Tag: Tina Fey

This Is Where I Leave You is one of those movies that I really didn’t care about seeing right away. I knew I could wait for it, despite liking quite a few members of the cast.

What was my beef? I call it Jason Bateman fatigue. A lot of people in this movie, but his character gets to be the main character, and for the most part, his last several years of roles have been very very similar. The Switch, The Change-Up, Identity Thief, Bad Words, Horrible Bosses. He is generally an asshole character who likes to make fun of others and has bad things happen to him. Sure he is a dick, but people are usually bigger dicks, so his dick-ness is justified.

Either way, I am super tired of him because he always gets lead guy status, thanks to Arrested Development I guess (which is also the same character).

I am tired of what feels like him lazily acting on the screen. It was fine the first few times, but now I really don’t know why I expected anything other than the dead dove.

But we have female on male violence, so I guess it can’t be too bad.

Can we look at that image closer? I think I got a stunt double in here or something, because man, that looks nothing like Tina Fey or what I would imagine Tina Fey looks like mid punch.

Mort Altman is dead. He is survived by his wife (Jane Fonda) and four kids. He was an athiest, but apparently he wanted a Jewish ceremony at his death and have his family sit shiva. That is an older tradition where the family literally sits for a week (outside of food/sleep/etc) to talk and honor the dead. People are meant to visit them throughout the week as well, to allow the stories to be said in a more natural way and to pass on the legacy of the individual. I learned about it at first from Weeds.

So we have Judd (Bateman) who is about to get separated from his wife (Abigail Spencer) because he found her in bed with his boss (Dax Shepard). Wendy (Tina Fey) is upset over her husband (Aaron Lazar) for being too busy with work, not able to stay, but also having to deal with kids and former lovers. Paul (Corey Stoll), the oldest, who wants to take over the family business cannot seem to get his wife (Kathryn Hahn) pregnant. And Phillip (Adam Driver) is younger, reckless, and dating a much older woman, a psychiatrist (Connie Britton), who actually was inspired by their family to go into her field.

What? Oh yeah, their family was written about by their mother in a book, so people know all about their lives. In a way, this makes it very similar to Peep World, but no one watched Peep World.

And yeah. Shenanigans. Also with Ben Schwartz, Debra Monk, Rose Byrne and Timothy Olyphant.

Shenanigans I say!

Overall, This Is Where I Leave You is a typical dysfunctional family comedy film. Maybe with more physical punches between and from siblings, but nonetheless, a lot of this is pretty typical.

TIWILY does attempt to do some things differently. With Bateman’s story line, there are unexpected elements behind it and they were a bit refreshing. But Driver’s plot was incredibly standard, Fey’s seemed like filler, and Stoll’s was underdeveloped.

The best part of the film is actually Jane Fonda! Her character is hilarious and really helps mesh the whole movie together. If you needed a reason to check this movie out at some point, Jane would be your reason.

A lot of it is predictable, a lot of it is okay. Overall, it just feels like too much. None of it feels realistic, to have so many things happen this way in a week, so it is hard to relate to any of the characters, at least from my point of view.

Shh. Go away. Review is over~.

Hello there kiddos!

Remember my last review of The Muppets? No? Well, there it is if you want to click on it. If you don’t want to, I gave it a 2 out of 4. I never watched The Muppets as a kid, so I had no sense of attachment. It was an okay movie on its own.

So when I heard that it was getting a sequel with even more cameos, even more Muppets and an even more ridiculous plot? Well, sure, why the fuck not? Muppets Most Wanted. We got a spy movie folks.

Walter from teh first film still not necessarily important enough to make it into this shot.

So, the Muppets gang has been given a sequel. That must be true. Why else would the cameras still be rolling? They are still voiced by their normal people who voice a shit ton of them, so here they are in a list: Steve Whitmire, Eric Jacobson, Dave Goelz, Bill Barretta, David Rudman, and Matt Vogel.

They decide that the plot of the movie should be the Muppets going on a world tour! The idea is actually suggested by Dominic Badguy (Ricky Gervais), who might have ulterior motives for getting The Muppets around the globe. At the same time, the world’s most dangerous frog, Constantine, has broken out of his Siberian Gulag and has a plan. If he covers up his mole, he looks a lot like Kermit. He can make Kermit look like him, allowing Constantine to steal more treasure and live a rich life.

Mwhaha! The perfect plan! Especially when Kermit is back in Siberia, with a mean old guard Nadya (Tina Fey) watching his every move and a bunch of evil criminals (Ray Liotta, Jemaine Clement, Danny Trejo).

Oh, and they have an Interpol agent on their trail kind of. He is played by Ty Burrell.

Is all the celebrities? Oh fuck no. We got a lot of them. Hell, some of these guys I didn’t even recognize before. A lot of them are only up for a second or two. So I would list them, but that would ruin some of the surprise.

Man, this plot was super simple.

It is impressive how well they sing in those frigid temperatures!

Smiles. I had a smile on my face more or less the entire movie. Everything about it felt cute and wonderful. I only remember one of the songs from the last movie, while this time, a bunch of the songs will end up sticking with me. I mean. I really really enjoyed the movie.

Then the credits rolled and I saw that Bret McKenzie wrote it all! That’s right, we got the entire Flight of the Conchords crew working with this movie. Jemaine as an actor, Bret as the song writer. Last film he was only the music supervisor, not the writer. Also, the director James Bobin directed like, half of the FotC episodes. That’s a lot of quality humor going into this movie.

Which is why I smiled the whole film. It was completely ridiculous but it just seemed to work. The cameos were great and plentiful. The plot was absurd, but interesting. And shit, it was funny.

The last movie, again, I thought was okay and admitted I never really grew up on The Muppets. This time, some how, I loved the sequel and want more Muppets in my life.

Definitely go see this quirky movie, a new clear favorite of mine for the month of March. At least, for the films that came out as wide releases.

Damn it. I had a long into planned for Admission, about Tina Fey being a comedy writer, and how hopefully this movie would deliver. But Tina Fey did not write Admission, she actually just stars in it. Seems a bit rare, I feel like she normally would write it as well.

Just knowing that fact gives me lower hopes for the movie. I won’t judge it on that, it is just, disappointing is all.

That is actually how I talk on the phone too, sprawled out and exasperated.

Portia (Fey) is an admissions rep at Princeton University, who has been pushed back to number 2 in the US Rankings! Oh no! That means they have to be as strict as ever this year, turning down more people, getting better students. Her boss (Wallace Shawn) is going to retire, and he wants to retire on top. So his job will be filled by either her or her rival, Corinne (Gloria Reuben), so it is important that they both get the best students possible.

That is why she decides to jump at the opportunity to add new high schools to her area. The Quest School is a learning community about to have its first graduating class, and the current owner John Pressman (Paul Rudd) wants her to come and visit. But really he just wants her to meet Jeremiah (Nat Wolff), who he believes to be her son that she adopted 18 years ago. Weird.

Hopefully he also doesn’t want to go to Princeton, that might be a big conflict of interest. Maybe.

Oh yeah, and her long term (10 year) professor boyfriend (Michael Sheen) just dumped her for another English Scholar (Sonya Walger) who is having his kids. Whoops.

Also featuring Lily Tomlin as Portia’s very independent mother and Travaris Spears as John’s adopted son.

Her son is like a little rain man. Except not as smart, and less special.

Whew. Well, if anything about the movie, I can say the last third I didn’t actually see going the way that it went. There were surprise in the script, that seemed to be following a pretty straight forward path.

Heck it even had some amusing moments. But most of the film just felt a bit cringeworthy. The constant scenes of Portia running into her ex weren’t really too clever. The things she did to try and make things right were unethical and bad. But more importantly, the film didn’t really feel too resolved by the end. One major dramatic moment (The reveal of being his mother) had a lot of things go wrong with it, but those problems got swept under the rug. I was hoping for some real human emotion there, dang it.

It is okay in humor, and an okay movie. Nothing to special. Technically not terrible, just a bit disappointing overall. Oh well. Maybe next time Fey.

Tina Fey has been in a surprisingly low number of shows/movies, based on how famous she is for her work and writing. Seriously, look at that imdb. Weird right?

I only mention that, because when I went to review Date Night, I noticed I hadn’t tagged her really in anything yet, and that is why. There really isn’t anything there! If I ever review Baby Mama, I’d be pretty much done.

Too bad I have loathed everything Amy Poehler has done, outside of Pars and Rec.

Fey and Steve Carell play a married couple with kids. They are super busy, but they still have time to force themselves to go out and eat, to have date nights! Or else their relationship will get stale. But out of fear, from another couple getting divorced, they decide to spice it up, go out to the city (NYC), wear nice clothes, and eat at Claw, a way fancy place. Without reservations. Dumb. But they are sneaky, they steal someone elses table who isn’t answering, and become the Tripplehorns!

I know right. Scum of the earth. Who the fuck takes someone else reservation?

But when two thugs (Jimmi Simpson and Common (I am mad that is his “name”)) come up to them, thinking they are the Tripplehorns, and demanding a flash drive, shit gets real. Then is a night of running from them, from the cops, and trying to figure out what is actually going on. With the the help of Mark Wahlberg as “private investigator sexy man”, and some help from James Franco and Mila Kunis (the real Tripplehorns), can they not die?

Also what the heck is going on here?

But was it good? This movie was about as slapstick as I would guess, but also more. Tina Fey and Steve did a good job together, very believable, and they both have made a career out of being awkward. This movie also features one of the best stunt driving/chase scenes I have probably ever seen in the last few years. Seriously. The car/taxi thing? Brilli-fuckin-ant. Also laughs were had, but it wasn’t enough to make me want to watch it again. Minus the car scene. Holy shit yeah. Ending wasn’t the best either.