze Runner.

They do not have the best credentials behind them, but more importantly, none of them worked on the previous two films. So not only did they apparently stray away from the source material of the books, but they collectively just went off the rails with no regard for continuity, characters, or sensibility. This movie is, dare I say, stupid. A childish word not meant for a serious movie review like this one, but the only one that really fits. Scenes are loosely connected by the plot, but with people who seem to not remember the past in any way shape or form.

All of my best actions seem to be about Four and when he gets to the Bureau so let’s just use him. He is put on security, told it will take him a long time to get used to the new future tech before he can go on missions. He figures it all instantly, of course, he was a fantastic fighter dude. He wants to go on the next mission, is told no, but like in a “No, wait don’t do it, no” apathetic way. Literally no one tries to stop him doing anything. Getting on the space ship, interacting with the natives, seeing what they really do with the natives. There was no resistance at any way, as the writers didn’t even know what they were doing.

While on the mission, he is yelled at by a commander who thinks he shouldn’t be here because he is too new and should stay out of trouble. You know who is sitting two seats away from him? Fucking. Christina. Also from Chicago. No way as good of a fighter as Four. But apparently she also did everything in the short amount of time (despite barely acknowledging her once they arrive), can also go on missions, and is given no shit. Hell, she even gets to interact with the natives and let Four know what is up, in front of everyone, and no one still cares. It was terrible to watch as the film was full of these tiny -> big inconsistencies.

But hey, at least the camouflage makes sense for this film!

This happens to be the type of film where 90% of the problems would be solved if the main characters would just actually talk to each other. Of course, lazy writing prevents this, turning it into a lame RomCom, without the Com and very weak Rom.

And really what really boils my corn is the ending. Look back at my description of how the first two films ended. This one ends with everyone ready to leave the walled city of Chicago behind, unified and scared. What makes me so upset about this ending is that it is almost exactly the same ending as the second film. Sure, things happen in this film, but outside of some knowledge gained, every single relevant person is in the exact same position they were a movie ago, totally going to do the things they promised to do this movie. Shit. This film series is like a horrible time warp, making me relive the leave Chicago plot over and over without ever really getting to do so.

I fully expect the final film to begin with everyone collectively breaking their legs, so that they all have to stay in Chicago for the whole film. That is the level of quality of writing I have come to expect from this franchise and next summer cannot come soon enough so that it can finally be over.

Few people are lucky enough to have a film be made on their life. For the most part, they have to wait til they are both dead and a decade or so after they kick the bucket. Obviously, some people wait hundreds of years, because they are old famous people and movies weren’t a thing in the 1600s.

Steve Jobs is a luckier than most men (outside of the being dead from Cancer thing). He had two movies about his life in the last two years! And he only died four years ago! Not only does he have Jobs and now Steve Jobs, he also had quite a few documentaries.

It is clear that Steve was a living legend who had tons of stories about him. It is true that he was a flawed character with a lot of issues, problems, and broken friendships. But he also did a lot of good things, so this makes him an interesting character for people to want to see.

Now, this movie was delayed for awhile. Blame Ashton Kutcher. But at a time, this was supposed to be directed by David Fincher and starring Christian Bale. The script was always Aaron Sorkin I believe.

I believe that Seth Rogen can play a character who doesn’t get high at all. I believe it so much.

1984. 1988. 1998. These 3 years were some of the most pivotal in Steve Jobs’ (Michael Fassbender) life. There were tons of big moments before and after of course. Before that he helped build a computer with Steve Wozniak (Seth Rogen) and helped create Apple into a powerhouse corporation. There was the failed computer the Lisa. After 1998 he introduce the iPod and the iPhone, crazy popular Apple products in our current era.

But in 1984 he was about to introduce the Macintosh computer, after the best Super Bowl Ad ever. Sure he came to the team late, but he is a visionary damn it. In 1988 he was going to release the NEXT computer, a perfect cube, away from Apple due to the falling out after the Macintosh. And in 1998, his triumphant return to Apple, about to release the iMac computer. He wanted to make the products sexy again. That may have been a line from Jobs, whoops.

Each setting of the film, each roughly the same length in time, takes place the the minutes before his press conference, with all the drama and tension of his life coming together to fuck with him. That includes Chrisann Brennan (Katherine Waterston), a former lover who always needs more money from him, to take care of the daughter he originally doesn’t claim to be his. It also involves an Apple CEO, John Sculley (Jeff Daniels). There is Andy Hertzfeld (Michael Stuhlbarg), one of the better computer engineers, and Avie Tevanian (Adam Shapiro) a different engineer. His ever faithful assistant/planner Joanna Hoffman (Kate Winslet), a tech reporter (John Ortiz), and of course his daughter, Lisa (Makenzie Moss, Ripley Sobo, Perla Haney-Jardine).

I didn’t remention Wozniak, but he is totally hanging around each time too. But I kept the above vague so you could hear the major players but not the many of their plot lines. Because I care and I am not an asshole CEO, like some people.

“How big is my metaphorical penis you ask?”

I am a big fan of Sorkin’s writing. The dialogue between characters is often quick and forces me to stay on my toes. Several times in the film, standing on my toes didn’t seem to be good enough. The conversations at point were so rapid fire that I practically had to dance to avoid the bullets from striking my legs, like a western stereotype. I think that metaphor works, if not, re-read it and think harder. The best way to describe some of these scenes would be an intense action fight, with words as bullets. I rarely feel that tense during a drama, let alone a biography.

The acting was definitely on point in this film. This is some of Rogen’s best work. Daniels had one majorly great scene with Fassbender. Stuhlbarg? I don’t know anything about Stuhlbarg, but he did a great job. I didn’t even recognize Winslet the whole film, that’s how in character and different she was. And of course, Fassbender. Early on, it just looked like Fassbender acting in a film, but somehow during the movie, he transformed so fully into Steve Jobs that I couldn’t remember who was the main actor. Of course by the end he looks so much like Jobs that it is easy, but I am talking before that, when he still had longer hair. He nailed the shit out of the role.

For comparison sakes, Kutcher did a great job as Jobs too. He had a walk, he went fully into character, but I usually thought it was still just Kutcher. But Fassbender still did a better job. And besides, I saw Fassbender’s penis in that one movie, so for most comparisons he is sure to win.

A lot of this is highly fabricated. The plot lines are real, but there is no way the timing worked for most of this. Regardless, where it excelled was how true to life they made his character. Jobs was egotistical, a know-it-all-, an asshole and a dick. He wasn’t the most pleasant person to work with and that all came across in the film. This wasn’t some fluff piece. This just tried to present the man behind the myth, flaws and perfections and everything in between.

One final comparison: This is not as good as The Social Network. Sorkin is the common link between the two, and the fact that they are both based on real people. I am not saying Fincher is the reason and that Danny Boyle could not pull off a better movie. It was fine, and even if Fincher directed this it probably wouldn’t have been as good. Just don’t go in expecting that and you should enjoy the show.

Everyone knows that James Cameron really loves the ocean. He is stupid rich and just wants to conquer it.

In some ways, I am starting to think that Matt Damon is like a James Cameron-lite. He doesn’t like water, but he is starting to love the shit out of outer space. Three films in three years have featured a Mr. Damon spending time away from Earth. First in Elysium, he went from the slums to the orbit. But you know, he was just there for a little bit. In Interstellar, he was in space for a long..long time. And he was alone!

Think of it like a Three Bears situation. In Elysium he was in space for a small amount of time, in Interstellar it was too long. But maybe in The Martian, Damon will find his “just right” amount of space time. You know, then he can go back to Earth and start doing political things again. Or Boston things. Or maybe, just maybe, fingers crossed, he can go back to voicing Bill the Krill.

Damon had a lot of time alone to reflect on his career while pretending to be on Mars.

Set somewhere in the future, NASA has successfully put people on Mars! Yay! We rock! Speaking of Rocks, there are a lot of them on Mars. And sometimes there are dangerous rock storms. When a particularly powerful storm begins to develop, Commander Lewis (Jessica Chastain) decides that they need to evacuate the planet. There is a chance their escape rocket could tip over and then they’d be stranded! During the storm though, Matt Watney (Damon), a space botanist, gets hit by some debris and goes flying. All of their suit flashy devices say that his suit has opened and he has to be dead.

So Lewis and the rest of the crew (Michael Pena, Kate Mara, Sebastian Stan, Aksel Hennie) escape Mars to begin their flight home a few weeks ahead of schedule.

But it turns out, against extreme odds, that Matt is actually alive. However, he is now stranded. The mission only was supposed to last about 30 days, and they had made it to 17, so his rations aren’t that plentiful. He has a huge checklist of responsibilities suddenly that are all vital to his survival. He has to figure out how to grow his own food on a desert planet. He has to make sure his equipment doesn’t break, so he doesn’t run out of water or oxygen. He has to figure out a way to communicate with NASA. And of course, he has to figure out how to get himself home. Even though Matt wants to survive, he openly acknowledges his impending doom and realizes that almost everything he does is just prolonging his most likely catastrophic death.

Eventually, obviously, he isn’t 100% alone. Or else it would be an impossibility. Back on Earth, thanks to satellites, they are able to eventually note the differences of the site and realize he must be alive and kicking. This is where I can sneak in all the rest of the actors.

Who is involved in the mission to get him back? Well, of course, the Head of NASA (Jeff Daniels), a different head of NASA type guy (Chiwetel Ejiofor), head of the Mars program (Sean Bean), head…engineer…of the shuttle? (Benedict Wong), an Astrodynamics guy (Donald Glover), head of NASA PR (Kristen Wiig), and Mindy Park (Mackenzie Davis) who controls a satellite. Or something.

This unfortunate scene reminded me too much of Fantastic Four and now I am undergoing PTSD.

Ridley Scott has been not putting his best foot forward recently. Exodus: Gods and Kings and The Counselor were terrible, and Prometheus had a lot of issues. So I have to go into every new movie of his with a bit of a hesitation.

Thankfully, Scott did not disappoint this time and knocked The Martian out of the park.

The absolute best part of the film is its attention to detail and scientific accuracy. I don’t know how hardcore they went into it, but I will be checking Neil Gegrasse Tyson’s twitter to see if the stars on mars were at least accurate. But everything else is so damn sound and smart. I almost stood up in the middle of the movie to chant U-S-A and show off my Science Boner. That is a bit graphic, but the metaphor is necessary to emphasis how sexy it all was. It isn’t dumbed down and they just go full on smart people talk on the viewer.

After the science, we have to talk about the Damon. Damon plays what has to be the greatest Botanist ever on the silver screen. I don’t know how praise worthy that statement actually is. The writers made him smart, charming, witty and a guy with a morbid sense of humor. He tells jokes to logs where he notes everything he is doing, with the caveat that it probably won’t matter since he will most likely die. And he even got to say “Fuck” twice in the film, despite the PG-13 Rating!

Basically everyone in the cast was great in their roles. Even Stan, Mara, and Hennie, the crew members who people don’t care much about. I want to give special shout outs to Glover, who had a small role but was extremely convincing, and Wong, who was an important side character who for some reason didn’t even make the IMDB credit list.

The film is of course also visually wonderful. Mars, the future Houston space center, outer space, all of it is great. I don’t think 3D added much to the film, and it should be a good experience without it. It isn’t as necessary as Gravity.

Despite how much I liked the film, it only has one issue. There is a sort of epilogue after the events, so you can find out what happened to characters. It seemed off to me. It was also a bit sudden of a tone shift. The previous scene I was almost at the point of tears (You don’t get to know if from happiness or sadness, sorry), but they ended it too quickly for all the emotions to rile up in me. And the last few minutes were just…meh.

Oh well, 99% of a film is still pretty damn awesome.

I could start this review talking about sequels that never had to be made. I could talk about the long time between movies (twenty years, or I guess, eleven if you count Dumb and Dumberer).

But no, I will just be the bigger man and realize why this movie was made. Jim Carrey wants to revitalize his career after a series of not great films, and Jeff Daniels is currently really hot, from The Newsroom, Looper and other dramas. Basically, it is identical to how it was twenty years ago, I guess.

So here we are! Dumb and Dumber To. It could always be worse. It could instead have been a sequel to something unrelated, like Cast Away.

Wait? What is this? Is there a Wilson as well? Fuck.

Again, this movie is set about twenty years after our friends began their trip back from Colorado. Lloyd Christmas (Jim Carrey) has been in a paralyzed state since he didn’t get the woman, apparently, and Harry Dunne (Jeff Daniels) has been kind of taking care of him. But now Harry needs a kidney, so he has to go find one.

Well, it turns out Harry has a kid. Yeah. Right? He apparently got Fraida (Kathleen Turner) pregnant decades ago but just found out about it now. Well, she gave the daughter up for adoption. Now they have to travel and find her!

Well, again, Penny (Rachel Melvin) lives in a big rich house. Her “dad” is Dr. Pinchelow (Steve Tom), a super famous smart dude, rich as fuck. She has to go to a tech conference to accept an award in his honor, because he doesn’t like going to them. Also, Pinchelow’s new wife (Laurie Holden) is trying to slowly poison him in order to get those fat stacks of cash for herself. You know, with Travis (Rob Riggle), who I honestly forget how he is related to anyone.

Yeah. So, road trip, murder plot, and trying to get with a lady or two. Basically the same movie, right?

This time it has cell phones! The thing that can solve most problems for everything made before the year 2000.

Dumb and Dumber To is kind of a hard movie to describe without hating yourself and feeling like you are giving too much away. But then again, so is the first one. But in some cases, if the description sounds terrible despite my best efforts, then again, it just might be terrible.

Maybe it is nostalgia. Maybe it is generally better. I have no idea, but some how Dumb and Dumber is good (is it?) and this sequel, arguably being of comparable humor, quality, writing/directing/acting, is not. Guys. Is Dumb and Dumber bad?

I mean it is of poor taste of course, but would people who didn’t grow up with it hate it if they saw it for the first time as an adult? Man, nostalgia can be a fickle bitch.

No matter what way I look at it, Dumb and Dumber To is just a boring movie, with old film call backs, and the occasional smile or chuckle. Rob Riggle felt terrible in this movie, but to be fair, he is terrible in most movies. It’s that douche face he has, forcing him to play douche characters. Any plot twists were boring as well.

And just…fuck. Fuck The Farrelly Brothers. Make them stop now. We are done with their work.

If you wanna have a good time, every time you say Looper, you should pronounce it as “Loopah”. Reminds me of Zelda a bit.

It is a good idea to laugh. Especially when you see Looper, and feel all sorts of weird feelings during it.

The year, 2044. The setting, Kansas, because why the fuck not? Joe (Joseph Gordon-Levitt) is a Looper. Probably want to know about that, eh? Well, in the future, time travel is invented and immediately banned. Naturally then, only criminals have time travel at that point. So they sent a representative back to 2044 (Jeff Daniels) to set up a system to their advantage. Bodies are hard to dispose of in the future, so they send back the people they kill at predetermined times and locations! The loopers job is to kill them right when they appear. They get paid with silver bars strapped to the back.

They work until their loop is closed. How does a loop close? That is when the mob sends back the future version of yourself. They are always bagged, so you don’t realize it until you see that you received gold bars instead of silver. Then they know they have 30 years left of their life, and to take their huge wealth and enjoy it. But things start to hit the fan for the Loopers. Loops start closing quickly. Joe’s good friend, Seth (Paul Dano) ends up letting his future self go, causing problems! Apparently the future is scary. Some new guy is taking over and closing up shop.

But what happens when Future Joe (Bruce Willis) gets sent back. Will Joe do his job, kill his future self? Or will he help him figure out how to change the future for the better, with every action they take changing it in some way? And what does the future have to do with a local single mom (Emily Blunt) and her kid (Pierce Gagnon)?

Tell me I am not the only one who immediately thinks of Bangkok Dangerous when I see this?

Shocked. Shocked is basically how I felt after watching that movie. Not at the ending. No, I could see it coming, just still didn’t expect it. Hell, there was many options the ending could have chose. The film did a nice job of keeping you guessing, and leaving you with a feeling of wonder.

I know what you want to know. Time travel? Does that mean this movie will be confusing? Does their time travel make sense? Hard to say really. I’d say there is some confusing elements. Comes with the territory. Is their time travel without paradoxes? No, not really. Especially when dealing with loops and stuff. I would say their metaphysics isn’t perfect, but it is good enough for the movie.

The science in the movie isn’t the main feature though. It is the characters involved. Lot of serious questions get asked when dealing with your future self and the implications of it, of which I think the film handled wonderfully. Everyone acted pretty amazingly, and I was on the edge of my seat wondering what was next. They also did great job with the makeup work to have Levitt look like a younger Willis.

Finally the movie does a few things that few films outside of horror ever do. Have the potential death of multiple children, and the use silence in the music and action to convey feelings of isolation/being alone. I love it when a film steps out of a normal comfort zone. It is great when a film makes you think too, and focuses a lot of energy into character development in arguably a short time. Just don’t go in expecting some action heavy flick, and you will be set.

Uh oh, The Squid And The Whale? You know that means it will be a quirky movie.

An autobiographical, quirky movie too.

Jeff Daniels looking like a hobo? Must be artsy too.

This is supposed to be a story about the youth of Noah Baumbach. Who is that? He is a writer, who works on a lot of Wes Anderson movies. I mean, hey, if you want to make a movie about your life, go for it.

Jeff Daniels and Laura Linney are going to get divorced! Jeff is a pseudo famous writer, who used to be a big shot. Now he just works at a university, having a hard time writing about great work. Laura got better at writing thanks to him, and is even about to get a nice book deal! But that isn’t the cause for concern. They argue a lot, so it is divorce time.

Their two sons, Jesse Eisenberg and Owen Kline, obviously don’t like this. They have joint custody (without lawyers) so have figured out the schedule for the two to go between their home with the mom, and the dads new home.

Jesse is pissed off at the situation, and blames his mom, thinking she is mad at the father for not being as successful any more, and even more mad when he finds out she cheated. Owen sides more with his mother, as he only really knows his father as teh stay at home / teacher guy who has never really been a success and drinks a lot. The mom begins to see Owen’s tennis coach (William Baldwin) and the father pursues a current student of his (Anna Paquin).

Jesse also starts dating Halley Feiffer, who is someone he is interested in, but thinks he can do better. (Yeahhh). He also claims to have written the song “Hey You” by Pink Floyd, playing it at a school talent show (this is the 80s). Eventually he has to see a school counselor (Ken Leung, from Lost!). By the end, when he is able to conquer his own fears and see the Squid/Whale exhibit at the Natural Museum, he realizes the truth of his situation, and how blinded he had been the whole time.

ALSO look at that head!

So one thing to note is all the characters do a really good job in this movie. But most notably the different kids reaction to the divorce, and the eventual realization of why they take the sides that they take. But more importantly, Eisenberg’s character acts a HELL of a lot like his later portrayal of Mark Zuckerberg in The Social Network. The level of assholery it is there, and he is an intelligent character, just not as intelligent. But the way he talks to his girlfriend? His reaction towards others?

Sure he is a bit more emotional, but besides that, I would not be surprised if they saw this film and gave him Zuckerberg because of it. It is weirdly similar.

The character’s have different names from the director, which I guess is him making it less of a biography and more of a story, but I have to assume Jesse plays the director, and not the little kid.

It is a pretty touching movie that doesn’t hold itself back at all, and really relies mostly on the actors and emotions.

Again, a movie with a thousand tags. But I will explain it very simply for you so that is all makes sense. The plot of Away We Go it turns out is pretty damn simple to understand. More time for analysis (if I choose). Hooray!

It’s about love. And finding your love’s vagina.

John Krasinski and Maya Rudolph are an unmarried couple, but guess what, they are having a baby. She doesn’t want to get married, but still truly believes they will be together forever. They had moved to be closer to John’s parents (Jeff Daniels and Catherine O’Hara) to have some sort of relative in the babies life, since her parents are dead.

But when she is 6 months in, they find out they are moving to Belgium. For two years. Making their living arrangements kind of pointless. Afraid that their lives are fucked up and bad, they agree to go on a mini vacation to different parts of the country to visit their other family memmbers and friends, to see if they would be good places to live.

First to Arizona, to see Maya’s old boss and her husband / family (Allison Janney and Jim Gaffigan) who seem to be drunk a lot, and not too happy with life, and her sister. Then to Madison, for a job interview, where they also meet John’s cousin and husband (Maggie Gyllenhaal and Josh Hamilton), who are way too extreme on the hippy side.

Then to Montreal, to visit their mutual friends (Melanie Lynskey and Chris Messina), who have adopted many children, due to the unfortunate nature of Melanie’s ability to have a child (multiple miscarriages). Finally, a trip to Miami, to visit John’s brother (Paul Schneider) and help him out of a bad situation.

The whole time they are traveling they are dealing with their own problems, and wondering about their own inadequacies. And by both of them, I mean Maya. Because John is way too swell of a person, and optimistic, he is constantly making things better, all while looking like a hipster.

Exhibit A.

Their final destination choice I will let remain a mystery. Because fuck you, that’s why.

I thought the movie was pretty enjoyable. I laughed a lot more than I expected, thinking it would be a lot more heavily drama-nated. But man, there was many great scenes, and it all felt incredibly real. Hopefully their love in this fictional universe of the movie carries on after the birth and throughout their whole life. You are given a nice feeling that they have found true peace and happiness with their decisions, and everything will work out for the best.

Also, a lot of vagina talk.

State Of Play was originally much further on my “to watch list”, but thanks to not getting the next shipment of movies in time, it became a quick backup plan. I just assumed it would be a lame thriller, but it turned out to be a lot more interesting.

But first you have to assume that Russell Crowe is supposed to be okay with looking like a hobo.

Hobo looking Crowe is some big shot journalist. Old school methods, has some sort of integrity. But the movie opens with deaths! The first thing you see him do is get extra info from the head cop, because oh boy is he sly. Ben Affleck plays a congressman who is in charge of a committee / task force brought together to investigate PointCorp, a Blackwater like group that appears to be profiting way too much from the war, and shady tactics with mercenaries.

Turns out that besides the deaths, a woman also committed suicide in one of the three areas of the Metro in DC that isn’t covered by cameras. Of course foul play is expected, especially when she is on the same committee and a secret lover of Ben. Oh noes!

Rachel McAdams is also a new reporter, former blogger, who is assigned to the case with Crowe (before it becomes the big deal that it is). Also involved in smaller roles are Jason Bateman, Robin Wright, and Jeff Daniels.

For the movie, you will follow the journalist and police investigations of this crime, as they work together, and try and unravel who is behind everything and why are the events happening. Along th heads Crowe and McAdams different philosophies on journalism but heads, and is a central plot. A lot of ethical lines are also crossed, in order for “justice.”

Of course, you could also just completely guess what happens by the end too, and be right. I kinda did.

My guess was that Affleck wears a tie. Cha-ching!

Although interesting, a lot of it went over my head. Talk of war, politics, journalistic integrity, these are not my forte. I just like movies. I think I’d really have to watch it twice just in order to get it all. Definitely a smarter movie too. So for that…

Paper Man is a pretty weird movie. That becomes obvious if you have seen the cover. Let me help you.

Ryan Reynolds as a super hero maybe? (Is he called Paper Man? (Nope, Captain Excellent)) Jeff Daniels, not being in Dumb and Dumber? Lisa Kudrow, not in Friends? And wait, EMMA STONE? SHE IS IN THIS MOVIE? I would have probably bought this on that fact alone (you know, if I thought this was worth buying). All the times I walked by this movie, I could only see Ryan Reynolds, sitting there being bored. Never noticed it was Emma Stone, since she looks a bit different on the cover.

This is a serious story. Not a comedy! Jeff and Lisa are married, yet not doing well. Jeff is having a midlife crisis. Another author who never writes anymore. He actually sees make believe people, aka, Ryan Reynolds. Emma Stone is real, just some underage girl who lives near his cabin, who he gets to babysit his kids. (He has no kids. Pedo, pedo).

This isn’t really a joke, just a fact.

Somewhat comedic, but I didn’t really laugh. Jeff may or may not be trying to get it on with Emma Stone (as those are the only two options?). You see him deal with his crisis, and slowly seem to drift further and further from Lisa Kudrow. Also of course, Ryan fucking Reynolds wearing tights. Probably good for at least one watch, but it missed out on perfection by not having the strongest emotional ties behind it.