Tag: Anthony Mackie

Yep, I am awesome. I got to see Captain America: The Winter Soldier as a special promotion over a whole week before it came out. They just told me I couldn’t release a review on it til April.

Fine by me, early movies are early. The first Captain America I really enjoyed, but didn’t feel patriotic enough. There was a severe lack of American flags throughout the movie and I just couldn’t accept it. There was a lot of Nazi stuff too, which is silly. I want America stuff, not Nazi German stuff.

Uniform looks diluted. Patriotism failed.

This movie takes place dozens of months after The Avengers. Steve Rogers (Chris Evans) is living a sad life. Sure, he lives in Washington D.C., a patriotic city if any, but is bored. He is still working for S.H.I.E.L.D., but he isn’t killing Hitler, so what’s the point of it all?

Which is when Nick Fury (Samuel L. Jackson) comes back. What a shifty character. Fury has some information regarding Rogers and his family. Turns out Rogers’ brother had a son a few years after World War II. That’s right, the Captain has a nephew. But the weird way time travel works, the nephew, Alexander (Robert Redford) is of course now much older than him. Hah, how silly.

But Alex also helps run the council that oversees the world in the Marvel Universe. Pretty baller. He is the one that lets him know about The Winter Soldier (Jeremy Renner). He apparently just came out of Russia, another classic enemy, has some robot parts and really wants to fuck some shit up.

Good. Steve doesn’t understand technology much anyways, so he is happy to do battle. Of course, when he realizes his true identity, he might have some moral convictions.

Or they might just stand there chatting about the good times a couple years ago.

Man, if people were upset by the changes to the lore in Iron Man 3, they would probably be even more furious at these changes. To change the identity of The Winter Soldier like that to Hawkeye? Man. Why do they keep making him the badguy? No one even really likes Mr. Renner.

There were far too many plot twists involving who was related to who. First Steve Rogers and his nephew, then Nick Fury and his son (Anthony Mackie) it kind of got ridiculous.

This movie was supposed to be a pseudo Black Widow (Scarlett Johansson) movie as well, but if I had to guess, she probably had like 3 minutes of screen time, everything you saw in the trailer, all at the end too. Must have been too busy voicing sexy robots again.

I am pretty sure this is second longest Marvel movie too, after The Avengers, and a lot of it drags on. They kept introducing other side villains who got barely any screen time that it kind of took away from the overall plot, reminding me of Spider-Man 3. Hell, it even had a strange emo dance scene in it as well.

Overall, this movie feels like a big lie. Both to the Marvel continuity, through its advertising, through so much. I am glad I guess that they killed off Steve Rogers at the end, bringing in a different Captain America story. Can’t wait to see how they spin this for The Avengers: Age of Ultron. But that was about the only cool aspect.

Movies based on true events are always a tricky endeavor, especially if those events are within the last few years. If they are based on a single person, who happens to be alive, then it can get all sorts of awkward.

Julian Assange, the founder of Wikileaks is currently living in the Ecuadorian Assembly in London. If he ever leaves, London is going to send him off to Sweden for what he claims are bogus charges, who are then going to send him back to the US for all sorts of “War crimes.” If you never heard his name, and don’t know who he is, then The Fifth Estate is probably the movie for you!

I wouldn’t describe this as a thinking movie, but there are a lot of thinking scenes.

Despite being about Julian Assange (Benedict Cumberbatch), this film is told from the perspective of Daniel Berg (Daniel Bruhl, who was also just in Rush). Daniel started to work with Julian in 2007, drawn into the idea of Wikileaks, which was a way for whistle blowers to anonymously report wrong doings and keep their identity secret so that they can not face repercussions.

A nice idea. They want to make the world more transparent, allow everyone to have secret information, and protect those that give that information. But what if WikiLeaks becomes more about Julian Assange than the original message? What if they don’t care about protecting lives anymore?

It should be noted that the movie is based on two books that came out in 2011, one written by Daniel, who was no longer with the company, both with a negative bias towards Wikileaks. Because of that, it is hard to say how much of the events in this film are accurate in their portrayal.

Despite their now aggressive relationship with each other, we get to see into the workings of the early years of Wikileaks, their volunteer army, their expansion of servers across Europe, their battle against banks and in the courts for free speech and some of their biggest scoops. It also tells the story up to including the famous Afghan War Diary, its biggest scoop, that was taken from the government by Bradley Manning.

As far as other actors, I guess they are important enough to mention. Laura Linney, Anthony Mackie, and Stanley Tucci all play various US Government employees, Lydia Leonard and Moritz Bleibtreu (from Run Lola Run / In July fame!) play other members of Wikileaks, and David Thewlis the main reporter for The Guardian who is covering Wikileaks.

Bunch of lookers too, but not in the way that phrase normally means.

Needless to say, Julian has gone on record to say he doesn’t agree with his own betrayal in this movie, calls it one sided and a smear campaign against Wikileaks. He has at least one point going for him: If powerful organizations want to discredit Wikileaks and cause it to lose trust in citizens of the world, then discrediting Julian as a bad person is one way to go about it. They mention it in the movie, and he says it in real life a lot.

In fact, the ending of the film is Benedict recreating an interview that was done with Julian, about his thoughts on the film. Sure, it made the movie end weirdly, but encouraged the viewer to do their own research on the subject. Kind of meta, kind of cool.

Of course, Julian also hasn’t seen the film, just read several scripts, so I can’t take his word completely either.

The Fifth Estate definitely makes Julian look like a dick, but also a guy who more or less has his heart in the right place. He wants to make the world a better place, but at the same time he is only human.

I think the main problem with this film is they made this story far too melodramatic that it almost made it seem either over the top, or just no longer real. The film even comes complete with “visual metaphors” because making movies about the internet and data is pretty hard without making it look silly. So there are many scenes of a warehouse, almost infinite in size, with desks and computers showing the Wikileaks army at work. What I am getting at is they still end up just looking silly.

Benedict did an excellent job at acting as always, really doing his best to imitate Julian and also seems to be a fan of the man from interviews. There is a documentary coming out eventually, We Steal Secrets: The Story of WikiLeaks, which may give a more accurate portrayal of events. But until then, we are only left with this okay melodrama, about a man and his website.

The title Runner Runner at first glance is a strange one. Initially I figured the film would be about people who were always getting chased, on the run, or cowards. Or a combination of the three!

It turns out it is a Texas Hold ‘Em term. It is when you don’t have anything good in your hand or the initial three cards on the table, but gain a better hand after the fourth and fifth cards have been laid down. It is a risky situation that most poker players do not rely on, because that would be ridiculous and more often than not, a waste of money. Let’s just call it synonymous with extremely lucky and stupid.

Enough foreshadowing? Alright, plot time.

“I’m not sure what to do with my hands..”

Richie Furst (Justin Timberlake), besides having a very strange name, is a masters student in finance at Princeton. He used to work on Wall Street out of college, and was about a year away from reaching that seven figure income, before it all blew up in his face and he lost everything with the economic crash.

Because of his past, he cannot receive financial aid, and has to literally gamble his life savings to pay for tuition. Until he loses it all on the website Midnight Black. According to his data and math skills, he clearly got scammed out his money, and he wants it back, so he decides to fly down to Costa Rica and talk to the website owner personally.

Ivan Block (Ben Affleck) is wanted by the FBI and world famous for his online poker sites, but he does enjoy making his business better through smart Princeton students. He ends up offering Richie a job, and Richie starts earning the money he thinks he deserves.

Hooray money! Money of course never comes at a cost, and there is surely nothing illegal at foot down here! Gemma Arterton plays the one woman who has a speaking role in this film, and Anthony Mackie a hardass FBI agent who really wants to take Ivan down, no matter the cost.

Here is a picture of these men walking. You know, not running, and for sure not running running.

It turns out my original guess about this movie wasn’t entirely incorrect. By the end, a lot of characters do go on the run: whether it is from the law (US or Costa Rican), from Ivan Block, or from other thugs. There is definitely a lot more running in this film than fighting or relaxing.

What I will say positively about Runner Runner is that it started out with an interesting concept and had a lot of potential. Who doesn’t love a good story about corruption and money?

The problem lies with how fast this movie moves, basically too fast to care about any of the characters and too fast to really feel the fear of the situation they have placed themselves in. At most I would describe the film as mildly entertaining, but I didn’t get any real value out of it due to how it was set up. All of the problems presented in the film were either solved instantly, or kept hidden like a Scooby-Doo plot point until they happened. I am not complaining that they kept some information secret, just that when the reveal happened, it was met with some mix of confusion and boredom.

The acting wasn’t spectacular, nor were any of the twists or turns. But I think both of those instances can be blamed squarely on the directing/editing. The last movie the director did was The Lincoln Lawyer, which I enjoyed. Unfortunately, Runner Runner seems to be a step in the wrong direction.

I did like watching Affleck as a man too rich to know what is good for him. It is a good stepping stone before he plays Batman, another man too rich to know what is good for him.

I am not going to harp about how Michael Bay is the worst guy since whatever. Yes, he did the Transformer movies, and fucking Pearl Harbor, and he is about to kill the Ninja Turtles, but he has some decent stuff. Like. Independence Day. I love Independence Day!

I am just saying, there is no reason for me to assume Pain & Gain will be bad. The trailer just makes it look…weird. And apparently a true story. Okay, yeah. Sure.

So far, Michael Bay is clearly experimenting with different light refraction techniques. He is growing!

1995. Miami, Florida. Danny Lugo (Mark Wahlberg) is the current main manager at Sun Gym, after serving a short sentence in prison for fraud. He promised his boss (Rob Corddry) that he would triple the membership and get the gym back on the map, and boy did he ever. Through some questionable means, but who cares when you got dat income.

He is great friends with Adrian Doorbal (Anthony Mackie), another former criminal and bodybuilder. But they are both poor and tired of it. Tired of a bunch of assholes, like Victor Kershaw (Tony Shalhoub) who are self made rich men, and think everyone else is a piece of shit. After all, Danny is a doer, not a donter (lessons he learned from Johnny Wu (Ken Jeong)).

Doers do, and so Danny had the simple plan. Kidnap Victor, torture him until he signs away everything and ruins his life completely, then kill him and live the life of luxury. Just need a third man. Like Paul Doyle (Dwayne Johnson). Paul just got out of prison, was a cokehead from NYC, but found Jesus and wants to turn his life around…but he also needs cash.

Simple plan, nothing can go wrong if they have enough can do attitude, muscles/fitness, and positive thinking! Yeahhh… Ed Harris plays a private investigator, and Bar Paly a stripper turned confidant.

Step 1: Identify self to kidnappers. Step 2: ???? Step 3: Profit

Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck. It is not cursing if you take 10 seconds to say it.

Hot damn, this film was awesome. And amazing! And abstract. Abstract? Yes. Totally. I wasn’t just looking for more A words.

Seriously, this film was definitely something special. Who thought Bay had it in him? I was laughing and cringing, often in secession. There is just so much ENERGY in this movie, I’d find it impossible to lost focus at all.

Dwayne Fucking Johnson, I don’t even know you anymore. He acted the fuck out of this film, and was 100% the best part. Not saying Mark Wahlberg wasn’t amazing (because fuck, he was!), he just had to compete with The Rock! The two of them were out of their minds the entire time filming this, and made their characters their bitches. That is the only way to describe it. Literally. No one else has tried. If they did, they used those words.

Just. Aggh! The true story itself is a fascinating one, which is also not as funny as the movie took it out to be. Check it out here, but be warned it is a long read (so…its like reading the book version?). I am not saying the movie made light of the events in the film, because very serious shit went down and they talked about a lot of it. Just still had a more comedic tone overall, while also splashing your face off with shock juice.

Not going to lie. When I first saw the trailer for Gangster Squad, I thought it might be interesting. But I was worried based on the dialogue given it might all be cheesy. But I do love vigilantism. Especially real vigilantism. But above all of that, the thing I liked most was just the music featured in it. Made me all sorts of pumped up. But I learned long ago that if I hear a song in a movie trailer, it most definitely won’t be in the movie.

Bitches, yo.

It is amazing that he picked such a diverse group of guys too. I had my money on all white all middle aged!

In the late 1940s, the city of Los Angeles is under siege. Not by the Russians or Germans. Nope, by Mickey Cohen (Sean Penn). From New York, he is now the most powerful criminal in LA, having bought cops, judges, you name it. No one can touch him, not even the mobsters in Chicago. Not everyone is corrupt though. Once Chief Parker (Nick Nolte) sees that Sgt. John O’Mara (Josh Brolin) has brought down an illegal brothel by himself, he enlists him on a secret mission.

There is no way to get Mickey Cohen legally. Killing him wont do anything, someone will just take his place. No, he needs to leave his badge at home, recruit a team (or squad, if you will), take down his entire infrastructure, and sure, maybe kill a bunch of gangsters.

Fuck the law, do what is right!

Well, he gets a team of mostly cops, people who aren’t as worth being bought off who all have special skills. Conway (Giovanni Ribisi), an intelligence expert, Coleman (Anothony Mackie), who grew up on the streets and is one of the few who cares to fix them, Max (Robert Patrick), a fabled cop who has quick hands and can hit anything, and Navidad (Michael Pena), his Mexican partner who is willing to do anything.

Oh, and of course another detective Jerry Wooters (Ryan Gosling) who has a personal vendetta against Cohen, and not just because he is sexing up his current fling (Emma Stone).

Cohen is going to get those coppers, so hard they don’t even know it yet.

Whew. Well, if you watch the trailer, you are going to get exactly as it shows. The lines are unfortunately mostly cheesy. The “No Ma’am, I was just hopin’ to take you to bed.” Imagine a whole film of that.

I think the movie is a bit of a shame. A lot of great actors involved, but it felt a lot like a no emotion cartoon. I didn’t feel sad when they wanted me to, nothing really resonated. The chemistry is really what was missing here. Between everyone, but especially between Stone and Gosling, who had an unbelievable romance going on. We know they can do that too, since they were together in Crazy, Stupid, Love. So I guess it is a director issue?

Another reason it felt cartoony to me was the filter they used to film it. I don’t know what it was, but look at the second picture. It has a yellow/orange tint almost, but something about it just really turned me off from the whole movie.

The fact that this is based off of a true story seems like a farce as well. It might actually be that Mickey Cohen existed only, in which case, fuck your true story tag lines.

Action was okay, acting was mostly forgettable, except a few Sean Penn moments. It was weird seeing Giovanni Ribisi as a good guy finally, so I am glad he can not be type casted (so much) anymore.

History is written by the victors, definitely something you’ve heard before. If not get some education, damn it.

But it is true. Just like dead men tell no tales. Undead men can tell tales, however.

Alternative histories are usually exciting to watch, as you watch events you know definitely occurred, with other questionable events spliced in between. Abraham Lincoln: Vampire Hunter is no different. What this movie is, is a ‘biography’ of the secret life of Honest Abe, as he protected America both from itself and from the blood sucking swarm of the night.

Training is best when it is also practical.

Abe Lincoln (Benjamin Walker) grew up in Indiana, with his parents on a plantation. But when his black friend’s family was being sent to the slave trade, despite being free citizens, Abe put himself in harm’s way to protect his friend Will Johnson (Anthony Mackie). This caused his dad to get upset with the plantation owner, Jack Barts (Marton Csokas), who then threatened the Lincoln family if they left his services. Which they did.

But that is a shame, because Jack Barts is totally a vampire, who got his revenge on Abe’s mother that night, and pushing Abe to enact revenge. Nine years later, he tries. And motherfucking Jack Barts is a vampire! And doesn’t die! No worries, mysterious stranger Henry Sturges (Dominic Cooper) saves him, and after some time, agrees to train Abe in the art of vampire hunting. But only if he ignores his revenge, and is willing to listen to everything he says. Sure.

But then after training he moves to Springfield, to study up being a “lawyer”. Ends up finding a job at a local store run by Joshua Speed (Jimmi Simpson) and falling head over heels in love with a Mary Todd (Mary Elizabeth Winstead). During his vampire killing duties, he develops relationships with people (oh no!) and even becomes more politically involved. Gotta stop the slave trade. Real people. And its run by vampires in the South to eat from.

But if he were to stop the slave trade, the vampires would no longer be satiated and move more north. He’d be putting a hex on the entirety of America if he were to give equal rights to people. Hell, that’d probably cause the vampires to join the South in war. Lead by the head vampire, Adam (Rufus Sewall), will Honest Abe be able to stop slavery, end the vampire threat in America, and maintain his presidential life style all at the same time?

“Bitch tryin’ to kick me? Don’t you know who I am? I’m a muthhafuckin Vampire Hunter!”

Alright, so obviously this is kind of a dumb movie. You know vampires aren’t real, and you know this didn’t happen. But hey, if it was well done and had good action scenes, probably worth it. Why not, right?

Well unfortunately, as a budget saving measure I guess, the action scenes were lacking in luster. They had good ideas, but making them work with CGI? Ehh. Half of the fight scenes, you cannot tell what is going on. Either general blurryness, lots of dust, or fire. Fuck that noise. Movies have proven they can do intense fight scenes and make all of it easy to see. Some movies don’t want to put in that effort, and gimp out when it comes to them. So that is a negative for the movie.

Somewhat slow plot at times, and historical time frame that doesn’t seem consistent with reality. Other things that bug me. But doesn’t change the fact that the idea for the movie was an interesting one, just a poor execution at some of the parts that really mattered.

Man On A Ledge, a very descriptive title for a mysterious movie. I was confused when I saw the TV spots for this movie at first, the commercials definitely made it look like it was a TV show. But there was no way an entire show can be based on a guy maybe going to jump off of a building.

Unless it was on AMC, but then those 8 episodes would probably be the most amazing episodes of TV of all time.

But nope, it was a movie. But what the heck was it about? Very sketch previews. I did want to see it in theaters, but alas, no friends to go with. I was hoping it would be another movie like Phone Booth (which I love). But it is in fact, way different.

For instance, phone booths are 9 times out of 10 a safer place to be than a ledge.

The only stuff I will say in this will be known from the first thirty minutes. I mean, you have to get some plot as to why he is on the ledge. If not, you wouldn’t read this part at all!

Nick Cassidy (Sam Worthington) used to be a cop, but got sentenced to jail for a felony. At the funeral of his dad, he found an opportunity to escape, and oh boy did he. He claims he was set up, where he allegedly stole very valuable diamonds from a local real estate / diamond guy (Ed Harris). Even his former partner (Anthony Mackie), despite his claim to innocence.

What does he do with his new found freedom? He makes a fake identity, gets a nice room and goes to stand on the ledge in the middle of NYC. Wooo, a jumper!

He refuses to talk to the original hostage negotiator (Edward Burns) but demands instead Lydia Mercer (Elizabeth Banks), someone who ended up getting a cop killed a month earlier, and the current red headed step child of the police department. Maybe he is just stalling though. He is after all talking secretly in a hands free device to his brother (Jamie Bell) and his brother’s girlfriend (Genesis Rodriguez), who are across the street trying to break into a jewelry vault.

Wait what?!

A lot of the film takes place here though.

Thankfully the film had a lot more going on in it than just a diamond heist. And he wasn’t on the ledge the whole time either. Thanks to things like flash backs, the heist itself, cops doing cop work, and leaving the edge within the last 20 minutes, it is more than a one note thing. It is obviously a metaphor and literal title, given he is on a ledge, and just means a man who has no place else he can go. Either prove his innocence (if he isn’t lying) or die trying. Animal in a corner, and other stuff like that.

It had an okay plot, and a decent heist, but was still probably a bit too long. A few of the potential “oh man, action!” parts are just him acting like he will jump, when we all know it won’t ever happen. Not that early, at least.

Honestly, I feel like half of my movie reviews involve me admitting something that I previously didn’t know. It may come as a surprise to you, but my musical knowledge isn’t focused in the hip hop/rap movement/wars of the early 90s.

Believe it. The first Tupac song I heard was Changes? Maybe? Its music video seemed like a screensaver slide show, and came out years after he “died”, so not sure. Similarly, the first Notorious B.I.G. song I heard was that Mo’ Money, Mo’ Problems song, and then I’ll Be Missing You. All made popular after death, and not really his stuff.

Clearly, I have been missing out. But yay for the chance to learn some things!

I am well aware though that Tupac isn’t dead, but the Ivory Coast goal keeper.

Did you know Notorious B.I.G. had a son? It’s true. And his son, Christopher Wallace, plays his dad in this movie. His dad when he was 10-12 year range at the beginning. That is both awesome and weird at the same time. He was also the kid in Everything Must Go.

Either way, he was also born Christopher Wallace, to a single mother (Angela Bassett) who tried to raise her boy right. Morals, Christian, you know, all of that. But he likes to rap. He starts of dealing drugs, lots of crack, and when his girlfriend is pregnant, he has to raise the stakes for his crack dealing. But also, still rap battles.

He also meets (who will later become) Lil’ Kim (Naturi Naughton) at this time, who’s real purpose in this movie is to be naked a lot. So he is cheating on his girl, and drug dealing, causing him to get kicked out of house. Eventually he is caught with drugs and guns, and put in jail for awhile until bail happens, and he vows to turn his life around. He makes his first big hit, and get signed by Sean Combs (Derek Luke) as long as he gives up the crime. But the album still takes awhile to happen…

He eventually starts his album when Puff Daddy makes his own company, and meets Faith Evans (Antonique Smith), a singer, and marries her. You know, ignoring his old gf/kid, and Lil’ Kim. Can you see this is setting up to be bad? He also meets and befriends Tupac! (Anthony Mackie), but when he gets shot (and doesn’t die) he blames Biggie, P. Diddy, and the label. They start to feud with the tracks and records. East Coast / West Coast. Very bad things.

You know how this ends. Tupac dies, Biggie feels like he is to blame for it (no shit kind of), and tries to quit rapping. Still being bad with all three of his women. Eventually shot and killed himself. Then everyone listens to Hypnotize for the rest of time!

Bad Boy Records really just wants peace.

Guess what! I’ve learned something today. And that shit can get complicated when you add in drugs, weapons, and dirty hos.

I’m looking at you Lil’ Kim. But then again, she is a real person, and apparently hated her portrayal in the movie. I wonder why.

I thought parts of the movie were entirely cheesy. Despite a supposed biography, it just felt, weird at times. The narrator changed too, mostly Notorious throughout, until the end when it was his mom talking about his legacy.

But it was also interesting at the same time. Again, I really didn’t know most of the songs, but I recognized Hypnotize every time they played it (four? Maybe I am counting the menu too). So hey, want to know about Biggie Smalls? Watch the movie. Don’t? Ignore it. Easy.