Tag: Olivia Munn

See my interview with the director/producer of Attack of the Doc!, Chris Gore, here!

If you are someone around my age, and I hate to say this, male, with a big cable package growing up, you are likely familiar with Attack of the Show! It has an exclamation point, but no, it is not a musical. It started out in 2005, as a sort of replacement for the show The Screen Savers. You see, The Screen Savers was on TechTV, it was a live show, throughout the week, about technology and all of that. But then G4 bought TechTV, started to show more video game based TV show, and eventually replacing The Screen Savers time slot with Attack of the Show!

So what is the show? Good question. It was a lot of things. It was hosted at the start by Kevin Pereira and Kevin Rose. It was about movies, video games, weird stungs, fun games with celebrities, nerd culture, and more. It was about the internet and rose with internet humor, starting to show viral things to the masses, in case they missed it. Eventually, Olivia Munn joined their cast, in her real breakout role, becoming an even bigger deal and TV show. You know, because she was a woman who was good at joking around “with the guys” and giving them a taste of their own medicine.

It was barbaric and mediaeval and cutting edge in a lot of different ways. It is one of the first shows to ever incorporate twitter in any way to its broadcast. It is a show that didn’t like to ask questions or permission, but just constantly tried to get away with more and more.

It lasted about 7 years, and disappeared into a sea of Cops reruns, as G4TV like many specialty tv stations, began to show the same basic reality shows most of the day, because it gave more profit than original programming.

It also was a show that had this in it. Amazing!

So clearly, I watched some Attack of the Show. Weirdly enough, I thought I had memories of watching it in 8th grade, but that was before it came out! Instead, it wasn’t until college, in like 2007-09 or so that I remember seeing it a lot. Watching with friends, seeing the viral videos and wild and wacky shenanigans was for sure ground breaking at the time. It was like all of the best parts of the internet in one package so everyone can be included. To clarify, I mean the best parts of the internet that can be shown on television.

It is a show that can only exist in a time bubble, and nothing that can be recreated now. Afterall, they tried, even with bringing back Kevin Pereira to host in 2021. But the ratings weren’t there, the viewers didn’t care, and it was a different beast. Why couldn’t it exist anymore? Why did it have problems? Well, the documentary, Attack of the Doc!, goes into all of that and it is pretty clear why it couldn’t exist today.

The director of the documentary is Chris Gore, who was the official Film Critic of Attack of the Show!, and had his own segment called DVDuesday. A weekly segment about new releases and what should be bought or rented or skipped. So he is someone intimately familiar with the material, and had a lot of people on to tell the story of the rise and fall of the show. And the documentary was put together through funding and Kickstarter in order to be made.

Overall, I would say it is a nice history of the show. What the documentary could certainly do less with is strange rants about woke or cancel culture. And lamenting the changing of humor. That made things weird and uncomfortable for me, personally. And made it something I wouldn’t fully love to watch multiple times. But it does show a lot of the greatest hits and makes it clear why it existed, which is one fans of the love would love to go through. The extra commentary? A weird move, but hey, it was a move they wanted to make.

I don’t think I saw the first Predator movie, nor did I see the next one. I did see both Alien vs Predator films though, and of course, Predators, from a handful of years ago.

I think I would enjoy the first Predator movie, it sounds like it is really well made and will have high levels of tension, especially in the end. I will put it on my list. I still know roughly the events of these films, because hey, geek and movie culture.

But to continue the string of very nondescript movie titles. this one is going to be called The Predator, because I guess there is only going to be one. That is some Highlander stealing shit right there. And since it is directed by Shane Black, I can only assume that it will take place during Christmas.

Time to hang up the people stockings.

Let’s all head to Mexico! Where there are drug deals, of course! Quinn McKenna (Boyd Holbrook) is an asshole, but he is our asshole. He is also a good soldier and sniper. Sure it basically cost him his marriage, being all soldier-y and out a lot, but he is still a good soldier. And during a mission, a space ship crashes nearby with a scary creature with invisible capabilities.

So he does what any hard working American would do in that case. He steals some of the monster’s equipment and mails it to his P.O. Box at his home city. Thanks to plot though, they go to his home, so his young autistic son (Jacob Tremblay) can find it and mess with alien stuff.

Through other plot, the alien gets captured by secret space force people. We got a real mean dickhead (Sterling K. Brown, who seems to be getting younger in his roles) who wants to unlock their potential. We got an alien biologist (Olivia Munn) who is surprisingly good at shooting things with various weapons. Hell, we have a whole bus load of “crazy” PTSD soldiers that they are hiding away who are going to be dealing with this thing.

But most importantly, this will end up taking place over Halloween. Damn Shane Black, way to trick us.

Also starring Yvonne Strahovski, Trevante Rhodes, Thomas Jane, Keegan-Michael Key, Jake Busey, Augusto Aguilera, and Alfie Allen.

Well I guess instead of hanging stockings, they are just hanging Halloween decorations. Makes more sense.

The Predator is basically a trash movie. A movie that feels like an incredible waste of time, and did not live up to any of the expectations that I went in with. And honestly, I didn’t have many.

People tried to talk about what the trailer implied, but I didn’t see it, so I didn’t know where they were coming from. Instead, I just know it is a crap film. Why? Well, this film is basically a comedy. It is very much almost a slapstick comedy. Because we have this group of men with zany personalities (because of mental disturbances) they all have quips and one liners. This means everyone, starting with the guy who is supposed to be the joke maker, all the way down to the more serious characters. It is like they wanted to make The Avengers, but you know, PTSD army folks.

Gosh, the humor was so annoying. At no point could a viewer feel threatened or scared by the predators. When everything is a goddamn joke, it is hard for anything to really draw the viewer in. Tense moments are wasted by jokes and by extremely bad cut jobs. This film moves all over the place, and it is hard to judge how time works. We quickly go from a night scene to an early morning scene, a literal night and day difference, in the final action sequences. If there were a lot of practical effects (/people in suits) it is wasted by the other CGI effects. The kills aren’t too great. And the predator v predator fight is not worth any amount of hype.

AND HOW THE HELL ARE THEY GOING TO HAVE A FILM CALLED THE PREDATOR WITH MORE THAN ONE PREDATOR.

This cannot be the movie people were hoping to get. Somewhere a better film might exist, but really, it needs a plot upheaval and most of it to be re-shot with a different cast. Yeah, we just need a different movie.

I had absolutely no intentions of watching The LEGO Ninjago Movie earlier in the year. When this and The LEGO Batman Movie were announced, I honestly wasn’t too fond of either idea, but this idea less so because I don’t know what the fuck a Ninjago is. It is one of their brands, but never anything I touched, so who cares.

I just wanted a real sequel to The LEGO Movie more than anything, so these off shoot films were very “whatever” on my radar.

And then I ended up being so disappointed in the Batman film and animated films in general that I needed to give Ninjago a chance. I needed to check every crook and nanny to see if all the animated films were bad. And you know what? I think this one was hated right out of the gate, with people who had very similar thoughts to mind.

No one wanted to give Ninjago a chance, which is why there hasn’t been a lot of hype for the film. And yet it, in my mind, is the better LEGO film of 2017.

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Featuring so many members of Silicon Valley also had to be intentional.

In the city of Ninjago, normal city things occur, bakers, bread buyers, bread eaters, you name it. There is a giant volcano near by across the bay, and in it lives Garmadon (Justin Theroux), a four armed evil ninja mad man who wants to take over the city, become its mayor, and rule it with his man evil fists. He is a big pain, always destroying things, bu he never wins thanks to a group of young teenagers with attitude.

You see, there is a protective ninja force in town! They have Mechs that can help them stop Garmadon every time. They all have cool elements too: The Fire Ninja (Michael Peña), The Lightning Ninja (Kumail Nanjiani), The Water Ninja (Abbi Jacobson), The Ice Ninja (Zach Woods), The Earth Ninja (Fred Armisen), and The Green Ninja (Dave Franco). Yes, the power of Green. Sucks even more for The Green Ninja, besides his lame element, because his dad actually is Garmadon.

Despite Garmadon being out of his and his mom’s (Olivia Munn) life since he was a baby, everyone knows he is the son of Garmadon and teases him non stop, because his Ninja identity is a secret. This enrages him of course, along with his anger at his dad and the fact that they never truly win. Despite the warnings of their master (Jackie Chan), the Green Ninja tries to use the ultimate weapon against Garmadon, which ends up putting the city at an even bigger risk without hurting Garmadon.

Fuck.

Now the Ninjas are going to have to find the Ultimate Ultimate Weapon, and discover how to be real ninjas without relying on Mech technology, in order to save the city, defeat Garmadon, and you know, be better people.

The story about his extra pair of arms is actually a funny one, you see….

Does the Ninjago movie have a lot of ninja stereotypes? You betcha. Does it focus on only one main plot point of the lost father/son relationship? Of course. Does it rely heavily on jokes about this relationship, bringing them up again and again? That’s another affirmative.

I believe those would be the reasons it is getting some pretty sad reviews overall. And yes, relying on one line of jokes through the majority of the film is a problem. But the good news is, it is more than just that line of jokes, they are just mostly pushed to the side or hidden in the background. In all of these LEGO movies there is a shit ton going on at all times, including quips from various characters, some without real names. And they carried the film for me.

I could have done without what felt like a long montage about learning how to throw. But the conversation about not knowing how to throw early on was amazing. And so on and so on. I found a lot of the characters to be quite amusing and thought they did well as a martial arts parody film.

But more importantly, the size and scale of this movie was appreciated. This movie is probably better to me because of comparing it to Batman. But Batman was too big. It had its own world that was unfortunately overstuffed, intentionally, so much that the had to bring in 20 or more characters to make the joke. But in Ninjago we have a handful of important characters dealing with issues in their city and not relying on outside pop culture references to tell this story.

In fact, this is one of the few reviews where I didn’t have to end my middle section with “Also starring!” and a huge list of people I couldn’t easily fit in to the plot description. It is a nice, self contained story, that amused me over the small run time. And that is why I can put it above so many other animated films this year.

Merry Christmas everybody! Sure, I am publishing this review of Office Christmas Party in January, but I totally saw it before Christmas, so this opening is okay.

I just realized that because I already saw it late, I didn’t have to rush out a review for this film, that most people were already going to ignore. Because yeah, it wasn’t the saving grace of comedy films this year. It was a standard, low effort, comedy movie.

So for whenever this review hits the actual page, let’s just pretend it is Christmas all over again. You know, so we can be disappointed and eat pie.

Bad Sign: Googling the movie name gives more pictures from Christmas Episodes of The Office than this film.

This film is about some lame tech company. In charge of the entire business is Carol Vanstone (Jennifer Aniston), left there by her father after he passed away. However, the Chicago branch is being run by her brother, Clay (T.J. Miller), and he is a big fuck up. So despite it being the Christmas season, he wants them to still get bonuses and have a small gathering to celebrate. But not according to Carol. Carol wants it cancelled, no bonuses, and 40% of their workforce canned in order to meet really high growth rates.

Really shitty. But, the CTO, Josh Parker (Jason Bateman), finally divorced and broke has an idea. If they sign the Walter Davis (Courtney B. Vance) account by the end of the quarter, they will reach the growth and no one would have to get fired! Yeah! Walter likes them, but will go with a bigger company, because of news of their layoffs, branches closing, and it seems like a negative work place.

So sure. Thanks to Clay and their head tech person, Tracey (Olivia Munn), they decide to throw a giant party at work, against Carol’s wishes. Like, a crazy, old fashioned, people screwing in the copier room type party. They will throw a lot of money into it, show their happy workers, convince Davis they are awesome, and sign him tonight, and no one will have to know!

Sex, drugs, alcohol, gifts, bonuses, and a night people will talk about for ages. Fuck the HR lady (Kate McKinnon)!

Also featuring Jillian Bell, Rob Corddry, Da’Vine Joy Randolph, Vanessa Bayer, Randall Park, Sam Richardson, Karan Soni, Jamie Chung, and Abbey Lee.

Look! Santa on a sleigh! How crazy indeed!

I wish I could say I liked this movie. I really do. It has a lot of people I like. Munn seems to mostly make bad film choices after she left Attack of the Show. Miller is usually my favorite supporting character in movies and can usually make a shitty one slightly more bearable, but he did nothing for me in this one. And I love Miller in Silicon Valley.

Aniston still keeps showing up in comedy films while failing to be funny herself. Bateman is playing the exact same role he always does. Mackinnon is forced into an awkward character that is supposed to be an HR exaggeration but every joke is cheap and easy.

It is frustrating because it is a comedy that barely got me to smile, making me laugh maybe twice at a quick joke. It tries to show a crazy and crude party, but doesn’t push the envelope at all. The majority of the party just seems to be Miller rapping over music to very happy employees.

There have been crazy out of control party movies in the past, which is what this one tries to do, but it is surpassed by most of them easily. And the ending where they have to leave he party and deal with pimp problems? It doesn’t help the plot, takes us away from the main focus, and gives us boring action scenes disguised as something interesting.

This is another low effort film, based on a single subject, where the filmmakers really didn’t know where they wanted to take it. Easy jokes, low brow humor, some stereotypes, a penis and some boobs, and I just saved you time explaining what you would see in this film.

Office Christmas Party is not something you’d want to watch with your work friends, as a Christmas tradition, or even as part of a lay party. Easily forgettable, but not easily forgivable for the waste of time it provides.

Here it folks, the big one. The Apocalypse is coming, despite everything Idris Elba did to cancel it.

The recent strange reboot of the X-Men franchise has been wildly successful. I enjoyed First Class and loved the crap out of Days of Future Past (which made my top of the year list), while also fixing some continuity issues that had been brought up. I used to like X2, but honestly, it hasn’t aged well with me, and I am tired as fuck of the Wolverine origin stories.

As a fan of the X-Men stories, Apocalypse has always felt like their biggest and greatest enemy. He is their Thanos or Darkseid. Not their main enemy, just their biggest threat. So to see it finally come to fruition on the big screen is both exciting and frightening. It is obvious why I am excited, but I am also frightened that I am over hyping the film. Days of Future Past did a lot of things right, so it will be hard for them to live up to that film. There are so many ways for X-Men: Apocalypse to go wrong.

But despite all this, I will do my best to not make fun of the way he looks.

He looks a lot less like Ivan Ooze in the actual film!

Ten years after the events of the last film, the world has changed for Mutants. After Mystique’s (Jennifer Lawrence) speech, mutants are a bit more understood and not completely seen as threats. In America, they can look weird and walk around and most people seem to accept them. It helps that Magneto (Michael Fassbender) has gone into hiding in Poland to live a new life, and Xavier’s (James McAvoy) school is a rousing success!

Until shit starts hitting the fan. Moira Mactaggert (Rose Byrne) discovers cults that are worshipping ancient beings believed to be the first mutants. Sure enough, bad events occur, and En Sabah Nur (Oscar Isaac) is out and about after being trapped and asleep for almost 5700 years. Go fuck yourself, Rip Van Winkle. What’s an ancient deity gotta do to get some respect around here? Make a new team of individuals to help him gain more powers and enslave the world of course! That is why we get to see new people, like Psylocke (Olivia Munn), Angel (Ben Hardy), and Mowhawk Storm (Alexandra Shipp)!

Ah, the end of the world. The best time to introduce young new guys to the fold too. Like Jean Grey (Sophie Turner), Cyclopes (Tye Sheridan) who is of course Havok’s (Lucas Till) brother, Nightcrawler (Kodi Smit-McPhee), and Jubilee (Lana Condor).

Also returning: Nicholas Hoult as Beast, Evan Peters as Quicksilver, and Josh Helman as Col. William Stryker. And featuring Warren Scherer, Rochelle Okoye, Monique Ganderton, and Fraser Aitcheson as the original four horsemen.

Something new, something old (Apocalypse), and a whole lot of somethings blue.

With X-Men: Apocalypse, we now have our third 2.5 hour Superhero film of the year, which must the new normal. Please be different Dr. Strange. The timing felt good for Civil War, but it was too much of a run time for this film. Plenty could have been cut out to give a more straight forward and less clunky film.

Here is the good stuff though! I almost gave this a 3 out of 4, because what worked really worked. There is a scene that actually made me tear up in this film. It was then immediately when extra lives were somehow lost without making a whole lot of sense. I will say that Magneto’s reason for getting involved seem almost completely justifiable, and like normal, Fassbender and McAvoy basically carry the film. Lawrence isn’t bad in her role, although Mystique’s arc seems just a bit weaker. In terms of new characters, Smit-McPhee as Nightcrawler does a fascinating job and Turner as Jean Grey grew on me over time. Quicksilver was a lot more involved in the plot and his moments were some of the highlights of the film again. It is great that they made him more integral to the plot and confirmed some of his backstory.

And finally (a vague spoiler) we have a film where characters can actually die from these extremely powerful individuals doing battle. Thank goodness.

For most of the other players, everyone else feels underutilized. Psylocke is only really used in one fight, we get a decent amount of Angel but it isn’t great, and Storm doesn’t have many great moments. And if you were one of the dozens excited to finally get Jubilee in film, then quickly suppress that excitement, because she does diddly squat. And of course we have the wonderful OSCAR ISAAC to play the big bad guy, but for half the film his voice is distorted and there is never really a moment where he can really display any great acting, which makes the casting feel a bit wasteful.

It could have been the 3D and theater settings, but the CGI felt weaker than Days of Future Past. Apparently Apocalypse’s powers involve turning items into sand and sand into items for the most part with the occasional cool purple thing. Add in Magneto’s electric field near the end and we just get a used over and over again ugly look to the whole film.

This movie is not as good as Days of Future Past, and maybe not even as good as First Class. It is still decently enjoyable though, but it features a clunky plot with a lot of underutilized characters. The good news is that for the parts that work, they work really damn well. I mean, who doesn’t enjoy some nice fan service?

Two years ago, I was facing another hoard of January movies and afraid of what might come out. But I had seen a trailer for Ride Along months before and was a bit excited about it. Kevin Hart can amuse me and the concept seemed funny enough. It was going to be the movie to save January for me. I was so ready for it.

And then it was average. It being average made me feel even more disappointed since I had such high hopes for it. That Awkward Moment ended up being my good January movie.

That’s right, with fucking Zac Efron.

And now two Januaries later, we have Ride Along 2. Kevin Hart also had The Wedding Ringer last January, making it three years in a row he has had a film come out that month. That is never a good sign for an actor. I hope he is getting some other roles out there somehow.

This time with new hilarious side characters who are from the finest of films before this one!

The sequel takes place only a few months later, I think. Ben Barber (Hart) is now a police officer, but he is in the mentoring stage and not a full time cop just yet. So he gets to shadow other cops, lieutenants and detectives, like James (Ice Cube)!

After a drug bust gone bad, James finds a mysterious USB drive with a crazy hard to beat encryption. Thankfully the hacker who did it left a calling sign and they are able to track it to A.J. (Ken Jeong) out of Miami. James only agrees to take Ben along with him as part of his training as a wedding present to his sister (Tika Sumpter). Oh yeah, the wedding is in a week, so hopefully they get back in time.

Oh no! It turns out A.J. is involved in a murder plot. And maybe someone out to murder him as well. This turns their quick Miami trip into working with Detective Maya (Olivia Munn) to solve the whole thing before they get dead. And not a spoiler, as it is the first scene, it is clearly the nice rich ship dude, Antonio Pope (Benjamin Bratt) behind everything. They just have to figure that out using their smarts first.

Also featuring Michael Rose, Sherri Shepherd, Carlos Gómez, Bruce McGill, and even smaller roles by Arturo del Puerto, Tyrese Gibson, and Glen Powell.

As I said and I shall repeat again, the finest of films I tell you!

Ride Along 2 was worse than the first film. It is an Action Comedy that has barely any laughs and non exciting action. It is a bore, which is definitely not an emotion you ever expect from either of those genres. You can totally expect that from Dramas.

In terms of humor, I did find one part near the plot finale did make me laugh. I laughed out loud and a lot, it was a nice shake up. But one great joke doesn’t save the film. Maybe I am getting immune to Kevin Hart’s ranting. Ice Cube had to play a serious guy, but 98% of his jokes fell completely flat. As for the action, it seemed almost like a parody without it being a parody. It had so many action cliches it was like watching something that came out of the 90’s but it never was aware of that fact. Explosions for every minor thing (which can be funny if intentional, like in 21 Jump Street), terrible shoot outs, and never any real fear or worry behind it.

There was one car chase scene where, in order to explain why Ben was a great driver during it, the film became to morph into a pretty bad looking video game. It was supposed to be similar to Grand Theft Auto, but the constant shifting of the game in his mind and in reality was only a major annoyance and took away from what could have been one of the more exciting parts of the film. In that sense, it is another example of what some movie in the 90’s might have done, but nowadays only a straight to DVD film would think that is a good idea.

On a final note, do you know the last time a movie decided to place its sequel in Miami? Do you? It was fucking 2 Fast 2 Furious, a travesty of a movie, and it is a surprise the franchise didn’t die on the spot. I don’t see this franchise lasting 7 movies, because at least The Fast and the Furious was decent. This is two weak films in a row.

I wanted to see Mortdecai. Really I did, when it came out. But something came up and I wasn’t able to go to the screening.

So I went home and waited. I saw as the pages and pages of reviewers and critics talked about how bad the movie was. What? How can this be? I liked the trailer. I thought it would be amusing. But I still find some of the more quirky characters that Depp plays to be quite endearing.

I was even more excited to find that the movie was rated R. So it wouldn’t be some just zany family movie, “Oh teehee, look at my moustache!” or anything. We might get more creative and raunchy jokes.

So I waited even further. Still with the hope that maybe everyone would be wrong about Mortdecai, in my head. Much like they were wrong about The Lone Ranger.

Rumor has it that Depp literally sexually assaults all of the viewers of this movie.

Charlie Mortdecai (Johnny Depp) is an eccentric rich man. Or at least, he used to be rich. They are on their last legs and just putting up a false front now. He also has decided he wants to grow a mustache. It is a tiny thing. But all of his family in the past had them, and he wants one now! This mustache is more of the main plot than the art aspect of it all.

His wife, Johanna (Gwyneth Paltrow) hates the mustache and more or less refuses to interact with him throughout the film because of it.

A famous painting is stolen from a home by Emil (Jonny Pasvolsky), that is then stolen from another thief, and everyone is up in arms over it. So Inspector Martland (Ewan McGregor) comes to Mortdecai for help, due to his art knowledge. And yeah. You know. A comedy heist-esque movie about finding a painting and other secrets. Mortdecai also has a loyal man servant, Jock (Paul Bettany), who is great a sex and making sure Mortdecai doesn’t die.

And of course there is Jeff Goldbloom as an Art guy with his nymph daughter played by Olivia Munn. And Paul Whitehouse is in this movie, but I was sort of unsure of what his overall role was. Besides an art enthusiast/collector.

Ewan bringing back a pseudo mullet. I can’t say I approve. 😐

Fuckkkkkk. January movie gonna January I guess. Like I said, I thought it looked amusing. I thought it could have been great. I figured it would have earned the R rating, but it felt like a regular PG-13 by the end of it. Shit, outside of Mortdecai’s desire for sex and the sex references to his man servant, it felt like it oculd have been PG.

But that is also because I don’t remember a lot about it. At all. I just watched it and I am sitting wondering why I kept going. It wasn’t funny, it wasn’t sexy, it wasn’t even too original. Art movies in general tend to e pretentious sorts of things, and I believe it was attempting to mock that pretentiousness, but fuck even that failed.

I think I am mostly disappointed in the all-star cast giving me this overall dud. Maybe one recurring joke throughout made me amused, which involved Jock continually getting injured. But that is it.

Mortdecai is 107 minutes long, making it roughly 115 minutes of your time wasted. Added in extra for bathroom breaks and time thinking about actually w atching it.

The first time I saw a trailer for Deliver Us From Evil, it definitely scared me. It was simple and basic, but it did the trick. They made a more plot based trailer eventually, but I never saw it.

It should have been of no surprise that I found the trailer terrifying, because the writer/director of this movie also wrote/directed Sinister from last year, which I loved. He seemed to have a real knack for the build up and tense moments, with the occasional jump scare to poop thine pants.

Basically, I was kind of excited, is what I was getting at, despite my dislike of being scared.

Who actually likes being scared anyways? Who? Who? Who?

The story mostly takes place in the distance past, 2013, with Sergeant Ralph Sarchie (Eric Bana, sporting a pretty accurate to me Bronx native accent) rolling around his turf, stopping bad guys. He has had a rough couple of cases recently, some dead babies, a dude who beat his wife, a lady who threw her baby into a lion pit.

Whoa now. Let’s go back to that. A Jane Crenna (Olivia Horton), mysteriously threw her baby over the side, then the lights went out in the whole park, causing everyone to flee. She was found later in the park, digging holes and singing The Doors very quickly. There was also a mysterious painter (Sean Harris) who was seen at the lion den, but got away, also mysteriously.

Things just are not going Ralph’s way. He is getting angrier at all of these stranger events, affecting his home life with is wife (Olivia Munn) and daughter.

But things don’t really get weird until he starts to see the connections between a few of his weird events and things I didn’t say. Unfortunately, it might even take a priest (Édgar Ramírez).

Also starring Daniel Sauli, as a mean man, and Joel McHale, as a character who is a cocky asshole. But this time the cocky asshole has a slight accent and a bit more relevant character traits than normal. Oh, he is also Ralph’s partner.

Man, that painter really doesn’t understand his job description.

First things first, yes, I did indeed get scared during the movie. There were a lot of jump scares too, a significant amount to say that they might have been a majority of the scares, which is annoying. But some of these came at such random times, just out of no where, that they did shock me. There was also fear in the build up and scene building, as I mentioned above that Sinister had. So despite the jump scares, the fear is real.

The plot? I actually enjoyed the plot. There is obviously an exorcism in this movie. Why else would we have a priest? They kept it mostly fresh and action packed. The fact that this was a sort of crime/mystery + horror movie really got you invested into the plot. Eric Bana was at his best and really flourished during this movie to I thought. Good job Bana. Everyone else? Eh, take it or leave it.

However, there was something incredibly terrible with this movie. Sound Editing/Mixing/Whatever. Holy crap, it was terrible. I feel like a real reviewer using these words, yes. Okay first off, yes, the main character began to hear things that other people could not hear. It was static noise, kids playing most of the time (and the kids playing used a very recognizable sound clip, so it was awkward every time it ran). But the rest of the movie’s sound was all over the place, screams out of nowhere as part of the music basically, despite nothing making the noise. Not just normal movie horror noise. Just very loud, all over the place, disjointed. It took me out of the movie numerous times.

There were a few cheesy moments too. The detective who was watching the exorcism from a distance made snide “OMG” like comments every now and then, un-tensing one of the final important moments of the film. Minor things like that. But mostly the sound editing.

So I don’t think it is as good as Sinister. But it wasn’t also trying to be inspired by a “True story” so that is another good bonus for Sinister over Deliver Us From Evil. Still very watchable.

Turns out The Babymakers is kind of a Broken Lizard movie. Why kind of? Because some of them are involved, and directed by that one guy. But not the whole crew. So not an official one.

Sad. Because apparently they need the whole group for it to be especially entertaining. 2/5 of anything is bound to be a disappointment!

There is a dick joke there.

Audrey (Olivia Munn) and Tommy (Paul Schneider) have hit their three year anniversary for marriage! Which you all know is the anal anniversary. Wait no? Oh. They want to have a kid finally? Well that’s good.

Nine months later, they are still trying. Sucks to suck. Turns out Tommy boy is shooting blanks now. He cries fowl. It can’t be his junk! Why not? Because secretly before their marriage, for twenty weeks straight he donated his sperm to pay for the ring. So maybe he has a bunch of kids running around now. Twenty even? Well, his friends (Nat Faxon, Kevin Heffernan) agree he should go see if they have any left! Yeah! One vial! But uhh, they already sold it.

But it won’t be used for another work. So why not steal it back? Anything for the love of his life. So they get a friend of a friend, who was in the India mafia, Ron Jon (Jay Chandrasekhar), and work on robbing a weird kind of bank.

The India mafia is known for its brutality and violent protests.

I felt like I barely described the movie, but unfortunately that is all that happens. Heck, the synopsis brief is a guy has to steal his sperm back from a sperm bank, to impregnate his wife as he has now gone sterile. Unfortunately it takes about 4/5 of the movie before they actually go and do it. It isn’t even like there is tons of planning before hand either. It is just that the movie went everywhere else first, the scenic route, to what the movie is about.

Speaking of dick jokes, there wasn’t as much as I would have expected. Basically the only real reason to see this movie is to see Olivia Munn in a lot of sex scenes, non nakedly, if you wanted to avoid Magic Mike for whatever reason. Only a few amusing scenes, and a plot that takes a ridiculous amount of time to get going.

Movies about male strippers aren’t very common in the world for whatever reason. Women strippers? Sure. But men? Nah. Which is shocking, given the large success of the last male stripping movie I’ve seen, The Full Monty. So why not Magic Mike? Only like a 14 year difference or so. That is incredibly small amount of male stripper movies.

But when you also decide to make this movie pseudo-biographical? Yes. Apparently it is inspired and slightly based off of Channing Tatum‘s early life, when he was a male exotic dancer. Well, that just makes it heartfelt. I guess.

We at Gorgview.com would like to note that we are not sexist, and as such we are fine with men being turned into objects, just like women.

In the heart of Tampa is a dangerous part of town. Sexydangerous. A male strip club, that is only open three nights of the week, where women go to flip a shit over men getting almost naked and dancing. Lead by Dallas (Matthew McConaughey), a now slightly older showman who never strips himself, he brings on energy and a good time to any lady who has the cash. Their biggest act is Mike (Tatum), now 30 years and still showing off his strong dance moves. Other dancers include Tito (Adam Rodriguez), Ken (Matt Bomer), Tarzan (Kevin Nash), and Big Dick Richie (Joe Manganiello).

While working on a construction gig, Mike runs into Adam (Alex Pettyfer), just a 19 year old kid, who is pretty down on his luck. After a few run ins, he has him stop by to help run props for the dancers, and due to an accident, he is thrown onto the stage to strip without any real training! Well it works out, kind of, so he joins full time. And he has a sister, non approving Brooke (Cody Horn). Mike would totally persue that, you know, if she wasn’t so stuck up, didn’t already have a boyfriend, and if he didn’t kind of have a weird thing going on with Joanna (Olivia Munn).

Either way, Adam is introduced to the living large lifestyle, and gets pretty deep pretty fast. Mike himself would rather stop stripping eventually, and work with his hands, building customer furniture. Once banks give him a damn loan (shitty credit dealing only with cash), and you know, if he didn’t have to pay off other miscellaneous purchases. Oh yeah, and Gabriel Iglesias is the club DJ, but as he is Hispanic, he is also a drug dealer.

To further clarify our non-sexism, here is some women potentially being objectified as well.

So, surprisingly I guess, the movie wasn’t completely terrible. Was there lots of eye candy for the females? Sure. But the dance moves / performances were generally mostly good, with some big exceptions. Even some funny moments. But the biggest problems really came from a technical stand point.

Generally, I found the transition between scenes to pretty bad in this movie. It opens to the McConaughey “do not touch” monologue from the trailer, but then goes to a black title screen with JUNE on it. Alright. I have no idea why though. I guess the first scene wasn’t June, and now it is? Or we are in a flash back? No, they just arbitrarily decided to tell you the current month that way, fine.

But besides that, scenes would end a little bit too long after the joke, or just at other awkward moments, never flowed too naturally. They also tried to do a lot of long shots for conversation scenes, which were hit and miss. Most of the time they were a miss if they involved Cody Horn, who was pretty bad in this movie. I guess her character was supposed to have a disapproving look 100% of the time on her face, but holy crap was it annoying.

Finally, Kevin Nash. What the fuck. He played the bigger male stripper, but whenever there was a group dance scene, I couldn’t pay attention to the sweet break dancing, because every time he was on camera he looked out of place. Dancing like a robot, not doing much at all. They could have easily gotten a big guy who can actually jump, no idea why they went to shit with him.

I’d say the plot wasn’t the best, but the (mostly) well choreographed dance scenes earn it a watch.