Tag: Angela Bassett

Here we are, months after the release of Avengers: Endgame, and I am now ready to post a review. Why the delay? Several reasons!

One, my review when it came out would not mean a damn thing. Who cares? Everyone who wants to see it will go see it, and I wouldn’t convince any one on any side to change their mind. No one was on the fence.

Two, I wanted to wait for it to beat Avatar‘s record. I don’t think it has yet, but I’m tired of waiting. It will break it will silly re-releases, so pretty disappointing.

And three, if I waited a long time, I could do a review with spoilers! Something I have never really done before. A spoiler review can be more specific, and hey, people can agree or disagree. So let’s get on it.

Together Each Achieves More.

Endgame takes place almost immediately after the events of Infinity War. Half the population is gone, many heroes. Tony Stark (Robert Downey Jr.) is trapped in space. People are sad. But once Captain Marvel (Brie Larson) shows up, and they get their coordinates on, they all rush over to fuck over Thanos (Josh Brolin) and kill him. Hopefully also undo what he did. And it turns out they can’t. Infinity Stones are broken and gone, nothing can be done except sadness.

Five years later? Life is weird. Heroes are now fat (Chris Hemsworth). Hulks are now Professor Hulk (Mark Ruffalo). Captain America (Chris Evans) is just trying to help people. But once Ant-Man (Paul Rudd) is able to escape finally from the Quantum Realm, he is disgusted by what has occurred, and has ideas on how to fix what was undone. You know. With Time Travel.

Also starring…everybody. Scarlett Johansson, Jeremy Renner, Don Cheadle, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Karen Gillan, Zoe Saldana, Evangeline Lilly, Tessa Thompson, Rene Russo, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Tom Hiddleston, Danai Gurira, Benedict Wong, Pom Klementieff, Dave Bautista, Letitia Wright, John Slattery, Tilda Swinton, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Taika Waititi, Angela Bassett, Michael Douglas, Michelle Pfeiffer, William Hurt, Cobie Smulders, Sean Gunn, Winston Duke, Linda Cardellini, Frank Grillo, Hiroyuki Sanada, Tom Vaughan-Lawlor, James D’Arcy, Jacob Batalon, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Ty Simpkins, Robert Redford, Chris Pratt, Samuel L. Jackson, Lexi Rabe, Ross Marquand, Kerry Condon, Yvette Nicole Brown, Ken Jeong, and Stan Lee. 

“Is that all you got?” Thanos, about the last paragraph, probably.

So sure, I gave Avengers: Endgame a 4 out of 4, despite being a non-perfect movie. Because it is an emotionally satisfying film. I cried, I cheered, I seized up with anticipation, I was serviced so much as a fan. It was a blast and the three hours flew by. The final battle had so many nice moments that were cool and can still be talked about today.

When Captain America was about to say Avengers Assemble, I remember bouncing in my seat for over 10 seconds, grabbing my wife’s arm and just ready to explode. That moment was necessary. It was beautiful.

And of course we lost characters, finally. Steve, despite feeling plot holey, got to live his regular life for once and die once his life was finally over. Tony sacrificed himself for the greater good, to finally fix all of his wrongs. Natasha had a fun suicide battle with Clint that we all knew were coming, and yet, the result was surprising given future movie’s coming out.

Most characters felt like they were given their proper moments to shine and showcase their power, especially the first big three of Captain America, Iron Man, and Thor. The throwbacks to previous films and their first fight in Avengers were nostalgic wet dreams.

And sure, a lot of might not be desired. Some newer, strong characters barely got screen time. Captain Marvel was mostly wasted (and despite the fun of the ladies of Marvel moment, it felt awkward because we know she needed zero help). Dr. Strange was left to be a defensive wizard. Of course a lot of this was done because these characters will have more time to shine in the future and are not mid swan song, but it technically also didn’t feel natural/necessary.

Honestly, a lot of the time stuff was silly. It probably could have been shortened a good amount, but again, it featured a ton of fun moments and also gave us the entrance for Loki’s future television show.

Torches were passed, heads were rolled, and franchises collided and will be changed in the future. I just hope this five year advance is handled with care and has a real significance to it. Spider-Man: Far From Home touched on it, but it didn’t go really in depth with it still. I am afraid they will mostly ignore these ramifications later in just a few movies.

Also I should note the forced disconnect of the TV shows and the movies is frustrating. All of the Netflix drama and Agents of Shield ruined us from having even more fun moments. I blame Ike.

4 out of 4.

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Mainstream 2018 (Part 1)! Basically, the popular movies I had missed, and need to really review, or else.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

Mainstream 2018 Part 1

Alpha

In the face of this movie, I expected the worst. I thought this movie had to be a typical January release, something similar to
10,000 BC. But alarmingly, it came out in September, and when I finally got to see the movie it mostly met my expectations. It was surprisingly not amazingly bad, just regularly bad.

Gross CGI landscapes to recreate the before time, and a pretty uninspired storyline about the bringing together a “dog” and a man. The other sad aspect of this movie is that people might watch it and go, “Oh, so that’s how it happened! Domestication!” and take this movie as fact. That would be a shame. And I don’t know if people actually say that, because I barely know people who have seen it, but this straw man stands in my mind. A forgettable film, like most dog films.

1 out of 4.

Waiting for Mufasa to show up takes forever.

Crazy Rich Asians

When I first heard this title, I really assumed it was sort of a joke. I didn’t know it was based on a book of the title, or why it was called that, but it just felt off. I thought it would be some sort of exploitative film that was a comedy no one would watch, and hey, it feels good to be wrong. A romance more than anything, this is a film about an outsider being brought into the world of ridiculously rich Asian people in Singapore. So we get all of the wealth, luxury, and snide comments with some back stabbing.

On its whole, it could have been a forgettable romance film. But the lavish sets went all out to display a lifestyle most of us can only dream about, while also bringing in new cultural elements to American cinema. Having the lead be the mom from Fresh Off The Boat was great, and showed she has at least some range. The ending teared me up too. And damn it, it is great in general to see different people on our romance movies. Bring on this wave of Asian-American films, damn it.

3 out of 4.

Out of the three adjectives in the title, I’d prefer the middle one myself.

Mission Impossible: Fallout

“More Mission Impossible? I thought we were done with those,” said no one really ever. Or at least said people who hadn’t been watching them. I will go on record and say the only one I didn’t get enjoyment out of was the second one, and that one has a lot of stranger things going on. I just didn’t see them until I was already an adult, so it took me awhile to appreciate them. Because lets face it, there isn’t another successful American action franchise that is going into this level of detail and craziness for its stunts. It wants Cruise to do most of the work.

He is never going to be the level of some of our older or past martial artist stars, with the long choreographed fight scenes, but its at least a step in the right direction. This film is still exciting, but overall, it feels uninspired. It just isn’t as good as the last two modern MI movies. The stunts aren’t as sexy, even if they have bigger overall stunts. It doesn’t fill me with as much awe, and the story line just gets excessive as it attempts to continually top itself. The ending also feels really clunky and I never really feel that sense of dread that it is going for. A good attempt at an action movie, I just expect a bit more now from the franchise.

2 out of 4.

The biggest stunts are helicopters? Eh, I’ve seen helicopters before.

Ocean’s Eight

I am a huge Ocean’s Trilogy fan, and a huge Steven Soderbergh fan, and so even if the director wasn’t really involved, I was hoping to love this one. Heck, the stars are there too, with a lot of big names.

I will say it feels gimmicky, and not equal, to just go the opposite direction and make it an all female cast. It doesn’t feel natural, just like an all male heist would be with the large numbers (which is why technically the two sequels had…one woman in on the heist). In the movie, it does seem to make a lot more sense, given just the nature of the crime and the talents they needed to pull it off, so that is the good news. The biggest issue overall is just that the movie feels forgettable when it finishes. No one person stands out in acting, and the various twists to show how it was pulled off are for the most part guessable, especially thanks to the title.

I still hope they can do more. Go for it. Just lets raise the stakes.

2 out of 4.

Yep, eight people, like most of the advertising, spoiling a twist.

Tag

Finally, a film people maybe thought initially was a joke. A high budgeted comedy (and slightly action?) movie, about people playing tag, that has gone on with very specific rules for decades, and one person who never, ever gets tagged. So many stars, so little time, and such a ridiculous concept (based loosely on a real story). I wanted to enjoy it and was intrigued by the trailer. But like a lot of modern comedies, I think it really just needs a group of people or slight inebriation to really fully enjoy.

I’d prefer a comedy I can find historical alone, and this is clearly one meant for you to enjoy with your own group of friends, which is fine, but limited. Again, with a large cast, no one really feels like a standout, and some people seem to be doing the same sorts of character they are always type casted into. The ending also went a really strange place. Unexpected, sure, but something that feels almost like a complete genre switch.

1 out of 4.

Mainstream movies may be a broad title, especially when you compare them to the other quick themes I put together, but hey, its my themes suck it. I originally would have done genre, but too many films are multi-genre that I didn’t want to deal with that hassle.

In 2017, I was a bit disappointed with the superhero genre. It was the first time in awhile that a superhero film didn’t make it in my best of the year list. And that includes Logan, which I gave an average rating to.

As for Marvel, in 2017 they gave the average Guardians of the Galaxy Vol. 2, the decent Spider-Man: Homecoming, and the funny Thor: Ragnarok, but none of them really blew me away.

Black Panther I was really hoping would start the year off strong. I loved the character for years, he was amazeballs in Civil War, and for all intents and purposes, it looks like they took a lot of care to ensure this one would turn out right. To not be another Catwoman, if you know what I mean.

And somehow it exceeded most of my already high expectations.

Ah sweet! A duel between two panther orphans.

Days after the bombings that took out King T’Chaka (John Kani), and all that Civil War nonsense has ended, T’Challa (Chadwick Boseman) has returned home to his country of Wakanda to ascend the throne and become their leader.

And you know what? Things are sure going swell for Wakanda. Minus the death of their ruler and some missionaries, they are still prosperous as fuck, living mostly peacefully in their walled off community. They are rich, they have crazy good technology, all thanks to luckily living where Vibranium deposits are, from a meteor a long, long time ago. Yep, it pays sometime to be lucky, I guess!

The Queen (Angela Bassett) is ready for her son to rule, and his younger sister, Shuri (Letitia Wright), is a tech genius, helping beef up his Black Panther outfit. And there is a former love interest, in Nakia (Lupita Nyong’o), a warrior champion of one of the many tribes who believes they need to be helping all of Africa, not just themselves.

Unfortunately, things are about to be not so peaceful in Wakanda. A combination of meddling white people (Martin Freeman, Andy Serkis), both good and bad, and the sins of their fathers, are about to change the way Wakanda is seen by the world and by the tribes who inhabit it. Because Wakanda is about to unknowingly welcome home a former son and member of the royal family back to their fold (Michael B. Jordan), and he has his eyes set on the throne.

Also starring Danai Gurira, Daniel Kaluuya, Winston Duke, Sterling K. Brown, Florence Kasumba, and Forest Whitaker.

Ah sweet! A set of dual panther blasters.

Good news! Kilmonger is officially one of the best Marvel villains to date. You know why? Because he is a bad guy with realistic motivations, one who doesn’t speak in cliches, and arguably, he is right. He is right! Not necessarily in the methodology he ends up employing with his drastic measures, but he has justifications that just make sense. He is correct that Wakanda should branch out more and that it is totally fucked up what happened to him his past. He legitamately deserved some amount of revenge.

Okay, okay, I will not talk only about how great Jordan is and his character. The rest of the cast really shines too. I want way more Shuri and certainly more M’Baku. This movie celebrates its diversity in ways we haven’t seen in a blockbuster in almost forever, and that diversity shines brightly. There are vivid colors without relying on the Doctor Strange spectacles, and thrilling fight scenes without excessive explosions.

Hell, the best part about the climatic fight scene (besides the obvious repercussions as they are happening and the crowd pleasing moments) is that it for the most part took place in the open, during the day. It was well lit, we could see it all, and it wasn’t hiding behind quick camera changes and bad choreography.

There are some easy things to nitpick, sure. Like Vibranium becoming a catch all wonder cure. Like the excessive amount of violence involving stabbing items without a lot of consequences from those actions. Like this film following the general strategy of “Intro Marvel Film” means good guy fights evil version of himself.

But it does a lot of things right, from a cultural stand point, from visual stand points, from the plot, to the acting, to the action, and to the scale. It is a strong bar to set for Superhero films this year, and one that Marvel is hoping to actually surpass in just a few months.

4 out of 4.

In 2013, our main Doppelganger films were Olympus Has Fallen and White House Down. The former was mostly serious with some jokes, the latter, full on action comedy in the middle of summer.

And you know what? I liked both of them. They had their charms and were unique enough from each other that I didn’t mind their similarities. They both worked and did what they needed to do to make an entertaining product.

But the Movie Gods have spoken, and Olympus Has Fallen has a sequel now, London Has Fallen, meaning it must have been the superior film. After all, the best films always get sequels, right?

And that was with Olympus Has Fallen having a shitty president. I could write a whole review on just why his character is stupid, but no one wants me to rant about fiction. The real presidential situation is crazy enough for us to not need that in our movie lives.

In order to take over London, you first must kill its rivers.

Two years before the events of this film (probably before Olympus Has Fallen? Or right after? Who knows), America did something stupid, as they tend to do. Aamir Barkawi (Alon Aboutboul) was a weapons dealer in the middle east, and he sold big boomers to lots of bad guys. He was a high target and so we drone striked his ass. Of course we also did it at his daughter’s wedding, during a huge celebration with a bunch of bad guys, but who cares, we got him!

And now, a prime minister in London is dead. He died young in his mid-40’s, with a heart attack over night. So now world leaders from all over are heading to London for his funeral with not a lot of time to plan it out. Mike Banning (Gerard Butler) is thinking about quitting the secret service, because his wife (Radha Mitchell) is about to give birth and he wants to be there for his kid. The president is still Benjamin Asher (Aaron Eckhart).

Guess what? Terrorists! They had killed the prime minister and set a huge trap throughout London to kill most of the world leaders. This is of course orchestrated over two years by Barkawi, who didn’t die, just all of his family. Joy. Leaders from France, Italy, Japan, Canada, and more all die, but they can’t knock America down. Now Banning has to lead Asher underground and around London, until the bad guys can all be shot and he can be extracted. Barkawi wants Asher, and he wants to execute him live on the internet for the whole world to see.

Returning characters are still played by Morgan Freeman and Angela Bassett. Jackie Earle Haley is a dude in the war room, and we have MI-6 agents now to help and hurt, featuring Patrick Kennedy, Colin Salmon, and Charlotte Riley, who happens to be married to Tom Hardy!

I bet if Tom Hardy was here, they would have escaped right away without all the death.

It is clear that London Has Fallen isn’t as good as Olympus. The terrorist attack in the first film was plausible, given enough time, sure. But the terrorist attack in this film was make every police, EMS, service worker a bad guy in disguise (all of which totally end up being Middle Eastern, cheers), and blow the fuck out of every major landmark. Not all of the landmark, just parts, to show they mean business. In fact, all of the world leaders who die seem to die mostly by accident, not by planning.

All of the destruction and wanton death happens early on with the President narrowly escaping each time. And then it just turns into a simple man hunt for him. This is after they contacted the White House and said they would stop killing everyone if they had the president. They obviously didn’t turn him over, and guess what? The random killing stopped anyways. There weren’t later attacks, or more death, so the good news is America didn’t have really any more death on their hands. The bad news is the movie is full of scenes like that. They sound intimidating, seem like they will lead to somewhere and don’t do shit.

I mean, apparently they always wanted to capture the president for a live execution, despite blowing him up, shooting at him and such. The president also seemed to know he was wanted for a public execution, despite not knowing who is behind the attack and not receiving any intel.

The worst part about all of this is the drone strike that started the whole thing. One would imagine that this would bring some sort of discussion about drone strikes, killing civilians and responsibility of America overseas. That would make sense. It did cause this horrible event to happen in London as a response, and America gets away with it scott-free (spoilers?). But no. It ignores it. It doesn’t discuss the morality of any of this. Not only that. NOT. ONLY. THAT. But it ends the damn movie (again, spoilers), with another fucking drone strike to get the bad guy again. Literally. No lessons learned. No sign of change. Just a nice fuck you, it’s America time.

The only scene I really enjoyed was when Banning and MI-6 agents were storming the bad guys base. It was full of long shots and shooting and was well choreographed. Everything else was lack luster.

1 out of 4.

I may be the only one excited about this film.

I heard about Chi-Raq a few months ago, and like most people, I assumed it would be some sort of Iraq spiritual movie. Chi. Get it?

No, it is Chicago. Okay, a movie comparing the violence and unrest in Chicago to Iraq. After all, Spike Lee is directing it, and that sounds like something right up his alley.

But nothing I have said should make me excited about the film. I hate Chicago (Hockey reasons), and I’ve only seen like three of his films: He Got Game, Inside Man, and of course, the shitty Oldboy remake. However, it is also a modern retelling of the Greek play Lysistrata. As an Ancient History major on my spare time, and lover of Greek plays, the idea became immediately intriguing and something I knew I had to see.

SLJ wearing snazzy suits was reason number 2.

Chicago, the land of death. More people have been murdered in that one city than the American deaths in Iraq and Afghanistan since the wars have started. That should be a big deal, but it is ignored. That is why residents of the South Side have started to call it Chi-Raq, because it is a war zone out there and every body is dying.

In this fictionalized version of the city, the war is between two main gangs, the Spartans (purple) and the Trojans (orange). The leader of the Spartans is a rapper, whose stage name also happens to be Chi-Raq (Nick Cannon, don’t get lost on me yet), who people love. The leader is of the Trojans is a guy nicknamed Cyclops (Wesley Snipes), who only has one eye of course and a sexy studded eye patch.

But they aren’t the stars. No. Lysistrata (Teyonah Parris), the most attractive woman in Chi-Raq who also happens to be dating Chi-Raq. They will make beautiful babies some day. But Lysistrata starts to get tired of all the gang violence. She has to watch a mother grieve (Jennifer Hudson) over her dead 6 year old daughter who was accidentally hit during a drive by. She has to live with the fact that her boyfriend might have done it. And thanks to the same sage advice from a neighbor, Miss Helen (Angela Bassett), she realizes she has her own weapon that she can use to sway public opinion.

Yeah. We are talking about her body. No peace? No pussy. Lysistrata gathers her friends (Anya Engel-Adams, and more) and gets with Indigo (Michelle Mitchenor), the main lady friend of Cyclops. She wants them to put their differences aside and fight for change. They don’t allow any sex until the gang violence is over. They will get all the women in Chi-Raq involved. They will even get the prostitutes. They are doing it to protect the babies and their future. And hell, fuck it. They want World Peace, while they are it. And to prove their point, they also will take over a national guard armory in their city to show they fucking mean business. By not fucking.

Sex.

Also starring a lot more dudes. Harry Lennis is the police chief, D.B. Sweeney the mayor, David Patrick Kelly a general, John Cusack the main local priest, Steve Harris the leader of the Knights of Euphrates, Dave Chappelle a strip club owner, and Samuel L. Jackson our narrator and in the “Chorus” role.

Booty booty booty booty rockin’ nowhere.

Spike Lee might have out Spike Lee’d himself, as Chi-Raq is potentially the Spike Lee-iest thing he has ever created. It is so out there and original while being a modern retelling of a Greek play. It is amazing that I can say something like that and it totally make sense in the context in the film.

A majority of the dialogue in this film flows like poetry, complete with rhyming words and just being so fucking smooth. It was full of music and full of style. I want to have a copy of the script immediately, just to read some of the word again. I will buy this movie in the future and always watch it with subtitles, just to get the full impact and appreciate the cleverness of it all.

I hope beyond everything that Teyonah Parris gets nominated for a Best Actress award for this film. She owned the shit out of it, her presence on camera made you always focus on her and she nailed it. Some people might write off this film as just some “Sex movie” but it is a sex appeal film and not just one giant soft core porno. Parris is not afraid of anything from this film, tackling the hard subject matter in all the different ways.

Chi-Raq has all the same messages from Dear White People, but in a way that strangely makes it more relatable (not on a college campus). It is also incredibly modern, including references to every Black male shot that made political news, but also the Charleston shootings (which was in June this year) and Sandra Bland (July this year). Typing it makes me realize how long ago that was technically, I could have swore they were only two months ago. But eh, still modern as shit.

Original. Fun. Serious. Spike Lee.

4 out of 4.

Man, movies that didn’t come out last Fall/Winter are finally hitting the DVD Shelves. Last week was Justin Bieber’s Believe, which came to theaters on Christmas. This week, it is Black Nativity, which came to theaters for Thanksgiving! An even longer wait, those assholes. And for what? Nothing.

Bah humbug. Just give me my Christmas themed movie in April, thanks.

Christmas movie…with singing! Yay, sounds like a lot of joy.

This movie is based on a Langston Hughes play of the same name (but also, nothing like it?). You see, this isn’t just a retelling of the nativity but with an all black cast. The latter part is true, but the former is not. This is a modern setting, New York City.

In fact, our main character is named Langston (Jacob Latimore), after the poet. His mom (Jennifer Hudson) really likes him. Well, they are poor, behind on bills, he doesn’t know his daddy and they are about to be evicted. So she sends him to live with her parents in NYC, whom he hasn’t ever really met.

In NYC, after getting into trouble, he finally meets them. Reverend Cornell Cobbs (Forest Whitaker) and his wife Aretha (Angela Bassett). Yep, religious people. Around Christmas, no doubt. Langston doesn’t care about any of this, he just wants to help his mother anyway possible. If he has to steal to make money, so be it.

But maybe, just maybe, Christmas will and this new family he never really knew will be able to change him. Also starring Tyrese Gibson, Mary J. Blige, and Nas.

I swear, just one role of his should acknowledge his eye. Just. One.

As expected, there ended up being a lot of drama in this movie. Over status in life, over who was the father, over why the daughter left her home in the first place to struggle for fifteen years, and over God.

I was ready and willing for all of that. But then the songs came and it was incredibly disappointing.

Fist off, the music felt faker than most musicals. They didn’t even make them feel real for a musical. I am ready to expect someone to just belt out and start going, but then they keep singing the song while doing other songs. I mean, I know Jennifer Hudson is singing. She started the song, voice didn’t change. But they continue the same scene with her singing, but character literally not singing as other stuff goes on. That happened multiple times.

A lot of the music also just became background noise. Musicals need to make their music front stage. When it gets turned into a montage without any of the characters actively singing, and literally just being a song like in a normal movie, it is hard to really give it any attention.

The music was a lot of Gospel, and I like Gospel, but the music was just so disappointing as a whole, that this in no way felt too much like a musical. None of the emotions they wanted to convey were able to hit me and that is down right disappointing.

This is why I chose to use all of my analysis space on just the music a lone. After all, if the music is bad in your musical, then your musical is indeed bad.

1 out of 4.

As you all know, I am a patriotic American, so if there is a movie out there that will increase my patriotism, by golly, I will see it!

Not that I needed any more convincing to see Olympus Has Fallen. I love a lot of the actors in this movie, even though certain male leads may be pushing out a lot of crap in a row. But hey, this looks like Die Hard meets the White House! That is especially good news given out A Good Day To Die Hard turned out.

Arguably, both this and Die Hard 5 are going to be political. Probably. Mike Banning (Gerard Butler) used to be the best secret service agent there was, working for President Benjamin Asher (Aaron Eckhart). Unfortunately, after leaving Camp David on a snowy night, his limo hits a bridge and they are only able to save the President, not his wife. Mike didn’t do anything wrong, but the President just doesn’t want to be reminded of his dead wife every time he sees him.

Few years later, he now is stuck with some desk job. Can’t shoot anyone in the office (legally), damn it! He still relives that night, and his long term lady friend (Radha Mitchell) can’t seem to help him.

But unfortunately today is a day where everything will hit the fan. A fighter plane is able to make it into the DC airspace, and begins to open fire on the white house while the President has the South Korean Prime Minister under his care. But in the panic room, it turns out not everything is as expected. Surprise, North Korea is behind all of this! Not only have they locked the President and Vice President in the panic room, but they have taken over the building as well, and have pretty egregious demands for the country that they are holding hostage. Clearly only one man is good enough to save the day here.

Featuring Rick Yune as the bad guy, Morgan Freeman as the Speaker of the House and now acting president, Melissa Leo and Angela Bassett as government women, and Dylan McDermott as an also former secret service agent.

 

Honestly, to me this looks like they are just dancing. Sometimes you can get an idea that is so crazy, so wild, that it works on some grandiose scale, and I believe that is what is happening with Olympus Has Fallen. It is action packed (after the icy intro and set up) and entertaining. Sure, you can probably figure out how everything is going to end before its through, but that doesn’t even matter in this movie.

That’s right, no real big surprise twists! I think if the entire point of a movie is a twist at the end, it really loses its potential to watch it again for fun (unless you are watching with new people). That means Olympus Has Fallen is rewatchable!

Now there are some pretty dumb characters. I think the President is a moron, but at least he is a bit hard assed. Part of the conflict involves getting three passwords from three individuals, through torture! The President has the last password, and orders the other two to give up their own because there is “no way” he would ever give his up. You know, to stop their torture. Gee, I guess he didn’t realize that they will probably just torture his friends to get the password out of him, since it basically worked two times in a row.

But this movie is about Gerard Butler kicking ass, and damn it, he does. Nice fights, guns, explosions, and a high body count. This movie was so great that I am no longer looking forward to White House Down. When there are two similar movies within a few months of each other, one of them will always outshine the other. I don’t think there has ever been a situation where both have been amazing, but at least the other one has Jaime Foxx playing the President.

3 out of 4.

Honestly, I feel like half of my movie reviews involve me admitting something that I previously didn’t know. It may come as a surprise to you, but my musical knowledge isn’t focused in the hip hop/rap movement/wars of the early 90s.

Believe it. The first Tupac song I heard was Changes? Maybe? Its music video seemed like a screensaver slide show, and came out years after he “died”, so not sure. Similarly, the first Notorious B.I.G. song I heard was that Mo’ Money, Mo’ Problems song, and then I’ll Be Missing You. All made popular after death, and not really his stuff.

Clearly, I have been missing out. But yay for the chance to learn some things!

I am well aware though that Tupac isn’t dead, but the Ivory Coast goal keeper.

Did you know Notorious B.I.G. had a son? It’s true. And his son, Christopher Wallace, plays his dad in this movie. His dad when he was 10-12 year range at the beginning. That is both awesome and weird at the same time. He was also the kid in Everything Must Go.

Either way, he was also born Christopher Wallace, to a single mother (Angela Bassett) who tried to raise her boy right. Morals, Christian, you know, all of that. But he likes to rap. He starts of dealing drugs, lots of crack, and when his girlfriend is pregnant, he has to raise the stakes for his crack dealing. But also, still rap battles.

He also meets (who will later become) Lil’ Kim (Naturi Naughton) at this time, who’s real purpose in this movie is to be naked a lot. So he is cheating on his girl, and drug dealing, causing him to get kicked out of house. Eventually he is caught with drugs and guns, and put in jail for awhile until bail happens, and he vows to turn his life around. He makes his first big hit, and get signed by Sean Combs (Derek Luke) as long as he gives up the crime. But the album still takes awhile to happen…

He eventually starts his album when Puff Daddy makes his own company, and meets Faith Evans (Antonique Smith), a singer, and marries her. You know, ignoring his old gf/kid, and Lil’ Kim. Can you see this is setting up to be bad? He also meets and befriends Tupac! (Anthony Mackie), but when he gets shot (and doesn’t die) he blames Biggie, P. Diddy, and the label. They start to feud with the tracks and records. East Coast / West Coast. Very bad things.

You know how this ends. Tupac dies, Biggie feels like he is to blame for it (no shit kind of), and tries to quit rapping. Still being bad with all three of his women. Eventually shot and killed himself. Then everyone listens to Hypnotize for the rest of time!

Bad Boy Records really just wants peace.

Guess what! I’ve learned something today. And that shit can get complicated when you add in drugs, weapons, and dirty hos.

I’m looking at you Lil’ Kim. But then again, she is a real person, and apparently hated her portrayal in the movie. I wonder why.

I thought parts of the movie were entirely cheesy. Despite a supposed biography, it just felt, weird at times. The narrator changed too, mostly Notorious throughout, until the end when it was his mom talking about his legacy.

But it was also interesting at the same time. Again, I really didn’t know most of the songs, but I recognized Hypnotize every time they played it (four? Maybe I am counting the menu too). So hey, want to know about Biggie Smalls? Watch the movie. Don’t? Ignore it. Easy.

2 out of 4.