Tag: Patrick Stewart

I am quite weary over Wolverine solo films at this point. The first one was utter crap, and The Wolverine was just regular crap. That’s right, neither of them were good.

And honestly, words like Hugh Jackman retiring from the role don’t mean a lot to me either. Actors have said that in the past and lied. The rating going to R after the success of Deadpool makes me worried it isn’t that way due to necessity, but because it can earn them some money.

Look, I just want a good story. A good story, some good action, and some good acting. Okay, apparently I just want a good movie. I don’t want a convoluted villain story. I don’t want mutants running around with vague powers. I don’t want action for the sake of action.

Just give me a high quality work of art, then I can start the praise. But until the credits roll, Logan will remain skeptical.

Deciding to make our hero mimic Mel Gibson was an interesting aspect.

And now, we find ourselves in the future. Not the Days of Future Past future. A simpler future. Where there aren’t a lot of mutants. Logan (Hugh Jackman) is older, more grizzled, and gives very few fucks. He also drives a limo. He now lives in the southwestern United States, in a small farm compound. With an Albino dude, Caliban (Stephen Merchant), who is also a mutant who can sense and detect other mutants.

Oh, and there is also Charles Xavier (Patrick Stewart). A very old man at this point, his brain isn’t as strong as it used to be. Oh, he is still a telepath. But Alzheimer’s disease is still a thing, so he is prone to memory loss, and seizures. And when he has a seizure, a lot of people suffer.

Also! There are not a lot of mutants in the world left. And mutants have apparently not been born for decades. They are dying out. And Logan is hoping to escape it all, live on the sea, not have to deal with hurting others. Until a girl enters his life. Laura Kinney (Dafne Keen), a young girl who has escaped from a facility in Mexico City and is heading North to Eden, with other children, hoping to free to Canada for safety. Of course, Laura and the other kids are mutants as well. The future of their kind! That isn’t the only thing they have in common. Laura is also Logan’s “daughter.”

Also s tarring Boyd Holbrook, Daniel Bernhardt, and Richard E. Grant as some bad guys, and Elizabeth Rodriguez as a nurse from the facility.

Aw, she is smiling! How can she be related to that mean old grumpy man?

R rated Wolverine. This is what we wanted. We wanted to see Wolverine go full, well, Wolverine on a group of guys. Slashing throats, stabbing heads, blood flying everywhere, which is what past movies were missing. Wolverine is a weapon, he should be shown how really deadly he is. And this film finally delivers on this promise. Right at the start, he has to take out a group of thugs trying to rob and murder him, and we get claws through skulls, blood spraying, limbs off, the whole thing.

Not that excessive is the only violence we need to earn this R rated. There are also boobs and at least five fucks! Look at how R that is!

Aside from the rating, Logan also features something that other Wolverine films do not. A decent story AND decent acting. Stewart helps that. Jackman and Stewart brought their A-Game. Merchant added a weird and nice to the story, despite a smaller role. Keen ended up being a tiny power house in this film, growling and jumping around. She is the little ball of hate we had always hoped for with Wolverine (since Jackman is actually so god damn tall).

It isn’t a perfect plot, but there are some great surprises along the way. We have weaker villains of course, some unexplained dilemmas to create mystery, and annoying scenes where mutants are running for too long before attempting to fight back. But the film also spends a lot of time world building. Taking place in the future, it isn’t extremely tech heavy, but there are minor improvements around and everything seems arid and dry. Global Warming is a bitch. We also have self driving trucks! And extreme genetic farming!

Logan is definitely the Wolverine film we needed, and a fitting send off for Jackman and Stewart. The former wanting to retire from the role, the latter being old and probably just not necessary for any future films. Definitely go see Logan, just don’t bring your kids.

A green room is the place in a theater/auditorium/bar where the band and performers can hang out before their gig. To relax, to prep, to snort cocaine, whatever they fancy. And that is where a large portion of the movie Green Room takes place. Fancy that!

And here I just thought that director, Jeremy Saulnier, really liked color movies after also directing Blue Ruin, which I never saw.

Not knowing much about the current punk music scene, or the current nazi skinhead scene, I had actually no idea what to expect with a movie like this one. But in retrospect it makes perfect sense for the Dead Kennedys song Nazi Punks Fuck Off to be featured.

Fuck off or get fucked up. That’s my make motto. In role playing games.

The Ain’t Rights are the biggest punk rock band currently in a van with their logo on it! Yeah, people love them! They don’t have a lot of money and they have to siphon gas just to drive around to their gigs. With Pat (Anton Yelchin) on guitar, Sam (Alia Shawkat) on bass, Reece (Joe Cole) on drums, and Tiger (Callum Turner) as their lead vocalist, there ain’t nothing that can keep them from rocking out.

They even have a radio interview with a Mohawk wielding Tad (David W. Thompson) and a gig, neither of which go so well. To make it up for them, he has hits up his cousin Daniel (Mark Webber) in Portland, and they get them a guaranteed stack of cash to perform an afternoon show at some small isolated venue! Sweet! Except it is actually a Nazi skinhead bar, not their preferred clients, just people who really like punk rock music.

Well, they play, they get paid, and get ready to bail, when unfortunately, one of them accidentally finds this chick Emily (Taylor Tunes) dead in their green room. Now the band find themselves locked in there with another witness (Imogen Poots) and Big Justin (Eric Edelstein). The club manager (Macon Blair) handles the cops and contacts the owner (Patrick Stewart) about the incident, but things still seem quite fishy. In fact, the band feels like after everything is settled, they might be taken care of as well.

After all, dead bands sing no tales.

Did you know he was knighted? That comes with a sword and ranks in horse riding! OP Boss!

As I mentioned before, I am basically illiterate when it comes to modern punk rock scene and skin head culture. But Green Room is just oozing with details that it is impossible to not pick up on them. The director didn’t just have an idea and winged it. This is a guy who knows what he is talking about. Everything just feels authentic (Editor’s Note: Yes, I can say I don’t know anything about it and call it authentic) and natural. This isn’t a group of dumb ass rockers who commit every horror mistake in the book to be slashed down by the menacing Nazis. No, they all have personalities. They are all pretty smart. Hell, at least four or five of the main Nazis are also complete characters with realistic motivations.

I’m not saying the skinheads aren’t really the bad guys. They totally are! Just that their actions make sense and you can see other motivations behind their actions outside of just movie evil.

The whole film is a cohesive unit together. No one really stands out in my eyes more than any other. Hell, my favorite acting might have just been Big Justin the door guard. Not a slight against Stewart or Yelchin, both of whom I was excited to see in the film, it just feels like everyone is on the same level and I am not watching one great performance in a movie, just one really good movie.

It is gory and gross. But I would be hard pressed to call this a horror film. Just a thriller for the most part.

Green Room is realistic and tense, definitely worth the price of admission.

Milestone Milestone Milestone Review!

Welcome to my 1200th review for my website. Yes, thank you, thank you, thank you. I have had a hard time finding general themes to go with for some of these bad boys. My attempt to do a good milestone review for Trapped In The Closet was met with large yawns. My best ones have been taking arguably well known shitty movies and going indepth over them. Like the Twilight movies.

But more recently I have noticed that a few of my last milestone reviews have been live action remakes of child hood classics that have left the fans angry or confused. Namely, Dragonball: Evolution and Speed Racer. So why not the reverse?

A CGI “remake” of live action child hood classics? Namely, the 2007 TMNT. Sure, there was cartoons too, but the movies were hugely successful and everyone I knew watched them.

How many people did I know that watched TMNT?

The same number you see here in this picture!

New York City…

Just kidding. This movie doesn’t start in the Big Turtle. We are going to Central America, where April O’Neal (Sarah Michelle Gellar) is looking for some artifacts. That is what she does now. Looks for relics for rich people, because fuck journalism. She hears some rumors and lo and behold, that sneaky sanchez Leonardo (James Arnold Taylor) is out and about. Apparently he was sent down to work on his leadership, by Spliter (Mako) for some reason or another.

I heard it was cause some guy was running around NYC with a mask and fighting crime, not the turtles!

Oh shit, there are two people running around with masks!

What are the rest of the Turtles doing? Well, not a lot. They beat Shredder some point before the movie, so they have free time. Donatello (Mitchell Whitfield) is working from home as an IT specialist. Michelangelo (Mikey Kelley) works for kids birthday parties where he gets beaten with bats! And Raphael (Nolan North)? Well, he sleeps all day and does nothing.

Because he is roaming the streets at night as Nightwatcher battling crime.

Well shit, that mystery didn’t last long.

April is working for this man, Winters (Patrick Stewart), who really loves statues. Just kidding, Winters is secretly this ass hat Yaotl, an immortal being from 3,000 years ago in the Aztecs. He opened up a portal to another universe to get his power on, making him immortal, but his generals were turned to stone. Then, after that, 13 immortal beasts come out of the portal and fuck up his enemies and his own armies. Everything is lost. He is not an immortal being, his staff are stone, and he kind of wants to open the portal again to get some more shit done.

So the ancient relic was actually a stone statue and one of his generals. Aw yeah. Time for shenanigans.

Don’t look so fucking shocked. Bad guys do bad things.

He actually is able to use his future tech rich company to make them alive again! But they are still stone. Awkward. Doesn’t matter.

In order to bring some relevant Teenage Mutant Ninja Turtle action into this movie, they have the foot clan! No longer led by Shredder, cause Shredder is gone, but now ninja Karai (Ziyi Zhang) is running things. They were hired to find and contain the 13 mythical beasts.

Apparently they have been running amuck on Earth for the last 3000 years and no one noticed? Really hard to say.

Well, Leo returns and they are told to stay hidden until they can be a team again, so they don’t. They find one of the beasts and a foot clan, help and then get knocked the fuck out by some stone generals who appear. Awkward. So they are forced to stay put this time for serious. Except one team member refuses.

And he is an angry one, that Ralph.

Nightwatcher goes out and Leo finds him. He doesn’t want Nightwatcher to be a vigilante. So they fight, shirtless, in the rain, and HOLY SHIT IT IS RAPHAEL.

Through the fight, Leo gets captured by the bad guys and Raphael feels totally bad you guys. Especially since the bad guys might offer up Leo as a sacrifice to the portal in lieu of one of the monsters. All sorts of fucked up there.

We already went over this. Bad guys gonna be bad.

Except not. This Winters/Yaotl fellow doesn’t want to wreck havoc. He wants to stop being immortal and free himself and his generals. But the generals? They like being immortal, and they like even more their powers and movement. So, despite Winters actually secret good intentions, they aren’t down with it and want to get their fight on.

So the Turtles, April, and Casey (Chris Evans) (Who I don’t feel bad not mentioning until now), along with the Foot Clan show up to help save the day. They have to find the last monster, defeat new monsters, defeat generals and hope the shenanigans are stopped in time!

And of course they do. They are able to find the last monster and have it push itself and the generals into the portal, which is sealed forever. Yay, fuck those generals.

Not literally nor all at once.

Welp, day is saved, everyone wins, and time to go home.

The End.

So I guess I can start talking about the film now?

Like the recent live action version,this film does stay true to the general characters, their attitudes, and made them feel individually cool. Because it is animated and not the 1990s, they were able to actually use their weapons. And the fact that it didn’t get bogged down with an origin story is awesome.

However, outside of those things, most of which are expected, there was only one entertaining scene in the whole film. Just one. The rooftop battle between Leo and Ralph in the rain. It was super sexy and a bit gorgeous.

This picture does it justice, just doesn’t save the film.

One sweet scene doesn’t a good movie make.

The humor was shitty, the CGI outside of that scene felt old, even by 2007 standards, like a very cheap CGI TV show.

I am fine having a plot without Shredder, really, but they picked such whogivesashit villains with a lot of pointless attributes that at no time is it exciting, nor is it ever really sensical. I remember the cartoon. Give me that giant dude with the brain storage in his stomach. That guy is cool. These guys are not, especially when the main villain isn’t even a villain either.

Even kids would be bored with this movie, and it is flashy animation.

The recent remake was not a great thing for this series, but this CGI version was an even worse slight to the franchise. I bought a bootleg version of this film in Greece from a Nigerian in 2007 and forgot to ever watch it. I only picked it because I knwe it was still in theaters. My 2007 self knew it would be a disappointment. And now all of you do too.

X-Men, oh X-Men, where art thou X-Men?

This is the seventh film of the franchise. SEVENTH. X-Men: Days Of Future Past. When I first heard about this, I was excited. It was a very ambitions plot and storyline to go for, time travel tends to do that. Couple that with the fact that X-Men: First Class was actually decent meant the series might be headed off in a certain way.

But you know what was terrible? The advertisements for this movie. By having two time lines of cast, we have a shit ton of characters, and Fox decided the best way to advertise it was to give every character its own…thing, whatever. So, magazines would have 30 unique covers, or 30 individual character posters, or whatever. No giant cast pictures, no, just an overabundance of individual character shit.

Here is one of the real reasons this bugs me. Anna Paquin. It was stated a long time ago, in the year of 2013, that she was basically cut from the movie. Then it became a rumor. Then it became true and then changed to say that she would just be a cameo. Just a cameo? And still getting full ad treatment? Boo. That is almost worst than the 47 Ronin ad issues, because she is supposed to be a bigger character.

Finally, in the credits, her name was higher than many other people in the film. Because she is more famous? Than Ellen Page? Fuck that. She was in the original X-Men movies then a shitty TV show, while Page has had a big lucrative film career. It is just nonsensical, and most of this doesn’t matter for the actual movie.

No, but these robots matter. AW YEAH SENTINELS!

In the near future, everything is bad, lots are dead. Mutants. Humans who would give birth to future mutants. The sentinels have destroyed it all. Kitty Pryde (Ellen Page) has an unexplained ability to also let people go back in time with their consciousness to their body and like, change the future. But only for a few days, maybe a week. This is long enough to help their band of mutants survive and run, but not long enough to fix it.

No, they’d have to go back to the 1970’s, before Mystique (Jennifer Lawrence) (who’s actual mutant power seems to be very limber leg maneuvers) kills the creator of the Sentinels (Peter Dinklage). But the process to send back a consciousness would tear apart a brain. Unless of course, the brain can heal itself. Hmm.

Enter Wolverine (Hugh Jackman) ready to travel back in time, convince past Magneto (Michael Fassbender) and past Xavier (James McAvoy) to work together, change the future, and fix their stupidity.

Here is where I talk about everyone in the film, but in one giant paragraph. Maybe the new people first? Like, Quicksilver (Evan Peters), Toad (Evan Jonigkeit), Bishop (Omar Sy), Blink (Bingbing Fan), Sunspot (Adan Canto) and Warpath (Booboo Stewart).

Of course we have Old Magneto (Ian McKellen) and Old Xavier (Patrick Stewart), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Storm (Halle Berry), Beast (Nicholas Hoult), and of course ROGUE. Just kidding. Bullshit cameo.

Do we get Jean Gray (Famke Janssen), Cyclops (James Marsden), or Old Beast (Kelsey Grammar)? Well, maybe.

I will only advertise one character per picture, as per movie tradition.

Yay Sentinels! Like a lot a folks in my age bracket, the Sentinels were one of the first X-Men plots I was exposed to, thanks to the first two episodes of the X-Men Animated TV Series on Fox. Shit, that is where I learned most of my basic plot lines, and why to fear the motherfucking Juggernaut. They were fascinating to see and I love the changes made to them. They were TERRIFYING and kept the viewers on the edge of the seat.

What else rocked? Most of the movie. Sure, some plot elements could have been explained better. But the Xavier/Magneto back story was great, a good continuation from First Class. Speaking of dickheads, Fassbender as Magneto is a huge one, and it was awesome to see. The best part is, you can easily relate to where he is coming from and he isn’t just a mindless villain.

Speaking of even more awesome, Fox’s adaption of Quicksilver was so entertaining. He didn’t have the bigger role in the movie, but whenever he was on screen, you paid attention to him and no one else. They really went all out to make him stand out, kind of a big middle finger to Marvel, daring them to raise the bar in Avengers: Age of Ultron.

To make this long review a bit shorter, here is the quicker analysis: So many characters, but outside of tiny cameos, they all were great and wonderful. Special effects and action was good. Story and plot was good. Holy shit, give me Apocalypse.

Did this 100% fit the continuity issues between a few of the movies? Heck no, but at least it gave it a good try and an entertaining one to boot.

Fuck this movie. Just, get it out of the way. During The Nut Job I predicted Legends of Oz: Dorothy’s Return would end up being the second worst animated movie of 2014. I was wrong. At this point, I don’t see how there could be anything worst than this trash of a film throughout the rest of the year. No way. No way at all.

It was so many levels of shitty, I don’t think I can properly spend time explaining it all, so I made a short play to try and explain it all.

Here are most of the characters. Not of the play, but of the shitstorm movie.

Executive 1: Alright, we need a sure fire hit for the company. We got about $70 million in budget, and we want to cover ALL demographics. We want the nostalgia, we want the kids, we want songs, we want jokes, we want it all.

Executive 2: We gotta get that Glee girl involved. She is relatively free with the dead boyfriend news being almost a year old now.

E1: Yeah, get her to be the lead!

E2: How bout we do another Wizard of Oz movie? That one last year was pretty well received, and they didn’t try at all!

E1: Brilliant! Who doesn’t love the Scarecrow and Tin Man and Lion! We can make a sequel. Bring everyone back!

E2: But sir! We are out of villains! All the witches are dead!

E1: Shit, we can’t just have them having fun and going on an adventure. We need excitement!

E2: Well, we could get Ralph, our idea man…

E1: Ralph? That man is a wild card, shit, just saying his name three times tends to get him involved.

(Just then, Ralph busts in the boardroom door, pen and paper in his hands).

RtWC: FUCK THIS! WILD CARDS DON’T NEED TO WAIT THREE TIMES! HERE IS OUR MOVIE.

BOOM. FIRST OFF, DOROTHY’S HOUSE GOT FUCKED UP BY A TORNADO. LET’S MAKE THE VILLAIN BE AN APPRAISER WHO KICKS HER OUT OF THE HOUSE. ALSO, LET’S CHANGE THE LOOK OF HER AUNT AND UNCLE. HER AUNT HAS TO BE YOUNGER, HER UNCLE NOW BALDER. IT WILL WORK.

E1: Yeah people probably won’t remember the look of the outside non Oz characters.

RtWC: ALRIGHT. LET’S GET HER BACK TO OZ. WE NEED TO UP THE NOSTALGIA. FIRST THING WE SEE ARE HER FRIENDS, ALL FREAKY AFTER THEIR NEW BRAIN HEART AND SHIT. ALSO, FLYING MONKEYS. WE NEED MORE OF THEM.

LET’S SAY THE WITCH HAD A BROTHER. BUT HE IS A JESTER, BECAUSE THE WITCH IS A BITCH. HE IS EVIL NOW BECAUSE OF THIS STUFF. WHY NOT. HE IS ALSO OUR COMIC RELIEF. FUCKING JESTERS.

ANYWAYS, SOMETHING WILL GO WRONG, DOROTHY WILL HAVE TO MEET NEW PEOPLE.

LIKE A FAT OWL THAT CAN’T FLY AND IS SMART. AND A MAN MADE OUT OF MARSHMELLOWS. A PORCELAIN DOLL. THEY HAD THOSE LAST MOVIE, LET’S DO MORE OF THEM.

E2: Is the Jester going to have a stupid death like the witch?

RtWC: I DON’T KNOW, LET’S NOT WORRY ABOUT THE END TIL WE START FILMING. HERE ARE SOME PLOT POINTS. ANGRY APPLE TREES? BRING THEM BACK, BUT THIS TIME LET ONE OF THEM KILL HIMSELF FOR DOROTHY.

THEY ARE GONNA TREAT HER LIKE ROYALTY EVERYWHERE SHE GOES. IN FACT, LET THE FACT THAT SHE IS DOROTHY SOLVE 95% OF HER PROBLEMS! THE PORCELAIN DOLL? LET’S HAVE A TIME WHERE SHE BREAKS APART AND EVERYONE THINKS SHE IS DEAD.

E1: Now now, looking into your other notes, I see have written down here that the doll breaks a bunch of porcelain suitors, who then go on talking and living lives, just need to be glued back together to walk again. Why would anyone think she is dead?

RtWC: BECAUSE WE WILL INEXPLICABLY MAKE HER NOT TALK AND JUST LIE THERE POST CRACK, DESPITE HAVING HER WHOLE HEAD GOOD WHICH SHOULD IMMEDIATELY ALLOW HER TO DISPEL ANY OF THOSE THOUGHTS.

E2: Are any of these new friends going to serve a purpose to her journey?

RtWC: ARE YOU KIDDING ME? THAT’S JUST FOR MORE MERCHANDISING! I WANT POINTLESS CHARACTERS AND TIE-INS. I WANT FAKE DRAMATICS. I WANT EVERYTHING TO HAVE AN EASY SOLUTION AND THERE BE NO REAL THREAT TO OUR CHARACTERS.

LISTEN, ALL WE NEED IS AT LEAST ONE REALLY BIG NAME, SAY PATRICK STEWART OR MARTIN SHORT. THEN WE CAN FILL SIDE CHARACTERS WITH OLDER, NOT AS FAMOUS PEOPLE. LIKE DAN AYKROYD, JAMES BELUSHI, KELSEY GRAMMER, OLIVER PLATT AND HUGH DANCY. THEN GET SOME “FRESH FACES,” LIKE BERNADETTE PETERS AND MEGAN HILTY. WE MAKE THEM SING AND DANCE, AND CAN DO IT ALL FOR PROBABLY $20 MIL WITH OUR ANIMATION QUALITY.

E1: Hey, we have $70 million on the table! Where would the other $50 million go?

(The three men look at each other, smile, and agree to greenlight the movie).

Anyways, that was probably terrible. But it was still more entertaining than this trash. I didn’t even begin to touch what didn’t make sense with this movie. Just. Fuck.

Ted kind of came out of no where for me. I think I first heard about it a whole week before it came out to theaters. Weird huh? And honestly, it seemed like a kick ass idea. I was also willing to ignore the fact that it was a Seth MacFarlane movie, creator of Family Guy and most of the Fox Cartoons, and that the bear sounded identically to Peter Griffin.

Take it you dirty dirty register.

Young John Bennett (Mark Wahlberg) had no friends as a kid growing up in Boston. But when he got a teddy bear, he was finally social. With a stuffed animal. But when he wished for him to be alive, his wish came true and he had a new BFF for ever and ever and ever. Ted (MacFarlane) got super famous initially, but then no one cared, and he was just a talking stuffed animal who grew up to be a nice slacker, like John, at 35 years old.

But hey, he has a girlfriend of four years, Lori (Mila Kunis), who really wants him to be something better than an Enterprise car worker. She kind of blames Ted for him still acting so childish, kind of wants him to move out. But if he does, can he actually grow up, or will he still just hang out with his buddy and get high all the time?

While their rocky relationship is going on, Lori also has to deal with her creepy boss (Joel McHale) who keeps hitting on her and Ted has to worry about a grown man (Giovanni Ribisi) who has been a fan of Ted for a long time and really wants to acquire him for his son, and his first long term white trash girlfriend Tammy-Lynn (Jessica Barth). John just has to deal with them.

Holy shit that plot is really simple. We also have Patrick Stewart as Narrator, and Norah Jones and Sam J. Jones (Flash Gordon) as themselves.

HOLY FUCK STAY AWAY FROM MARKY MARKS NOSE, YOU MIGHT GET SUCKED IN AND NEVER RETURN.

So this movie did make me laugh a bunch. Sometimes. Occasionally. Mostly through crude and drunk jokes though. As someone who considers themself a pop culture junkie (not Taratino levels or anything), I found a lot of their pop culture jokes falling flat. I mean, most of the current ones don’t have staying power. In the first 5 minutes there was a Justin Bieber and some other people joke. It didn’t feel forced or anything, the joke just felt really lazy. A lot of them were on par with the “Still a better love story than Twilight” joke, which is not only over used, but never really funny. Just people hating to hate.

So that was my biggest problem with the comedy. Similarly there was maybe a bit too much drama, and a bit too much of Marky Mark being a complete dumb ass. I don’t know if I will care about movie at all in a year. I did love the concept, of a talking bear who grew up and became a dick, but just felt like the writers didn’t try enough after that initial concept. Oh well. Moving on.

Thanks to Wall-E, people realized that all “kids movies” didn’t have to be dumbed down or feature only “lesser” humor. But guess what? Those movies are the easiest to make. Not in terms of work on CGI and what not, that can take forever, yes. But in terms of an interesting plot or comedy? Don’t even have to try. Afterall kids, are easy to amuse and if anyone grades you too harsh you can say “Hay! This isn’t meant for you adult! Get away!” and be done with it.

And then sell more toys. Or lawn Gnomes.

Or whatever lawn ornaments people don’t seem to care about anymore!

The Gnomeo and Juliet plot I shouldn’t have to go over, but here it is quickly. Instead of neighboring families, it is just two neighbors. Who live in a duplex like thing, but they dislike each other. Yes, their last names are the expected ones, and one really likes red, one really likes blue. They also both have a shit ton of color appropriate gnomes and etc on their lawn. I assume that their dislike makes them have a competition with each other over who can have the most ridiculous shit.

Gnomeo (James McAvoy) and Juliet (Emily Blunt) eventually find each other, in a neighboring abandoned property. Also there is a flamingo (Jim Cummings) there. BUT WHY MUST THEIR HATS BE DIFFERENT COLORS. We also have Michael Caine as head of the Reds, and Jason Statham as Tybalt. Patrick Stewart voices William Shakespeare. Because of course he is in this movie.

Also, hopefully you like Elton John, because he is an executive producer, which means that the only music in this movie is his. The orchestra versions of Crocodile Rock and Saturday Night’s All Right For Fighting threw me off at first. But it was worse when it was his same songs, but with lyrics changed for the movie.

There are a few other subtle hints at his involvement.

Obviously the story is nothing new, and ends differently for the kids. Here is where I overthink things. In this vague world, inanimate objects can talk. Even a statue thats hundreds of years old. But so can the toys, like that doll. But why not the chair? Or laptop? They are also inanimate objects, and probably even more advanced than just…pottery pot like lawn gnomes. Where is the line drawn, filmmakers? Exactly. There is no line.

But yeah. You expected this rating anyways.