Tag: 12 Years A Slave

Best of the Decade – Part 3 (30-21)

30) The Favourite 2018

Why? While not my favorite movie of the decade, this is my favorite of Yorgos Lanthimos, whom was doing really good in the last few years of the decade. A women centric cast, that is a bit absurd, while having some historical truth, it led to a lot of comedic gold moments that could only happen with a great script and great actresses to carry it all out.

Also, the camera work in this film was atypical, and a bit inspiring.

Favorite moment? Don’t look at me.

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29) Spider-Man: Into the Spider-Verse 2018

Why? This is my “half” sequel on the list. Technically standalone, but also one of the realities is totally the Sam Raimi Spider-Man films, so it takes place after them. Spider-Verse is on this list as my third (and not yet highest) rated animated film because of how blown away I was with the art style.

It offered something unlike any other animated film of that year or recent years, keeping it still feeling like a comic movie, and with stunning fight scenes and humor throughout.

Favorite moment? Alright, let’s start at the beginning.

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28) Sing Street 2016

Why? This is a film I expected almost nothing out of, and should have realized it was something special. The third music centered film by John Carney feels very personal and ends up being more than a strange pre-teen romance film.

It also deals with a strong relationship with brothers and how those older can pave the way for their siblings, taking on more burdens that the younger ones would never realize. And hey, the music is fun too.

Favorite moment? Basically every scene with Jack Reynor.

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27) 12 Years A Slave 2013

Why? 2013 called, it wants its number one movie back. 12 Years A Slave is a hard movie to get through. Torture, near death, and obviously enslavement does not equate to a movie you want to see over and over. Hell, I knew it would take me awhile to rewatch it after I saw it in theaters, and only rewatched it for this list finally, never really getting in that mood again.

Well acted, a terrifying real story, but one that is something I will rarely ever see again in my life.

Favorite moment? Favorite is a bad word here, but the “hanging” scene is the most powerful and shocking.

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26) Hereditary 2018

Why? I do believe Toni Collette was robbed for he performance in this film, and not given anywhere close to enough credit as she deserved. I knew she was a great actress, and this film really cemented it in my mind. A demented film overall, one that builds the fears inside of you overtime and masterfully at that.

Very few “jump” scares but instead an overall sense of dread and wondering how could things get worse or scarier. This is my favorite horror film of the decade. 

Favorite moment? Dinner time.

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25) Whiplash 2014

Why? I don’t know if I need a long paragraph for this one? J. K. Fucking Simmons. There. That’s why.

Favorite moment? Tempo changes.

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24) Kubo and the Two Strings 2016

Why? Kubo is an animated film that tried to give me something I hadn’t seen before. Laika has been pushing the boundaries of their stop-motion films a lot over this decade, and I don’t think anything came out as fresh and stunning as Kubo. Combining characters both big and small, we got a fresh lead with an interesting story, and hell, some scary villains to boot.

It still felt like a good film for the family, despite its darker elements. Honestly, the only thing I hated were the names of the sidekicks. This is my favorite animated film of the decade. 

Favorite moment? The magic origami.

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23) Birdman or (The Unexpected Virtue of Ignorance) 2014

Why? Another top film of its year that is getting surpassed by others, I will still attest that Birdman is a wonderful film, start to finish, really no faults. I love everything about it, from the meta casting choices, to the long takes and monologues, to the play within a play. The catchy drum beat that wraps up most of the film keeps it moving and on the edge.

It is a great movie and will be celebrated for a long time.

Favorite moment? Edward Norton.

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22) Gone Girl 2014

Why? Gone Girl is a thriller where the twist is revealed much earlier on than most thrillers. Hell, the twist turns it into almost a completely different movie, and makes it go places that would be very hard to predict. Affleck is wonderful as the distant husband, but Pike really gives a haunting performance, which elevated far past anything I’ve seen her do before. Mostly TV shows, notably.

Because the twist is so early on, it is still a movie worth watching over and over.

Favorite moment? What happened to Amy.

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21) Mad Max: Fury Road 2015

Why? Ah! Many people picked this their top of that year and top of the decade, and I will admit, this is an over the top film unlike almost anything else. The stunt work, the practical effects, the gruesome moments. It is definitely a story that doesn’t hold a lot of equals. And I can acknowledge all of it, and still want more from the actors and plot.

This is the only other sequel on the whole list, which is interesting as this one works very well as a standalone and just uses 1 character.

Favorite moment? The race back.

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Click here for Part 1 (50-41)!
Click here for Part 2 (40-31)!
Click here for Part 4 (20-11)!
Click here for Part 5 (10-1)!

12 Years A Slave

I try to not go into movies biased, but with going to a lot of movies, I am forced to see a lot of previews. Mother fucking movie previews bias the crap out of me. I miss the days where I could watch most of my movies without knowing a lot about it before hand.

The good news is, I never saw the trailer for 12 Years A Slave, nor did I know what it was about. I mean, I can guess, with a title like that. But I don’t know the real plot details. That is awesome.

However, I did know a lot of hype from my reviewer friends. Every single damn one of them loved this movie and there is much talk of Oscar buzz. I guess I should make note: that type of stuff biases too. Whoops. Oh well.

Fancy Dining
Oh man. Enjoy that dinner guy. It is all about to suck for you after this.

Soloman Northup (Chiwetel Ejiofor) is a free man. He lives in Saratoga Springs, New York, with his wife and two children. They are pretty well off too, living in a nice home, fine clothes, and instruments! Soloman plays the violin, and he is quite good at it. Performs at very exquisite dancing balls.

Well, his wife and children go on a trip that will take them away for about three weeks, leaving Soloman all alone. Later that day, in town, he meets two gentlemen, performers, who offer to bring Soloman on trip to Washington and back, overall two weeks. They need a man to play music for them and their other acts, a fancy circus of some sorts. He agrees, given his current free time, and hey, good money is good money.

Then, after a night of drinking in Washington, he finds himself in chains. Hmm. This must be some misunderstanding. A pretty serious and unforgiving misunderstanding. There is only so much you can do in chains however, and when people with whips say otherwise, you must listen.

And so began the unfortunate story of Soloman, a free educated and wealthy black man, kidnapped into slavery for, you guessed it, 12 years of his life. Away from his family, friends, and any sensible human being. There is a huge cast of characters in this film, including: Michael Fassbender and Benedict Cumberbatch as slave owners, Paul Giamatti as a slave trader, Brad Pitt a Canadian sympathizer, Paul Dano as an overseer, Lupita Nyong’o a hardworking female slave that becomes an obsession of her master, and Adepero Oduye a woman who becomes separated from her children.

Dick
FUCK YOU FASSBENDER. I HATE YOU NOW. I HATE YOU. YOUR CHARACTER WAS A DICK AND NOW I THINK YOU ARE A DICK!

So gritty and unforgiving, and so true. The film is adapted from a book of the same name, written in the 1850s by Soloman Northup. The book gives a first hand experience of years of being a slave, by a man educated enough to accurately recall the events and get them written down. A vague book, that not a lot of people are aware of, but a book that will have sales boosted exponentially due to this movie. Shit, the book was even verified later as being very factual and accurate on all the accounts that could be fact checked.

But it being a true story shouldn’t affect the rating of it as a movie.

Thankfully, it doesn’t even matter, as this movie was incredible in every way. It was emotionally draining, as bad event after bad event occurred to our hero. Yeah, we know he obviously eventually gets out of his predicament, or else how could he write the book? That fact doesn’t change any amount of agony that the watchers and character feel during the events in the story, and it is very eye opening.

I am super stoked this movie isn’t political in nature or trying to change anything (because how could it? It already stopped), but instead focuses only on telling a full, accurate and strong story.

Chiwetel Ejiofor was stupidly good in this movie. The emotion he carried with his eyes alone made everything seem so believable. I already mentioned Fassbender, who had an almost equally powerful performance, enough to make me hate his real life self.

I will warn that there is some graphic stuff in here. I am talking whip scenes, rape scenes, just general beatings, and an incredibly long and well shot hanging scene. You might have to look away, and you might feel squeamish. “12 Years A Slave” is probably the current front runner for Best Picture this year in my book, with only 1.5 months left to go int he year. Shits good. Slavery is bad. I am sad.

4 out of 4.