Tag: Kyle Gallner

I am pining (Pine-ing, if you will) for a conspiracy here, so hold on to your butts, let’s see what I can do.

Chris Pine is a weird guy. He does a lot of weird movies. Did you see Stretch? You should go see Stretch. At the same time he is a bit of a Hollywood pretty boy, so Disney wanted to get him in some of his movies.

They got him a small role as a Prince to make him feel important in Into The Woods, offering him the lead roles in future movies. Which brings us to The Finest Hours. I guess I am teasing a bit, because, I won’t get to the point of this intro until after the second picture.

Chris Pine-spiracy.

This is one of those Disney true story period dramas that they do quite often, and half the time in Sports. So they picked a 1950’s Ship Disaster, where two large Oil Tankers near Massachustes were ripped in half during the same storm. And during this same storm, the local Coast Guards had to attempt to save the lives of as many people as possible.

Our hero is 23 or 24 year old Bernie Webber (Chris Pine), a guy who grew up in a small town near Cape Cod and who has been sailing most of his life. So he joined the Coast Guard to save lives. There was a big storm the year prior where he was unable to do that and it has haunted him. So it comes to no surprise that he is willing to risk his life to go out into a bigger storm to do it again. His commanding officer (Eric Bana) isn’t from the area and is inept, meaning that he shouldn’t have sent out anyone due to the waves and the shifting bar. But then we wouldn’t have a movie.

Webber and his crew (Ben Foster, Kyle Gallner, John Magaro) take a small 32 foot boat to find the half of an oil tanker that is apparently a few miles off the shore. They don’t have an exact location, it is night time, and of course en route they also lose radio communication and their compass.

Meanwhile, on the ship itself, it is a giant vessel, in half, floating throughout the big waves. The crew consists entirely of workers, with the captain and “real leaders” being on the other half and totally dead. The de facto leader goes to Ray Sybert (Casey Affleck) a quiet type who runs the bottom of the boat. I am sure there is a real name there. He has to stop the crew from trying to mutiny and turn on each other, while also have them attempt the possible: to steer half of the ship to a shoal or a beach somewhere so they can maybe get rescued. They do this with the constant flooding and fear their engine/power will go out, which means no lights on their boat and no whistle to call for help.

The crew is made up of over 30 men, including Graham McTavish, Michael Raymond-James, Abraham Benrubi, Josh Stewart, John Ortiz and Keiynan Lonsdale.

Also featuring Holliday Grainger as Webber’s new fiance to give us that love interest and pseudo Interstellar moment, and Matthew Maher, aka the Holy Bartender from Dogma, with a sizable role as angry tow truck driver.

And dozens of extras who only grunt and scream and work. Dozens!

Back to the beginning. Disney wanted to woo Chris Pine because they wanted him to be a superhero in the Marvel movies. It makes sense. He is a big actor, in Star Trek and all. So they offered him a gritty-ish historical film to woo him hardcore and play to his interests. But Pine was sleeping around. Pine is now signed on to play a role in the Wonder Woman! Sure actors have played both sides of the field, but not since it has gotten to its current big status. So, thinking that Pine has made his decision, they decided to make The Finest Hours not as great as it should have been. They don’t care about a flop. They have Star Wars money.

For a film with a lot of issues, I feel I need to mention to best parts first. Casey Affleck was wonderful in this movie. His character was unique and had a consistent personality and was a great watch. Well done Affleck! McTavish also did a good job of grizzled pseudo-assistant.

The rest of the film? Well, first of all, it probably should have had permanent subtitles throughout. We have accents all over the place, so many characters require a bit of a stretch to figure out their words. Add on a loud angry storm, with people trying to yell things, and shit. Half the movie feels almost inaudible.

The next sense that is betrayed have to be your eyes. The entire film is mostly ugly on the color scale. It is grey, dark grey, and occasionally white, but usually grey white also. An already dark movie is made worse with 3D, adding to the overall darkness. And yes, as you might have fussed, the 3D adds absolutely nothing to the film, making it an unnecessary hindrance. Every single wave looks fake, so it is hard to really get drawn into any of the tension. I spent good chunks figuring out where the green screens were and how much of the water was actually real.

I don’t think anyone is real in this picture.

As for the actual plot itself, the romance, despite real, feels incredibly shoe horned. They realized they made a very man focused film, so only one woman, a fiance, has any real screen time and has to do everything as a result. We have to see her be strong and do things that were unheard of at the time for women. Showing great women is movies is a good trend, but not if it is badly done and at the detriment of the film. Not every film has to have it.

These scenes just made the rescue more drawn out every time they cut away from the two groups. And the intro of the movie is entirely about their romance, which also feels overly long, while also not allowing the audience to feel emotionally connected to either of them.

As a final moment of disappointment, a big advertising/selling point of this film is that there were 32 survivors on the boat and the rescue boat was small with only room for 12. They made it seem like there would be a nice moral/ethical dilemma once the boat was found. In reality, it was entirely ignored and the issue was solved by just fitting everyone on the boat quite easily. More great potential suspense floundered.

The true story of The Finest Hours is great. It could have been a very inspirational tale. But it was filled with cheese and shoddily made, giving what feels like a half-assed feel good film.

1 out of 4.

Oh hey, so apparently Courtney Cox has directed a movie. She wants to go the David Schwimmer route now.

I didn’t know she was the director when I watched it though. I wanted to see Seann William Scott. I repeat, I watched Just Before I Go because it was starring Seann William Scott.

Scott isn’t a terrible actor, he is just terribly typecasted. Most of his characters are not smart, but they are all generally different. And fuck, Goon was the best. Fuck you if you think otherwise.

Look at him, breathing underwater. That is acting folks!

The film opens with out main character, Ted (Scott) drowning. See above. Yep, he is narrating about his death at the start of the movie, much like the very recent review of mine of Catwoman. Man, having a Catwoman comparison right off the back is not a good thing.

Let’s back up, of course. Ted had a decent life growing up, until his dad died. Then he was full of grief and his life went to shit. He started getting picked on by bullies, both teachers and classmates alike. So he eventually moved away from his family and started a new life far far away. He had a boring job and a woman, Penny (Elisha Cuthbert), who accepted him. Until she left him because he was boring, safe, and stagnant.

Well shit. So now Ted wants to go back home, make amends with a few folks, and then kill himself. Poetic. Kind of. He has to beat up the local bully (Rob Riggle), berate his old teacher (I don’t remember and IMDB doesn’t want to tell me), and also thank a cute girl (Mackenzie Marsh) who was nice to him in high school.

Pretty simple. He even gets to stay with his dick cop brother (Garret Dillahunt), who has a wife (Kate Walsh) who doesn’t love him, and a son (Kyle Gallner) who has to hide his gayness. Woo, gayness. The actual plot of this movie comes when Ted goes to yell at his very old old teacher and ens up meeting her grand daughter, Greta (Olivia Thirlby), who ends up wanting to document his final days before suicide after hearing his story. Very sweet.

Also featuring another high school kid (Evan Ross) and his mom (Cleo King).

Picture chosen because I didn’t want too many of Ted drowning.

Again, no idea Courtney Cox was involved in this project until I looked up picture for the movie, and instead, got a lot of her walking the red carpet. It was quite odd and I was worried I missed her somewhere in the film. Maybe she was secretly the old lady?

Unfortunately for Cox, I think a lot of the blame lies on her side of the movie field. The story has elements that seem interesting. Some of them, sure, they are common, but there were some more unique elements as well. It just doesn’t feel cohesive. The film’s different subplots and stories don’t mold in a way that is pleasant to the mind. It doesn’t know if it wants to be funny, serious, or maybe even a dark comedy. By the end, it mostly just feels cheesy/Hallmark-y. It is all over the place, which can be a good thing, but in this movie’s case just falls flat. Scott doesn’t do great either. He feels like such a bland character, it is impossible to root for or against him. Like if he was an actual jumper, you would turn away apathetically not caring if he fell or not. You would go and wait in a long line at Starbucks instead.

For whatever reason, this movie is rated R. There is about one risque scene that happens about three times, but they don’t even show any nudity during them, making it one of the more tame R rated movies of recent months.

I have nothing more to say. It is a movie that tried to reach some deep and interesting subjects, but felt flat and just left me bored.

1 out of 4.

I am definitely really late getting to see Dear White People. Hell, I didn’t even know what kind of movie it was going in to it. I literally thought this was a documentary.

Well, despite being a real movie and not a documentary, it took me too long to see it because clearly this movie was made for me. As a white person, having this title means that it is like a letter to me and other white people. That’s good. Gives me something to relate to right off the back.

Basically, this is almost the exact opposite of For Colored Girls.

If they think that review is terrible, they should see my review for Jane Eyre!

Dear White People takes place at an IVY league school that is undergoing some change. There are specific houses that individuals can live in and some have developed themes. Some are party houses, some are for business type folks, and then there is the Armstrong/Parker house, predominantly black.

The administration (Peter Syvertsen) wants to make houses a random process and mess up these themes to induce diversity throughout their mostly white campus. Sam White (Tessa Thompson) believes it is just an attempt to quell the social rustlings of the black students, making it harder for them to organize and protest. Sam also runs a radio show called Dear White People, calling out race issues along with appropriate music, and wrote her own book. She is pretty good at race issues.

She surprisingly wins the election for House Head against her ex Troy Fairbanks (Brandon P Bell), son of the dean (Dennis Haysbert). The elitist type.

Our other main characters are Lionel Higgins (Tyler James Williams), a gay black man journalist/writer who doesn’t feel like he belongs to any group, Coco Conners (Teyonah Parris), a student video blogger who is willing to create drama to rise to the starlight, and Kurt Fletcher (Kyle Gallner), son of the President who feels untouchable and organizes the hip-hop/blackface party.

Also featuring Brittany Curran, Marque Richardson, Malcolm Barrett, and Justin Dobies.

I found him. I found the white person!

Dear White People is an increasingly rarer satire comedy drama. Although the film is clearly fictionalized, it is inspired by actual parties around the united states and actual discrimination that people go through. It presents a lot of good arguments, including lots of social science theory at almost every opportunity. It also showcases clear examples of how the world works in the film.

But also, also, it makes it very clear this is a complicated issue with no clear solution. The entire world is not just black and white (heh). Every person is different with different experiences and what they think and say in public might not reflect their actual feelings. Sometimes people do what they are expected to do.

As for the acting, Tessa Thompson does a great job carrying this movie. She was very believable in her role and is clearly knowledgeable on the talking points. The other lead, Tyler James Williams? Well shit, his fro was so distracting I couldn’t even recognize him as the best part of the short lived Go On. His journey in this movie is the most interesting, followed closely behind Tessa’s, but more importantly is that they are both different and very realistic.

The only thing I could really want more out of this movie is even more issues brought up, or even more perspectives thrown into the mix. But hey, they might need material for a sequel.

3 out of 4.

Time to start a movie with some controversy. Maybe two levels!

First of all, I remember when the book American Sniper came out. I remember a lot of people getting it and loving it too. Biography of Chris Kyle, the deadliest sniper in military or something like that. I also remember all the controversy after that about all the lies in the book. He lied about several things, Jesse Ventura even won a lawsuit about the lies in the book, and the fact that he lied about seemingly random things, brings the whole truthfulness of the book into question.

How much of it is exaggerated? Apparently there isn’t even a stat of confirmed kills, so that part might have no merit either. Basically, a curve ball into the biography thing if it is based on a fictional book.

Second controversy? Oscars. American Sniper got nominated for a lot of awards and people are angry for some reason. Mostly people clamoring for diversity. Or that the Academy is old pro-war people. I dunno. I think it was mostly people who hadn’t seen the movie. Like me, until now.

Guns, America, Yee-haw, and patriotism!

Chris Kyle (Bradley Cooper) came from humble beginnings. Texas. His dad told him he needed to help and protect others. He was a cowboy in the rodeo, but thought about going into a more noble career after seeing war news on TV. No, not 9/11. Some 1998 U.S. Embassy attacks in Africa.

He became a Navy SEAL, which lead to him becoming a sniper, and he went off to fight some wars. Namely, four separate tours of duty, which I have been told is quite a lot. He had a few important missions there and had to kill a lot of people, but he also saved lives. And some he did not.

Hey, and between these, he also met his future wife, Taya (Sienna Miller), who he had kids with. Being away a lot really caused a strain on the family, but at least he was doing something America.

Also with some other bros, like Kyle Gallner, Sam Jaeger, Luke Grimes, and Jake McDorman.

And here is the now infamous fake baby scene!

Since them movie is based on a book based on lies, it is probably okay not calling this a biography. Right? Yeah, if we just examine this as a work of fiction, it becomes easier to judge and biases can be ignored.

Nice and simple. On its own, it is actually a pretty good war movie. It has the training, the motive, the childhood story. We have several different war plot lines with some moral ambiguity. It isn’t just about “getting the brown people!” and never even gets close to implying that. It examines PTSD and ways to work through it. It covers the whole spectrum.

I didn’t get super emotional near the end, especially since I knew kind of how it was going to end, but I can see how it tear jerks.

Cooper still looks like himself, but like, a fatter, slightly more buff version. He also has a killer Texan accent. I can say he definitely acts really well in this movie. I can understand why he is considered for Best Actor, but he has no chance of winning. At least three or four people I can think of who acted better, unfortunately only a couple of them also got nominated for that category.

Despite the controversy, despite the lies, Clint Eastwood makes a pretty good modern war movie with a character people might find relatable, that examines a lot of issues with war. It also isn’t inherently pro or anti war. Just pro soldier. That is a fine enough message.

3 out of 4.

I didn’t plan on watching Little Birds, it was right next to the movie I wanted in the store. But that movie was gone, so fuck it, why not. Could be good.

I will admit, I had a huge brain fart when I picked it though. I saw that it had Juno Temple as an actress in the movie, so I of course went, “Ohh, I love Ellen Page!”. Damn that movie Juno confusing me every time.

Come on Juno. You are on the back of a bicycle. Smile like you fucking mean it! The story is mainly about two girls living in Salton Sea, California and they are poor as fuck. Well, decently poor. Lily (Juno Temple) is shown with cut marks around her vagina, clearly there from some attempted suicide. Which her dad totally did. Her mother (Leslie Mann) is doing the best she can, and pretty dang caring, but Lily is super angsty at 15, so she doesn’t care.

Alison (Kay Panabaker) is living with her dad, who is a super alcoholic. She also lost her mom, but to the Cancer. She and Lily are great friends, except Alison actually has a positive enough outlook in life. Because she isn’t a cunt.

Eventually they meet some skater boys, and said see you later town, it wasn’t good enough for them.

Yep, they decided to leave the area, steal Alison’s uncle’s truck, and drive to LA a few hours away to meet the boys. Lily is totally into Jesse (Kyle Gallner), where Alison doesn’t really care for any of them, but gives into peer pressure. The leader of the boys is David (Chris Coy), who is a no good, do nothing. They all are runaways too, living in a not so very safe abandoned apartment.

So why not get into shenanigans? Outside of normal crime and skateboarding. Like setting up dates for Lily with middle aged men to steal their shit when they get back home. Yeah, that can’t go wrong.

It was pretty great living for the boys before Lily/Ali joined them. Well, this is an indie coming of age movie. It turns out most of these are all the same. We have unlikable characters, doing unlikeable things, leading me to not liking the movie. Crazy how that works out.

I wouldn’t say that the acting was bad, just I was incredibly bored by all of it. It took a long long time for the girls to meet the boys and go to LA, where any excitement started to happen. It was a chore to watch Lily bitch the whole film about her life and hate her mom, for no reason at all.

But then when we got to LA, it took awhile still to get exciting. The ending was a bit exciting, but I hate out they ultimately decided to go with the scene. Sure, it was unpredictable, but the predictable ending would have been a lot better and make more sense.

Kay Panabaker was the best part of this movie, although she has yet to be in any movie that I have rated decently. Come on woman, I liked you (ish) in No Ordinary Family. Make your sister proud.

1 out of 4.

Some things in life are timeless.

A lot of those things are classic movie villains. Sure you have your Draculas and your Frankensteins. But in the 80s we were introduced to a new batch. Like Jason! And Freddy Krueger.

So with these franchises already past the point of overabundance, I don’t care if we get a remake. Why the hell not? It couldn’t get worse. They could even change everything about how it got started, and I probably wouldn’t care. Just give me cool deaths or something, maybe real scares, and make him terrifying.

Well, right now he looks like burnt beans. I mean that kid from Even Stevens.

Guess what. In this movie, people are dying in their dreams. There are Nightmares On Elm Street, and they are deadly.

Dean Russell (Kellan Lutz) is flipping his shit at a diner, and it appears that he slits his own throat in a dream like sequence. He is being attacked by a strange man, burnt face, hat, blades on one hand. Oh yes, the Freddy Krueger (Jackie Earle Haley) is all up on his life.

So I feel strange talking about the plot outline of this movie. It is fucking A Nightmare On Elm Street. He kills people in dreams, because he died a long time ago for being a pedo. SOmehow magic is involved. Some of the teens begging to die include Katie Cassidy, Kyle Gallner, and Thomas Decker. Rooney Mara gets to be our main lady, so she might survive. We shall see.

Oh, is Freddy a teacher now? There is no joke here.

Wait, did you see the cast listing? Outside of Mara, they have basically Twilighted this series. Maybe the original had some big teen stars too, but they didn’t have Twilight. This one is more obvious.

What really bugged me was the high quality of the camera work. It made the movie seem fake, having it set to ultra HD standards. The 80s movies are gritty, because that was the only quality available, but it also added to the fear. The crisp quality made me actually hate the movie, which I don’t think I ever said before. It just took me out of the moment.

Rehashing the story felt silly the whole time. Another problem? None of the deaths felt particularly creative or anything. The plot to fight back was stupid. The ending was stupid. The movie/remake was stupid.

1 out of 4.